Hells Headbangers Vinyl, CD & Tape 35 Items

HELLS HEADBANGERS is proud to present SKELETHAL's highly anticipated third album, Within Corrosive Continuums.Formed in 2012, SKELETHAL have been at the forefront of the now-fertile French death metal scene. While many of the band's primary influences have been Swedish - Entombed, Carnage, and Dismember - over the past decade, the quartet have finessed that style of death metal into one that feels classic rather than simply "old." Call it intrinsically understanding what makes death metal DEATH METAL or simply possessing the songwriting nous to add to such a hallowed canon rather than merely milking, but SKELETHAL have proven to be contenders to the throne. First full-length evidence was 2017's Of the Depths..., followed by 2020's Unveiling the Threshold, which saw a lineup change and bold steps beyond Swedeath (and both released by HELLS HEADBANGERS), and now arrives LP#3 to all but assure that ascent to the throne.Tellingly titled Within Corrosive Continuums, SKELETHAL's third album equally encapsulates their past and builds upon it in noble ways. While it's predecessor saw a slight uptick in clarity, here do SKELETHAL carry forward that clarity with a conspicuous dirtying-up of tone. The production's as powerful as ever, so it could be argued that that rediscovered grit & grime come more in the band's execution - or, more accurately, the songwriting itself. Within Corrosive Continuums immediately sounds like the same band who unleashed those prior two (celebrated) LPs, but SKELETHAL flex a bit differently here, opening up a number of (still-death metal) influences and transforming them into riffs and rhythms that ever so slightly more adventurous, all without (crucially) losing their characteristic directness. As such, the bulk of these largely-five-minute-long songs feel twice as fast, so feverish is the band's intensity, but dread-draped hooks and CRUSHING heaviness still rule the day. Put another way, SKELETHAL take on textures that are more personal and somber, but keep the expression resolutely death metal. Simply witness the 13-minute closing juggernaut, appropriately enough the title track: hearing is believing, and SKELETHAL will make believers out of even the crankiest "old school" diehards. 1.Creation ?2.Spectrum of Morbidity3.Mesmerizing Flies at the Doors of Death4.Eyes Sewn Mouth Full5.Upon the Immemorial Ziggurat6.Fatal Abstraction7.Within Corrosive Continuums

Hells Headbangers is proud to present Bonehunter's highly anticipated fourth album, Dark Blood Reincarnation System. Since their formation in 2011, Finland's Bonehunter have been a subtly steady work in progress. A devout power-trio since the very beginning, the band began their ascent to greatness with a clutch of demos and splits, culminating in their now-classic debut album for Hells Headbangers, Evil Triumphs Again, in 2015. If that debut LP was the first and last word on Bathory worship, Bonehunter took the charisma of that record and asserted a strange & twisted identity with 2017's Sexual Panic Human Machine follow-up. By then, their blackened metalpunk was pumping on full-throttle, but it was Children of the Atom the following year where they hit a fever pitch: arguably, the most ripping & addicting pitch-black speed metal of the decade.

Hells Headbangers is proud to present a long-overdue reissue of Unlord’s cult debut album, Schwarzwald. Formed in 1989, Unlord are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. Unlord’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup. In that black metal-rich year of 1997 did Unlord unleash their debut album, Schwarzwald. Adorned with appropriately fiery cover art, Schwarzwald very much sounded – and looked – like its era, and was all the better for it. And yet, crucially, Unlord here offer a variety of songcraft across the 13-track album whilst keeping the focus on cryogenically-cold violence. What’s more, their usage of synths is sparing and tasteful, and on Schwarzwald did they set forth a sterling standard of production: remarkably clear and crisp, but not once sacrificing an iota of power.

Hells Headbangers is proud to present SKELETHAL’s highly anticipated second album, Unveiling the Threshold.

Hells Headbangers is proud to present SKELETHAL’s highly anticipated second album, Unveiling the Threshold.

Hells Headbangers is proud to present DECEASED’s classic fifth album, As the Weird Travel On, back on vinyl LP format.

Hells Headbangers is proud to present Hunters MOON's long-awaited debut album, The Great Pandemonium.

