German Hip Hop Vinyl 286 Items

The hits from Cro's Easy Mixtape are finally on record. Nine tracks on color vinyl. Limited to 4000 copies.

Shacke One is back and brings you "Rap Wie Er Sein Wollte" - 11 tracks, uncompromising dope rap on organic oldschool-heavy beats by none other than Day One companion Klaus Layer.
Achim Funk on the mix, MC Kneipenkrieger, Tom Hengst and Klapse with some juicy parts and the Nordachse serves as ever - tasteful but decadent.
Oh yes, also house producer Rick Flair is not to be missed and provides a surprise moment.

“Dopeman” das neue Album von Plusmacher, produziert von The Breed.

Alphonzo präsentiert sein 2. Album und rollt geschmeidig über die ein oder andere Genregrenze hinweg. Wo auf seinem Debutalbum "Analog Slang" noch puristisch auf Bummtschack in die Welt hinaus geschaut wurde, werden auf "Mango Pulp" die briefmarkengroßen Momente unter die Lupe genommen. Sie tanzen zwischen Trap und Boombap geschmeidig im Licht einer Diskokugel aus den Achtzigern. Alphonzo liebt es zu spielen. Auf "Mango Pulp" ist er seine eigene One-Man-Band. Hier bekommst du Alphonzo pur.

Im Laufe des Lebens erleben wir immer wieder Momente, die uns prägen - Ganz gleich ob positiv oder negativ.
Diese Momente formen uns. Sie machen uns zum Individuum. Obwohl jedes der vergangenen T9 Releases auch immer eine Art Selbstporträt ist, war die persönliche Ebene des Schreibers bisher selten so greifbar wie hier - Ihre Doppel-Single "Form" (VÖ 24.04.) kündigt nicht nur ihr neues Album "90/10“ (VÖ 29.05.) an, sie zeigt auch, dass das Œuvre von Torky Tork und Doz9 ein sich stetig auszubreitender und ganzheitlicher Kosmos zu sein scheint. Chapeau!
Mit dem kommenden Konzeptalbum “90/10” wird ihr einzigartiger Stil kompromisslos manifestiert - wie der Albumtitel bereits kryptisch ankündigt, geht es hier um 10 Tracks, die jeweils genau 90 Sekunden lang sind; so als wäre die geringe Aufmerksamkeitsspanne in Zeiten der medialen Überflutung mit einkalkuliert. Schauplatz der Kreativität und Entstehungsort des Albums ist dieses Mal eine in den 80er Jahren besetzte Schule im Herzen Amsterdams.
Von düsteren anti-zyklischen Songs mit virtuos eingespuckten Selbstbeweihräucherungen über tanzbare Gesellschaftskritiken, finden sich bei “90/10” erstmals auch offene Reflexionen des eigenen Formungsprozesses. Ihre Musik kann Wege unzugänglich machen oder Horizonte öffnen - was von beidem, entscheidet jeder für sich selbst.

Staub zieht durch die Vorstadt, legt sich ab auf Asphalt unter Tauben, die an den Fassaden der Betonwüste kleben. Zwischen weißem Rauch und eisernen Kränen bauen sie einen neuen Turm zu Babel in das Viertel. Und wieder klingelt es an deiner Tür - Verdrängung vor Vergessen, Zigarette vor dem Essen, Lieferung am selben Tag.

Limited edition of 200 copies! TEXTA have not only written Austrian HipHop history, they ARE Austrian HipHop history.

After a small teaser 2020 with the song and video "Rundherum" including unreleased Huckey part, the three sat down in the studio and polished the new album "Mehr Oder Weniger". 13 tracks that represent everything that makes TEXTA unique: sophisticated beats, cuts and scratches by DJ Dan and the two MC's Laima & Flip, who jump on the instrumentals with fresh energy. Philosophical as ever, perhaps more personal than ever, with the necessary wink towards their long career, but the conviction that this changed rap game still needs the three old masters.

So now finally live on tour again, in Run DMC style two MCs and a DJ, HipHop to the fullest with all the hits and the new material, more is not possible, less certainly not.

“Einsteigen Bitte!”

After more than six years of collaboration between label and artist, Feines Tier and Luca Musto bring to you the highly anticipated first full length LP “Nice Place, Bad Intentions”.

