Garage | 2Step | UK Funky | Bassline Vinyl 340 Items

New 4 Track 12" release from Lamont for Swamp 81 sublabel, 81. Mastered at TenEightSeven

First taste of the upcoming Tempo Dreams Vol. 5 album, compiled by LA based beatmaker Free The Robots. Coming in with a seperate vibe all it's own, the 7" features the exclusive track "Nasi Goreng", a lo-fi psychdelic beat heavy romp through South East Asia, complete with Gamelan vibes. On the flip, "Marano" is a downtempo ultra bass heavy joint with sparse production, vocal chops and swirling synths.

he Trilogy Tapes get the best out of J. Albert in the Envy Turned Curiosity EP with four deadly cuts of coiled, Afro-cubed breaks and gloomy synth pads.

Picks of the bunch are the beautifully brooding hybrids of B-More, Dark Garage and UK Broken Beats with cinematic strings on Money Between Friends and the haunted swang of Envy Turned Curiosity, while Deepstate Riddim goes rude and rugged on a dubbed out breakbeat flex and Designer Life recalls the meditative blue pressure of Parris.

incl. MJ Cole Remix

3 of Shadow Child’s “Connected” collaboration album tracks get a makeover from Rimbaudian, MJ Cole and Bodhi.
Rising talent Rimbaudian reworks the only solo track from the project, “Steak Fingers”, and takes the original bumping stripped back groove on a more melodic journey with its stunning arpeggios and new string parts. The backbone of the original remains but be prepared to take a trip to a new stratosphere, with his stripped version which is included too.
Bodhi step up next to remix “Gacid”, twisting and turning the original acid patterns and grooves to make a special rework that gives a nod to early Detroit with new drum programming and pads. The Welsh duo bring the heat.
MJ Cole delivers what must be one of his finest remixes. “Um” the collaboration with Bodhi, already offers a trip that flirts with Jungle, lo-fi and the hypnotic but MJ Cole brings his signature vibe to the table with new keys, groove and provides something that feels as if it belongs in the realms of his seminal hit “Sincere”.

Limited to 300 hand-numbered copies including hand-silk-screened poster by Vladimír 518.

One-off collaboration with Off-White c/o Virgil Abloh.

A must for every jungle fan new and old.

2 track 12"release from Silas & Snare, on new label Kaizen.

Established Berlin based producer Carsten Aermes, aka PHON.O, delivers his latest EP ‘Afterglow’, bringing the Vorsprung Durch (to) Tectonic. Having dropped a number of acclaimed releases on Modeselektor’s dynamic imprint 50 Weapons over the last several years, PHON.O has also had a variety of singles and EPs for the likes of Kompact, BPitch, Shitkatapult and Detroit Underground, as well as remixes galore.

‘Mercurial’ kick starts the EP at 137bpm, melting the boundaries between techno, dubstep and footwork with effortless grace. The track sets a mood with an initial sense of ominous tension, before embarking on a strange, cosmic journey, narrated by polyrhythmic layers of percussive interplay. Kick drums bounce, snares crack, hats and the melody builds with mysterious intent.

Flip over then for the first of two further tales in dubwise beat science. First up is ‘U8 Phunk’, taking it’s name in part from a Berlin underground metro line, it represents a tougher, harder edge to the EP. Recalling echo’s of jungle music alongside techno sensibilities, ‘U8 Phunk’ follows on again at 137bpm with a series of hyperactive drum hits and twisting percussive manoeuvres, charged with a reese-like bassline and grimy bass stabs.

‘Bell Blender’ closes off the EP, further developing themes of broken breakbeats and grimy sci-fi atmospherics, this time at a tempo more accessible to techno dancefloors. Dubbed and spacious, smattered with crashing remnants of breakbeats and scorching synth sonics - it’s a fine way to round things off!

Essential club pressure from Her Records, courtesy of label co-capo, MM (fka Miss Modular), including a dancehall flip of CYPHR’s Brace and arriving hard on the heels of Kid Antoine’s Bodypaint killer.

Uptown, with Why You All In MY Face, he essentially picks up where their last white label, Fraxinus’ flip of DJ Diamond’s B-More classic Hey You Knuckle Heads left us; warping a bouncing B-more chassis with eye-quivering FX, handbrake turns, and the kind of sustained subbass tremors that make your clem fandango.

Downtown, he performs dancehall voodoo on CYPHR’s Brace, screwing the ting to a slower tempo meshed with I-Octane & Bounty Killer’s vocal to Double Trouble for maximum danger.

Trust these are tried and tested for all DJ and dancer...

