HHV Exclusives 310 Items

This HHV Exclusive is limited to 250 copies.

Limited edition of 100 copies on blue wax. Only available at HHV.

Disco Segreta sets your summer on fire with the official reissue of two killer obscure italo-disco masterpieces! Out of the catalog of the no longer active cult Savona-based label Disco In, this 7” released in 1985 in 1000 copies sung by the mysterious Laura Angel, is probably one of the most elusive, with original copies hardly ever showing up ! “Summer Time” carries all the fascinating stylistic elements of italo-disco: romantic struggle, summer-inspired ital-english lyrics sung by a catchy female voice, over minimal 80s drums and arpeggiated basslines; while “If You Want” is possibly one of the finest examples of that all-Italian peculiar mixture of darkwave, synth-pop and italo-disco. Two superb melanchol-italo tearjerkers, with a masterful use of three classic italo disco fetish synths: E-mu Drumulator, Juno 106, Korg Poly 61. As usual with us, the first ever 12” reissue of this 45 - in a limited edition on 180g. high-quality vinyl - will be lovingly remastered, respectful of the actual tracks’ 80s lo-fi vibe, and will feature the original 45 versions.

HHV and Too Good are happy to present this exclusive color run of 1000 red copies of Tommy Guerreros 2014 album "No Mans Land". Back in print for the first time. Only at HHV. As a special treat you can pick up the poster with the artwork of this album in our bonus section.

Limited Edition of 300 copies.

HHV Exclusive edition limited to 300 copies.

Magic Source invites you to a journey to the obscure side of disco music. Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer. Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape. An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding

Big Crown Records is proud to present Piece of Me, the sophomore full length offering from Lady Wray. This is something of a homecoming for Nicole. Where her 2016 solo debut Queen Alone leaned more towards Soul and R&B with tinges of hip-hop, this record changes the mixture. It's still R&B with the textures of analog Soul, but there is a heavy Hip Hop influence that brings the sum of Nicole's career together in a new sound that will define her future. Boom-bap drums and chunky bass lines are front-and-center creating a perfect head-nodding backdrop for Lady Wray to take on the good, the bad, the difficult, and the joyful on her most personal collection of songs to date.

The title track, "Piece of Me," which has already become a classic since it's 2019 release is about the people in your life who need more than you are willing to give. This tune and the B side of the 7” “Come On In” were the first songs put to tape for this album and they were recorded with Nicole sitting in a chair 8 months pregnant with her daughter. Her voice is so powerful, so raw, so thorough on these initial songs—it's wild to think that they were recorded this way. And even wilder to know that she knocked them all out in one take. Long time collaborator and producer Leon Michels keeps the musical backing restrained and expertly executed, setting up Lady Wray for the full spotlight and setting the tone for the rest of the album.

While the upbeat energies of “Under The Sun” and “Through It All” are sure to become hits that reconnect Lady Wray with her 90s R&B fanbase, “Where Were You” offers a behind the scenes look at what those days of stardom in her youth were really like. Nicole takes on the racial tension in America with her poetic and powerful “Beauty In The Fire” and leans heavy into her faith and church upbringing on the showstopper, “Thank You”. She gushes about the profound love she’s come to know for her daughter on “Melody” and celebrates life’s ups and downs on “Joy & Pain”. In 2021 it is rare to hear a varied yet cohesive album with no “skippers”, but that is what you have here in spades. The tried and true chemistry between Lady Wray and Leon Michels has undeniably found a higher level and this album stands as a testament to conviction and dedication for all of us to enjoy and be inspired by.

With this in mind, when talking about this record, for Lady Wray, it's about a larger purpose. "My goal is always to help and to heal people with singing," she explains. "Part of that is to try and bring back real music, real singing, so people can feel something again." Now, she's not dissing anyone here, to be clear. It's just that Lady Wray cannot sing without tapping into something deeper, searching for that shared compassion between all of us. Perhaps it comes from her church upbringing, or maybe from her years of trials and tribulations in the music industry. Either way, Lady Wray is looking to bring that "Good Sound" back and the good feelings that come with it. She calls it "those inner hands," and she always means to stir them up, grabbing your attention from within.