Hells Headbangers is proud to present a long-overdue reissue of Unlord’s cult third album, Lord of Beneath. Formed in 1989, Unlord are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. Unlord’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup. In 2002, with ultra-violent black metal on the wane, Unlord stuck to their guns and released Lord of Beneath. While its cover hues evinced a mysterious blue, Lord of Beneath was just as fiery as its two full-length predecessor – arguably, even more so! Indeed, Unlord remained as uncompromising as ever: they knew who they were, and they weren’t gonna change for the scene’s ever-fickle tastes. As such, their third (and sadly, final) album finds a rarely rivaled balance between utterly unhinged speed and powerfully precise execution.

Hells Headbangers is proud to present a long-overdue reissue of Unlord’s cult second album, Gladiator. Formed in 1989, Unlord are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. Unlord’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup. At the dawn of the new millennium did Unlord unleash their second album, Gladiator. Aptly titled and again adorned with appropriately fiery cover art, Gladiator was a consolidation of all-too-considerable strengths. The blitzkrieg speed of the preceding Schwarzwald is amazingly taken up a notch here, and the riffing clangs & churns with even more authority; if anything,Gladiator is the sound of Unlord at their most berserk. And yet, the icy melodicism remains, and the production is powerfully clear and crisp.

Once again, Hells Headbangers opens the vaults and collects NUNSLAUGHTER’s The Devil's Congeries Vol. 4. he double-LP vinyl version will feature all the split and EP material only.

Hells Headbangers is proud to present Divine Empire’s cult debut album, Redemption. Formed in 1997, Divine Empire were an interesting formation of Florida death metal. Most prominently, the power-trio featured vocalist/bassist Jason Blachowicz, who played with Malevolent Creation during their most crucial years of 1991-1997. On drums was a young Derek Roddy, who’d also just left Malevolent Creation following that band’s In Cold Blood album, and before he’d become the modern drum-god known for his work with Hate Eternal, Today is the Day, and Aurora Borealis as well as session work for Nile and Nader Sadek among many others. On guitar was John Paul Soars, also fresh from leaving Malevolent Creation following In Cold Blood but also known for Raped Ape and Paingod.

Hells Headbangers is proud to present Winter Eternal's highly anticipated third album, Land of Darkness. Winter Eternal is the sole work of one Soulreaper, formed as a means to express his darkest side - indeed, a place where winter reigns eternal. It all started in 2002 in Athens, Greece where, under the name Unveiled Nightsky, the seeds for the Winter that was yet to come where planted. Nine years later, in 2011, Winter Eternal were officially formed, and a year later, the first demo was released. The band's first full-length, simply self-titled, originally saw release in 2013 as a limited cassette and, three years later, finally as a CD version. Eternal winter was raging throughout Soulreaper's long journey. The multitude of feelings captured in his lyrics and especially his music made Winter Eternal a unique entity within the modern underground: influences ranged from the '90s Swedish black metal scene (Dissection, Gates Of Ishtar, Vinterland etc) to both the early Hellenic and Norwegian scenes (Rotting Christ, Necromantia, Varathron, Ulver, Windir, Satyricon etc). Truly, this was the work of an old soul, and the results were but only building in strength and sweeping grandeur

Hells Headbangers is proud to present Deathhammer's highly anticipated fifth album, Electric Warfare. By now, Deathhammer should need no introduction. For over 15 years now, this insatiable Norwegian duo have been at the forefront of the burgeoning blackthrash movement; in fact, one could successfully argue that the band are THE linchpins of that resurgence. Though blackthrash has seen intermittent surges in popularity since the latter half of the '90s onward, for sole members Sadomancer and Sergeant Salsten, this is a way of life - not a trend. Deathhammer proved as much as with their cult debut album, Phantom Knights, in 2010 and then proved it yet further and more fully - and more furiously and filthily - with 2012's Onward to the Pits and 2015's Evil Power, both of which were released by Hells Headbangers to widespread international acclaim. And yet, through it all, the duo kept their wits about them, simply being Deathhammer and taking their irresistible (and irresistibly evil) charm to stages worldwide, including a command performance at Hells Headbangers' Hells Headbash 2 in 2015. But, one need only took to 2018's Chained to Hell as the first AND last word on eternal, magickal blackthrash: "classic" doesn't do the album justice.

Hells Headbangers is proud to present EXPUNGED's highly anticipated debut album, Into Never Shall.

