Garage | 2Step | UK Funky | Bassline 338 Items

Finnish producer Desto returns to Rwina to deliver his first full length album, ‘Emptier Streets’. As with his previous releases on the Dutch label, Desto strips the music back to its bare-bone essentials, fulfilling the album’s title with a sound that’s spacious and eerie, bleak and punishing yet still offers warmth in its apparent coldness. Stylistically the album is most obviously aligned with the aesthetics of Dirty South hip hop and the dubstep diaspora, deploying booming drums, rolling hats and cold synthetic melodies and voices inside cavernous sonic landscapes.

Originally produced exclusively for the Japanese domestic market. All six tracks in their full length versions, totalling 50 minutes of music not previously available on CD, packaged in full size jewel case with Japanese obi-strip overlay.

New mixtape on Re:Ni & Laksa's Re:Lax imprint from MJK whose three deck sets and b2b's with the likes of Verraco have been joining the dots between grime and techno

“Experimental, Hip-Hop, Electro, Blue, Textured, Research, Spatial, Atmospheric, Dark, Silver, Bark, Cold Nights, Spacial, Flashlight, Bouncy, Dance, Hans Richter, Nature, City by Night, Arctic Dreams, Self-Growth, What Is Art, Boundaries, Gravity, Finland, Finland's Music Scene, Culture, Question, Explore, Travel, Layered, Curated, Moving Images as Sounds, Soundscape, Dynamics, Echoes, Reverb, Listening, Responding, Multi-Dimension, Reuse, Reinventing, What About Your Alter Egos, Plastic Night, Construction Site, Blue, Shark”

Nancy June navigates through all things bass, touring across genres of Uk funky, breaks, garage and dubstep. Her mix intertwines sounds of the old and the new as she welcomes resonant rumbles of the underground.

Live artist Innellea dropped his limited vinyl deluxe album. ‘The Belonging’ including two bonus tracks, poster and colored vinyls. The LP forms part of a conceptual storytelling project. The album features focus track ‘Shelter’ w. CamelPhat & Monolink, along with diverse and significant collabs with Grammy winner Flowdan, Swedish indie singer/songwriter Karin Park, live musician Juan Hansen. Additionally the deluxe vinyl album includes Innellea´s feature with Paris Paloma 'under Earth'.

Bank NYC is very excited to present the definitive statement of Collector, "No Prospects". Collector is the solo guise of Jason Campbell, resident of Newcastle, Australia. Since 2014, Campbell has been channelling the industrial malaise of his hometown through his unique take on heavy electronics. After a series of releases on global-spanning labels such Steel City Dance Discs (uk), Nice Music (aus), Clan Destine (sco) & Night People (us), the debut long-player for Bank NYC finds Collector embracing true album form for the first time in his discography. Across eight pieces, Collector delivers a bleak sonic narrative via a hardware-only approach to production: Analog drum machine patterns are intricately intertwined with menacing synth lines, and driving bass is met with the unrelenting clatter of tightly-sequenced field recordings taken straight from the heart of local industry.

Thematically, "No Prospects" navigates the downfall of Newcastle's BHP Steelworks at the end of the 20th century. Acknowledged widely as the largest de-industrialisation event in Australian history, the closure of the Steelworks in 1999 marked a dramatic cultural shift where blue-collar vocations were vanquished due to an economic slump, and were consumed by the trending cosmopolitanism seen in adjacent cities. "No Prospects" draws on Campbell's family lineage in the Newcastle's steelworks, providing a rich, personal context to an industry that both gives and takes away. The sharp intensity of the album is sustained by dramatic shifts in pace: the devestating slow burners of 'Two From Five' and 'Ricochet' are instinctually offset by the frenetic 'cft' and 'Workers Club Collapse', which showcase Campbell's no-nonsense approach to shaping an almost club-ready breed of modern industrial techno. Although diverse across both sides, cohesion is found in Campbell's toolkit of samples that are unmistakably Collector. The album's eponymous track, 'No Prospects', serves as an introspective centrepoint - a largely arrhythmic excursion shrouded in familiar brooding, textural drones, and underpinned by the chug of machinery on the brink of collapse.

Although forever indebted to the spirit of local electronic outcasts, Bloody Fist Records, Collector's "No Prospects" is a remarkably distinct statement straight from the heart of Australia's Steel City. The complexity of arrangements speak to Campbell's long association in experimental music communities, whilst the persistent feeling of dread conveys a uniquely regional story of decay and futility. Pure Novocastrian industrial electronics.

3v1l Gl0b4l1sm is a sound journey to consciousness, which invites us to dedicate ourselves to a sensitive reflection on the progress and dehumanization of this capitalized society.

Four cuts full of rage and freshness, capable of immersing us in the perfection of the chaos through industrial breaks and delicate melodies guided by the brutality of their synthesized sounds.

