Funk | Soul 710 Items

What We Call Life Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Nitely’ is the debut album from Jonny Wildey; written recorded over three years at North London’s creative haven Total Refreshment Centre. Although ‘Nitely’ will be his first release under his own name, Wildey has been making electronic music under the name Alphabets Heaven for the last decade, releasing a string of acclaimed singles on Nightmares On Wax, Tru Thoughts, Soundway, and King Deluxe. Recording upstairs at Total Refreshment Centre proved an inspiration in itself for Wildey – he recorded at night, which happily meant that some of the most exciting music around was happening in the same building: “The TRC had gigs on at the time, so I’d go there, start working on something, then would see the Neue Grafik Ensemble, or some amazing jazz band, and go back upstairs and carry on working, which was a lot of fun.” Unsurprisingly, he soon attracted some like-minded collaborators – ‘Nitely’ features Danalogue (The Comet Is Coming, Soccer96), Emma Gatrill (This Is The Kit, Laura Marling), Marcus Hamblett (James Holden, Timber Timbre) and London based beat master Deft (Yip Wong). ‘Nitely’ represents a musical shift, with Wildey embracing more traditional songwriting and a drawing upon his wide range of musical tastes – Shuggie Otis, Yes, Arthur Lee’s Love, Lee ‘Scratch’ Perry, A Tribe Called Quest, John Frusciante, Milton Nascimento, Steve Miller. “I really just wanted to take a lot of influences from the 70s and 80s that I was maybe a bit embarrassed about earlier in life and try and apply that to everything I’ve been doing for the last 10 years. I’m not ashamed to write songs and put my vocals at the front, which is a huge step for me. The big connecting thing is that a lot of the music I like is fun – say, Shuggie Otis has a lot of what I like in dance music, in that it just feels so light – it will just make whatever you do feel a bit better, that’s the kind of music I wanted to make. Spanning 12 tracks, ‘Nitely’ is a record from the heart; it’s direct, warm and unequivocally honest. The sound palette of the record effortlessly meshes the crunch and warmth of 70’s funk & soul (Lonely, Violet, Your Dreams), the dreamy air of bedroom pop (Don’t Fall Asleep, Love is Out There) and sub heavy frequencies from beats/electronica (Roll, Too Much). The result is a modern day Pop / New Soul classic, an album that from start to finish is an endearing look into the mind of Wildey. It’s familiar-yet-new, nostalgic and straight forward, wearing its emotions very clearly on its sleeves.

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Jordan Rakei

LP | 2021 | UK | Original (Ninja Tune)

What We Call Life Transculent Green Vinyl Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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‘What We Call Life’ is Jordan Rakei’s most vulnerable and intimate album to date. Its lyrics concern the lessons that the New Zealand-born, Australia-raised, and London-based artist learned about himself during therapy, a journey that began two years ago when he started reading about the ‘positive psychology’ movement. These themes manifest on songs like lead single “Family”, which Rakei says is “the most personal” he’s ever been with his lyrics. “I wanted to hit my vulnerability barrier and be really honest. It’s about my parents’ divorce in my mid-teens but still having love for them no matter what,” he explains.

With so many artists being influenced by his style, it would be very easy for Jordan to stay in the same musical lane; but, as in life, he is determined to move his music forward. Such introspective subjects are a departure from Rakei’s last album, 2019’s ‘Origin’. Raising big questions about the way that technology and social media interferes with our sense of humanity, ‘Origin’ received praise from The Observer, Mixmag, Complex, and GQ, earned an unexpected shout-out from Elton John, led to a collaboration with rap legend Common, and saw Rakei give a show-stopping performance for NPR’s Tiny Desk Concert series.

No stranger to collaboration, Rakei is closely associated with friends and collaborators like Loyle Carner (with whom he co-wrote, produced and performed on “Ottolenghi” and the Jorja Smith-featuring “Loose Ends”), Tom Misch and Alfa Mist. He has also joined Chic’s Nile Rodgers for a writing session and recorded with Terrace Martin, producer for Kendrick and Snoop Dogg, and Herbie Hancock. There’s also his tight relationship with the South London dance music scene orbiting Bradley Zero’s Rhythm Section clubnight and label, with Rakei adopting the alias Dan Kye, most recently to offer up an exclusive track for Bonobo’s ‘Fabric presents’ mix and to release his full-length, ‘Small Moments’ album in November 2020. He also recently covered Donald Byrd’s “Wind Parade” for the Blue Note Re:imagined compilation, and earlier this year showcased work from his creative community alongside some of his favourite tracks (including his own covers of Radiohead’s “Codex”, and Jeff Buckley’s “Lover, You Should've Come Over”) in his mix for the esteemed LateNightTales series. He continues to offer up production tutorials and behind-the-scenes insights into his creative process with his fan community on Patreon.

With previously sold-out US and Australian headline tours, as well as performances at iconic venues and festivals – including Glastonbury, Pitchfork Avant-Garde Block Party, Sxsw, Montreux Jazz Festival, two sold out nights at Ronnie Scott’s, and a DJ set at Fabric (under his Dan Kye alias) – Jordan played a triumphant sold-out stop at London’s Roundhouse in 2019. In April 2022 he will embark on his biggest UK and EU tour yet, ending with a massive headline show at London’s 5000-capacity O2 Academy Brixton.

On ‘What We Call Life’ Rakei dives deeper into his sound world, merging electronic with acoustic, and rugged grooves with ambient atmospheres, to create something richer, more detailed, and more textural than before. Rakei, already a practitioner of meditation and mindfulness, was curious about the potential of using therapy for further self-discovery. During the process, he began to learn more about his behaviour patterns and anxieties, and addressed his long-standing irrational phobia of birds – a fear often associated with the unpredictable and the unknown, and something explored in the album’s creative direction and visuals. “As we worked through it, it made me realise I would love to talk about the different lessons I learned from therapy in my music: about my early childhood, my relationship with my parents and siblings, becoming independent in London, being in a new marriage, understanding how my marriage compares to the relationship my parents had”, Rakei says.

Artwork was created by Canadian-born, Los Angeles-based visual artist Justin Tyler Close (who has worked previously with the likes of Laura Marling), who resonated with the themes on Rakei’s album. The image was created in a remote photo shoot, with Rakei sending images over the internet that were projected onto a sheet and photographed by Close. The melancholic images reflect the title of the record, a question that Rakei would sometimes ask himself during a period of his childhood in which he suffered a great deal of anxiety: Is this what we call life? Rather than accepting defeat, the title is today a commentary on the more happy, confident, and assured person and artist that Jordan Rakei is today.

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Jordan Rakei

LP | 2021 | UK | Original (Ninja Tune)

Jovan Maljokovic Ensamble

Release: 2021 / UK – Original

Genre: Organic Grooves

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The Uplifting Abyss

LP | 2021 | EU | Reissue (Everland Yu)

21,99 €*

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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The Other World / The River Must Flow

Judy Roberts

7" | 2021 | UK | Original (Dynamite Cuts)

16,99 €*

7" | 2012 | US | Original (Colemine)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Dynamite cuts 45s series is proud to release two more Jazz fusion gems by the wonderful Judy Roberts. With her amazing jazz fusion keyboard skills and dreamy vocals this single is a must.

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Jungle Fire

Comencemos (Let's Start)

Release: 2012 / US – Original

Genre: Organic Grooves

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7" | 2013 | US | Original (Colemine)

Jungle Fire

Firewalker

Just Brothers / Eloise Laws

Release: 2013 / US – Original

Genre: Organic Grooves

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"Fire Walker" is Jungle Fire's sophmore single that's blazin' up dancefloors around the world!

