Funk | Soul 156 Items

Includes instrumental on the flip! Limited to 300 copies!

Nine unreleased and rare tracks from the amazing Roger Damawuzan also known as the “James Brown from Lomé”, backed by the tremendous “Les As du Benin” orchestra, and recorded between 1972 and 1981.

Two Northern Soul Favourites Back-To-Back On A Nicely Designed Lookalike Label 45

Limited edition for Record Store Day 2015!

All Time Northern Soul Classic With The Perfect Title, The Perfect Intro And The Unforgettable Chant “Ready, Get Set, 2-4-6-8-10, 2-4-6-8-22”!

New Tune By The Lead Voice Of Legendary Philly Group The Jones Girls, Currently Being Heralded As One Of The Best New Soul Records Of The Year With Inspirational Lyrics And An Irresistible Street Soul Groove

Released For The Very First Time In The Format It Was Recorded For. The Holy Grail Of Bolan's Unreleased Soul Recordings As Producer For Sister Pat Hall, Includes Completely Unheard Version Of Do Your Thing Taken From Newly Acquired Original Reels Features Completely Reworked Version Of Classic T. Rex Tracks 'Jitterbug Love', 'Get It On', 'Sunken Rags', And The Never Released In Marc's Lifetime 'Sailors Of The Highway'. Besides Some Self-Released Gospel Recordings, Pat Hall Was A Much Sought After Vocalist In The Late 60's Early 70's, Having Worked With Joe Cocker As One Of The `Sanctified Sisters' Along With Gloria Jones.In 1972 Pat (& Hloria) Became Backing Singers On The U.S T.Rex Concerts And In Mid To Late 1973 Marc Bolan Decided He Was Going To Produce An Album By Pat, Being Well Ahead Of The Then Interest In Black American Soul By Fellow Pop Stars David Bowie John Lennon And Elton John. The Album Was Recorded But Never Released (On Vinyl), Until Now!Pat Hall Never Released Anything Again, This Album Remains The Sole Released Recordings Of This Extraordinary Singer.

One of the great characters in rock and soul music is Jerry Williams, better known as the eccentric, idiosyncratic, and always entertaining Swamp Dogg (no relation to Snoop Doggy Dogg). A Virginia native, Williams invented his own legend by claiming that he had little proper schooling, only to wake up one day and find himself a musical genius (his words). Actually, Williams is very talented, and an early association with Jerry Wexler and Phil Walden led to him working for a number of years as a producer, engineer, and occasional songwriter with Atlantic in the '60s. At decade's end, however, he decided that the time was right to unleash Swamp Dogg's singular view of the world on an unsuspecting public. The initial result was one of the most gloriously gonzo soul recordings of all time, Total Destruction to Your Mind. The album's charm may have to do with Dogg's world view: part libertarian politics; part Zappa-style critiques of commerciality and capitalism; and part horny male, the latter defining for better and worse his view of women. Although he spent years working in the industry, Dogg was simply not the standard-issue soul type. And that was good. Dogg continued to make records, albeit infrequently, after 1969, some good, a few great, and most all extremely difficult to find. With contemporary soul sounding increasingly mannered and sterile, Dogg's yelling, screaming, and general craziness is missed. Thankfully, he hasn't disappeared for good, although he only makes records when he feels like it. It would be wise to not count him out; just when you think this Dogg is down and out, he sneaks up and bites you.

Blackpool Mecca 70s Instrumental Northern Dancefloorfiller Backed With A Smooth 1977 Disco Modern Floater Available Here On Nice Lookalike Label Reissue 45

Classic big bucks Northern Soul sides on nice lookalike label reissue 45!

Gaslamp Killer chops, edits, echos and scratches The Heliocentrics in two parts.

Rare Unknown 1968 Single By The Cult-Southern Soul Legend Which Works Perfect On Mod/sixties Dancefloors Through It's Hammond B-3 Organ Groove b/w Sublime Crossover Tune Previously Only Availble On A Japanese Album From 1979 For The First Time Available Here On 7" Vinyl Format!

