Funk | Soul 401 Items

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

Sealed copy.
Cover corners slightly dented.

Sealed copy.
Cover corners slightly dented.

Third Man Records is proud to announce the most virile entry in the history of its Blue Series singles: The man, the legend himself Mr. Tom Jones laying his unmistakable voice over Howlin' Wolf's "Evil" and the Frankie Lane classic "Jezebel" (as covered over the years by the likes of Edith Piaf and Anna Calvi). Both tracks were produced by Jack White at Third Man studios.

Should not need any introduction to deep disco heads, huge spin for red Greg, Floating Points, Jeremy underground etc.. Love Tempo is this years banger in January, well know to those deep in the game for some time but dog rare and good makes finding an o.g a fantasty, so here you go……my pleasure.

Kalita Records are proud and honoured to announce the first
ever and official reissue of Kallaloo's sought-after 1982
disco single 'Star Child', accompanied by interview-based
liner notes. Originally released on Jeffrey Turpin's
Trinidadian record label IDA, 'Star Child' has since become
highly sought-after by both DJs and collectors alike as an
invisible, yet astonishing piece of Caribbean disco. Unable
at the time to gain the traction and success that it deserved,
we hope that this re-release provides an opportunity to bring
such a great record to a much wider audience.
Kallaloo consisted of various Trinidadian musicians including
Keith Alexander and Peter Wayne Barkley. Keith had been
well-respected as a member of the Trinidadian group Impact, and
was later to become an in-demand producer and composer under
the name of Keith Diamond, responsible for various hits by Billy
Ocean, Donna Summer, Starpoint and Melba Moore. In contrast,
Peter was a well-known recording session drummer, but after
'Star Child's' release he moved to North Carolina to pursue other
interests and “was never heard from again”.

The 20th volume of our flagship Eccentric Soul series has all the boxes checked: Guntoting, skip-tracing record producers, child stars, rip-offs, the “World’s Greatest Bail Bondsman,” swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. Helmed by the O’Jays Bobby Massey, Saru was a creative vortex that pulled Cuyahoga County’s greatest talent in, making a strong case for Cleveland to contend with Detroit, Philly, and Memphis as America’s soul music’s capital. Includes obscure and unknown sides from the Out of Sights, the Elements, Pandella Kelly, David Peoples, Sir Stanley, the Ponderosa Twins + 1, Ba-Roz, Bobby Dukes, and of course, the O’Jays.

Big Crown records is proud to present the first single from The Shacks debut album Haze, out worldwide March 30th. Since the release of their self titled EP in 2016 The Shacks have been collecting fans that are fast becoming as hypnotized as we've been since first hearing Shannon’s ethereal voice on top of “Strange Boy"". Highlights of the year have been opening tours for Chicano Batman, and Khruangbin, as well as ""This Strange Effect"" becoming world famous via the Apple iPhone 8 ad campaign. The A side, “Follow Me”, was one of the first songs recorded for Haze almost two years ago. With “black mirror” esque lyrics over a hypnotic mid tempo groove, Follow Me leaves you feeling joyful, calmed, and queasy, all at the same time. The B side “Texas” is an another song from their upcoming album. Recorded in Max Shrager's home studio in Princeton and then finished with Leon Michels at the Diamond Mine in Queens. Texas is a perfect representation of The Shacks signature sound with Shannon’s voice balancing out the gritty yet smooth production.

This album is inspired by bits and pieces of Ethio-Jazz, Afrobeat, Highlife Spiritual Jazz and dusty funk 45’s. It’s where I’m at now and what has kept this mortal vehicle fueled. I tend to take different paths each musical outing but this one is for the long haul, the one for the blue highways and forgotten byways. It’s the one to get lost to. It’s about the journey, not the destination." Tommy Guerrero continues pushing the boundaries while upholding his San Francisco Bay heritage. Starting from the Bones Brigade skate team in the '80s, he’s made movie appearances, designed for Levi's in Japan, Vans shoes worldwide and Sutro eyewear among others, signed a skateboard contract with Converse, co-founded Real Skateboards and 40’s Clothing, is art director for Krooked Skateboarding, and found time to be a prolific recording artist.

One of the outstanding Jazz fusion album from the late 70s includes timeless classic and Jazz dance anthem. Dynamite Cuts releases a quality limited edition double pack release which gives you 4 of those masterpieces, all are first time on 7”!