Garage | 2Step | UK Funky | Bassline 21 Items

rRoxymore's long-anticipated debut album, Face To Phase, was born of her annual creative hibernation practice. Whereas her previous appearances for Don't Be Afraid - Thoughts Of An Introvert, Parts 1 & 2 - revealed inner worlds of saturated colour and natural expressiveness, she retreated into her studio at the turn of winter 2018 occupied with the idea of dismantling the dancefloor-centric pressure paradigm.
The resulting album, Face to Phase, finds rRoxymore methodically and mindfully stripping back to fundamentals: rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour. Forged by the spirit of club music cultures, Face To Phase favours deep listening; resisting the temptation to reflect on the past or project towards the future, it's an album that is firmly rooted in the contemporary.
Sparked by her own archive of field recordings, and produced primarily but not exclusively in the box, Face To Phase adds several facets to rRoxymore's already wide repertoire. The pensive and beatless opener "Home Is Where The Music Is" was inspired by her longtime friend Planningtorock, while "Forward Flamingo" is a spiraling dream-state of house music dissociation; elsewhere "Energy Points" remains anchored to the ocean floor, radiating heavy dub waves, "Passages" is a ghoulish skeleton of UK break beats, "What's The Plan" closes the album in a blissfully blunted fashion, while twisting, shape-shifting rhythms push and pulse "PPS21" into series of ever-evolving shapes and forms.
Through and in between the eight songs of Face To Phase, rRoxymore fortifies her status as a seasoned artist, grounded by over a decade of live performance and touring, collaboration, composition and experimentation. With a new live performance collaboration with a percussionist set to debut the LP at Atonal on 1st September, rRoxymore is primed to expand her reputation even further as one of the most vital and distinctive artists on the fringes of contemporary club culture.

Here comes a welcome reissue of a rather in demand classic by the widely revered - and rightfully so - DJ Perception. Opener 'Reverse' taps into a US garage vibe - dusty low slung drums with a four to the floor pattern, plenty of swing and a well treated vocals all finished off with a melodic bassline. 'Flyby' (feat Opus) bumps along to a crips broken beat and sub bass that needs to be heard on a loud system. 'Loose Ends' is raw warehouse music with irresistible bounce and then the soulful vocal smoothness of 'Gonna Make You' might just steal the show at the end. Timeless tackle.

Cover is close to NM.

Vinyl is close to NM.

Airplay on Tom Ravenscroft (BBC Radio 6 Music), Re:lax w/ Re:ni, Laksa & Biggabush (NTS), Gage (NTS), From The Depths with Drakeford (NTS)
Premieres of Four Feet and Blasphemy on Trax Mag and Ransom Note
Review on 2 Hungry Ghosts

As cassette tapes are making a comeback it is time for us to revive Intrauterin Tapes after a 15 years hiatus with a new release by Intrauterin Recordings mastermind baze.djunkiii who is bringing on his latest mixtape outing “The Gangster Files” for all lovers of original and classic UK Garage / Sublow as well as real Jungle / Drum’n'Bass headz featuring a massive vinyl selection of rare whitelabel cuts and essential classics. The history: Originally launched in 2001 and operating until 2004 the Intrauterin Recordings sister label Intrauterin Tapes released eight volumes in these first years, making a previously unprecedented move in German mixtape culture in focusing on studio recorded, MC-free vinyl only DJ-mixes for true bass music lovers, covering a musical spectrum from Drum’n'Bass, DarkJungle and UK Garage, put together by both hot, emerging talent from the local Hamburg underground as well as a special final edition featuring US-based (Dark)Jungle legend and scholar Larissa Mann a.k.a. DJ Ripley for a preliminary closing in 2004.

2XM are back on our shores with another sun kissed and emotive EP.
Four new tracks covering 2-step garage, deep percussive house and synth laden electronic grooves with a powerful vocal performance from rising star Neil Macleod.
These two are really developing their own signature sound and we’re all in.

Two are surely better than one. Following Lory D and Fadi Mohem, Toronto based producer Graham Bertie aka Nautiluss also steps up for his second outing on Seilscheibenpfeiler, marking the label’s 10th overall release. Once more, Nautiluss is transforming playful and rhythmically intriguing bass music into prime dancefloor cuts, encompassing a rich array of sounds and moods ranging from upfront rave action to delicate deepness.
„Guccifer“ kicks things off with a dark, shuffling beat, creating a subtle hardcore/jungle vibe with atmospheric overtones. „Snakes And Ledgers“ is a percussion-heavy tune led by a fat and thumping bassline and completed with muffled chants by Toronto rapper Matthew Progress. Next up is „WiFi Oasis“, again fronted by a memorably melodic and reverberating bassline while the track explores airy and enigmatic IDM territory. „Moment Of Clarity“ rounds off the EP with ethereal synth pads and big breaky beats, providing an ideal closing track for every extended club night.