Band Leader Alex Puddu is behind the project the Moonfires. The Album is released on 300 copies limited edition on Alex Puddu's own label Al Dente. The Album Black sugar is written, Arranged and Produced By Alex Puddu Recorded during the summer 2014 in Copenhagen Recorded at Redrum Studio Mixed and Masterd in N.Y.C Astoria Queens Soundworks recording by Kamilo Kratc Album photo by Maiken Kildegaard Artwork by Leo Scherfig

Band Leader Alex Puddu is behind the project the Moonfires. The Album is released on 300 copies limited edition on Alex Puddu's own label Al Dente. The Album Black sugar is written, Arranged and Produced By Alex Puddu Recorded during the summer 2014 in Copenhagen Recorded at Redrum Studio Mixed and Masterd in N.Y.C Astoria Queens Soundworks recording by Kamilo Kratc Album photo by Maiken Kildegaard Artwork by Leo Scherfig

From the dawn of doo-wop to the death of disco, the Notations saw_and sang_it all. Persisting through changing trends and technologies, on major labels and minor ones, produced by both Syl Johnson and Curtis Mayfield, nothing could stop the Notations from representing Chicago's Southside for decades. The first overview of their indie label golden age, Still Here 1967-1973 finds the Notations at a musical crossroads, turning from simmering R&B ballads to socially-conscious soul. Offering up a platter of golden-dipped harmonies, inventive arrangements, and super-powered soul, the Notations survived as unheralded legends in their own time.

After recording various psych soul and funk tracks on the Whiz record label, The Real Thing carried on after leaving the label to record more studio cuts with musician and producer Stu Gardner. Here they let it rip with an incredible fast version of James Browns "Give it up, turnit loose" and they left in that all important secret ingredient of a lovely long drum break. Stu Gardner himself took to the microphone on this track, with various background vocals and screams, and did the vocals for the amazing b-side "It's A Family Thang"!

San Diego’s The Sure Fire Soul Ensemble is here with
their debut full-length on Colemine Records. Laid back
vibes, funky rhythms, and heavy instrumental goodness
are the order for the day.

This is extremely special. Expansion have taken an 80s soul classic and released it for the first time as a single together with a brand new version.

BigM Productions is back full force!

A branch pruned from West Indian-born Trevor Dandy’s 1970 LP Don’t Cry Little Tree, “Is There Any Love” is the stand out track from our 10th release, Good God: A Gospel Funk Hymnal. Produced by composer Paul Zaza in his basement studio in Toronto’s Etobicoke municipality, the socially turned-on Don’t Cry was intended to be sold to Dandy’s congregation. When Dandy failed to hit his promised sales goal of 2000, most of the pressing was relocated to the dump. “Is There Any Love” has since gone on to be sampled by a plethora of artists, including Kid Cudi, Ghostface Killah, Monsters of Folk, and Common. In 2009 we pressed up 200 copies of a one sided version of Dandy’s signature tune in conjunction with United Record Pressing and gave most of them away. It has since become one of the most in demand 45s Numero has ever issued. This unlimited repressing ups the ante slightly, as we’ve added an identical second “bonus” side for discerning DJs and home hifi enthusiasts alike to add their own cue burns, scuffs, and scratches to.

14 tracks feat. Raashan Ahmad, The Real Fake MC, Jehro & others!

The mysterious Tuxedo Funk Crew drops it in full length in 2015!

Utterly magnificent, sublimely soulful survey of the Gospel Roots label, subsidiary of the mighty TK Records at the height of the Miami Sound. Beautifully presented, the LPs come with a 12"-square, full-colour, sixteen-page album of photos and original artwork and truly outstanding notes, including insightful new interviews across the board; mastered at Abbey Road.

180g Colored Vinyl with heavy-duty card sleeve!