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Sliced Tomatoes / Love Factory

7" | 2013 | UK | Original (Outta Sight)

12" | 2012 | US | Reissue (EditChannel)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Classic big bucks Northern Soul sides on nice lookalike label reissue 45!

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Justin Van Der Volgen

EditChannel XXX

37,99 €*

Rituals Of Life Black Vinyl Edition

Release: 2012 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Single sided 2015 repress.

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Katzuma

LP | 2021 | EU | Original (New Platform)

29,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Rituals Of Life Colored Vinyl Edition

Katzuma

LP | 2021 | EU | Original (New Platform)

33,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Dualismo Sound)

Kaymany & Asestar

LP | 2021 | US | Original (Funk Night)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The city of Rome once again confirms the excessive abundance of records produced for the music industry, television and, even, shopping malls. The mistery that surrounds the musicians involved in these sessions makes the journey even more interesting and tense. “Was really that drummer involved in that record?” - “I don’t know” or, of course, “I don’t remember…”. Certainly, a new distinctive brick has now been added to the Italian Jazz-Fusion heritage.

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Kenako

15,74 €* 20,99 € -25%

Release: 2021 / US – Original

Genre: Organic Grooves

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LP | 2021 | US | Original (Funk Night)

Kenako

16,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2012 | US | Reissue (Karma Chief)

Kendra Morris

Banshee

35,99 €*

7" | 2021 | US | Original (Karma Chief)

Release: 2012 / US – Reissue

Genre: Organic Grooves

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Kendra Morris' stellar and soulful debut album 'Banshee' is finally back on vinyl for the first time since 2012. Originally released via Wax Poetics, Colemine Records is now proud to make this album widely available again on record shop shelves, right where it should be. Pulling influences from late-60s and early-70s psychedelic R&B and funk, Kendra adds her own rock twist in collaboration with producer/guitarist Jeremy Page. The album is a rich sonic tapestry, with hip-hop references and beats weaving throughout. All of this sets the perfect backdrop for Kendra's known powerhouse vocals. 'Banshee' effortlessly blurs the lines between sounding old and new, and has left a lasting impression over the last decade. Kendra, in her own words, "howls like a banshee... and roars like a wolf."

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Kendra Morris

This Life

LP | 2013 | US | Reissue (Merge)

Release: 2021 / US – Original

Genre: Organic Grooves

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For Fans Of Lady Wray, Amy Winehouse, Alice Russell, Sharon Jones.Kendra Morris Recalls Singers Who Straddled Soul And Rock During The Early '70s, Such As Ruth Copeland And Chaka Khan. After Touring With Dennis Coffey And Releasing Singles That She Did With Collaborator Jeremy Page Including "Concrete Waves," With B-Side Remixed By DJ Premier, Morris Released The Album Banshee (2012). In 2013, Morris Returned With The Covers Album Mockingbird, With Both Banshee And Mockingbird Garnering Successful Followings And Impressive Film/Tv Placements. Morris Also Worked On A Project-Band With Friends Scarlett Johansson, Julia Haltigan And Holly Miranda. With Este Haim Joining On Drums, They Released One Single, "Candy" And A Cover Of "Bizarre Love Triangle" For Amfars The Time Is Now Record.Now Presenting Her Debut 45 On Karma Chief Records, A Division Of Colemine Records, Kendra Showcases A Textured And Contemporary Take On R&B, All While Retaining The Old-School Flavor. The A Side Track 'This Life' Is A 70's Soul Super Dive Carrying You Through Fuzzy Guitars, Lush Harmonies And Straight Into The Old Vegas Casinos Of The Main Strip. Who We Are, The B Side, Counters The Upbeat Side A With Its Epic Introspective Look At The Human Psyche. Combining Kendra's Wide Vocal Range And A Partnership Of Solid Drum And Thick Bass, 'Who We Are' Provides The Perfect Backdrop For It's Carefully-Threaded Lyrics.

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King Khan & The Shrines

Idle No More

23,99 €*

7" | 2021 | US | Original (King Pari)

Release: 2013 / US – Reissue

Genre: Organic Grooves

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“It has been a lengthy hiatus, but we have finally finished our latest ‘masterpiece’ and named it after an incredible indigenous-rights movement that is happening right now called Idle No More. I was born and raised in Montreal and spent a lot of time on the Kahnawake Mohawk Indian reservation. Idle No More is probably the most refined piece of music we have made to date. The songs are about the state of the world we live in today. Originally, I was going to call the album Of Madness I Dream, but then I became very enthused about the amazing work of the Idle No More movement. Everyone I asked had never heard of it, so I contacted the leaders of the movement and, with their permission, decided to rename the album Idle No More in hopes that it would increase the world’s awareness of this miracle that is taking place for the indigenous peoples of the world. If you are not familiar with Idle No More, look it up and GET Involved! It took a long time to make, but we are very proud and pleased to bring you this album. I hope that the future will brighten up every time it is played. Ultimately, John and Yoko were absolutely right: Love IS ALL YOU Need! Peace and Love.”—King Bama Lama Khan Emperor of RnB.

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King Pari

Sunshine

15,99 €*

The Greatest / In The Meantime

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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King Pari is an almost accidental project. Cameron Kinghorn and DJ Stepmom didn’t even set out to start a band. When Joe (DJ Stepmom) texted Cameron some jams whipped up on his tape machine, Cameron hit him back with “what is this? I want in”. Ten minutes before they first linked up, Joe built the loop for their first single, ‘Sunshine,’ which they then wrote on the spot in a flurry on collective inspiration. The rest of their forthcoming ‘mary EP’ grew from recording sessions in Joe’s Northeast Minneapolis bedroom, a guest house in New Orleans and a cabin in rural Wisconsin. Minneapolis left an obvious mark — the influence of Prince and the Minneapolis Sound, approached from a fresh psychedelic angle. It’s been called stonersoul, lo-fi R&B, dub meets 80’s electro with a heavy dose of funk. Grab it now through Earcave via PPU.. And stay tuned for their second Single "Come Inside" on PPU early 2021.

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King

7" | 2021 | JP | Original (P-Vine)

19,99 €*

Kings Go Forth & Willie Tee

Release: 2021 / JP – Original

Genre: Organic Grooves

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The first single cut from "We Are King" which is the 1st album of soul group "King", which was generously praised by famous big-name artists such as Prince, Kendrick Lamar, Robert Glasper, Erykah Badu…

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One Day/ First Taste Of Hurt

7" | 2021 | UK | Original (Deptford Northern Soul Club)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Like A Gypsy Smoove Remix

Kojato

7" | 2012 | EU | Reissue

2LP | 2021 | EU | Original (Les Disques Bongo Joe)

Release: 2012 / EU – Reissue

Genre: Organic Grooves

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/ Instrumental ... Great music with a colourful sound, combining afrolicious Bossa-Jazz with Gypsy guitars, 60s Soul and 70s Funk out of temporary fashion. The positive vibes transcends boundaries, language, colour boundaries. It‘s hard to resist.

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L'Eclair

Confusions

Live Olympiahalle München

Release: 2021 / EU – Original

Genre: Organic Grooves

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A band as kinetic as L’Eclair cannot stay idle. So when the pandemic hit, they stayed true to form and began recording a new album. With their former records usually recorded in a few days, live to tape, they took a decidedly different approach with this LP. Recorded in four sessions spread out over nine months, the group and their trusted engineer (and manager) Benoit Erard were able to spend more time, energy, and consideration on the production. This new approach gave them the ability to reflect and revise, allowing them to focus more on composition, arrangements and structures. The result is their fourth album Confusions: a sprawling hour-long, 12 track record- their most diverse, concise, and focused effort to date.