Musto’s first LP “Nice Place Bad Intentions” departs from the conventional 4/4 time signature. Instead, the album’s structure and the tracks themselves are reminiscent of a 1990s/2000s Hip Hop long play release. This becomes evident in the fact that the LP not only features 17 tracks, including skits and interludes, but also that they make up the framework of a conceptual album. Here, listeners will be encouraged to follow the track list and listen to “Nice Place, Bad Intentions” in one go.

“Nice Place, Bad Intentions” was produced over a period of 1,5 years. Besides the majority being original samples and vocals from Luca Musto, the LP also features a number of studio musicians, including bass players, trumpeters and guitarists. Cologne-based guitarist Simon Bahr can be found on several tracks, including the three singles “Infiltrate”, “Boogie Angst” and “Real Name, No Gimmicks”. Moreover, the skits and interludes are spoken by professional voice actors from the US and Canada.

The Berlin-themed album follows the characters Mick and Richie, who are all about partying and come to the city for one weekend in hopes to have the time of their lives. When the characters’ expectations meet reality, their naiveté (or bad intentions) lead them to getting screwed, robbed and even arrested. These stories about their journey through Germany’s capital are found in the interludes and skits. Listeners can follow them passing infamous places and metro stations in the city based on sampled BVG announcements, which gives the album a radio play vibe.

Sound-wise, Luca Musto’s unique sounds include scratched hooks that meet original lyrics and melodies, resulting in distinctive genre-bending tunes. As Mick and Richie stumble through some of Berlin’s most in-famous places, their expectations repeatedly clash with the reality of the capital’s nightlife. Similarly the liste-ners’ expectations are twisted and turned. Yet, the soundtrack underlining the characters’ journey never disappoints and brings its listeners on a rhythmic trip of old and new sounds. From rapping on downtempo as in “City of Grind” to merging the classic structure of electronic music with funky guitar licks and unconventional chord transitions as in “Infiltrate”, the LP feels at once like a daring experiment and like the beginning of a developing new genre.

Limited edition of 300 copies of the "Yummy EP" by Das Kate Schellenbach Experiment, the producer duo Torsten Scholz and Tom Körbler from Berlin/Augsburg.

Torsten is the bass player of the Berlin band Beatsteaks. Tom is an independent producer, engineer and musician and also works for Beatsteaks among others. As a collaborative artist project, DKSBE! releases singles at regular intervals, in cooperation with known or unknown musicians.

The "Yummy EP" presented here comes in the classic single format, which is rather unusual for a rap EP. If now it becomes clear that the 5 songs have a maximum length of about 1:30 min, one feels rather reminded of punk or hardcore releases of the 80s or 90s. That was also the purpose of this release from DKSBE!

Logo, that the sound does not come along so hanging. Bang already! Short crisp rap songs with punk attitude, if you needed a description, then probably this one.

Damion Lee is hard to pin down sonically. His sound has been described as everything from “Reggae Rapper” to “German pop”. But what are categories for? The music is what matters. He blends his reggae/rap influences from his previous project „Taktattackers“ – which he created along with Masu in 1999 – to capture his music sensitivity and catchy vocal styling, which makes him a must-listen.

Maura & Fred Red: one of those absolutely romantic producer and MC connections, making you feel the bond far beyond e-mail conversations like „just sent you a new folder of beats“!

Branding the artists simply as „bedroomproducer“ and rapper appears already after the first track on „Grimus“ almost blasphemous, because what those two deliver is way too big to be pigeonholed.

Hard-hitting breaks, subtle grooves led by jazz brushes, funky synthesizer solos, meet one of the most charismatic front women our young German hiphop-scene has to offer. Maura moves playfully in her universe between soulful head voices and heavy rapflows which put everybody considering themself as being able to compete in their place. Punctiliously and lovingly arranged, stylishly orchestrated and, at the same time, uncompromisingly edgy that there is – with all humbleness – nothing left but to speak out the Madlib/Erykah reference out loud.

Ten years ago, we would not have dreamt of such exquisit demos falling into our laps. Fred Red and Maura deliver with “Grimus“ a long overdue souljazz LP being a perfect match for Sichtexot.

What have they done?