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Halloween 3 Items

Vinyl, CD & Tape 27768 Hip Hop 2113 Organic Grooves 7002 Rock & Indie 12105 Electronic & Dance 3332 Reggae & Dancehall 1197 Pop 2711 Classical Music 169 Soundtracks 661 Childrens 20 Christmas 69 Halloween 3 Used Vinyl 4311 Print & Design 15
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Andrew Gold
John Carpenter & Alan Howarth
Teenage Halloween
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Craft
Death Waltz
Don Giovanni
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2020
1996
1981
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Reissue
Teenage Halloween - Teenage Halloween
Teenage Halloween
Teenage Halloween
LP | 2020 | US | Reissue (Don Giovanni)
27,99 €*
Release: 2020 / US – Reissue
Genre: Rock & Indie, Halloween
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Andrew Gold - Halloween Howls: Fun & Scary Music Black Vinyl Edition
Andrew Gold
Halloween Howls: Fun & Scary Music Black Vinyl Edition
LP | 1996 | US | Reissue (Craft)
33,99 €*
Release: 1996 / US – Reissue
Genre: Pop, Halloween
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John Carpenter & Alan Howarth - OST Halloween 2
John Carpenter & Alan Howarth
OST Halloween 2
LP | 1981 | US | Reissue (Death Waltz)
41,79 €* 43,99 € -5%
Release: 1981 / US – Reissue
Genre: Soundtracks, Halloween
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Pressed on Black Eco Vinyl
Artwork by Paul Mann
Music to the 1981 film directed by Rick Rosenthal
DESCRIPTION

Death Waltz Recording Company is proud to present the return of one of horror’s scariest boogeymen, as well as one of the genre’s most iconic theme tunes with John Carpenter and Alan Howarth’s score to HALLOWEEN II. Set directly after the events of the first film, Rick Rosenthal’s sequel sets itself up as the slasher equivalent of THE EMPIRE STRIKES BACK, making a family connection between Laurie Strode and Michael Myers while getting some good kills in at the same time. Carpenter and Howarth’s score is beefier and more intense than before, using layers of electronics to drive the audience to madness.

As before, Myers aka “The Shape” is propelled by that theme, souped up with a new and more powerful arrangement from Carpenter and Howarth. HALLOWEEN II is more overtly synth and is perhaps less focused than the original score, although that certainly means it’s nastier and more schizophrenic. The score also brings back the evocative ’Laurie’s Theme’, incorporating into a score full of harrowing musical effect, its synthesised howls and wails piercing your ears so that by the time ‘Mr. Sandman’ comes around, you’ll feel just like the final girl, delirious at having survived the aural ordeal. And that’s just when The Shape wakes up.
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