Confusions finds L’Eclair finding themselves, having distilled their mastery of groove and rhythm down to a science. Club vibes, psych grooves, rhythmic trances, and ambient comedowns are all present in equal measure, while maintaining a cohesive and consistent flavor throughout. Confusions is both expertly crafted and joyfully spontaneous, danceable yet ethereal, emotive yet cerebral. The shifting moods and melodies imbue the album with a depth that demands repeat listens.

Their influences are on full display here, with nods to CAN, Piero Umiliani, and Tangerine Dream- seamlessly blended with the unique sound L’Eclair has established over the years. New influences are also apparent, such as the house grooves of 80’s Madchester and Aphex twin, as well as the textures and ambience of Boards of Canada. As with past L’Eclair releases, Confusions is sure to attract some fans of hip-hop, recalling the likes of producers Madlib, MF doom, and Dilla. The ever-present dub and house influences bubble up here and there but despite the many inspirations behind Confusions, the sound is pure L’Eclair.

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LaBrassBanda

2LP | 2012 | EU | Reissue (Sony)

Release: 2012 / EU – Reissue

Genre: Organic Grooves

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Good Lovin HLIC 45 Mix / Sweet Lady

Lady

7" | 2013 | US | Original (Truth & Soul)

9,99 €*

7" | 2013 | US | Original (Truth & Soul)

Release: 2013 / US – Original

Genre: Organic Grooves

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Truth & Soul's rst and only all female group, Lady, lead by the incomparable
Nicole Wray, are back with a tribute to the 60 minute man.

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Lady

Money

9,99 €*

Through It All / Under The Sun

Release: 2013 / US – Original

Genre: Organic Grooves

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Another big retro-soul-money anthem!

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Lady Wray

7" | 2021 | US | Original (Big Crown)

LP | 2021 | EU | Original (Gutifunk)

Release: 2021 / US – Original

Genre: Organic Grooves

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Lady Wray releases an instant classic two-sider with two certified bangers from her forthcoming album 'Piece Of Me'. Side A is the in your face, head nodding, "Through It All". A tune that rips out of the speaker from the first snare crack with Nicole's pitched up and infectious chorus. The tried and true chemistry of Lady Wray and producer Leon Michels is on full display here as they push the envelope of current R&B and Soul making a stark declaration of why they are out in front of the pack of any of their peers. Nicole sings a song about dedication through the ups and downs on a track that has so much energy it is sure to move crowds around the globe. Side B, "Under The Sun" is a feel good homage to the sun and summertime. Lady Wray encapsulates all things good and lovely about warm weather and where it puts our minds. The infectious good vibes of the tune will change your attitude and have you turning the volume knob up while the earworm choruses will stay on the tip of your tongue long after the song ends.

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Lalo Lopez

Lalo Malo

20,99 €*

7" | 2021 | US | Original (Dunham)

Release: 2021 / EU – Original

Genre: Organic Grooves

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System Error We started with enthusiasm, because with enthusiasm and effort everything was possible. We were that young but well-prepared generation that was going to take the world by storm. And we work, and we work, and we work, because art, culture, creativity, do not know schedules. Meritocracy and talent were our gods. Just do it. But the years passed (passed), and the success, the stability, the recognition, they never finished (they just) arrived, we never finished arriving. On bad days, we blame ourselves: we're not good enough, we don't make good decisions, we don't try hard enough. On good days, lucidity reminds us that talent is good, but also contacts, money, time and having the privilege of making mistakes, and little by little, the illusion turns into disenchantment. And what remains of that enthusiasm coexists with frustration and precariousness, just as anger coexists with that hope that refuses to disappear. Lalo Malo is the product of that anger, but also of that hope. Lalo Malo strips naked and confronts us with his (our) failures: professional, personal, social, political, economic. Because we need to face those failures in order to move forward. And between modesty and identification, understanding and anger, Remedios Zafra, and Antonio Machado, and Marina Garcés, and César Rendueles, and Mark Fisher, and David Harvey and so many, many others resonate; the voices of those who have stopped to analyze their experience and context, and who tell us that we are missing the mark and that our failures are not only ours, they are failures of the system, of a system (of a city, of a country, of a capitalist, individualist, neoliberal model that makes us devour each other, that devours us and devours itself. Against all odds, here we are, standing. Shaking off failures over and over again. Using any tool at our disposal to keep moving forward. Lalo Malo is, therefore, a triumph. And a hope for change. (Carmina Gustrán, cultural agitator)

Lalo Malo is a sound survival manual composed and written by Lalo López, and produced by Jordi Picazos. All the songs have been sung and played on guitar by Lalo López. The music has been made by Jordi Picazos on guitars, mandolins and keyboards, Hector Moras on bass, Dani Martí on drums and Ernest Martínez on percussions. Manu Davobe has played “Cruel” on the piano, and Francesc Chaparro has played the waterphone on “Perros” and the two parts of “La Ciutat”. Joan Vigo has put the double bass on “Blues de la Miseria”. Yasmina Azlor and Claudia Steccato have performed the backing vocals. The album has been recorded at Nación Funk Estudios, Barcelona by Miguelito Superstar, who has also mixed it with Jordi Picazos.

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LaRose Jackson

How Did I Get Here

Laura Rain And The Caesars

Release: 2021 / US – Original

Genre: Organic Grooves

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LaRose Jackson, who you may remember from "Luv Jones" - the 2014 party-cer tified smash duet with the incomparable Charles Bradley - steps into the spotlight with her funky solo debut, "How Did I Get Here ". Born and raised in Coney Island, LaRose's rich timbre and asser tive vocal deliver y caught the attention of producer Tommy "tnt" Brenneck one night when he was in attendance at Charles Bradley's legendary "Black Velvet" show at Club Essence - where Jackson was also a regular performer. The two hit it of f and began collaborating on several sides, the fruit of which we humbly of fer up here. LaRose's tough-as-nails delivery coupled with the infallible groove and sure-shot horn arrangement courtesy of the Menahan Street Band distills the track down to Soul in its purest form, without sacrificing any of the rawness one comes to expect from a TNT production. Expect much more on the horizon from LaRose and Co.. This is just the tip of the iceberg!

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I Am

7" | 2021 | UK | Original (Lrk)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Let's Talk It Over Deluxe Edition

Lee Fields

LP | 2013 | US | Original (Truth & Soul)

How Much Longer Must I Wait? Singles & Rarities 1965-1972

Release: 2013 / US – Original

Genre: Organic Grooves

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Truth & Soul is proud to present the deluxe re-issue of Lee Fields' "holy grail" album! The CD and double LP also features songs from his singles catalogue and is also repackaged with a new cover
and never-before-seen photos of Lee Fields.

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Lee Moses

LP | 2021 | US | Original (Future Days)

44,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red and white split vinyl version!

