Garage | 2Step | UK Funky | Bassline 240 Items

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to NM.

Vinyl with a couple of light scuffs, close to VG+. Stamped white label.

Speed garage.

Live artist Innellea dropped his limited vinyl deluxe album. ‘The Belonging’ including two bonus tracks, poster and colored vinyls. The LP forms part of a conceptual storytelling project. The album features focus track ‘Shelter’ w. CamelPhat & Monolink, along with diverse and significant collabs with Grammy winner Flowdan, Swedish indie singer/songwriter Karin Park, live musician Juan Hansen. Additionally the deluxe vinyl album includes Innellea´s feature with Paris Paloma 'under Earth'.

Ringwear and sticker stain on cover. Clean labels and only scuffs and superficial marks.

Still sealed, but cover has light ring wear.

Small light scuff on side B.
Records are close to VG+

Yuku 5x12" sales pack including: *Yuku034 Groove Palette [printed sleeve / 180 grams]* *Yuku036 Dog Eared [blue + red marbled vinyl / 180 grams]* *Yuku037 Mimoto [blue + red marbled vinyl / printed sleeve]* *YukuWHT005 Ikawa I [180 grams / hand-stamped]*

Yuku 5x12" sales pack including: *Yuku025 Flana [full colour sleeve / 180 grams]* *Yuku033 Sinking [printed sleeve / 180 grams]* *Yuku035 Sky Echo [blue marbled vinyl / printed sleeve / 180 grams]* *YukuRMX001 Contexts 01 [blue vinyl / 180 grams]*

The vinyl is dense with a lot of light marks, scuffs and hairlines.

Deeper States Volume 2 is another installment of fresh sounds from producers who have come through a competition that set them to making proper deep hose with a specified sample library. Across four sides of wax, there are some mighty fine cuts here such as the deep garage inflections of Enrico Dragoni, some Motor City vibes from Scott Andrews, the deepest of dub techno workouts from Montreal courtesy of Dealin', soul-drenched late-night cruisers from Khalid Ali on 'Elevate' and some nice bubbly vocal vibes from Dublin don Oscide with his 'Free Your Mind.' This is another hugely effective and stylish EP from the Interweaved community.

5-track EP featuring remixes of Fear Fear tracks from some of Sheffield’s most innovative producers - Toddla T, Charla Green, Ross Orton, Diessa and Warp originals, Forgemasters.

The EP was previously only available on CD which came exclusively with purchases of the album via the Bear Tree record shop in Sheffield. This will be the first time the remix tracks have been widely available and today the band have also shared the ‘Money Is Mine’ remix which sees Toddla T set the track to a full on klonking two step rhythm.

Toddla T said of the remix: As the original version stank of Sheffield, I wanted to do something that I would be itching to play in a set back home, particularly at Kabal or if I wasn't in attendance something that I know Winnie or Pipes would draw for which was made for the dance-floors of Sheffield.

close to NM

Limited edition. Hand numbered cover.

Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc

Record is close to NM.

Mastered and cut on 140g transparent vinyl by legendary mastering engineer Matt Colton at Metropolis Studios, London. Pressed at optimal media, Germany.

About the Album

‘Isthmus’ is Ross Tones’s 5th album for Houndstooth in 10 years.
It only seems fitting for it to return to the eclecticism of 2014’s ‘Mosaic’.

An isthmus is a narrow strip of land that connects two larger bodies.
The two islands contrast in time, topography, chaos and character.
One sears.
The other, buried by blizzards.
A land bridge fights the tide; offering harbour.

Connecting the estranged.
Giving battle to the noise.

It is uncertain who won.

Arriving as the third album on Supreems ‘Sweet Sun’ label – an imprint gathering a reputation for future-facing, storytelling electronic music – Sloucho's 'NPC' explores the duality of his main character and non-playable lives. With a strong Irish artistic presence featuring Rory Sweeney, EMBY, Curtisy and more, Sloucho navigates through Cloudcore-inspired broken beats, bass-driven percussion, alternative dreamscapes and wubby fuck-steps on his most complete release to date, laying the foundation for an origin-story in the process.

Garnering support from Surusinghe, Roza Terenzi, Two Shell and more; some of the tracks on NPC have already been heard in clubs around the world - from Antwerp to London and Mumbai to Paris. ‘Mind Traveller’ offers an ambient introduction to ‘Athrú’, Sloucho’s home world, as the artist's pitched vocals act as the listeners guide into the island's core. ‘Mutant’ features experimental electronic artist Rhoshi on a track that follows the kaleidoscopic sonic-themes of Sloucho’s previous Cloudcore releases ‘Slow Feet’ and ‘Silver Veil’, before the Rory Sweeney-featuring ‘Come Around’ ignites the dance with its dutty screw-face two-step, balanced by moments of melodic contemplation before evolving into a techno-dancehall hybrid.

‘Brand New’ stays on the steppy aesthetic, and brings MCs EMBY and Zack Oke into the frame with a 3D Meta-human video created in collaboration with respected, exhibiting digital artist Aisling Phelan. Using a motion capture suit, they captured EMBY and Zack’s performance and imported it into Unreal Engine, using different environments scanned from around the Greek Islands as the backdrop. The result is mind-blowing; a complete digital realm, shot like a real-life rap video as EMBY and Zack spit bars across an elasticated garage riddim. Full video is on YouTube.

‘Super Maramu 2000’ is a cut of alien-club beamed directly from ‘Eile’, the afterlife of Sloucho’s Neolithic ancestors. A waltzer-ride through Latin-bass and techno with an oxymoronic blend of maximalist and minimalist futurism, it’s as silly as it is serious, before the stuttering, juke-influence of ‘Make It Work’ brings the album’s rapid first half (and a bit) to a close.

Sloucho seamlessly weaves from front left of the club to dark, fume-filled rooms on ‘Two Thousands’ (featuring EMBY and Curtisy), ‘Rocks’ (featuring Zack Oke, who sounds remarkably like experimental spoken-word artist Coby Sey here, and Chilean artist Vatican Jail) and ‘Lights On’ (featuring Yamagōchi), Sloucho explores a previously unseen side to his sound, meandering through alternative trap and hip-hop laden beats that are both dreamy and nightmarish, bringing NPC to its starry-skied climax.

Emerging from a generative paradox of laser precision and fluid dynamism, Metallur fuses percussive, metallic force with warping tempos and a field of ethereal resonance and debris.

The result is an insurgent, elemental, time-smearing of hyperspace, where "tellurian beats merge with alien glossolalia and vocal samples blip tesseracts of human affect into a ghostly, melodic aether". Music for a crushed infinity.