Hardcover Books 18 Items

Multidisciplinary artist Kaws was first known for his work as a graffiti artist and his subversive approach to popular imagery on bus shelter and phone booth advertisements. This is the first comprehensive survey of the artist’s body of work.

The definitive monograph of Glen E. Friedman, a pioneer of skate, punk, and hip-hop photography, including much never-before-published work. Glen E. Friedman is best known for his work capturing and promoting rebellion in his portraits of artists such as Fugazi, Black Flag, Ice-T, Dead Kennedys, Minor Threat, The Misfits, Bad Brains, Beastie Boys, Run-D.M.C., and Public Enemy, as well as classic skateboarding originators such as Tony Alva, Jay Adams, Alan "Ollie" Gelfand, Duane Peters, and Stacy Peralta, and a very young Tony Hawk. Designed in association with celebrated street and graphic artist Shepard Fairey, this monograph captures the most important and influential underground heroes of skateboarding, punk, and hip-hop cultures. My Rules is an unprecedented window into the three most significant countercultures of the last quarter of the twentieth century, and Friedman’s photographs define those important movements that he helped shape. A remarkable chronicle and a primer about the origins of radical street cultures, My Rules is also a statement of artistic inspiration for those influenced by these countercultures.

324 pages, 13 x 11,5 inches, hardcover.

Dust is an art book of new photographs by Phil Elverum. There are no words. There is no narrative. These are clear images of a world in color, moments of depth and eeriness found on solitary walks and international drives. The images were made at home (Anacortes, Wash.) and all over the world (in the quiet moments found during Mount Eerie tours), but the where is not the point. The point is the breath of the unknown that a strange new image can breathe from a page if one sits still and looks at it.

They are arranged in pairs, the page spreads building a crucial interplay that creates a third, invisible, internal world as one looks, prompting a wordless conversation between the two images and the viewer. Pairs of rich and mysterious photographs, beautifully printed and bound in black stamped coarse linen. Inside the back cover is a secondary booklet containing 48 photographs.

A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust.

Charting the truly global story of the evolution of sound recording and playback, from Scott de Martinville’s invention of the phonautograph in 1857 to popular streaming services of today, this serendipitous volume details the four distinct ages of recorded sound – acoustic, electrical, magnetic and digital – documenting prototypes, rare examples of classic technology and other iconic artefacts from the vaults of the EMI Archives and beyond.

The Art of Sound showcases the hardware that changed the way we listened to music: from wax cylinder to stereophonic gramophone, acoustic horn to magnetic loudspeaker, valve radio to solid-state transistor, wire recorder to magnetic tape, Walkman to iPod, and compact disc to digital download. Facsimile blueprints splice the chapters: quirky, innovative and handsome patents from yesterday’s tomorrows. Archival catalogues, covers and industry ephemera, along with press shots of long forgotten stars, exemplify the sophisticated graphic and marketing approach of each era and every continent.

Music and audio expert Terry Burrows guides you through the evolution of every technological age in informative and engaging text punctuated with concise biographies of the great innovators, from Emile Berliner to Thomas Stockham.

An Electronic Sound Book of the Year 2017

'An essential read' Electronic Sound

'Lavishly illustrated ... strikes a good balance between the scientific and anecdotal' Classical Music

About the Author: Terry Burrows is an author, musician and producer. Best known as a cult performer under the alias Yukio Yung, Burrows has recorded with The Chrysanthemums, Asmus Tietchens and the duo Push-Button Pleasure. He is also a prolific author of more than 80 books relating to music history, tuition and technology, popular psychology and history.

Format:PLC (no jacket) Size:24.6 x 21.0 cm Extent:350 pp Publication date:1 June 2017 ISBN:9780500519288

"People always get caught up in what these two iconic groups stood for, but can we just step back for a moment and say, who gives a fuck? They were good! They made amazing records!...Rap parallels punk rock: Destroy everything that came before it and borrow little bits to help you get there. Bring it full circle: it helps us understand how and why these two groups did what they did, and why Glen E. brings us into the picture deeper than anyone and brings it all together. Forever. These photographs inspire and excite us to this day." -- Chris Rock

"Run-DMC were outsiders from mainstream culture. The Beasties were outsiders from hip-hop culture. Being accepted by Run-DMC and touring with Run-DMC was a mark of authenticity for Beastie Boys. There was a feeling of family between the two groups." -- Rick Rubin