HELLS HEADBANGERS is proud to present a brand-new mini-album from SPITER, Enter the Gates of Fucking Hell.It was but the summer of 2022 when SPITER burst from the fucking grave with their debut album for HELLS HEADBANGERS, Bathe the Babe in Bats' Blood. Featuring members of labelmates SHITFUCKER and Devil Master, the power-trio made plain - and vulgar - their infernal & infectious True Vampyric Metal Punk: a raw-yet-anthemic blend of cult blackthrash, obscure hardcore punk, and even the wildest deathrock. The album sowed its seeds of sanguine depravity and SPITER took their madness on the road, cementing their cult status immediately.Now, the deviants of SPITER return with a ripping new mini-album, Enter the Gates of Fucking Hell. This six-song / 26-minute recording sees the lineup scaled back to vocalist / guitarist / songwriter Richard Spider (Daemon Bitch of SHITFUCKER) and drummer Snake (Disjawn) - they continue to be a trio for live purposes - and remarkably shows even more fire and focus than that not-inconsiderable debut album. Somehow, those six(-six-six) songs sound shorter and more epic simultaneously, with Spider showing his songwriting chops between wild & winding mania and ghoulish catchiness. The production, in kind, is colder and harsher but clearer and heavier, assaulting the listener with arguably more undead energy than said debut. And then, over before it began, you're again possessed to press "play" and enter those fucking gates over and over...again, until it fucking hurts. 1. Enter The Gates Of Fucking Hell 04:212. Drowning In Darkness 03:413. Tears Of Blood 03:494. The Creeping Serpent Psychosis 04:275. 666 On The Crucifix 05:046. Reflection Of The Vampire 04:21

HELLS HEADBANGERS is proud to present NYOGTHAEBLISZ's massively anticipated debut album, Abrahamic Godhead Besieged by Adversarial Usurpation on limited edition Oxblood vinyl!One of the most talked-about and divisive bands currently going in the metal underground, NYOGTHAEBLISZ patiently built a discography of incendiary short-length releases, each one bolder and more savage than its predecessor. Truly, there are few other sounds around as unique and illuminating as theirs - an endless vortex of chaos magick, in-the-red frequencies, ritualistic fervor and righteous fury. Now, some 17 years since their formation, NYOGTHAEBLISZ will finally unleash their first full-length work, Abrahamic Godhead Besieged by Adversarial Usurpation, which is being hailed in the underground (and above) as one of the most anticipated albums of the past decade.Few human words can accurately do this work justice. Unremittingly violent, deliriously feral, hypnotically dense, overwhelming in every sense and against all senses: NYOGTHAEBLISZ's Abrahamic Godhead Besieged by Adversarial Usurpation wields sound as a very literal weapon, and proceeds to desecrate and decimate the listener's very last thresholds of sanity and purity. To merely call this "black metal" or "death metal" would be to flagrantly miss the point; the zealous heretics of NYOGTHAEBLISZ draw from a far grander spectrum of sound than the mien of metal, incorporating power electronics and harsh noise wall and proceeding to mulch and malform both to fit their diabolical design. Indeed, Abrahamic Godhead Besieged by Adversarial Usurpation is an album of "design," of obscene and obtuse angles up-ended and abused by multi-dimensional grind chaotically coalescing into a swirling, beyond-cacophonous swell of hyper-Satanic hysteria. Metaphysical mayhem begets daemonic illumination - a conflagration for insurrection, and thus liberation.For many years, few bands approached the smothering intensity of NYOGTHAEBLISZ. Now, after Abrahamic Godhead Besieged by Adversarial Usurpation, none will be able to eclipse their revolutionary artistry and sheer uncompromising spirit. Here stands a new monument, a veritable modern classic in the making. 1. Abrahamic Godhead Manifested by Adversarial Usurpation 05:31 2. Sinistral Qlipho[tech] Mechanolatry / Exterminate the Tetragrammaton 04:56 3. Ordnance for Adamic Holocaust and Cosmocidal Entropy 03:30 4. Diabological Mutagenesis Eradicating the Magian Bloodlines 03:36 5. Qabalistic Matrix Parasitism by Extra[daemon]sional Omnimalevolence 04:07 6. Nihiliferian Theophagism / Dysefirotic Atrocities Cull the Demiurge's Progeny 03:42 7. Cryptomagickal Esoterrorism Targeting All Archontic Deifications 04:37 8. Khao-Psionic Merkabah Fragmentation and Godhead Simulation Decay 06:43