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Tape | 2021 | US | Original (Light In The Attic)

Another Side

8,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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*Available Nov. 19th, 2021*

“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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CD | 2021 | US | Original (Light In The Attic)

Another Side

21,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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LP | 2021 | US | Original (Light In The Attic)

Another Side

Release: 2021 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear Coke Bottle Vinyl

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Another Side Black Vinyl Edition

LP | 2021 | US | Original (Light In The Attic)

Release: 2021 / US – Original

Genre: Organic Grooves

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Another Side Clear Vinyl Edition

LP | 2021 | US | Original (Light In The Attic)

33,59 €* 41,99 € -20%

Give Me The Sunshine / I'm Back For More

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet, alongside handwritten lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960s and early 1970s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard... Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Leo's Sunshipp

12" | 2021 | EU | Original (Expansion)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | UK | Original (Columbia)

Leon Bridges

Gold-Diggers Sound

12" | 2012 | EU | Original (Quieres Chicle)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Grammy Award Winner Leon Bridges Announces Third Album Gold-diggers Sound; Launches Album With Track “motorbike” Featuring Visual Directed BY Anderson .Paak.

Leon Bridges’Gold-diggers Sound Available Globally ON July 23rd!

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Leon Ware & Quadron

Orchids For The Sun

7" | 2012 | UK | Original (BGP)

Release: 2012 / EU – Original

Genre: Organic Grooves, Pop

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Amazing unexpected Collaboration!

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Linda Lyndell

What A Man

Everytime (Pat Van Dyke Remix Feat. John Robinson) Transparent Red Vinyl Edition

Release: 2012 / UK – Original

Genre: Organic Grooves

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Classic, classic, classic blue eyed soul tune!

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Lisa Decker & Nautilus

7" | 2021 | EU | Original (Oonops Drops)

LP | 2021 | DE | Original (Oonops Drops)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The feel good song »Everytime« from the album »Serendipity« by Lisa Decker & Japanese Jazz trio Nautilus gets the Pat Van Dyke treatment plus a special appearance by South Bronx born emcee John Robinson aka Lil Sci of the legendary east coast group ScienZ of Life who performed with the likes of The Roots, Common, Talib Kweli, Mos Def, Run DMC and MF Doom to name a few.

Multi-instrumentalist, composer and producer Pat Van Dyke from New Jersey is giving the song a totally new direction with playful horns and heavy bassline to get the soundsystems bumping.

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Lisa Decker & Nautilus

Serendipity

Serendipity Transparent Red Vinyl Edition

Release: 2021 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Red Vinyl.

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Lisa Decker & Nautilus

LP | 2021 | EU | Original (Oonops Drops)

7" | 2021 | EU | Original (El Toro)

Release: 2021 / EU – Original

Genre: Organic Grooves

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"This very first release on »Oonops Drops« has its very own story behind it. I planned to found my own label for more than half a year when my wife Lisa worked on her songs and when the idea came to me how this would sound if Japanese Jazz trio Nautilus would arrange some of them. I have known Toshi for six years now, met him personally here in Hanover and he's such a magnificent musician, so the idea became reality and they started working on the first two tracks until a total amount of nine songs was created. I'm so proud to share this very personal project with you (which was finally produced and mastery simultaneous to the foundation of my label by accident) and I hope you like it as much as we do. For the first single release of the album I directly had the uplifting track »Everytime« in my mind and a remix which should transport the good vibes in a different direction. Pat Van Dyke, a longtime known producer and multi-instrumentalist from New Jersey took his hands on it and created a horns-loaden feel good version of it including a little guest appearance by Brooklyn based lyricist John Robinson. You can get this release on LP, 7", CD or digital or get the reduced bundle of the LP including the 7". Yours truly, Oonops."

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Little Esther

T'ain't Whatcha Say...Ep

Release: 2021 / EU – Original

Genre: Organic Grooves

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Mini Skirt And Go Go Boots / What You've Got

Lloyd & Glen

7" | 2021 | EU | Original (Harlem Shuffle)

11,99 €*

LP | 2021 | EU | Original (Irma)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Lloyd Altamont Thomas Robinson recorded many songs as a singer first for Studio One in 1963 and later for many labels and Jamaican producers including Duke Reid, Lloyd Daley, Sir JJ and more. Robinson was part of the duo Lloyd and Devon, whom had quite a few good songs under their belt including a hit for Derrick Morgan's Hop label, "Red Bum Ball.". With Glen Brown, under the name Lloyd & Glen, he wrote and recorded many outstanding Rocksteady & early Reggae tracks, some quite heavily influenced by black Soul including the two sublime tracks featured here. He went on to record the big dancehall hit “Cuss Cuss” in 1984 on the Harry J. label. He died in 2013 in the Kingston Public Hospital. He was 68 years old. Glenmore Lloyd Brown, began his career as a vocalist in Sonny Bradshaw’s jazz group before recording duets with Hopeton Lewis, Dave Barker, and Lloyd Robinson. Later, Brown became the founder and owner of the Reggae/Dub labels Pantomine and South East Music. A sought after producer he worked with many with many Reggae greats including U Roy, Gregory Isaacs, Big Youth, I-Roy, Prince Jazzbo, Johnny Clarke, Lloyd Parks, and Little Roy. The heavy rhythms of his Dub productions resulted in his being known as "The rhythm master". He died at the Far Rockaway Center for Rehabilitation and Nursing in New York City on 4 October 2019, at the age of 75. As “Lloyd & Glen”, they composed, sang and recorded together about 15 tracks, ranging from Ska to Rocksteady to Soul on a variety of labels between 1966 and 1968. Most of these songs are outstanding, many are just sublime with a strong American Soul influence. In the late 50s & 60s, Jamaica was Rhythm & Blues/Soul crazy. Many Jamaican artists regularly performed and recorded tracks in these styles along with Rocksteady and Reggay. Very few though could do it as well Lloyd & Glen...

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Lo Greco Bros

Feel The Base

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (One Little Independent)

Lomond Campbell

Lup

17,84 €* 20,99 € -15%

Release: 2021 / EU – Original

Genre: Organic Grooves

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London Is The Place For Me

Volume 5: Latin, Jazz, Calypso & Highlife From Young Black London

2LP | 2013 | UK | Original (Honest Jon's)

London Is The Place For Me

Release: 2013 / UK – Original

Genre: Organic Grooves

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As then, calypso carries the swing. There are four more Lord Kitchener songs — in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry — besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers.
Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. The Mighty Terror contributes the woe-begotten, cautionary tale of his beloved Patricia's change of heart: 'I cannot believe, not for one moment / She gone with Millicent... / You may think I am jocular / But this really happened in Manchester / I felt so ashamed, my friends laughed at me / I had to take a train for London city.'
Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica.
Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott.
Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent.

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Volume 6: Mento, Calypso, Jazz & Highlife From Young Black London

2LP | 2013 | UK | Original (Honest Jon's)

LP | 2021 | UK | Original (Hyperdub)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Loraine James

Reflection

LP | 2021 | UK | Original (Hyperdub)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Made During Summer 2020, Loraine James' Second Hyperdub Album, `Reflection', Is A Turbulent Expression Of Inner-Space, Laid Out In Unflinching Honesty, Offering Gentle Empathy And Bitter-Sweet Hope. `Reflection' Further Develops A Unique Pop Sensibility Realised On Last Year's `Nothing Ep', While Tones Of Drill And R&B Seep Through Into This Collection Too. In Contrast To The Brash Splashes Of 2019's `For You And I' Lp And The Grimey Anger Of `Nothing', `Reflection' Is Pared-Down And Confident, Taking The Listener Through How Last Year Felt As A Young Black Queer Woman In A World That Has Suddenly Stopped Moving, The Arc Of The Album Peppered With Loraine's Diaristic Confessions. Starting Positively With The Gentle Pop-Trap Of `Built To Last' Ft Xzavier Stone, Into The Bumpy Instrumental Of `Let's Go', The Album Switches Tone With `Simple Stuff', Followed By Regular Collaborator Le3 Black Amplifying Loraine's Vulnerability On The Downcast Drill Of `Black Ting', Then `Insecure Behaviour And Fuckery' Is A Techno Glide Which Pairs Nova's Confrontational Plea For Respect, Delivered In Monotone Autotune, Against Deep Drexciyan Chords. With Baths On Vocals, The Weightlessness Of `On The Lake Outside' Soothes Numb Feelings, And Eden Samara Explores The Shadow World Of Anxious Dreams On The Airy R&B Of `Running Like That'. Closing Track `We're Building Something New' With Manchester Rapper Iceboy Violet Brings The Album Together, Confidently Suggesting A New World Is In Reach. `Reflection' Is A Brave Step Forward For A Unique And Creative 21st Century Musician.