B.Riddim is Luis Sequeira, a Portuguese living in London. Magic My Ear is his second ep for Third Ear, following the (In) Theory ep in 2012. Formerly a driving force in the influential Portuguese rap group G-Ward under the name Bellatur, Luis followed his love of Jamaican Dub using electronics to arrive at a sound which is identifiable through the sum of its parts but which is quite unique. Music like this might reasonably be expected to come from Bristol, given Bristol's musical history. The 4/4 groove is slightly more emphasized here than the tracks on (in Theory) but it is a subtle pulse most of the time with the bass and drums providing the groove and the rhythms under cascading old-skool rave melodies and arpeggios, with live melodica played by Luis. Dub and psychedelic sensibilities are to the fore on Transformed Love and Magic My Ear, carefully controlled acid-house echoes through the towering bass and whiplash drums of Dropping Your Soul. Twisted electronica floats a nd weaves through the rolling bass of Left Side.

Kyle Hall back on Hyperdub for our 10th Anniversary? - Yes please. In fact this is more or less a long delayed EP from the vaults, recorded around the same time as his 2010 ‘Kaychunk’ EP … which just goes to show how ahead of the curve the young Detroit producer is. Starting with 'Girl U So Strong', the track riffs on a distorted arpeggiating bassline, seasick organ and a dubbed out voice, and a flicking metronomic note, starting slowly before shuffling drums give the track some rhythmic focus. Soon a warm melody builds over some happy arpeggios, and the whole track feels like a product of brilliant spontaneous energy. 'Take Me Away' works an 8 bit bassline, bleeps and throbs into an off beat shuffle over a pulsing bass drum, loose and happy, dosed with sunshine and space.

The Scottish techno veteran with some forward-thinking & energetic pumping house/bass tracks!

Finnish producer Desto returns to Rwina to deliver his first full length album, ‘Emptier Streets’. As with his previous releases on the Dutch label, Desto strips the music back to its bare-bone essentials, fulfilling the album’s title with a sound that’s spacious and eerie, bleak and punishing yet still offers warmth in its apparent coldness. Stylistically the album is most obviously aligned with the aesthetics of Dirty South hip hop and the dubstep diaspora, deploying booming drums, rolling hats and cold synthetic melodies and voices inside cavernous sonic landscapes.

Brace yourselves for the Rise Of The Raptor! An eruption of rave latino and thunderous grooves with four timeless originals and a future sonic remix by cult dance mastermind Amor Satyr.

This action-packed collection includes, for the very first time on vinyl, DJ Babatr's legendary breakout club anthem "To-K." Additionally, he is unveiling three never-before-released Raptor classics from his vault: "Soundmind," "butta (Piano Mix)," and "dance THE SQUAST." These tracks are fully loaded with all the signature trimmings and hallmarks we've come to love from the Venezuelan rave king.

“Experimental, Hip-Hop, Electro, Blue, Textured, Research, Spatial, Atmospheric, Dark, Silver, Bark, Cold Nights, Spacial, Flashlight, Bouncy, Dance, Hans Richter, Nature, City by Night, Arctic Dreams, Self-Growth, What Is Art, Boundaries, Gravity, Finland, Finland's Music Scene, Culture, Question, Explore, Travel, Layered, Curated, Moving Images as Sounds, Soundscape, Dynamics, Echoes, Reverb, Listening, Responding, Multi-Dimension, Reuse, Reinventing, What About Your Alter Egos, Plastic Night, Construction Site, Blue, Shark”

Bank NYC is very excited to present the definitive statement of Collector, "No Prospects". Collector is the solo guise of Jason Campbell, resident of Newcastle, Australia. Since 2014, Campbell has been channelling the industrial malaise of his hometown through his unique take on heavy electronics. After a series of releases on global-spanning labels such Steel City Dance Discs (uk), Nice Music (aus), Clan Destine (sco) & Night People (us), the debut long-player for Bank NYC finds Collector embracing true album form for the first time in his discography. Across eight pieces, Collector delivers a bleak sonic narrative via a hardware-only approach to production: Analog drum machine patterns are intricately intertwined with menacing synth lines, and driving bass is met with the unrelenting clatter of tightly-sequenced field recordings taken straight from the heart of local industry.

Thematically, "No Prospects" navigates the downfall of Newcastle's BHP Steelworks at the end of the 20th century. Acknowledged widely as the largest de-industrialisation event in Australian history, the closure of the Steelworks in 1999 marked a dramatic cultural shift where blue-collar vocations were vanquished due to an economic slump, and were consumed by the trending cosmopolitanism seen in adjacent cities. "No Prospects" draws on Campbell's family lineage in the Newcastle's steelworks, providing a rich, personal context to an industry that both gives and takes away. The sharp intensity of the album is sustained by dramatic shifts in pace: the devestating slow burners of 'Two From Five' and 'Ricochet' are instinctually offset by the frenetic 'cft' and 'Workers Club Collapse', which showcase Campbell's no-nonsense approach to shaping an almost club-ready breed of modern industrial techno. Although diverse across both sides, cohesion is found in Campbell's toolkit of samples that are unmistakably Collector. The album's eponymous track, 'No Prospects', serves as an introspective centrepoint - a largely arrhythmic excursion shrouded in familiar brooding, textural drones, and underpinned by the chug of machinery on the brink of collapse.