HELLS HEADBANGERS is proud to present a brand-new mini-album from DEMONCY, Diabolica Blasphemiae.For those who truly know black metal, DEMONCY require no introduction: ever restless and always surprising, their name is legendary for stirring an infinitely deep cauldron of black magick that's completely their own. One of the earliest black metal bands on American soil, DEMONCY have gone through myriad lineups over the past 30-plus years, but they've always been guided by the vision of vocalist/multi-instrumentalist Ixithra. In their wake, they've left landmark recordings like Within the Sylvan Realms of Frost and Joined in Darkness, which were both originally recorded in the mid '90s despite their eventual release year of 1999. Even latter-day records like 2015's Empire of the Fallen Angel (Eternal Black Dominion), which saw Ixithra entirely revamp the band's 2003 album in a manner most miasmic, prove the potency of DEMONCY no matter when or how recordings crop up.And so it goes with Diabolica Blasphemiae, DEMONCY's first new recording in nearly a decade. With Ixithra currently handling vocals and bass, joining him here are the incredibly prolific VJS (Nightbringer, Sargeist, Adaestuo) on guitar and Vorthrus (Cerebral Rot, Crurifragium) on drums. Serpentine in its flow and mesmerizing in its effect, DEMONCY's latest mini-album is a vile, virile display of the band's eternal aesthetic, sounding very much like it could've come out during the mid '90s yet retaining a freshness of approach that defies deja vu. Gutted in its low-end throb whilst exhibiting an ethereal aspect, Diabolica Blasphemiae explores above as it is below, sending forth sine waves of obsidian energy both punishing and pleasurable: primeval black metal magick harnessed with a true auteur's touch. Same as it ever was, then, but still so surprising after all these years - there is only one DEMONCY. 1. Satanas Vult 02:232. Diabolica Blasphemiae 05:583. Sepulcrum Spectra 05:154. Malum Incarnatus Est 06:585. Consummatum Est 01:53

HELLS HEADBANGERS is proud to present a brand-new EP from GOAT SEMEN, Fuck Christ.At ground zero of the rebirth and resurgence of South American black/death at the dawn of the new millennium, GOAT SEMEN delivered one of the most classic demos ever with their self-titled 2002 demo, which has seen countless re-editions in the past two decades. As their legendry grew to enviable levels, so, too, did the anticipation for these Peruvian devils' debut album. But alas, time passed and the fervor 'n' anticipation for that first full-length reached critical mass in the metal underground, taking on almost mythical status (not unlike Sadistic Intent's long-promised debut LP). Finally, it saw the unlight of day in 2015 as Ego Svm Satana: the ultimate GOAT SEMEN statement, in the making for literally a decade, the album became something of a veritable travelogue across the history of South American metal barbarity the prior three decades. The very end, and also the beginning, Ego Svm Satana was suitably CLASSIC, as expected.But, GOAT SEMEN are never one for half measures, and much like that full-length took at least a decade before it emerged from hellfire fully formed, they've only released live albums and a couple splits since then - nothing as substantial as a fully-new recording. Now, nearly a decade after that momentous debut album, GOAT SEMEN return with a comparatively quick-hitting EP in Fuck Christ. Much like its unapologetic & unadorned title, the Peruvian devils waste no time, kicking in immediately with a swirlingly sulfurous maelstrom of classic GOAT SEMEN proportions. For a record that comprises five stout songs in 19 electric minutes, Fuck Christ feels simultaneously longer and quicker than that runtime suggests, so respectively satisfying and urgent is that hammering barbarity. Naturally, it wouldn't be GOAT SEMEN if everything wasn't attacking from every angle all at once, the feeling of imminent implosion lurking around every dark 'n' diseased corner; compared to Ego Svm Satana, Fuck Christ exacerbates that mania to an almost overwhelming degree even when the intensity dips down to a doomed trudge. But perhaps the most unique element on this new record is how relatively clean and clear its recording is, with each and every instrument sounding sharp and powerful - nothing "muddy" about GOAT SEMEN fucking Christ here - which in turn makes the band's inherent grit & grime sound stranger and more depraved. Put another way, there's nothing to hide behind here; there's simply no escape from Fuck Christ. 1.Midnight Worship2.Los Ojos de Judas3.Fuck Christ4.Heed the Call5.Prophets of Hell

