Funk | Soul 62 Items

No Obi, with insert.

Vinyl LP pressing.

Vinyl LP pressing.

Limited green colored vinyl LP pressing.

Guitar virtuoso Dennis Coffey's first LP for Westbound Records was released in 1975, and is a tour de force in funky guitar wizardry unlike anything else. While Coffey's technical fireworks remain the centerpiece of the record, some of the rawer psychedelic elements of his earlier work are replaced by a slicker, more produced sound. This new style clearly lays the groundwork for Coffey's transition, as the 70's progress, into a more commercial, disco-oriented sound on his own recordings, as well as on his writing and production work for other artists such as CJ and Co. This long overdue reissue, retitled Finger Pickin Good, was remastered by Dave Gardner and includes the previously unissued bonus track "What It Is It Ain't".

Earth Creature by Boobie Knight & The Universal Lady is a vibrant and soulful album that encapsulates the essence of 1970s funk and soul. Originally released on Brunswick Records' subsidiary Dakar Records in 1974, the album features a dynamic fusion of groovy rhythms, horn sections, and Boobie Knight's charismatic vocals, driven by heavy psychedelic fuzz guitar. With it's rich instrumentation and spirited performances, it stands as a testament to the funk era's enduring influence. Tracks from the record have been famously sampled by artists such as Outkast, N.W.A., and 50 Cent, among others. Previously out of print for decades, it has been remastered and pressed on both black and sunkissed color vinyl, complete with it's iconic risqué cover artwork.

Record is close to NM.

Guitar virtuoso Dennis Coffey's first LP for Westbound Records was released in 1975, and is a tour de force in funky guitar wizardry unlike anything else. While Coffey's technical fireworks remain the centerpiece of the record, some of the rawer psychedelic elements of his earlier work are replaced by a slicker, more produced sound. This new style clearly lays the groundwork for Coffey's transition, as the 70's progress, into a more commercial, disco-oriented sound on his own recordings, as well as on his writing and production work for other artists such as CJ and Co. This long overdue reissue, retitled Finger Pickin Good, was remastered by Dave Gardner and includes the previously unissued bonus track "What It Is It Ain't".

'Earth Creature' by Boobie Knight & The Universal Lady is a vibrant and soulful album that encapsulates the essence of 1970s funk and soul. Originally released on Brunswick Records' subsidiary Dakar Records in 1974, the album features a dynamic fusion of groovy rhythms, horn sections, and Boobie Knight's charismatic vocals, driven by heavy psychedelic fuzz guitar. With it's rich instrumentation and spirited performances, it stands as a testament to the funk era's enduring influence. Tracks from the record have been famously sampled by artists such as Outkast, N.W.A., and 50 Cent, among others. Previously out of print for decades, it has been remastered and pressed on both black and sunkissed color vinyl, complete with it's iconic risqué cover artwork.

Introducing X-Ray Ted's debut album 'Moving On', a testament to years spent honing his craft and refining his signature sound. Seamlessly blending Funk, Soul, Hip Hop, Beats and Breaks, X-Ray Ted delivers a collection that encapsulates his diverse influences as both a producer and turntablist who is endlessly crate digging for hidden gems. From the infectious opening guitar riff to the final beat, it is clear that 'Moving On' promises an experience that is as engaging as it is dancefloor focused. Each track showcases X-Ray Ted's innate ability to re-interpret vintage sounds from decades past, offering listeners something that is both alluringly familiar and refreshingly new.

X-Ray Ted is not alone in creating his musical vision. He is joined by Hip Hop royalty in the form Jungle Brother's Afrika Baby Bam, Jurassic 5's Fullee Love (aka Soup), and UK MCs Dr Syntax and Professor Elemental. Adding soulful depth and irresistible hooks to the mix are the vocals from fellow Bristolian Carys Abigail. Together, they effortlessly bridge the gap between retro 60's vibes and contemporary beats, creating something that is truly timeless, celebrating the past while embracing the future.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

Mark Templeton is a Canadian media artist and the founder of Graphical, an audiovisual label dedicated to publishing his own musical and image based experiments. Mark"s audio compositions are constructed from reel-to-reel tape loops and sampled cassettes that are contrasted with contemporary sound techniques.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

Gatefold cover with OBI and insert. Japanese pressing! cover has one corner bump.