7053m4r14 is the architect of this project published by the Black Quasar Records label, with which also shares his previous work. The multidisciplinary artist who converges between numerous genres and akas, such as C-System or Spectrums Data Forces, opts for this album for a fusion of styles ranging from IDM, Break Beat and Electro.

The pristine mastering by Koschitzky is what finishes signing this piece.

Bwoy, it’s dark in here. New name, who dis? Austrian genre bender Toupaz, fka Awo Ojiji, delivers 4 polyrhythmic steppers with blissful moments nested around a threatening aura. Is it half-speed, is it double? Is it both? Either way, there’s loads going on. Strictly limited to 100 copies!

Xciot EP is the first release by Pyramid Of Nahash (Pyramid Of Knowledge and Nahash), who in this project for Asphalt Records, tag team to merge breakbeat science and bass experiments with classic analogue Trance and early Ambient-Techno melodies. The result is a cinematic, sci-fi safari through outer space in a futuristic hardcore vessel.

Remixing duties have been handed to a second collaborative effort: Rvshes (Logos and Db1), who in their Recombination Mix, carve, bend and reshape the original material into a rugged, angular, yet melancholic techno artefact.

DJ Elephant Power (Nicolas Baudoux) based in Brussels, Les Octaves de la Musique awarded musician, is returning with his new EP ‘Blowing From Above’ on May 2024 with limited edition vinyls. The abundantly creative producer never tires of exploring the possibility of new sounds and rhythms. This time he delves deep into numerous genres from breakbeat to bass and he added more colours on each track which composed, performed and produced by himself. Mastering was done by Beau of Ten Eight Seven Mastering in UK. This new EP will be the first page of the upcoming album in June 2024. ‘Blowing From Above’ feat Eunsol Now you entered the city where you can feel the atmosphere of heat with full of energy. Under the welcome sign of breakbeat and bass, you breathe the dopamine of electronic dance deeply. Alongside baseline skyscrapers covering the sound of this city, mysterious Korean words lead you to hyper pop buildings. Across the traffic lights with barking dog and staccato synth arpeggio on the road, you reach the futuristic bridge between jungle and grime. ‘I Got You’ Under the repeated street lights of ‘I Got You’ scratch samples, you are in the car passing through continuous cowbel 808 sounds on the techno road. In front of the funk graffiti wall, a powerful metal guitar sprays the paint with no compromise. Buildings of synth grab you to follow the new banging club anthem. ‘Shades’ Curly hair architect, who is well known for perfectionism of repeated linear, built a new Mantronix satellite laboratory. This is located on the mountain of Detroit and built on the solid ground of analogue synth signals. Filtered synth and bassline are the main columns of the building. In the main lab, the next satellite has been developing on woah woah sound mattress. Visitors can experience zero gravity in the room in the middle of kick and snare which provides perfect unbalance. ‘Infinity’ A colourful new dish is ready for you. You will feel beautifully balanced and harmonious tastes of progressive techno, trap and bass. This astonished dish was sourced the very best of heavy bass and synth melody for well balanced scent with thoughtful contacts. Geomungo, a traditional Korean string instrument, enhances and amplifies stunning ingredients and it makes a highlight with amazing pairings.

untitled mixtape recorded live in London February 2024) Run of 50 copies

A 37m30s B 34m59s

(c) Wain Records 2024 and D. Shan

Boulderhead debuts on Rhythm Section International with his most expansive EP to date: “ I Need Space to Dance”

The Bristol based producer, known for his intricately crafted, up tempo club records has long been a favourite at RS HQ and has, over the years, garnered much respect from a plethora of influential DJs. His most recent hit “ Bread, Butter, Noodles, Spice”, was a festival earworm and one of the most played underground tracks of 2023.

Existing in the sweet spot between tech-house, prog, broken beat and minimal techno - this EP sees Boulderhead widen his sonic palette with a collection of songs that showcase his versatility. Equally appealing to the Ricardo Villalobos contingent as it will be to those delving into the history of progressive house and the golden days of minimal techno - we think there’s a bit of something for everyone here.

Despite the many different bases the EP touches on - the sound pallette and production are unified and coherent. Henry is at the top of his game, and much like contemporary artists like Adam Pits, Priori and Russell EL Butler - his style screams Album!

DRIVETRAIN/The Moonlight A steamy and impassioned orchestration lead by a captivating vocal mantra, tribal percussions and the soundtrack a late night chronicle.

DRIVETRAIN/Moonlight & You Driven by drums and bass, the jazzy ambience of voice and melodic chord progression sets the stage for a big crescendo.

G-PROD/Moonlight A wall of mesmerizing pads float fluently atop the velvety, abduction of the dominating groove provided by the rhythm section.