Although forever indebted to the spirit of local electronic outcasts, Bloody Fist Records, Collector's "No Prospects" is a remarkably distinct statement straight from the heart of Australia's Steel City. The complexity of arrangements speak to Campbell's long association in experimental music communities, whilst the persistent feeling of dread conveys a uniquely regional story of decay and futility. Pure Novocastrian industrial electronics.

3v1l Gl0b4l1sm is a sound journey to consciousness, which invites us to dedicate ourselves to a sensitive reflection on the progress and dehumanization of this capitalized society.

Four cuts full of rage and freshness, capable of immersing us in the perfection of the chaos through industrial breaks and delicate melodies guided by the brutality of their synthesized sounds.

7053m4r14 is the architect of this project published by the Black Quasar Records label, with which also shares his previous work. The multidisciplinary artist who converges between numerous genres and akas, such as C-System or Spectrums Data Forces, opts for this album for a fusion of styles ranging from IDM, Break Beat and Electro.

The pristine mastering by Koschitzky is what finishes signing this piece.

Bwoy, it’s dark in here. New name, who dis? Austrian genre bender Toupaz, fka Awo Ojiji, delivers 4 polyrhythmic steppers with blissful moments nested around a threatening aura. Is it half-speed, is it double? Is it both? Either way, there’s loads going on. Strictly limited to 100 copies!

Xciot EP is the first release by Pyramid Of Nahash (Pyramid Of Knowledge and Nahash), who in this project for Asphalt Records, tag team to merge breakbeat science and bass experiments with classic analogue Trance and early Ambient-Techno melodies. The result is a cinematic, sci-fi safari through outer space in a futuristic hardcore vessel.

Remixing duties have been handed to a second collaborative effort: Rvshes (Logos and Db1), who in their Recombination Mix, carve, bend and reshape the original material into a rugged, angular, yet melancholic techno artefact.

DJ Elephant Power (Nicolas Baudoux) based in Brussels, Les Octaves de la Musique awarded musician, is returning with his new EP ‘Blowing From Above’ on May 2024 with limited edition vinyls. The abundantly creative producer never tires of exploring the possibility of new sounds and rhythms. This time he delves deep into numerous genres from breakbeat to bass and he added more colours on each track which composed, performed and produced by himself. Mastering was done by Beau of Ten Eight Seven Mastering in UK. This new EP will be the first page of the upcoming album in June 2024. ‘Blowing From Above’ feat Eunsol Now you entered the city where you can feel the atmosphere of heat with full of energy. Under the welcome sign of breakbeat and bass, you breathe the dopamine of electronic dance deeply. Alongside baseline skyscrapers covering the sound of this city, mysterious Korean words lead you to hyper pop buildings. Across the traffic lights with barking dog and staccato synth arpeggio on the road, you reach the futuristic bridge between jungle and grime. ‘I Got You’ Under the repeated street lights of ‘I Got You’ scratch samples, you are in the car passing through continuous cowbel 808 sounds on the techno road. In front of the funk graffiti wall, a powerful metal guitar sprays the paint with no compromise. Buildings of synth grab you to follow the new banging club anthem. ‘Shades’ Curly hair architect, who is well known for perfectionism of repeated linear, built a new Mantronix satellite laboratory. This is located on the mountain of Detroit and built on the solid ground of analogue synth signals. Filtered synth and bassline are the main columns of the building. In the main lab, the next satellite has been developing on woah woah sound mattress. Visitors can experience zero gravity in the room in the middle of kick and snare which provides perfect unbalance. ‘Infinity’ A colourful new dish is ready for you. You will feel beautifully balanced and harmonious tastes of progressive techno, trap and bass. This astonished dish was sourced the very best of heavy bass and synth melody for well balanced scent with thoughtful contacts. Geomungo, a traditional Korean string instrument, enhances and amplifies stunning ingredients and it makes a highlight with amazing pairings.

Arriving as the third album on Supreems ‘Sweet Sun’ label – an imprint gathering a reputation for future-facing, storytelling electronic music – Sloucho's 'NPC' explores the duality of his main character and non-playable lives. With a strong Irish artistic presence featuring Rory Sweeney, EMBY, Curtisy and more, Sloucho navigates through Cloudcore-inspired broken beats, bass-driven percussion, alternative dreamscapes and wubby fuck-steps on his most complete release to date, laying the foundation for an origin-story in the process.