Eccentric Soul: The Bandit Label takes a look at the underside of Chicago soul through twenty tracks of blistering R&B, sweet soul, and discofied funk. Hundreds of hours were spent researching, interviewing, re-mastering, and compiling the history of Bandit and the life of Arrow Brown. Unearthed in the process were two cassette tapes worth of acappella rehearsals that we've done our best to preserve in their lo-fi, in-the-red state. Numero 003 might be the deepest we'll ever dig. No map, no shovel, just a stack of 45's and a city of three million people.

Urban Ethiopian music stands out within the African continent thanks to its creativity and originality. Whatever the shade — pop, blues, jazz or soul — it comes from a fusion of local musical traditions mixed with an echo of Western music. It bewitched Ethiopia during the ‘Swinging Addis’ decade before recently winning the favors of a well-informed audience all over the world. This first vinyl volume of Ethiopian Urban Modern Music presents some of the Ethiopian ‘groove jewels’ drawn from the essential CD Ethiopiques series directed by Francis Falceto and published by Buda music.

A few years ago the world discovered a unique sound coming from the distant Ethiopian capital Addis Abeba. The emotional blow was only matched by the brightness of this original and magnificent discovery. The Ethiopiques series directed by Francis Falcetto and edited by Buda Musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. This new Ethiopian Urban Modern Music release follows the first Soul & Groove installment and keeps revealing some essential parts of the modern Ethiopian puzzle. An unequalled soul funk signature until today.

The Red Edition Brings Together 14 Major Label Killer Cuts Which Are Milestones Dating From 1953 To The Early Sixties Feature Key Artists In The World Of R&B And Soul That Are On Every Djs Hit List, Everyone A Winner!

"Gospel music has often followed the prominent trends in secular music, probably in the hope of widening its audience by giving the subject matter a sprinkling of cool. In the 60s it happened with R&B and then funk-flavoured gospel, the 70s brought sweet-soul crossovers, and by 1975 the sounds of early disco had started to permeate the genre. This compilation brings together overlooked gospel gems that have their production rooted in disco and boogie, the sound of the early 80s that followed in disco's wake. It's only recently that this music has begun to be appreciated by fans outside of its original target market, and I'm glad to help it finally reach a wider audience."

David began his music career in 1994 as a member of the Ballistic Brothers, together with Ashley Beedle and Rocky & Diesel of X-Press 2. In 1994 he co-founded the Nuphonic record label, where he managed the creative aspects on almost a hundred releases, with artists including Faze Action, Norman Jay, Andrew Weatherall, Maurice Fulton and David Mancuso. In addition to the record label, Nuphonic also produced the Sony award winning London Xpress radio show for Xfm, which led to various club nights.

David has also acted as a music consultant to several record companies, one of these being Soul Jazz records, who he produced a series of successful albums for - in 2004 the 'World of Arthur Russell' and more then the acclaimed 'Soul Gospel' series. He was also production consultant for Auralux, the London based reggae reissue record label, where he worked with Lee Perry, King Jammys, Sly & Robbie and Linval Thompson.

He continues to work on personal projects such as Rootikal, the monthly roots reggae Night, and has a number of reissue and compilation projects currently in production. He is also currently overseeing the production of a book and an accompanying touring exhibition that will showcase Bill Bernstein's photographs of New York nightlife in the late 70s.

Having spent exactly ten years living off the small change and 45 adapters of each others pockets, Finders Keepers/Cache-Cache Records co-founders Andy Votel and Doug Shipton spread their wings and pool their DJ bags for a new series of sporadic various artists compilations focussing on the global punk and makeshift electro records that have kept their beer soaked dance floors and distorted sound systems moving in recent years. Meet the younger sarcastic sisters of some of the classic Finders Keepers family and their spotty friends then watch what happens when jazz punk underdogs cock their legs to their overqualified elder brothers.