With past albums like the Lady project and Queen Alone, it's hard to not acknowledge that Lady Wray plus Leon Michels production equals magic. But this magic is also coming from the fact that Lady Wray is now squarely herself, calling her shots, and singing to help heal first—everything else is secondary. "It's a beautiful thing I've always wanted in my career, and now I have it," Lady Wray says. "They encourage me to be me all day long." This is Lady Wray at her finest, and she's giving us all a piece of where she's at these days.

Limited edition of 500 copies in tip-on cardboard sleeve.

Loft is an instrumental hip hop album inspired by the free and spiritual jazz played by the New York loft movement of the 1960s and 1970s. A difficult time, where economic decline and poor housing politics somehow led to some amazing, innovative music, often self-recorded to cassette tapes. This music was recorded to tape on a loft as well, far away from the original loft scene. Written during the corona pandemic, this album also emerged from a difficult time. The do-it-yourself spirit and freedom of the loft movement inspired this process a lot, and it was recorded mostly with instruments from that era. There are no static BPMs or software instruments on this LP, everything is kept as analog and authentic as possible. Vintage electric pianos, tape loops and hardware effects emulate the sounds of the 1970s and the
aesthetics of hip hop sampling.

The album features independent jazz legends Idris Ackamoor, Ralph Thomas and Wendell Harrison. Chicago-born Idris Ackamoor was a founding member of The Pyramids, an influential jazz ensemble that was formed in the 1970s, and still releases critically acclaimed music today. Another Chicago musician, multi-instrumentalist Ralph Thomas is best known for his 1980 cult-classic album Eastern Standard Time. Detroit-native Wendell Harrison founded the important record label and jazz collective Tribe Records, and, like Ralph Thomas, also performed together with Sun Ra among many others. All three musicians have been very inspiring to me, and are important to the legacy of free and spiritual jazz. I’m so grateful and
honored to have them featured on these loft tapes.

Ol’ Burger Beats plays: Fender Rhodes and Wurlitzer 200A electric pianos, Sequential Prophets, ARP Odyssey and Moog synthesizers, ring modulator and delay pedals, tape loops, vinyl percussion samples, drum machines and various percussion instruments.

Recorded in Vatne and Oslo, Norway.

Limited edition of 300 copies for HHV Summer Of Jazz 2020!

Originally it has been releases on CD as well as on 3 separate 7" vinyls. Thanks to the fine people at Tru Thoughts - we are very pleased to offer the full album on LP now in collaboration with the HHV Label!

"Quantic presenta Flowering Inferno" is one of the latest in the constantly evolving series of musical outings from the unstoppable Will Holland - aka Quantic - and amazingly "Death Of The Revolution" represented his tenth full album release on Tru Thoughts.

Limited to 200 copies. Transcendental outernational funk and psychedelic jazz from mystery L.A.- based collective Sun Atlas

Little is known about Sun Atlas. The group members are hidden behind masks and costumes to keep their identities secret and to put the focus entirely on the music and oneness. A sense of community and universal spirit as an alternative to idolization and individualism is heavily reflected in their eclectic musical style.

The sound of Sun Atlas is mystical and cosmopolitan, combining afrobeat, cinematic soul, spiritual & ethio jazz with space sounds, hiphop-breaks and a garage funk vibe.

Their cryptic first 45 single “The Mystic Parade” b/w “Grand Theft” sold out immediately after release and has often been mistaken for either “lost” hiphop samples, 70s habibi funk or another project in disguise from the inner circles of the Mocambo, Big Crown or Daptone families (which it is not).

Return To The Spirit picks up where Sun Atlas’ first single left off, with everyone wondering where the journey might lead. With the door to a colourful universe opened, the full-length format gives time & space for further exploration.

Limited to 100 copies, available exclusively at HHV.

Carsten Erobique Meyer's new sub-label B-Sexy releases the first instrumental record by Reverend Christian Dabeler. The record comes with a booklet of sheet music. Carsten was responsible for the graphic design.