BLOOD FEAST has been transformed yet again. Nearly five years in the making, with many twists and turns along the way, the band’s fourth album, Infinite Evolution, will see international release via HELLS HEADBANGERS.Continuing on from 2017’s The Future State Of Wicked, the band keeps the thrash vicious, as one would expect. Yet, this time out, the boundaries are expanded. There have been changes in the ranks, as original guitarist Adam Tranquilli has now added lead vocal duties, and co-guitarist/producer CJ Scioscia has taken on more of the songwriting. Drummer Adam Kieffer remains (he came onboard for the band’s 2019 EP Chopped, Sliced & Diced), while bassist extraordinaire Mike LePond of Symphony X lent his impressive talents on the low end.Songs such as "Outbreak," "Never Will I Die," and "Of Hell" retain the BLOOD FEASTtradition of fast and furious. However, the limits are pushed out a bit further into a tech/prog direction on "Eye Of Glass" and album closer "The Chosen." With a production straddling the line between modern and old school, Infinite Evolution shows diversity, yet without sacrificing the speed or heaviness. 1.Crafting Carnage2.Ravaging the Loins of Mary3.Never Will I Die4.Of Hell5.Eye of Glass6.Outbreak7.The Preacher8.Evilution9.The Chosen

HELLS HEADBANGERS is proud to reissue the classic third album of Spain's HAEMORRHAGE, Anatomical Inferno, on vinyl LP.Spain’s HAEMORRHAGE should require no introduction. Alongside MORTICIAN, there is no other goregrind band who’ve been around longer and been more influential – or, perhaps most importantly, never wimped out for more commercial aspirations. As such, while they’ve undoubtedly drawn influence from the immortal early works of Carcass, it could be argued that HAEMORRHAGE have in many ways bested the original. Or, simply, rarely does goregrind get as disgusting AND catchy as these Spanish legends.Although they hit the ground running in 1991 and released a slew of material, including two equally awesome albums, it was 1998’s Anatomical Inferno where HAEMORRHAGE truly delivered their legendry. Taking the flowing riffcraft of Carcass’ Symphonies of Sickness and adding the punkier side of Autopsy (or perhaps the successive Abscess), the band’s third album unleashed one locked & loaded anthem after another, seemingly swarming in their maelstrom of sewer sound but always keeping the focus on quick-hitting catchiness. Thus, tornados of classic grindcore tempo give way to gutted D-beats and vice versa. And while HAEMORRHAGE are unequivocally the definition of GOREGRIND, there’s nevertheless a crossover appeal here to fans of first-wave black metal, be it the moonlit gallop of earliest Bathory or the oblivion overload of equally early Sarcofago. 1.Enshrouded in Putrilage 02:552.A Cataleptic Rapture 02:293.Surgery for the Dead 02:134.Treasures of Anatomy 02:125.Necrotic Garbage 01:596.Putritorium 03:427.Dawn in the Rotting Paradise 01:498.Aftertaste of Putrefaction 01:179.Worminfested Cavities 01:4810.I'm a Pathologist 01:2611.Cirrhoetic Liver Distillation 01:2512.Witness of Forensic Horror 01:3613.Dying on a Mass of Chyme and Rancid Excrement 02:1714.Set the Morgue on Fire 03:17

HELLS HEADBANGERS is proud to present FUNERAL STORM's highly anticipated second album, Chthonic Invocations.It was but 2019 when FUNERAL STORM made their grand entrance onto the international metal stage with their acclaimed debut album, Arcane Mysteries, courtesy of HELLS HEADBANGERS. While their history goes back to 2001, activities didn't begin in earnest until 2012, and hard graft became their watchword. But it was Arcane Mysteries that majestically consolidated all of FUNERAL STORM's considerable promise into one grand statement of classic Greek black metal in an authentically early '90s style. It certainly didn't hurt that that debut album featured Varathron founder Necroabyssious on vocals. Two years came a split 7" with Greek comrades Synteleia, appropriately titled The Ancient Calling, also courtesy of HELLS HEADBANGERS.That split featured a scaled-back lineup of Necroabyssious and guitarist Arcania and founding guitarist/bassist/drum-programmer Wampyrion, and thus fortified does FUNERAL STORM's second full-length follow. Likewise appropriately titled, Chthonic Invocations further explores the steadfast theme of the Cthulhu mythos. More specifically, FUNERAL STORM's second album in general focuses on death, in every form, for Arcania and Wampyrion were totally isolated during the lockdown and Necroabyssious was heavily infected with Covid-19 to a point where the band didn't know what would happen. However, after he was healed, Necroabyssious delivered an exceptionally aggressive performance, suiting to his bandmates' more surging yet more mystical music. Truly, Chthonic Invocations sounds like FUNERAL STORM 666%, and harkens even further into the ancient past: to say that the album could've been released in 1993 on Unisound is an understatement to end all understatements. But again, just like its full-length predecessor, Chthonic Invocations easily avoids lazy "throwback" status on both the strength of its songwriting and its era-authentic synths, handled by both Arcania and Wampyrion. 1.Whispers From The Beyond2.Behold the Dark 06:433.The Void 05:254.Funeral Pyre5.The Epitaph of the Dead6.The Covenant of Old7.Mistress of the Night (The Gathering Begins)8.The Calling of the Father

