German Hip Hop 147 Items

Die Gleichung der neuen EP von C-Ras und Chrizzal ist einfach. Einer produced, 2 Rappen und viel Bock auf Sound! Rap, der sich nicht zu Ernst nimmt aber die Coolness natürlich im Subkontext mitschwingt.

All Beats by C-Ras All Lyrics by Chrizzal except the feature Parts Additional Lyrics on C² and Tausendsassa by C-Ras Additional Lyrics on Goldene Stadt by dichter. Cuts on Hubert by DJ Reload One

All Chrizzal Parts Recorded by Joachim Weber - jmweber Audio

Mastered by SterilOne @ Staub Audio Engineering

Cover Illustration by Elisabeth Zielinski Design by Buonogelato Design

C² = 2 Künstler + Boombap + Rap + Reggae + Dub

Maura & Fred Red: one of those absolutely romantic producer and MC connections, making you feel the bond far beyond e-mail conversations like „just sent you a new folder of beats“!

Branding the artists simply as „bedroomproducer“ and rapper appears already after the first track on „Grimus“ almost blasphemous, because what those two deliver is way too big to be pigeonholed.

Hard-hitting breaks, subtle grooves led by jazz brushes, funky synthesizer solos, meet one of the most charismatic front women our young German hiphop-scene has to offer. Maura moves playfully in her universe between soulful head voices and heavy rapflows which put everybody considering themself as being able to compete in their place. Punctiliously and lovingly arranged, stylishly orchestrated and, at the same time, uncompromisingly edgy that there is – with all humbleness – nothing left but to speak out the Madlib/Erykah reference out loud.

Ten years ago, we would not have dreamt of such exquisit demos falling into our laps. Fred Red and Maura deliver with “Grimus“ a long overdue souljazz LP being a perfect match for Sichtexot.

What have they done?

Small light scuff on side A.

Limited Deluxe Gold Vinyl Edition.

close to NM

Still sealed.

Copy closer to NM

“Einsteigen Bitte!”

After more than six years of collaboration between label and artist, Feines Tier and Luca Musto bring to you the highly anticipated first full length LP “Nice Place, Bad Intentions”.

Musto’s first LP “Nice Place Bad Intentions” departs from the conventional 4/4 time signature. Instead, the album’s structure and the tracks themselves are reminiscent of a 1990s/2000s Hip Hop long play release. This becomes evident in the fact that the LP not only features 17 tracks, including skits and interludes, but also that they make up the framework of a conceptual album. Here, listeners will be encouraged to follow the track list and listen to “Nice Place, Bad Intentions” in one go.

“Nice Place, Bad Intentions” was produced over a period of 1,5 years. Besides the majority being original samples and vocals from Luca Musto, the LP also features a number of studio musicians, including bass players, trumpeters and guitarists. Cologne-based guitarist Simon Bahr can be found on several tracks, including the three singles “Infiltrate”, “Boogie Angst” and “Real Name, No Gimmicks”. Moreover, the skits and interludes are spoken by professional voice actors from the US and Canada.

The Berlin-themed album follows the characters Mick and Richie, who are all about partying and come to the city for one weekend in hopes to have the time of their lives. When the characters’ expectations meet reality, their naiveté (or bad intentions) lead them to getting screwed, robbed and even arrested. These stories about their journey through Germany’s capital are found in the interludes and skits. Listeners can follow them passing infamous places and metro stations in the city based on sampled BVG announcements, which gives the album a radio play vibe.

Sound-wise, Luca Musto’s unique sounds include scratched hooks that meet original lyrics and melodies, resulting in distinctive genre-bending tunes. As Mick and Richie stumble through some of Berlin’s most in-famous places, their expectations repeatedly clash with the reality of the capital’s nightlife. Similarly the liste-ners’ expectations are twisted and turned. Yet, the soundtrack underlining the characters’ journey never disappoints and brings its listeners on a rhythmic trip of old and new sounds. From rapping on downtempo as in “City of Grind” to merging the classic structure of electronic music with funky guitar licks and unconventional chord transitions as in “Infiltrate”, the LP feels at once like a daring experiment and like the beginning of a developing new genre.

White vinyl limited edition. Tiny corner wear. Original inner sleeve.

White vinyl limited edition. Still in shrink with hype sticker. Cover has seam split in top spine, besides that cover is NM. Original inner sleeves have seam split. With download card.

Copy is still in shrink! Vinyl is close to NM!

Still in shrink but opened. Tiny corner wear.

White vinyl seems unplayed. Original inner sleeves. Limited edition.

raps: slize, johannes onetake & philo philta produktion: johannes onetake (A 1, A 3, B 1, B 3), philo philta ( A 2, A 4, B 2, B 4) cuts: philo philta mixed / mastered by SterilOne @ Staub Audio Engeneering, artwork: clemens geiger photo: thomas listl

Red Vinyl.

Sealed copy with seam split!

Damion Lee is hard to pin down sonically. His sound has been described as everything from “Reggae Rapper” to “German pop”. But what are categories for? The music is what matters. He blends his reggae/rap influences from his previous project „Taktattackers“ – which he created along with Masu in 1999 – to capture his music sensitivity and catchy vocal styling, which makes him a must-listen.

Cover with bumped corner

Red marbled vinyl!

Very limited! Only 1 per customer!

Visionär, revolutionär, legendär zu keinem anderen Mcee in Deutschland passen diese Attribute besser als zu Kool Savas. Ob ausverkaufte Tourneen, Gold- und Platinauszeichnung oder drei Nummer-1-Alben in Folge: Das sind nur einige Höhepunkte dieser einzigartigen Karriere. Die Vorhersage ist eingetroffen Savas hat Battlerap in Deutschland zum Leben erweckt. Doch sein Weg ist noch lange nicht zu Ende.
Mit Essahdamus wird nun die nächste Prophezeiung wahr. Auf 18 Tracks, angereichert durch Skits, Acapellas, Beatskizzen und anderen Überraschungen, liefert Deutschlands Eins abermals ein Mixtape ab, dessen Qualität ein bis dato unerreichtes Level erreicht. Wer die John Bello-Reihe mochte, wird das kommende Werk lieben. Keine Lückenfüller, keine Kompromisse dafür Vollgas in bester Essah-Manier. Kurz gesagt: Kein Zuckerschlecken für den Rest von Hiphop-Deutschland. Emo-Rapper werden ihr Leben nach Essahdamus noch mehr hassen, Hater bekommen Depressionen und Biter neues Futter. Denn damals wie heute gilt: In Sachen Flow, Stimme, Technik ist Kool Savas seiner Zeit voraus. Essahdamus beweist diese Dominanz in beeindruckender Form. Kein Imagekram, kein Pathosgehabe Fans dürfen sich auf reinsten Rap in Perfektion freuen.
Dem Rap-Orakel Savas steht dabei die Crème de la Crème der deutschen Raplandschaft zur Seite. Ob Pioniere wie Azad und Samy Deluxe oder Berliner Legenden wie Sido auf Essahdamus gibt sich ausschließlich die Elite die Ehre. Doch Savas wäre nicht Savas hätte er nicht ein ganz besonderes Dankeschön für seine langjährigen Fans in Petto. Eine kleine Zeitreise in die Vergangenheit steht auf dem Programm und vereint erstmalig wieder die gesamte legendäre Berliner Crew M.O.R. auf einem Song. Essahdamus steht für Geschichte.
Für den passenden Sound sorgen unter anderem DJ Smoove und Abaz. Doch auch Mr. Melodie selbst sitzt wieder hinter den Reglern, um der musikalischen Eingebung den nötigen Feinschliff zu verpassen.