Hailing from Aarhus, Denmark, the quartet Clapper juxtaposes classic soul- and fusion jazz vibes with inspiration from instrumental hip hop and future beats. Their debut album "On Tempo" is showcasing the group’s knack for melodic improvisation and neck-snapping switch-ups, and, once and for all, underlining the potential on the young Danish scene today.

The four members - Frederik Emil Bülow (drums), Adrian Christensen (bass), Jeppe Lavsen (Guitar), and Malthe Jepsen (Piano & Rhodes) - are well-known faces in Danish music, also playing in acts such as Abekejser, Hvalfugl, Karmen Rõivassepp Quartet, Bangin’ Bülows Nice Jazz Quartet, and Casper Hejlesen Kvartet, respectively. Together, they’re able to strum out new music instinctively:

”It’s not important for us to adhere to any particular genre or style”, Jeppe remarks. “We just meet up, have fun, and improvise over riffs we’re digging. Having played together for so many years, it takes a very short time to click and move in the same direction. And from there, it’s simply a matter of picking and working with the best ideas from our improvised sessions.”

The same energy translates to their live shows - regular tour de forces in beat-focused jazz that, although the melodic cheerfulness might deceive new listeners, often end up in high-octane fusion workouts with crowds and musicians alike on their feet.

First Time ON Vinyl - From Original Master Tapes. Limited to 100 copies, worldwide, exclusively available at HHV and through the Label webshop.

Recorded in Florence in October 1979, “Asia” represents Egisto Macchi’s musical journey across the East. In this work, Macchi describes the many faces of Asia through his unmistakable, electric style. In Macchi’s music, Asia acquires mystical, religious, naturalist, sacred, and adventurous connotations. Acoustic instruments dominate this album; among percussion, zithers, celestas, flutes, marimbas, sansas, and violins, the listener embarks on a musical journey outside the limits of space and time.

This HHV Exclusive Edition of the new Mighty Mocambos album ist limited to 200 copies. Mocambo and HHV continue their tradition of cooperation with this new gem.
A unique longplayer by Germany's Funk champions The Mighty Mocambos: 'Scénarios' is a wild journey through iconic performances captured on 8-track tape, including celebrated versions of breakdance favourites like 'Axel F.' And 'Let The Music Play' as well as brand new original material composed especially for recordings in unusual settings.

Hamburg's deep funk chefs are known for their intuitive recordings that capture the energy of a live performance, and with this record they go all the way.

Just before the pandemic, the group recorded an in-store live session at legendary Hamburg record shop Groove City and taped an impromptu performance at JAM PDM! breakdance battle in Potsdam. Both were released on vinyl 45s, quickly sold out and became secret weapons for DJs. While most bands shifted their stage to the studio in 2020, producing an abundance of isolated lockdown-inspired material, the Mighty Mocambos – never shy of an antidote - took the mobile version of their recording studio on the road.

With no audience allowed at the Pitt Hopkins Music Session charity concert, the group used the occasion to compose meditative folk-soul instrumentals to be performed exclusively on stringed instruments. Sweaty funk does not work via video stream, but the format provided a welcome opportunity to create something entirely different. Even without electricity and drums, the cinematic "Four Two Three" and "Silent Heroes" are unmistakably recognizable as Mocambo themes.

When you follow Nina Simone's credo that an "artist's duty is to reflect the times", it became evident that once the world slowly started opening up again, further concerts would be captured on the group's portable Fostex R-8 tape machine. Luckily, restrictions fell on the very evening that the band hit the open air stage at the Import Export in Munich on September 11th 2021. The extended afrobeat-inspired jam on J.J. Cale's "Carry On" witnesses people celebrating and dancing together again for the first time after a year and the manic "Munich Psycholympics" unleashes all bottled-up energies that had being lying dormant.

The slightly kafka-esque "Ghost Walk" was taped during a soundcheck for a concert that was eventually called off for safety reasons, reflecting once more the uncertainty of the time. The last scénario sees the Mighty Mocambos returning to a packed indoor venue, playing "Let The Music Play" to a audience of b-boys and -girls – a testament to the sheer power of music. Featured as an encore here, an acoustic version of "Where Do We Go From Here?" (originally recorded with Lee Fields) closes the record and its restless voyage through unusual recording situations.