G-PROD/Moonlight (David Duriez Floating Light Mix) Adding a different spice to the mesmerization, the remix is an intoxicating acid adventure through the frequency spectrum.

Limited coloured repress of 100 copies!

Limited coloured repress of 100 copies!

Limited coloured repress of 100 copies!

Jlin’s third album ‘Akoma’ s features guest appearances from Björk, Philip Glass and Kronos Quartet.

Jlin’s detailed and meticulous exploration of rhythm’s inner and outer reaches has made her one of the most distinctive and recognisable voices within both the electronic and classical music worlds. Her compositions are consistently appealing and have an accessibility to them, yet often defy expectations. She exists within her own locus solus - no matter the collaborator, no matter where sounds ultimately lead her. Whatever the situation – from composing the Pulitzer Prize shortlisted ‘Perspective’ for Third Coast Percussion, to ‘Godmother’ her AI-powered collaboration with Holly Herndon, Jlin always expresses her outlook to the fullest. Her new album ‘Akoma’ sets a new benchmark in her personal road map, not only since the album features guest appearances from Björk, Philip Glass and Kronos Quartet but for her continued sonic persistence and resistance. Jlin does what Jlin does and it’s beloved across genres, across scenes and across generations. ‘Akoma’ is a new entry point into her sound and a new approach for both those who have been following diligently and those who are just now entering her world.

So how did she get here? Here’s a rundown for those looking for the facts. She was both a math nerd and a steel factory worker. She got inspired by Footwork and started making tracks with mentorship assistance from RP Boo and DJ Rashad, but her music was far from typical for footwork from the get-go. In 2011, she released her first track ‘Erotic Heat’ on the Planet Mu anthology ‘Bangs & Works Vol.2.’ Fashion designer Rick Owens heard it and invited her to soundtrack his Paris Fashion Week show. Already before an EP or an album Jlin was in new cutting-edge territory. And it hasn’t stopped since. Everyday Jlin wakes up early and clocks into her home studio working hard on new music. Her discipline and craft-like approach means that those who would try to copy her sound simply can’t get to the level she is at. Since ‘Erotic Heat’ she has released two bold albums, 2015’s ‘Dark Energy’ and 2017’s ‘Black Origami.’ She has also released her soundtrack to Company Wayne McGregor’s dance piece ‘Autobiography’ (2018) and most recently (2023) the mini-album ‘Perspective.’ She’s remixed µ-Ziq, Factory Floor, Ben Frost, Max Richter, Björk, Martin Gore and others. She’s collaborated with Holly Herndon and the late Sophie. She’s worked with visual artists Kevin Beasley and Nick Cave. She composed a string quartet for Kronos Quartet and performed with them live in a tribute to Philip Glass. She also recently completed a tribute to Sun Ra with Kronos. ‘Perspective’, her very well received percussion work for Third Coast Percussion has further opened doors for her in classical music. She’s even thinking of one day writing an opera. She had a residency at MassMoca Museum earlier this year (2023). She’s performed live at Pitchfork Festival, Unsound Festival and too many others to mention. She’s also worked with Indian dancers, Company Wayne McGregor and renowned choreographer/MacArthur Fellow Kyle Abraham. There’s more but you get the picture - she’s working in contexts and in ways that few of her peers are able to.

‘Akoma’ is the next step - all these paths have led to this. We encourage you to tune in.

Presenting 'Swinging Flavors #12,' the latest sonic exploration by Tokyo-based sound craftsman, T5umut5umu. In the pulsating track "Bolt," he deftly blends elements of techno, breakbeat, and jungle, offering an intergalactic journey through the diverse universe of bass music. Released under Beat Machine Records' Swinging Flavors series, this digital and 7" vinyl release invites listeners to embark on a cosmic adventure.

T5umut5umu, a genre-defying producer, skillfully navigates the space between tracks united not by traditional genre labels but by vibe and style. With techno, breakbeat, and jungle as his guiding stars, his music draws inspiration from Eastern cultures, seamlessly woven into UK-style club tracks. Fusing elements like Hard Drum, dark breakbeats, grime, and DnB, T5umut5umu creates compositions that transcend boundaries, captivating audiences globally.

The remix of "Bolt" by Mani Festo mirrors the rapid and diverse stylings found in his towering catalog. Mani Festo, caught in the tension between futurism and tradition, is a champion for the transformative power of club music. As part of the Club Glow collective, his dynamic sound ranges from breakbeat science to electro machine funk, elevating 'Swinging Flavors #12' to new heights. The remix, akin to a warp-speed journey, propels the original track into uncharted territories, delivering an electrifying experience anchored by heavyweight rhythm craft.

Together, T5umut5umu and Mani Festo invite you to lose yourself in the cosmic magic of 'Swinging Flavors #12,' a release that transcends musical boundaries, celebrating the joy of exploration within the vastness of bass-infused soundscapes.