Marvin Jupiter is an 18 year old artist who mainly makes hip-hop music, using bass lines as rhythms more associated with funk. He uses and creates the sound of the modern day interpretation of trap adding his own personal twist.

Rua Sound is pleased to announce we are back in action with our first release of 2019, and a welcome return to the label of Touchy Subject.
Fast becoming one of the go-to producers for rootsier takes on up-tempo 160-170 bass music, his second four-track 12" on Rua ups the ambition and knocks it so far out of the park it's broken windows in the next parish across.
The General EP veers wildly between neurofunk-but-actually-funky takes on dusty 90's boom-bapàla DJ Shadow on "Shudder" and 'Turnt Up', cavernous soundsystem workouts on "Seek and Find", and febrile halftime (just) jungle (barely) masterpiece in the shape of "General". Goosebumps. This is soundsystem music par excellence; cerebral, heady, and rousing - suffice to say we reckon it's sicker than the plane to Lourdes.
We apologise profusely to those of you whose resolutions for 2019 involved losing weight, but this is one of our fattest releases yet so you'd better go get them bassbins rumbling instead.

Numbers present the debut from 23 yr old Copenhagen based Scottish artist Perko whose fans include the likes of Avalon Emerson and Peder Mannerfelt.

First taste of the upcoming Tempo Dreams Vol. 5 album, compiled by LA based beatmaker Free The Robots. Coming in with a seperate vibe all it's own, the 7" features the exclusive track "Nasi Goreng", a lo-fi psychdelic beat heavy romp through South East Asia, complete with Gamelan vibes. On the flip, "Marano" is a downtempo ultra bass heavy joint with sparse production, vocal chops and swirling synths.

he Trilogy Tapes get the best out of J. Albert in the Envy Turned Curiosity EP with four deadly cuts of coiled, Afro-cubed breaks and gloomy synth pads.

Picks of the bunch are the beautifully brooding hybrids of B-More, Dark Garage and UK Broken Beats with cinematic strings on Money Between Friends and the haunted swang of Envy Turned Curiosity, while Deepstate Riddim goes rude and rugged on a dubbed out breakbeat flex and Designer Life recalls the meditative blue pressure of Parris.

A generation younger than the founders of the Teklife crew, DJ Rashad and DJ Spinn, DJ Taye was originally a rapper and beat maker before hooking up with the collective and jumping into the world of footwork production and DJing. However, it was Rashad’s untimely passing in 2014 that was the unlikely catalyst for developing the sounds and ideas for this album. He says, "When Rashad passed away I felt inspired to continue evolving the music that I loved so much coming up in this world. So, I had to do something…make something brand new." 100% committed to pushing further the potential of the footwork template, Still Trippin’ is ambitious in its range and scope. Taking two years to formulate, the record broadens the possibilities of the sound, forcing it to adapt to songwriting, and also revives Taye’s talent for MCing and producing beats to which he can rap and sing. Furthermore Taye definitely ups the ante with his complex and precise drum programming, never losing sight of footwork’s ability to confound. The album features a range of guests that span contemporary music; the eccentric, instructive rapping of Chuck Inglish of Detroit duo the Cool Kids is featured on ‘Get It Jukin’, Odile Myrtil, a young vocalist from Montreal, lends her smokey soul to ‘Same Sound’, Fabi Reyna, the editor of the celebrated women’s guitar magazine She Shreds, sings and plays bass and rhythm guitar on ‘I Don’t Know’ and Jersey club queen UNIIQU3 offers production and rapping on ‘Gimme Some Mo’.Also, Teklife members DJ PayPal and DJ Manny assist on production, and DJ Lucky is a guest MC on ‘Smokeout’. Taye is ambitious in his hopes for the album; "I took this as an opportunity to not have boundaries with footwork. Different approaches to our ‘underground’ sound to make it broader. It’s only underground until it crosses that visible threshold.” This album brings all of this to the forefront.

Record is slightly warped but still enjoyable.