"Scénarios" differs drastically from other live albums as it does not seek to replicate existing material from studio albums. All songs were written or arranged especially for the live recordings in order to combine the group's DJ-friendly trademark sound with added vibes and momentum from the audience. Most of them were recorded while they were performed in public for the first time ever.

HHV exclusive edition limited to 200 copies.

Bacao Rhythm & Steel Band, the mysterious steel pan out­t hailing from Hamburg, Germany have amassed a cult following around the globe. With a slew of classic 7"s and two critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their third album, aptly titled Expansions, Brsb are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. Part of the allure of a new record from Bacao is ­nding out what covers they chose. However, die hard fans are also waiting to hear the original numbers like the stellar album opener "Tough Victory". Its airtight rhythm section, brass arrangements, and layers of steel pan melodies make the term "cover band" a shoe that could never ­t Bacao. Within the next three songs they go from Jazz (Galt MacDermot), to Hip Hop (Slum Village / J Dilla), to a dance ‑oor classic (Grace Jones) taking them all on with their signature style, expanding on the originals. An easy crowd favorite is their gritty, gully, and neck snapping cover of the Timbaland produced Jay-Z club hit "Dirt Off Your Shoulder". The infamous crushing Bacao drums start the show and the moment they start playing the top line on the pans, all bets are off. Sure to become a dance ‑oor ­ller is their bottom heavy ,four on the ‑oor version version of Sylvester's classic "I Need Somebody To Love Tonight". They venture into some gutbucket funk with Ike Turner's "Getting Nasty" and bring the steel pans to Minnie Riperton's Jazz classic "Les Fleurs". Digging deeper in the modern canon and paying tribute to a tribute, they cover Erykah Badu's homage to the late great J Dilla, "The Healer". This is the type of thing to make Spice Adams jump on his kitchen counter and scream. From the second the beat drops they give the original Madlib production a run for its money, shaking subwoofers with the eerie tremolo bass while the pans play E. Badu's vocal melodies. By the time the album is through Bacao has taken the listener on a journey that spans a myriad of energies, tempos, and moods while somehow managing to keep it all under one umbrella. For all that, these songs are alive, and they will be taken out of the context of this album and sewn into the fabric of DJ sets around the globe for many years to come. Bacao Rhythm & Steel Band is breathing renewed life into the originals and continuing to push the boundaries of steel pan music, or, as the title suggests, expanding on it.

Limited to 300 units. Only at HHV.

Limited to 300 copies on grey vinyl. Only available at hhv.de

Sonor Music Editions proudly presents this restored issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player. Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music composed by Sandro Brugnolini and Luigi Malatesta featuring some of the best musicians in Italy at the time like Angelo Baroncini and Silvano Chimento on guitars, Giorgio Carnini on piano and organ, Enzo Restuccia on drums, and Giovanni Tommaso on bass and effects. The music spans from underground Psychedelic Prog. Rock with swirling organs, trippy effects, and distorted fuzz guitars to sophisticated Lounge grooves with Avant- garde orchestrations. The music has been transferred and remastered from the original master tapes. It has been lacquer cut in stereo by Jukka Sarapää at Timmion Cutting and packed in a thick cardboard sleeve featuring a fully restored painting by Umberto Mastroianni licensed by Centro Studi dell’Opera di Umberto Mastroianni.

Limited to 1000 copies worldwide, only available with GUTS and HHV.

In 2022, Guts brought together his musical family for his ‘Estrellas’ album. An ambitious project that brought together musicians from: Franc, Cuba and various African countries. For a journey that was as rich artistically as it was humanly. The list of superlatives was almost endless, "Formidable", "incredible", "unforgettable" and "magical" all thrown into the pot, during these magical moments in the Dakar studio. From the seventeen tracks heard on the original album, three have been entrusted to the expert and inventive hands of four producers, who have come up with new interpretations bringing Africa and the Caribbean together for a modern dancefloor.