Garnering support from Surusinghe, Roza Terenzi, Two Shell and more; some of the tracks on NPC have already been heard in clubs around the world - from Antwerp to London and Mumbai to Paris. ‘Mind Traveller’ offers an ambient introduction to ‘Athrú’, Sloucho’s home world, as the artist's pitched vocals act as the listeners guide into the island's core. ‘Mutant’ features experimental electronic artist Rhoshi on a track that follows the kaleidoscopic sonic-themes of Sloucho’s previous Cloudcore releases ‘Slow Feet’ and ‘Silver Veil’, before the Rory Sweeney-featuring ‘Come Around’ ignites the dance with its dutty screw-face two-step, balanced by moments of melodic contemplation before evolving into a techno-dancehall hybrid.

‘Brand New’ stays on the steppy aesthetic, and brings MCs EMBY and Zack Oke into the frame with a 3D Meta-human video created in collaboration with respected, exhibiting digital artist Aisling Phelan. Using a motion capture suit, they captured EMBY and Zack’s performance and imported it into Unreal Engine, using different environments scanned from around the Greek Islands as the backdrop. The result is mind-blowing; a complete digital realm, shot like a real-life rap video as EMBY and Zack spit bars across an elasticated garage riddim. Full video is on YouTube.

‘Super Maramu 2000’ is a cut of alien-club beamed directly from ‘Eile’, the afterlife of Sloucho’s Neolithic ancestors. A waltzer-ride through Latin-bass and techno with an oxymoronic blend of maximalist and minimalist futurism, it’s as silly as it is serious, before the stuttering, juke-influence of ‘Make It Work’ brings the album’s rapid first half (and a bit) to a close.

Sloucho seamlessly weaves from front left of the club to dark, fume-filled rooms on ‘Two Thousands’ (featuring EMBY and Curtisy), ‘Rocks’ (featuring Zack Oke, who sounds remarkably like experimental spoken-word artist Coby Sey here, and Chilean artist Vatican Jail) and ‘Lights On’ (featuring Yamagōchi), Sloucho explores a previously unseen side to his sound, meandering through alternative trap and hip-hop laden beats that are both dreamy and nightmarish, bringing NPC to its starry-skied climax.

Hybrid sounds are offered up by Sunderland born producer Dharma on his Lone Romantic debut. His ‘Clear Glass’ EP lands on Maceo Plex’s left of centre imprint, offering up four tracks of futuristic garage and electro-tinged sounds.

Having previously released on esteemed labels such as R&S Records, Man Power’s Me Me Me imprint and Permanent Vacation, Dharma readies a bustling EP for Lone Romantic that showcases the young producer’s deft capabilities at working through various shades and rhythms with ease.

From the shuffling beats and choppy vox of EP opener ‘Clear Glass’, to the low-slung hip hop meets IDM influences of ‘Work Over’, Dharma serves up a highly accomplished release that effortlessly traverses genres.

Limited coloured repress of 100 copies!

Limited coloured repress of 100 copies!

Limited coloured repress of 100 copies!

Presenting 'Swinging Flavors #12,' the latest sonic exploration by Tokyo-based sound craftsman, T5umut5umu. In the pulsating track "Bolt," he deftly blends elements of techno, breakbeat, and jungle, offering an intergalactic journey through the diverse universe of bass music. Released under Beat Machine Records' Swinging Flavors series, this digital and 7" vinyl release invites listeners to embark on a cosmic adventure.

T5umut5umu, a genre-defying producer, skillfully navigates the space between tracks united not by traditional genre labels but by vibe and style. With techno, breakbeat, and jungle as his guiding stars, his music draws inspiration from Eastern cultures, seamlessly woven into UK-style club tracks. Fusing elements like Hard Drum, dark breakbeats, grime, and DnB, T5umut5umu creates compositions that transcend boundaries, captivating audiences globally.

The remix of "Bolt" by Mani Festo mirrors the rapid and diverse stylings found in his towering catalog. Mani Festo, caught in the tension between futurism and tradition, is a champion for the transformative power of club music. As part of the Club Glow collective, his dynamic sound ranges from breakbeat science to electro machine funk, elevating 'Swinging Flavors #12' to new heights. The remix, akin to a warp-speed journey, propels the original track into uncharted territories, delivering an electrifying experience anchored by heavyweight rhythm craft.

Together, T5umut5umu and Mani Festo invite you to lose yourself in the cosmic magic of 'Swinging Flavors #12,' a release that transcends musical boundaries, celebrating the joy of exploration within the vastness of bass-infused soundscapes.