HELLS HEADBANGERS is proud to present DESOLUS' highly anticipated debut album, System Shock.Hailing from the Mid-Atlantic United States, DESOLUS formed in 2019 at the beginning of the pandemic. Inspired by Sodom, Kreator, and Dark Angel, Jimmy Frost (guitars and vocals) and Vivek Rangarajan (bass and vocals) wrote songs as an outlet for the feeling of what seemed to be the end of times. As time went by and the dust settled, they traveled north to Baltimore, where they recorded a series of demos with Sebastian Phillips (Exhumed / Noisem / Castle Freak). Phillips engineered and tracked drums on these demos in hopes to release it for the DMV (DC, Maryland, and Virginia) metal scene. While recording these songs, they met Travis Stone (percussion), a former member of Noisem and current member of Pig Destroyer. Stone heard the songs and was on board as soon as the first riff played. Soon after, he began rehearsing with the band day in and day out until they were ready to take their music to the streets. DESOLUS gained traction within the DMV music scene over the span of a few years and began traveling across the United States to spread their love of old-school thrash. 1 System Shock 4:292 From Man To Machine 4:113 Curse Of The Technomancer 3:554 Metal Fetishist 4:015 The Arrival ( Of Evil) 4:176 The Invasion Begins 3:257 Interlude 1:568 Sea Of Fire 4:599 The Sigilite 4:0610 Panopticon 4:03

At long last, a timeless classic returns: BESTIAL WARLUST's pivotal debut album, Vengeance War 'Til Death, now seeing an LP reissue through HELLS HEADBANGERS!Widely considered one of the first "war metal" albums - if not THE first, actually - BESTIAL WARLUST's debut was a shockingly violent and utterly barbaric slab of black metal that literally had no peer upon its release in 1994. It spawned countless imitators in the two decades since that original release and even furthered the "bestial metal" subgenre so prolific today, but there's simply no substitute for the original - and HELLS HEADBANGERS couldn't be prouder to reissue it alongside the second album, Blood & Valour. SATANIC WAR METAL...BESTIAL fucking WARLUST!!! 1. Bestial Warlust 03:412. Dweller of the Bottomless Pit 04:183. Satanic 04:474. Heathens 03:545. Hammering Down the Law of the New Gods / Holocaust Wolves of the Apocalypse 05:296. Storming Vengeance 03:217. At the Graveyard of God 06:02

At long last, a timeless classic returns: BESTIAL WARLUST's pivotal second album, Blood & Valour, now on Black Vinyl w/ Poster & Insert! Originally released in 1995, Blood & Valour was the crucial follow-up to the Aussie barbarians' legendary debut album, Vengeance War 'Til Death. That debut almost singlehandedly started war metal, but it was with Blood & Valour where BESTIAL WARLUST confirmed that their "Satanic war metal" was truly a viable, lawless outback all its own and that their over-the-top violent savagery was no mere fluke. The lineup may have shifted, but the iron fist remained bloody: Blood & Valour more than lived up to its title, then and especially now. Added as a bonus track on this long-overdue reissue is the studio cover of BATHORY's "Massacre" previously only heard by close contacts of the band. SATANIC WAR METAL...BESTIAL fucking WARLUST!!! 1.Blood & Valour 02:522.Death Rides Out 02:293.Prelude: Descention Hells Blood 05:284.Barbaric Horde 04:475....'till the End 03:446.Within the Storm 05:327.Legion of Wrath 03:008.Orgy of Souls (Hallowed Night) 03:479.I, the Warrior 03:11