‘Por Que Ou Ka Fe Sa’ (Poirier Remix)

From his studio in Montreal, Canadian Poirier has opted for a strong groove and relentless bass drum to keep out intruders, putting vocalists David Walters and Brenda Navarrete in a rhythmic cocoon. Accompanied in a slightly moody bassline that adds some driving muscle to the track. The hooky guitar line eventually gives way to the saxophone that emerges from the mix to parade around the front line. The original electric piano is replaced by a synth pad that loops and spins driving the track to its conclusion.

‘Por Que Ou Ka Fe Sa’ (David Walters Remix)

Before recording this track, David Walters and Brenda Navarette didn't even know each other. So in the magic of the moment that brought them together is a genuine and sincere artistic bond. It is no longer Guts but David who is at the musical helm, and before they too can savour the connection between the two artists, the dancers will have to pass through an overheated corridor where a Caribbean rhythm resonates with percussion. Digital and woodwind swirl and clash until the vocal encounter with the artists. It's a moment of respite that's as suspended as it is life-saving, because the exit is also via the famous corridor.

‘San Lazaro’ (Bosq Remix)

On Bosq’s mix, he’s opted to maintain things focused on the dancefloor, keeping the percussion persistent for the unleashed bodies of the dancers to smile. It's once again the walking bass line rises to the forefront of the groove, softening the shocks of the relentless kick drum. Roberto Valdes's timeless piano has disappeared, while guitars float and add to the atmosphere. The track is no longer awash in cigar smoke. Under Akemis's powerful vocals the low ceiling has disappeared, and the open roof is more a brass-lit spectacle. That doesn't make things any less overheated though, this one is sweaty until the end.

‘Medewui’ (Captain Planet Remix)

Captain Planet brings the dancer’s attention to the Afrobeat flavored jam that rocked the original, highlighting the Pat Kalla & Assane Mboup duet. Despite the track remaining mid tempo, laying back is no longer the order of the day as this mix really develops. The drums are more present jolting along with the organ in the first half. Once all the storytellers have taken their microphones, the rhythmic beats are doubled and the track is carried towards a frenzy of Afro-Latin dancing. Fired up by the brass and percussion, it’s this almost switch up that takes hold of the second part of the tune, with some righteous authority and relentless piano and trumpet.

Limited to 500 copies on transparent yellow vinyl in gatefold sleeve, exclusively available at HHV.

Limited edition of 300 copies! Japanese Jazz-Funk & Rare Groove 1968-1980 (Selected by DJ Yoshizawa Dynamite & Chintam) Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. With this first volume of the Wamono series, our two DJs here guide you through some of the best and rarest jazz funk and rare groove tunes produced in Japan between 1968 and 1980. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Limited edition of 300 copies! J Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Jiro Inagaki & Soul Media, Hiroshi Sato, Bread & Butter, Hatsumi Shibata, Fujio Tokita and more! Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam Mastered and cut at Timmion Cutting Lab Artwork by Yoxxx (Tokyo) 180g heavy vinyl pressing, reverse board jacket

Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa In this second volume of the acclaimed Wamono series, Yoshizawa and Chintam dig into some of the best and rarest funky tunes produced in Japan during the seventies. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Limited edition of 300 copies! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. For this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Limited to 200 copies in this color way, only available at HHV in Germany.