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Loraine James

Reflection

Release: 2021 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Fever Raging Out Of Control / The Last To Know

Lorraine Silver

7" | 2021 | UK | Original (Kobalt)

15,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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My Feelings Keep Getting In The Way

Lorretta Kendrick

7" | 2012 | UK | Original (Hayley)

OST Postales Black Vinyl Edition

Release: 2012 / UK – Original

Genre: Organic Grooves

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The release of this gorgeous song has been Hayley’s proudest moment since the label began. Beautiful vocals, heartrending lyrics and a string arrangement by the great Marvin Gaye himself make this the epitome of a soul record. Lorretta’s take on “Neither one of us” on the flip makes this a great double header.

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Los Sospechos

LP | 2013 | US | Reissue (Colemine)

Release: 2013 / US – Reissue

Genre: Organic Grooves

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Love Apple Red Vinyl Edition

Love Apple

LP | 2012 | US | Reissue (Numero Group)

23,99 €*

Tighten Up / Just Add Vibes

Release: 2012 / US – Reissue

Genre: Organic Grooves

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In the late '70s, three do-right women from Cleveland forged a brief partnership with Ohio's everything man, Lou Ragland. Unlike the prefabricated singing combos of the day, Lily Pearson, Annette Warren, and Avetta Henry swapped lead duties as situation demanded. When a Ragland-centric publicity stunt preempted a concert appearance, Love Apple disintegrated, abandoning this rehearsal tape within the lo-fi confines of Thomas Boddie's cherished Eastside studio. Devoid of bass, the sparse instrumentation (only Lou on guitar and piano and Hot Chocolate's Tony Roberson on drums) accentuates each vocalist's aptitude, showcasing some of Ragland's finest songwriting in the process. During any given take, Ragland can be heard calling audibles, directing his singers to repeat a passage, or lending his own sweet tenor to the vocal mix. Never intended for release, Love Apple's six-song sketch is the perfect companion to I Travel Alone, bringing Ragland's unique musical vision into sharper focus.

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Luchito & Néstor

7" | 2021 | UK | Reissue (Original Gravity)

Lu's Jukebox Volume 2 - Southern Soul: From Memphis

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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Limited repress of 250 copies!

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Lucinda Williams

LP | 2021 | EU | Original (Highway 20)

26,59 €* 27,99 € -5%

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | FR | Original (RCA)

Lucky Daye

Painted

31,99 €*

Release: 2021 / FR – Original

Genre: Organic Grooves

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Lucy Kruger & The Lost Boys

Transit Tapes

LP | 2021 | EU | Original

17,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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7" | 2013 | EU | Original (Black Cat)

Luis Bacalov

In Lounge

8,99 €*

LP | 2021 | EU | Original (Haunter)

Release: 2013 / EU – Original

Genre: Organic Grooves

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4 classic cuts from the number one of spaghetti western composers, with an exclusive featuring from Italian 60’s R&B legend Rocky Roberts. Originally out along with the ‘Il giaguaro’ magazine, we just acquired a few dozen MINT copies from Black Cat Records’ warehouse.

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Lutto Lento

Legendo

2LP | 2012 | EU | Original (Moosicus)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Legendo Is A Work Of Sonic Weird Fiction. A Pulp Fantasy. A Descent Through The Cracks In Reality, Punctuated By Bizarre Encounters And Freaky Transformations. It Oozes An Odd Mixture Of Wonder And Fear, A Fascination With Whatever Might Be Lurking Around The Next Unlit Corner, Met With Relentless Excitement And Leading Towards Ghastly Discoveries. Like A Vision Of A New Mythological Age, One That Aims More At Subverting And Making Fun Of Itself Than Educating Towards Any Kind Of Morality. Or A Self-Conscious Fantasy Rpg Turning Into A Full-On Immersive Experience. The Author, Lubomir Grzelak Aka Lutto Lento, Arranged This Eccentric Narrative As A Follow Up To His Previous Lp, The Ominous Dark Secret World, While Also Settling Out To Subvert The Atmosphere Of That Record. In His Haunter Debut He Embraces His Own Quirkier Side, Delving Further Into Eerie Derision And Surreal Trickery. He Achieves That By Remodeling His Penchant For Heavy Bass And Gloomy Dub Into A Kind Of Otherworldly Folk Music, Drawing In Deterritorialized String Instruments, Cheeky Digital Sound Design, Coil-Ian Horror Synths, And Drums That Remind As Much Of Heavy Metal As Of Hollywood Neo-Classicism. It Is By Pushing The Envelope On The Most Contradictory Elements That Legendo Ascends To A Form Of Mocking Poetry. Many Weird Characters Are Encountered Through The Narrative: From The Various Musicians That Contributed To The Music (Such As Vocalist John Glacier, Guitarist Adam Repucha And Koto Player Katarzyna Karpi?Ska), But Also Many Fringe Fascinations That Hail From Grzelak's Native Poland: From The 1897 Painting 'Skarby Sezamu' By Stanislaw Wyspia?Ski That Inspired The Track Of The Same Name, To The Delirious Paganism Of Outsider Artist Stanislaw Skukalski, To The Lullaby Referenced In 'Iskiereczka'. These Entities All Dwell Inside Legendo And Conduct Its Chapters, Rendering The Liminal Dimension Of Its Sound As Real As It Is In Its Creator's Mind.

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Maceo Parker

Soul Classics

Space Walking / Down At The Disco

Release: 2012 / EU – Original

Genre: Organic Grooves

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Classics by James Brown, Aretha Franklin, Stevie Wonder, Isaac Hayes & others get a rework courtesy of Maceo & The WDR Big Band!

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Maggabrain

7" | 2021 | EU | Original (Cordial)

Maggtapp / Joe Mcglone & The Hot Pepper Band

Release: 2021 / EU – Original

Genre: Organic Grooves

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Maggabrain were from Atlanta, Georgia who were regarded as one of the best local bands of the time. Between 1975 and 1984 they released three singles on various labels. During the 1970s they recorded a session for GRC Records that remained in the vaults until two songs were included on a BGP Records CD only compilation in 2018. We regard both songs on our 45 as being of the highest quality with the hot stepper of 'Space Walking' on the A side and the dancefloor jam of 'Down At The Disco' on the flip. These songs were both written by the magical genius Sam Dees.

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Because You're You / The Love I Lost Black Vinyl Edition

7" | 2021 | US | Original (Preservation Project)

20,99 €*

Maggtapp / Joe Mcglone & The Hot Pepper Band

Release: 2021 / US – Original

Genre: Organic Grooves

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We are back with two Soul sides for you for our 11th regular release. Both are a perfect fit for the Soul scene. Side A features Maggtapp's previously unreleased "Because You're You." This is a strong female vox lead sublime Modern Soul groover. It features a steady beat and a spacious arrangement - just drums, bass, electric piano, and organ - that lets the vocals float on top of it. It definitely could be a demo or a temporary mix down, as it could be a bit more fleshed out, but it is really quite good as is. Joe McGlone & The Hot Pepper Band tear up Side B with another previously unreleased gem. "Love I Lost" is an anthemic cover of the Kenny Gamble/Leon Huff tune. It starts with an almost church like organ lifting you into a track that kicks wide open into a 70s Northern Soul floor filler. This is a classic strong Soul lead vocal with a harmony call and response chorus. Just try to keep from tapping your feet and then jumping out on the dancefloor.