In the early 1980s iconic skate and punk photographer Glen E. Friedman had a front row seat to the rise of hip-hop music and culture. He was able to get with both Run-DMC and Beastie Boys on their meteoric rise to fame. Befriending both groups, Friedman's eye composed the photos that have become synonymous with how we remember both groups when they first came into our collective consciousness. And then the moment when it all came together: the seminal, popular, and highly publicized 1987 joint concert tour, Raising Hell.
TOGETHER FOREVER is not only a visual time capsule of hip-hop on the cusp of becoming mainstream, but a record of the strong bond of friendship between these two groups and how they significantly influenced each other, all while having a massive impact on music history and the industry. Including scores of never-before-published photos made by Friedman--the bands in concert, goofing around with celebrities, portraits, and, of course, hanging out together--TOGETHER FOREVER includes a foreword by Chris Rock, plus text contributions by the surviving members of both groups and others who were there, proving that the originals still reign.

About The Author
Glen E. Friedman is a celebrated photographer of rebellious skateboarding, punk, and hip-hop cultures. Chris Rock is a comedian and actor. Darryl "DMC" McDaniels and Joseph "Rev Run" Simmons are members of RUN-DMC. Michael "Mike D" Diamond and Adam "Ad-Rock" Horovitz are members of the Beastie Boys.

Contributions By Agnès B., Carlo McCormick, Barry McGee, And Ryan Mcginness, among others.

A visual autobiography by counterculture/street artist OG KR, renowned for creating the signature “dripping” KRINK paint markers beloved by creatives all over the world.
KRINK is a brand name of iconic inks and paint markers created by graffiti/street artist Craig Costello, aka KR. This visual memoir is a deep dive into KR and KRINK markers: from his early street-art/graffiti days of the ’80s and ’90s to his evolution into graffiti- artist royalty and his high-fashion collaborations and art exhibitions.
From making his own markers in the early ’90s and selling his product at hip New York City retail store Alife, Costello now has an internationally recognized brand creating markers and pens that are distributed and sold worldwide.
KR’s work is the epitome of street-culture aesthetic crossed with high fashion, a more “street” version of Stephen Sprouse. The book showcases KR and his seminal style in its dripping glory. It also chronicles his myriad collaborations with Alife, Nike, Coach, Moncler, Modernica, Marc Jacobs, Levi Strauss & Co., Mini (BMW), Casio, Smith Optics, Carhartt, Incase, Kidrobot, Monument Snowboards, Married to the Mob, Juxtapoz, and Colette, among many others. KRINK the book is both stylish and informative, capturing the ethos of punk and hip-hop culture, and is sure to appeal to the fans of high/low cultural crossovers, as well as die-hard fans of street art.
KR, aka Craig Costello, is a visual and street artist who created the popular KRINK paint markers. Agnès B. is a famous French clothing designer. Carlo McCormick is a culture critic and curator. Barry McGee is a painter and street artist. Ryan McGinness is a contemporary artist.

"Volta No Vento" is the result of a dialog between the French photographer Gilles Roudière and the French musician and composer Toàn initiated by Iikki, between November 2019 and November 2020.

Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar's sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering plauditory albums reviews, many awards, and even a canonized place in Harvard's W. E. B. Du Bois archive. Why did this strangely compelling and masterful record stimulate the emotions and imaginations of listeners?

This book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly's expansive sonic and lyrical geography brings a level of innovation to a field dominated by the predictability of trap music. More importantly, Kendrick's introspective and philosophical songs compel us to believe in a future where we gon' be alright!

Kraftwerk's most concise and focused conceptual statement, Computer World, was also their most influential album, paving the way for a range of new musical styles and genres. This book explores the band's revolutionary sonic template, and their lyrical obsessions in detail.

An analysis of the bands work reveals a unifying theme, overlooked by other writers, of movement and transition. While many remarked on the prevalence of travel within Kraftwerk's art: Autobahn (1974) – cars, Trans-Europe Express (1977) – trains, The Man- Machine (1978) – space, and Tour De France (1982) – bicycles, Francis contends that this is a surface manifestation of a deeper theoretical subtext in their work. Movement is really a reflection of the concept of transition, through time and space, from one physical, emotional, or existential state of being to another. The book explores transition, as expressed on Computer World, via theories of post-humanism, cybernetics and the anthropology of transnationalism.

The first book by professional BMX athlete, entrepreneur, content creator, and cultural icon Nigel Sylvester; photographed by director, cinematographer, and graphic designer Harrison Boyce.