Big Crown Records is proud to present Brainstory's sophomore full-length album Sounds Good. Based in L.A. but hailing from the Inland Empire's own Rialto, California, two-thirds of Brainstory, Kevin and Tony Martin are brothers by blood, while Eric Hagstrom is a brother through their music and long term friendship. Since they started the band they have constantly faced situations that forced them to rise to the occasion. They got signed to Big Crown Records, they stepped up their game. Covid happened, they learned to record themselves. They started touring a ton sharing the stage with the likes of Lady Wray and they got their live show super tight. All of this time spent grinding and growing has certainly paid off. The path to take their art to the next level is clearer than ever, and once again, they are here for it. If there is one thing that is abundantly clear on Sounds Good, it's that Brainstory has leveled up. Part of this evolution is undoubtedly attributed to having access to and working constantly in their own studio in Long Beach. Another major factor is that their brotherhood has expanded. "I've been playing music with my brother all my life and now with Eric for a long time," Tony tells us. "Leon, though, is like another brother I've just met." Leon Michels, Big Crown's co-owner, produced this record and applied his unmistakable golden touch in crucial ways. The other member of the extended Brainstory brotherhood whose contributions were essential to the album, is studio engineer legend Jens Jungkurth who controls the tones and textures of the music. "That's what you're hearing, our connection, the fun moments, the little details," Kevin describes. "This record isn't half what it is without them_and it made us want to match that effort," and match that effort they did. Album opener "Nobody But You" is an uplifting, dance ¬oor burner, that shows off a new side of Brainstory's range. Drummer Eric Hagstrom's crushing back beat lays the foundation for an inspirational feel good banger that manages to take the uncomfortable truth that "nobody will save you but you" and turn it into pure blissful motivation. "Peach Optimo" is a laid back half time tune that blends the bounce of Down South Hip-Hop with California G funk and Jazz. They once again show off their B said ballad talents with "Gift Of Life" but this time taking the genre to a new place with lyrics about existentialism and a track that is drop dead gorgeous, haunting, and profound all at once. "NyNy" is an homage to Kev and Tony's recently deceased grandfather while "Too Yung" is a show stopping, deeply personal, stripped down number about being introduced to alcohol at a young age. They put another hit on the boards with "Hanging On," a Latin / Psychedelic Soul inspired banger featuring Claire Cottrill on background vocals while "XFaded" addresses the all too common vicious cycle of smoking and drinking too much over a trippy shuf¬e. "It's been four years since our last full length record, and with everything that's happened since, it's like we've been catching up to ourselves." That's one way to describe change: catching up to oneself. Each member of Brainstory has gone through shifts, both personally and musically, and all of that threads through Sounds Good. It's easy to say that the music industry can be short on lasting, genuine relationships. However, for Brainstory, from day one it's been about standing by each other, for each other.

Limited to 200 copies.

Bacao Rhythm & Steel Band, the mysterious steel pan out¬t hailing from Hamburg, Germany have amassed a cult following around the globe. With a slew of classic 7"s and three critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their fourth album Brsb, Bacao are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to underground album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. While part of the allure of a new Bacao Rhythm & Steel Band album is ¬nding out what covers they do it is equally intriguing to see what original tunes they cooked upland this record is foul of stand out originals. The album opener, "In The Crosshairs" is a rough and tough mid tempo head nodder while both "Grilled" & "Treasure Quest" pick up the tempo with heavy African Funk in uences on both. Bacao goes deep with "Hazy Memories", a bass heavy slow burner that walks a line between hypnotic and hype. All these originals stand as testament that the term "cover band" is a shoe that could never ¬t Bacao. However, in the tradition of steel pan music, they do a heavy amount of covers. This time around there is a big West Coast Hip Hop in uence with covers of Game & 50 Cent's "How We Do", Dr Dre & Snoop Dogg's "Nuthin But A G Thang", and Tupac's "Got My Mind Made Up" all of which take on new energy and lend themselves to the Brsb steel treatment. Bacao puts another certi¬ed dance oor ¬ller on their resume with their cover of Claudja Barry's uber Disco classic "Love For The Sake Of Love" which they ip into a dubbed out affair aptly changing even the title to "Love For The Sake Of Dub". Pulling from the contemporary smash hit section of Hop Hop they cover Drake's "Hotline Bling" and "Love$ick" by Mura Masa & A$ap Rocky. Then they go very unexpected with "Stranger Things Theme" where they take the synth heavy theme song to the hit show and give it a more hypnotizing tone than the original. By the time Brsb is through, Bacao has taken the listener on a journey spanning a myriad of energies, tempos, and moods while keeping it all under one umbrella. For all that, these songs are alive, and they will be taken out of the context of this album and sewn into the fabric of DJ sets around the globe for many years to come. Bacao Rhythm & Steel Band continues building their legacy and pushing the boundaries of steel pan music forward with another rock solid musical offering. Enjoy.