Plastic Dance presents ten unacquainted and elusive slices of synthetic squat pop, angular funk, teapot kosmische and fraudulent disco from self-propelled imprints and global co-ops. Named after Günter Bernas obscure DIY anti-band this ongoing series combines rare, unknown and untravelled wax nuggets of night club punk, art school Zeuhl and quasi-political pop united by soldering irons, C-60s and sarcastic synth tones. Featuring a cross section of unobtainable unreleased unknown and unwanted reluctant punk and snide synth pop with sleeve-notes by respected DJ/Haç hack/Situationist addict John McCready and artwork by airbrush legend Terry Pastor (Ziggy Stardust/Soft Machine/Arthur C. Clarke) Plastic Dance becomes flexible under heat.

Lavender Vinyl.In the late 1970s, a peculiar sound began bubbling up from the land of 10,000 lakes. Buried beneath 50 solid inches of annual snow, Minneapolis made a Sound quite different than what the pop world foresaw. It issued forth as a slick, black, technologically advanced fusion, poised to storm the charts. Never known for sizable African-American populations, the Twin Cities of Minneapolis and St. Paul in fact harbored a tight-knit community of musiciansworking feverishly through the late '70s and early '80s toward a radical manipulation of American dance music, coating futuristic funk with the glamorous sheen of guitar rock. Synthetic ebony and ivory met electricity, with sexed-up results sent shockingly across the pop heavens like violet lightning.

Limited edition for Record Store Day 2015!

The third volume in Vampisoul's 'R&B Hipshakers' series is available on LP for the first time, featuring rockin' R&B and early soul from the King/Federal/DeLuxe catalogues. You get 20 terrific dance cuts from 1955 through 1964 selected by genre expert Mr. Fine Wine of WFMU's Downtown Soulville.

ORIGINAL RECORDINGS - REMASTERED

180g Colored Vinyl! Hand-picked titles by Françoise Hardy, France Gall. Annie Philippe, Elsa, Violaine, Pussy Cat, Brigitte Bardot, Delphine and Liz Brady!

For 23 straight Saturday nights of 1982, "The Chicago Party" dance show assaulted Chicagoland UHF eyeballs with Spandex, Southside fly guys, tender tenderonies, magicians, contortionists, prismatic video gimmickry, and lip-synched singles by a rising regime of local post-disco casualties. Unfettered nightlife and outlandish humor poured out of oddball outpost The CopHerBox II and onto TV screens, presented here as a 100-minute video mixtape on DVD. Its companion compilation features five previously unreleased tracks, joined by music culled from a trove of self-released 45s and small-time 12"s. Die-cut cathode-ray jacket and six in-package stills put the Party at your fingertips.Available on CD or 2LP, each edition of Ultra-High Frequencies: The Chicago Party will arrive in one of six cover configurations, all of which are interchangeable via printed inner sleeves and enclosed booklet. Both editions include our entertaining DVD mixtape, isolating the most absurd and outrageous moments from the original broadcasts. Play functions enable viewers to enjoy 23 unique musical performances, as well as a mini-documentary about the creation and realization of "The Chicago Party." For fans of electronic soul with a public-access aesthetic, Ultra-High Frequencies: The Chicago Party is the place to be.

The album was mostly recorded at Dan Auerbach's (The Black Keys) Easy Eye studio in Nashville, as well as L.A. and Budapest, and was produced by both Dan Auerbach and Kevin Augunas (Edward Sharpe & The Magnetic Zeros, Florence & The Machine).

Finally back! This weird piece of estonian music reached silly prices on discogs already - better make sure not to miss it again!

Damon Albarn & Four Tet dig this gentleman, so you should dig this forgotten master of african synth-craze, too!

Considered an underground classic by many, XL Middleton's “Tap Water” was released at the height of the fervor over 'modern funk' music, brought to life by Dam Funk & carried on by a small but dedicated cadre of artists including Middleton. Always in demand, “Tap Water” has become scarce in the aftermarket and demands collector-level prices when it does sell; thus a reissue was inevitable.