Inspired by his globally acclaimed digital series GO, which documents the Queens, NY native’s ambitious desire to ride his bicycle around the world, the two hundred-plus page coffee table book (out this October with Rizzoli) transports audiences to marquee cities worldwide, placing them in the front seat to various thrill-seeking moments documented through dynamic photos and short stories including sumo wrestling in Tokyo, fencing at Somerset House in London, racing Ferraris along the Malibu coast, and jumping out of a plane with his BMX bike in hand into the Dubai desert, just to name a few. Unprecedented moments like this make it easy to understand how the BMX icon's ubiquitous influence has redefined the sport on his terms and become one of the most recognizable faces in the sports world.

Sylvester's cultural relevance is also embedded throughout the book, with cameos from Nigo, Super Bowl champion wide receiver Victor Cruz, rapper Rick Ross, DJ Khaled, celebrity jeweler Greg Yuna, Jamie Chung, Asap Ferg, Steve Aoki, and NBA champion Nick Young.

Biz Markie, Busta Rhymes, Chuck D, Cypress Hill, Da Brat, DJ Kool Herc, Dr. Dre, Jay-Z, Nas, Sean “Pu!y” Combs, Wu-Tang Clan The Notorious B.I.G., and many more...

Foreword by Ice-T
An inside look at the making of Hip-Hop documentary Rhyme & Reason, over 25 years
since its ground-breaking release. The ultimate back-stage pass. Over 130 photographs from 1994 to 1997. Released to mark 50th anniverary of Hip-Hop.

THE BOOK: In the mid-nineties, documentarian Peter Spirer embarked on a three-year odyssey to o!er a realistic view of Hip-Hop and the people and culture it encompassed, interviewing over 80 artists involved in the art form. Spirer managed to capture a seminal moment as the culture balanced on the cusp of the mainstream. As Ice-T comments in his foreword to the book, “Rhyme & Reason is one of the few films that was there to document us before Hip-Hop truly exploded.”

While filming, Spirer took accompanying stills using a medium format Rolleiflex camera. It is these photographs that form THE BOOK OF RHYME & REASON. “The Rollei allowed me to capture some amazing moments: Pu!y getting a trim in his o"ce while doing three tasks at once, Biggie opening record plaques on his couch, Ice-T and Mack 10 hanging
with their homies, Heavy D at the barber, playing pool. There was the Jack The Rapper convention with Death Row making a statement, at a Disney World Hotel, that ended in chaos. There were magical moments such as Redman and Erick Sermon freestyling on the mic to amazed onlookers at a block party in Newark and watching Wu-Tang Clan chop it up on the block in Staten Island on a cold winter’s day before they exploded.”

This co!ee table volume features over 130 of Spirer’s photographs from 1994 to 1997. As Hip-Hop commemorates its fiftieth anniversary in 2023, it is particularly fitting that many of these images from this formative period are being seen and published for the first time.

THE PHOTOGRAPHER: Peter Spirer is an Academy Award and Emmy Award nominated director and producer, particularly renowned for documenting Hip-Hop culture.

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

deadHYPE is back with the 3rd issue of their magazine deadHYPE CLTV. As always you can look forward to various interviews, articles and photo series from and about the community of the Berlin based creative collective.

"For A Fleeting Moment" is the result of the dialogue between the Swiss photographer Simone Kappeler and the Japanese musician Tomotsugu Nakamura initiated by Iikki, between March 2023 and May 2024.

Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he he has played with various genre of musicians and his works have been released by Kaico, Audiobulb Records, and more recently by the French label Laaps.

Born in 1952 in Frauenfeld (Switzerland) where she lives and works, Simone Kappeler started taking pictures at the age of 11. After studying German literature and art history, she studied photography at the Zurich University of the Arts. During a three-month trip to the United States in 1981, she took her first pictures using cheap cameras, especially the Diana camera. Hasselblad, Leica, Diana, Brownie, Polaroid, disposable camera, expired or infrared films, since 1970, Simone Kappeler has explored all types of photographic techniques. Her work, experimental and poetic, reveals to us the curiously foreign world that surrounds us. Since 1982, ongoing projects in southern France and the Grisons.1982/83, studio in New York, conceptual photography and Super 8 films. 1983/84, theater photographer, Schauspielhaus Zürich. 2009, six-week photographic study of Japan, 2015 studio in New York. Her work was the subject of a first monograph: "Seile. Fluss. Nacht. Fotografien 1964–2011", edited by Hatje Cantz and is regularly exhibited in Galleries and Museum in Europe and United States. For A Fleeting Moment is her first book gathered exclusively a part of her wide polaroid works from 2011 to 2023.

Fine Art Book, Ltd. to 700 copies: Hardcover book printed on Glossy Modern Paper 170g/m2 // 104 pages, 19cm x 22.5cm, 66 photos // Front cover points and back cover logo embossed // Selective UV varnish // Hand-numbered.