Things are looking up for The Harlem Gospel Travelers, who return here with a new album, a new lineup, and a new lease on life. Produced by Eli Paperboy Reed, Look Up! marks the group's first full-length release as a trio, as well as their first collection of totally original material, and it couldn't have come at a more vital moment. The music still draws deeply on the gospel quartet tradition of the '50s and '60s, of course, but there's a distinctly modern edge to the record, an unmistakable reflection of the tumultuous past few years of pandemic anxiety, political chaos, and social unrest. The songs are bold and resilient, facing down doubt and despair with faith and perseverance, and the performances are explosive and ecstatic, fueled by dazzling vocal arrangements punctuated with gritty bursts of guitar and crunchy rhythm breaks. Born out of an non-profit music education program led by Reed, The Harlem Gospel Travelers_singers Thomas Gatling, George Marage, and Dennis Bailey_released their debut LP, He's On Time, to rave reviews in 2019, with Pop Matters hailing the album's "musical transcendence" and AllMusic praising it as "dreamlike and joyous." The record charted on Billboard, earned the Travelers high profile fans like Elton John (who invited them to appear on his Rocket Hour radio show on Apple Music), and landed them festival slots everywhere from Pilgrimage to Telluride Jazz.

Available exclusively at HHV: The album in gold! Limited to 100 pieces.

Second album by Magic Island from Berlin-Neukölln. Co-produced by hiphop producer Phong. A fragmented, multimedia album about your neighborhood

Limited edition of 300 copies for HHV Summer Of Jazz 2020!

Limited to 200 copies. Only available at HHV.

Limited to 200 copies on green vinyl worldwide. Only available at hhv.de and in Japan.

João Donato need no presentation his one of the of tropical groove masters from all eras. Albums like A Bad Donato, Quem é Quem or Lugar Comum from his 1970's Works are legendary. This one is a homage to that era and João Donato returning to his Tropical Jazz Funk Groove original style. It is known that good albums generate good shows, but in the case of this album, we can do the opposite. "Donato Elétrico" began to take shape following a show performed by the artist in 2014, at Sesc Pinheiros (São Paulo, Brazil). On that occasion, the musician released the emblematic album "Quem é Quem" on stage, after a delay of more than 40 years. For this late release, Donato invited young musicians from São Paulo, with whom he had already been working on the idea of a new project, and who helped him recreate the original atmosphere of "Quem é Quem", full of grooves, whose essence was in the João's electric piano.

Limited edition of 300 copies, exclusively available at HHV!

Following his debut EP ‘En clair-obscur’ and a series of singles earlier this year cementing his place as a rising name in the world of cinematic soul & funk, Hamburg’s finest cinematic soul artist ‘The Offline’ announces his debut album 'La couleur de la mer'.

Reminiscent of film scores from the 60s and 70s, The Offline worked with co-producer Tim Liztenberger to channel the influence of film composers such as Francois de Roubaix and Brian Bennet, creating his own soundtrack on ‘La couleur de la mer’. Inducing images of manorial, fog-swept villas at the sea's edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. Experimenting with themes and atypical song structures, the music moves from dramatic cues to fragile romanticism. It incorporates psychedelic spaciness, retro soul and hip-hop sensibilities informed by The Offline’s extensive record collection and crate-digger status.

“Ever since I was a child, I was fascinated by the soundtracks from the 60s and 70s, and I always wanted to make an album in the film score direction. I wrote about 30 demos, kicked half of it and stuck to the ones that felt right in the dramaturgical structure of the ‘movie'. Interestingly the main theme was set early on while writing the album, which made the writing process much easier.”

Aptly named, ‘Thème de la couleur de la mer’ opens proceedings, establishing the core motifs of the record. Haunting flutes and xylophones lead the way into Khruangbin-esque guitar lines, which sit against a hip-hop canvas that returns on boom-bap head boppers like ‘Quelque chose reste’. Retro soul revival takes precedence on deep cuts like ‘Un bout de chemin’, with wah-gated guitars interacting with emotive cello lines and symphonic string & horn sections.

The Offline came to life when composer and photographer Felix Müller travelled the Atlantic coastline in the south of France with his analogue camera, capturing beach life on film. After coming back to Hamburg, he started writing songs as the sonic counterpart to the analogue visuals. His Debut EP ‘En Clair-Obscur’ includes five tracks that capture the essence of his journey and the feeling of a cool summer soundtrack.