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Because You're You / The Love I Lost Blue Vinyl Edition

7" | 2021 | US | Original (Preservation Project)

32,99 €*

So Wrong HHV Exclusive Gold Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Magic Island

LP | 2021 | EU | Original (Mansions & Millions)

23,39 €* 25,99 € -10%

Volume I White Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Pop

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Available exclusively at HHV: The album in gold! Limited to 100 pieces.

Second album by Magic Island from Berlin-Neukölln. Co-produced by hiphop producer Phong. A fragmented, multimedia album about your neighborhood

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Magic Sword

LP | 2013 | US | Reissue (Joyful Noise)

LP | 2013 | EU | Original (Heavenly Sweetness)

Release: 2013 / US – Reissue

Genre: Organic Grooves

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The music of Magic Sword, crafted by two unknown individuals is a collaboration of sight and sound. Featuring the music. Part dance, part cinematic experience and a comic book (by The Harbinger). Which brings life to this tale of fantasy. Volume 1 is an introduction to the epic story of Magic Sword that will consist of several volumes set to be released over the next several years.So as it was, it shall always be. Whenever the need is great, we call upon the power of the Magic Sword.

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Mahmoud Ahmed

Erè Mèla Mèla

21,99 €*

I Stayed Away Too Long / Kick Out Instrumental

Release: 2013 / EU – Original

Genre: Organic Grooves

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“The re-release series of original Ethiopian classic vinyl continues — the finest Ethio jazz by Mahmoud Ahmed and his band from 1975 plus two tracks from 1978. The liner notes: ‘Melancholy blues, piercingly minimalist country airs, brassy, danceable urban jazz, heart-wrenching, off-key crooners: a rich and stirring patchwork of sounds, crossing Afro-beat, Latino-swing moves and Eastern arabesques (Anaïs Prosaïc).’ Such were the first — informed and enthusiastic — opinions of the music press when the first strains of modern Ethiopian music sounded on our shores. This was in 1984-1985. Such a positive note, struck about such a country at such a time, created plenty of reverb. The country had been so thoroughly trashed by the media’s feeding-frenzy, which spewed out a mix of horror and pious pity, bitter denunciation and humanitarian appeals, wallet-tickling clichés and refusal of identity. In one brutal swoop, TV-reality transformed Ethiopia into a cursed nation, forsaken by God and by man. In contrast to these tragedies, but in the same hackneyed tones, Mahmoud Ahmed’s life resembles an edifying fairy-tale where destiny, talent and achievement combine to triumph over poverty, fate and the evil eye. Biography, history and legend, with the help of God, infallibly weave the lesson of merit rewarded. But who can argue, in spite of the mockery that celebrities invariably draw, when faced with one of the greatest voices in all of Africa? Once upon a time, there was a street urchin in Addis Ababa, who started off as a shoe-shine boy and went on to become one of his country’s biggest stars, opening the door to Ethiopian music to Western audiences.” — Francis Falceto

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Manuel B. Holcolm

7" | 2021 | US | Original (Ubiquity)

13,99 €*

LP | 2021 | EU | Original (Bureau B)

Release: 2021 / US – Original

Genre: Organic Grooves

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While the original record label says the song was written and produced by Diamond Jim & G.Current, Manuel Holcolm says that he had a little more creative input than the credited for. Diamond Jim ran the studio and was apparently a gentleman of questionable reputation. In fact he ended up getting himself shot in a Detroit nightclub (Watt’s Club Mozambique) in the early 1970s. Holcolm says the song, released in 1969, is about returning home from Vietnam and finding your lady couldn’t wait for you! It’s a rough tune for rough times, although Holcolm admits he has never been to Vietnam and the wayward woman was only in his imagination. In fact Holcolm began his music career in 1961 in the Motown Studios recording “Please Wear My Ring”, a song written for his future wife, whom he has been married to for over 40 years. All of his releases were on 7” and all recorded in MI.

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Mapstation

My Frequencies, When We

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Discos Nada)

Marco Bosco

Fragmentos Da Casa

LP | 2021 | US | Original (Soul Step)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Reissued For The First Time, "Fragmentos Da Casa" By Brazilian Percussionist Marco Bosco, Was Originally Released In 1986, By Carmo, Owned By Egberto Gismonti. Carmo Also Released Albums By Gismonti, Piry Reis, Fernando Falcao, Nando Carneiro And André Geraissati, Among Others.In 1986, Marco Bosco's Percussive Arsenal Was Unique And Extremely Peculiar, Containing Chizanzhi, Caxixis, Purrinhola, Requo-Requo, Shequeres, Berimbaus And Lingo Drum, Among Other Instruments.Brazilian Percussion Is A Universe Apart. The Fusion Of African And Brazilian Cultures And Rhythms Has Generated Many Talented Musicians Who Have Gone Deeper Into Brazilian Roots In Search Of Its Essence And Thoroughly Research All Of Our Diversity. Many Of The Percussionists Have Been Transformed Into An "Export Product" Worshiped Worldwide: Airto Moreira, Naná Vasconcelos, DJalma Corrêa, Fernando Falcao, Pedro "Sorongo" Santos And Marco Bosco, Among Many Others.Marco Bosco Started His Personal Journey In The 70s, But The Biggest Impact Happened When He Released His First Solo Work, Metalmadeira (1983), A Journey Made Up Of Acoustic And Electronic Textures, Nature Noises, Vocoders, Synthesizers And Sequencers. "Fragmentos Da Casa", His Second Solo Album, Had A Striking Concept, Explained By The Artist Himself, From The Original Press Release: "Antagonizing The Synthesized Universe Of Digital Equipment And Instruments To An Acoustic Aesthetics; Plus Emphasizing The Timbristic Characteristics Of Percussion: "Fragmentos Da Casa" Is A Musical Interpretation Of A Journey - One Night And One Day - Through The Rooms Of An Imaginary House"This Fusion Of Acoustic And Synthetic, Promoted By Some Brazilian Artists In The 80's And Celebrated Worldwide, Still Brings Memories To The Percussionist. For Him, The Arrival Of Those Electronic Gadgets "Was The Best Thing That Happened On The Planet".This Reissue Includes A Reproduction Of The Original Artwork, New Testimonies By Marco Bosco And A A Long Article Signed By Bento Araujo...

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Marcus Machado

Aquarious Purple

25,49 €* 29,99 € -15%

LP | 2021 | US | Original (Soul Step)

Release: 2021 / US – Original

Genre: Organic Grooves

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The latest release from Soul Step Records is The Local Honeys "The Gospel." This is the latest release as part of the Footprint Series that Soul Step releases in order to preserve and promote old time Country, Bluegrass, and Folk. The Local Honeys are Linda Jean Stokley and Montana Hobbs. They have had a big year, recently dazzling audiences all over Europe opening for Tyler Childers and releasing "The Gospel." They have dedicated themselves to the preservation of old music and the creation of new music.