Over a catalog of six albums, Native Harrow have produced a discography of “rich, engrossing records” and “instant classics” while single-mindedly following their own artistic code, acquiescing only to the exigence of the song: each song its own world with its own rules. Formed a decade ago, Native Harrow spent their first five or six years crisscrossing the United States and Canada on numerous tours, averaging more than 150 concerts per year in 47 states and 4 provinces, on the back of two self-released albums, Ghost (2015) and Sorores (2017). In 2019, they released Happier Now, partnering with London alt-country stalwarts Loose Records. The record garnered glowing reviews, with Rough Trade selecting it for its album of the month, writing “Beautifully soaring... rolling grooves ground languid and dreamy clearwater shimmers of sound.” The critical acclaim and Americana chart success of the album prompted three back-to-back UK tours in 2019 and early 2020, ultimately leading to a three-year stint living and touring in the UK and Europe. In this time, Native Harrow released two more critically acclaimed records with Loose; Closeness (2020) and Old Kind of Magic (2022), playing for audiences ranging from rock clubs in Norway and Sweden to opera halls in Portugal, and every stop in-between, as well as performing at festivals such as BST Hyde Park (supporting the Eagles and Robert Plant & Alison Kraus), Greenman Festival, Black Deer Festival, The Great Escape, Celtic Connections, Moseley Folk Festival, Sxsw, and many more. Following the eruption of its title track, Side A of “Divided Kind” transitions nimbly through hazy tremolo-laden dusty canyons, past an intimate soulful love letter, and towards a moody anthem of devotion buoyed by propulsive grooves, before ultimately settling on a gentle bird’s-eye-view of love and transcendence. Side B opens with the debut single, “Goin’ Nowhere” a soul transmission over incendiary bass and undulating layers of guiro, congas, tambourines, shakers, and handclaps that sidesteps into moments of infinite dial-toned burnished, Rhodes-propelled soul-jazz and self-assured blues rock à gogo before ending in a spectral folk reading on celestial meditation. “Divided Kind” was produced and recorded by the pair, in their home studio surrounded by the vintage acoustic and electric guitars, dusty semi-functional amplifiers, and out-of-date Rhodes, B3, piano, and assorted percussion they’ve grown accustomed to. Chicago-based Alex Hall was again drafted to add drums and to mix, and Philadelphia drummer and engineer Joshua Friedman mastered the record. London-based musician Joe Harvey-Whyte added the pedal steel to “Borrowing Time”, with all other voices and instruments being performed by Tuel and Harms. “Divided Kind” is available everywhere September 13 on Different Time Records.

No Obi, with insert. Cover has light foxing.

Cover has a 1cm creasing upper seam

As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.

Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.

Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”

There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.

Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.

The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.

Record is still sealed, but has a small creasing upper seam.

No Obi, with insert.

Cover has small seam split. Record is close to VG+.

Record is close to NM.

Japanese pressing. OBI is missing. close to NM

Japanese pressing with OBI and insert. close to NM.

Japanese pressing. Few paper scuffs. Cover has slight foxing.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

Original inner sleeve. close to NM

Japanese pressing. OBI is missing.

Cover has two seam splits.

Japanese pressing, comes with Obi and inserts.

Japanese pressing, comes with Obi and inserts.

No Obi, with insert. Cover has light foxing.

Transparent Red Vinyl.Timmion Records introduces a new instrumental group Bronze, Silver & Brass, an eight-piece brass ensemble that is about to make waves with their debut 7" vinyl single "Conrad's Lesson" b/w "Ward to Ward". This banger of a release blesses you with two spectacular tunes that showcases the group's influences from soulful stage band music to NOLA street funk.On the A-side, "Conrad's Lesson" delivers a pulsing midtempo groove, driven by funky drums and adorned with beautifully mellow horn melodies. Meanwhile, the B-side gem, "Ward to Ward" offers upbeat New Orleans second line funk, exuding the spirit of celebration and joy through syncopated beats and spirited horn arrangements.Inspired by the soulful sounds of Kashmere Stage Band, Curtis Mayfield - and of course contemporary trailblazers such as Young Blood Brass Band and Hot 8 Brass Band - Bronze, Silver & Brass boldly blend a gumbo that that oozes musical love without excuses. With this debut single, they invite listeners to celebrate the rich heritage of brass music while keeping things severely funky. Get ready and march to the infectious rhythms of Bronze, Silver & Brass.

Red Vinyl.

Timmion Records introduces a new instrumental group Bronze, Silver & Brass, an eight-piece brass ensemble that is about to make waves with their debut 7" vinyl single "Conrad's Lesson" b/w "Ward to Ward". This banger of a release blesses you with two spectacular tunes that showcases the group's influences from soulful stage band music to NOLA street funk.On the A-side, "Conrad's Lesson" delivers a pulsing midtempo groove, driven by funky drums and adorned with beautifully mellow horn melodies. Meanwhile, the B-side gem, "Ward to Ward" offers upbeat New Orleans second line funk, exuding the spirit of celebration and joy through syncopated beats and spirited horn arrangements.Inspired by the soulful sounds of Kashmere Stage Band, Curtis Mayfield - and of course contemporary trailblazers such as Young Blood Brass Band and Hot 8 Brass Band - Bronze, Silver & Brass boldly blend a gumbo that that oozes musical love without excuses. With this debut single, they invite listeners to celebrate the rich heritage of brass music while keeping things severely funky. Get ready and march to the infectious rhythms of Bronze, Silver & Brass.

close to NM

Japanese pressing, comes with Obi and no inserts.

Japanese pressing, comes with Obi and inserts.

Japanese pressing. Close to VG+

Japanese pressing. OBI is missing. few paper scuffs

close to NM

Japanese pressing, comes with Obi and inserts.

Japanese pressing, comes with Obi and inserts.

No Obi, with insert.

Only record 6! Other records and box are missing.