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Marcus Machado

Aquarious Purple

24,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG+

That's No Way To Treat A Girl / Say It Again

Marie Knight

7" | 2021 | EU | Original (Vampisoul)

Marta Ren & The Groovelvets

Release: 2021 / EU – Original

Genre: Organic Grooves

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Marie Knight's Legendary 45 From 1964 That Made Her A Name In The Northern Soul Scene. Massive Spin In Wigan Casino Allnighters, Officially Reissued Here For The First Time With 'Say It Again' On The Flip, As Originally Released. Info:Singer And Pianist, Marie Knight Made Her Name As A Gospel Superstar Recording For Decca In Duet With The Legendary Sister Rosetta Tharpe. Her First Solo Record For Decca Arrived In The Mid '50s, Just A Couple Of Years Before Her Signing To Mercury. She Later Toured With Rhythm And Blues Acts Like The Drifters, Clyde Mcphatter And Brook Benton. Three Singles Followed On Diamond In 1963/64 Before She Was Signed To Musicor Records Later In 64. Her Definitive Non-Religious Song 'That's No Way To Treat A Girl', Crafted In This Period, Failed To Become A Hit At The Time But Was The Recording That Would Make Her Name With The Northern Soul Fans In The Uk Many Years Later, Standing As One Of The Most Celebrated Spins At The Wigan Casino Allnighters. The Slow-Paced Ballad On The Flip-Side, 'Say It Again', Is A Beautiful Deep Soul Song That Echoes The Gospel Singing Knight Had Mastered Over The Years. After Her Deal With Musicor Ended, She Was Unable To Land Another Secular Recording Contract. "That's No Way To Treat A Girl' Is Officially Reissued Here With 'Say It Again' On The Flip For The First Time, As Originally Released.

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Stop Look Listen Colored Vinyl Edition

LP | 2021 | EU | Original (Record Kicks)

17,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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What's Going On (Original Detroit Mix)

Marvin Gaye

LP | 2021 | JP | Reissue (Tamla)

77,99 €*

Marylin Barbarin & The Soul Finders

Release: 2021 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

With OBI. Japanese reissue from 2021. Vinyl is slightly warped,

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Reborn / Believe Me

7" | 2021 | UK | Original (Soul Jazz)

LP | 2013 | UK | Original (Domino)

Release: 2021 / UK – Original

Genre: Organic Grooves

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One of three Monster New Orleans Funk 45s released by Soul Jazz Records only ever exclusive available on their site on Long out of print, these new 45s are limited edition pristine, loud dancefloor fillers housed in Soul Jazz recycled card house bag! Surely one of the Tuffest New Orleans Funk tunes ever made! The intensity of Marilyn Barbarin's vocals are only matched by the super-tightness of Eddie Bo's Soul Finders that accompany her - superb New Orleans wah-wah funk, locked in and in the pocket! A Superb Eddie Bo production, with original copies starting at a500!

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Matthew E. White

Big Inner

24,99 €*

LP | 2021 | EU | Original (Sichtexot)

Release: 2013 / UK – Original

Genre: Organic Grooves, Pop

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We recommend Matthew E White for no particular reason, just for his beautiful music! Give it a try!

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Maura & Fred Red

Grimus

19,99 €*

Maurice Williams / Walter Wilson

Release: 2021 / EU – Original

Genre: Hip Hop, Organic Grooves

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Maura & Fred Red: one of those absolutely romantic producer and MC connections, making you feel the bond far beyond e-mail conversations like „just sent you a new folder of beats“!

Branding the artists simply as „bedroomproducer“ and rapper appears already after the first track on „Grimus“ almost blasphemous, because what those two deliver is way too big to be pigeonholed.

Hard-hitting breaks, subtle grooves led by jazz brushes, funky synthesizer solos, meet one of the most charismatic front women our young German hiphop-scene has to offer. Maura moves playfully in her universe between soulful head voices and heavy rapflows which put everybody considering themself as being able to compete in their place. Punctiliously and lovingly arranged, stylishly orchestrated and, at the same time, uncompromisingly edgy that there is – with all humbleness – nothing left but to speak out the Madlib/Erykah reference out loud.

Ten years ago, we would not have dreamt of such exquisit demos falling into our laps. Fred Red and Maura deliver with “Grimus“ a long overdue souljazz LP being a perfect match for Sichtexot.

What have they done?

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Look My Way / Not Now But Later

7" | 2021 | UK | Original (Deep Soul)

LP+CD | 2013 | US | Original (Anti)

Release: 2021 / UK – Original

Genre: Organic Grooves

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These two tracks have been around since their first releases on Kent LPs in the late 80s. Taken from the Scepter/Wand tapes, the artists had one release each on those labels. Maurice Williams’ ‘Look My Way’ was recorded at the same session as the two songs issued on his Zodiacs-billed Scepter 45, although it outperforms them both.

It was assumed that ‘Not Now But Later’ by Walter Johnson was also an unreleased number, but a few years later, a Wand DJ copy was discovered in the home of the producer Billy Jackson, when the singer’s true identity was found to be Walter Wilson. However, Billy stated that it was an alias for Tommy Keith, who wrote and recorded some excellent soul music. It is a beautiful self-penned ballad in the Ashford/Simpson mould.

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Mavis Staples

One True Vine

30,99 €*

Release: 2013 / US – Original

Genre: Organic Grooves

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Impressions EP Record Store Day 2021 Edition

Mayer Hawthorne

LP | 2021 | US | Original (Stones Throw)

Release: 2021 / US – Original

Genre: Organic Grooves

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2CD | 2013 | EU | Original (Republic)

Mayer Hawthorne

Where Does This Door Go

11,99 €*

2LP | 2021 | US | Original (Capitol)

Release: 2013 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Maze / Frankie Beverly

Live In New Orleans

38,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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The Stranger / Black Velvet

Menahan Street Band

7" | 2021 | US | Original (Daptone)

12" | 2021 | EU | Original (Hakuna Kulala)

Release: 2021 / US – Original

Genre: Organic Grooves

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The Menahan Street Band are back! This time with Los Yesterdays front man, Victor Benavides. "Black Velvet" the moody, atmospheric instrumental ballad on the flip garnered the attention of Victor and his long-time collaborator/WC soul luminary, Mike Noriega, inspir ing t he pair to craf t "The Stranger'' - a pleading tale of anguish and heartbreak, elevating t he track to ver tiginous soulful heights. Between Mike's pen, Victor's voice and MSB's otherworldly ability to craf t instrumental bangers, you got yourself another playbox sureshot.

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Menzi

Impazamo EP

Musica Para Cinta Magnética (+) Instrumentos (1967-198)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Menzi Turns Out The Darkest Gqom On Road With This Ridiculously Strong Debut Solo Release By Infamous Boiz' Menzi Brimming With Cyperpunk-Cinematic Sound Design Via Hard-Synched Taxi Techno Drums, Now Pressed On Limited Edition Vinyl For The First Time.Getting Deeper Than Anyone Into The Mechanics And Mindset Of South Africa's Viral Township Techno Sound, 28 Year Old Menzi Shabane Makes Seismic Moves On The 'Impazamo' Ep With Six Trax Of Gobsmacking Gqom Pressure Advanced By Shocking Levels Of Sound Design Detail And Searing Synth Dynamics. Menzi Hails From The Umlazi Township Of Durban, Where He Rose To Prominence As One Half Of Gqom Pioneers, Infamous Boiz, Whose Influence Is Now Felt Shuddering From Speakers In Clubs Across The World. Aside From Producing, Menzi Also Runs The Annual Gqom Bloq Party, Festive Road Block Umlazi, And Recently Has Supplied Beats For Some Of South Africa's Biggest Acts (Moonchild Sanelly, Mahotella Queens, Zolani Mahola And Zakes Bantwini), But It's This Ep Released Last Year On Limited Edition Cassette That Has Put His Name On The Global Dancefloor Map.Daring To Mess With The Machinery Of Gqom's Sharply Defined Style, Menzi Opens It Up Like Hellraiser's Puzzlebox To Truly Invoke And Unleash The Sound's Darkside Spirits. The Title Tune's Cinematic Intro Ratchets New Levels Of Industrial Drama To The Sound That Follow Through In The Pained Hollers And Bm-Style Screeches Of 'Minimal Surge' And The Sheets Of Acid Rain Drone That Soak 'Underground Abaphansi', While The Percussive Ballistics Of 'Qgm' And The Jaw-Dropping 'Zulu Warrior' Recall The Deep Fwd Sound Design Of Nazar's Experimental Kuduro Style, And Uganda's Ecko Bazz Plays The Role Of Shaman Or Spirit Guide In The Pitch Black Midnight Tone Of 'Gqom Tera'.A Staggering Set Packing The Strongest Gqom Tracks On Road Right Now, 'Impazamo' Is Unmissable For Lovers Of Dark, Heavy And Futuristic Dance Music From All Corners Of The Club.

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Mesias Maiguashca

LP | 2021 | EU | Original (Buh)

32,24 €* 42,99 € -25%

7" | 2021 | EU | Original (F-Spot)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Highlights:For The First Time A Sample Of The Essential Work Of Mesías Maiguashca, Covering A Period That Goes From 1967 To 1989.This Release Includes Historical Pieces Of Electronic Music, Such As "El Mundo En Que Vivimos" (1967) Or "Ayayayayay"(1971), Which Are Early References For Electronic Music In Latin America.Description:Mesías Maiguashca Is A Relevant Figure On The Map Of Contemporary Avant-Garde Composers. Born In Ecuador But Currently Based In Germany, He Has Been A Composer Who, Since The 60s, Would Constantly Expand His Possibilities In Fields Such As Electronic Music (Where He Stands Out As A Pioneer), Mixed Works, Expanded Interdisciplinary Pieces And The Creation Of Unconventional Instruments, Where The Encounter Between His Country Of Origin's Popular Folkloric Tradition And The New European Music Has Produced A Universe Of Tension, As Fascinating As It Is Startling.Mesías Maiguashca: Música Para Cinta Magnética (+) Instrumentos (1967-1989) Presents For The First Time A Sample Of The Essential Work Of Maiguashca, Covering A Period That Goes From 1967 To 1989. This Is The First Of A New Collection, A New Series Of Albums That Seeks To Document The Extensive Recorded Work Of Maiguashca, With Pieces That Date From The Mid-60s To The Present. This First Release Is A Good Introduction To Understand The Various Aesthetic Options Developed By The Artist Throughout His Career. It Includes His Historical Pieces Of Electronic Music, Such As "El Mundo En Que Vivimos" (1967) Or "Ayayayayay"(1971), Which Are Early References For Electronic Music In Latin America, And Also Mixed Pieces, Such As "Intensidad Y Altura" (1979) For Six Percussionists And Magnetic Tape, "The Wings Of Perception" (1989) For A String Quartet And Tape, And "Nemos Orgel" (1989) For Organ And Magnetic Tape.As The Critic Fabiano Kueva Has Pointed Out: "During Six Decades Of Musical Creation, Maiguashca Has Outlined Diverse Aesthetic Axes, Raising Questions About The Aural Experience And Generating A Sound...

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Mestizo Beat

Left Behind / I Want You

Home Again Limited Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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A band who’s been gradually making a dent in the West Coast music scene, Mestizo Beat is pushing forth with a brand new 45 that further expands on their core sound to fuse the old with the new while paying homage to the greats who came before. “Left Behind b/w I Want You” is no exception.

Taking inspirational elements from Roy Ayers, Isaac Hayes, George Benson, Eric B and Rakeem, Mestizo Beat teamed up with longtime friends Jamie Allensworth and Terin Ector to bring a fresh set of vocals and lyrical element to the bands mostly previous instrumental catalog. On Side-A we find “Left Behind”, an original collaboration between Mestizo Beat and Jamie Allensworth (Jungle Fire, Orgone, Night Owls) who’s soulful vocals and wide range takes us strait to those late night after hour jams complete with a Benson inspired guitar solo by Aquiles Magaña and vibraphone additions by Tim Felten (Sure Fire Soul Ensemble). Left Behind’s lyrical elements are about leaving wherever you are in pursuit of something you can't quite explain, but you'll know in your soul when you find it. The song is a constant state of wandering in search of where you're meant to be while the clock keeps ticking adding a sense of urgency. Then, Side-B, hits it hard with a cover of Marvin Gaye’s “I Want You” featuring Terin Ector (Organ, Moswen, Soluzion) on lead and Jamie Allensworth this time providing backup support. While staying close to the original but with added production value and vintage synthesizer strings soaring over top, these two songs together, along with production out of the band’s home studio, Spc#166 in Topanga Canyon, CA, take this record to new heights for a true “double A-side” slab of wax.

Mestizo Beat is a musical group and production team founded by brothers Aquiles and Agustin Magaña. Both songs mixed by Claudio Cueni and mastered by John Golden.

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Michael Kiwanuka

LP | 2012 | Reissue (Polydor)

33,99 €*

Release: 2012 / Reissue

Genre: Organic Grooves

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Michelle David & The True-Tones

Yes I Am

7" | 2021 | UK | Original (One World)

Release: 2021 / UK – Original

Genre: Organic Grooves

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2LP | 2012 | US | Original (RCA)

Miguel

Kaleidoscope Dream

36,99 €*

Mike James Kirkland With James Gadson

Release: 2012 / US – Original

Genre: Organic Grooves, Pop

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Got an 8.4 from Pitchfork!

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Time & Space

7" | 2021 | UK | Original (Cannonball)

22,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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2011 Kickstarter Bootlegs

Miles Bonny

LP+7" | 2012 | US | Original (Not On Label)

1514 Oliver Avenue Black Vinyl Basement Edition

Release: 2012 / US – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Green marbled vinyl and grey marbled 7".

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Mind & Matter

LP | 2013 | US | Reissue (Numero Group)

Les Fleur / Oh By The Way Yellow Vinyl Edition

Release: 2013 / US – Reissue

Genre: Organic Grooves

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Jimmy Jam Harris was just 16 when he began writing and arranging for Minneapolis 11-piece Mind & Matter. Boasting a perfectly calibrated vocal quartet, an aggressive rhythm section, and stacks of Rhodes, Rolands, and Hammonds, the danceable act failed to win favor with frigid Midwest audiences. Tracked in 1977, this bundle of never-before-released basement demos throw Harris' beloved Philadelphia Sound into an unfinished root cellar, pelting it with Clavinet attacks, disco skats, and infectious hooks. Named for the street address of its underground uptown genesis, 1514 Oliver Avenue (Basement) is James "Jimmy Jam" Harris' first foray into songcraft and an organic Minneapolis-vintage alternative to a late '70s Prince songbook gone increasingly synthetic.

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Minnie Riperton

7" | 2021 | UK | Original (Selector Series)

13,99 €*

CD | 2021 | US | Original (Cold Busted)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Limited edition yellow vinyl pressing of this 50th birthday celebration for an influential slice of soul. A 7” remastered, reissue of Minnie Riperton’s iconic, majestic and much sampled ‘Les Fleur’.

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mister T.

Soul Shower