Funk | Soul 332 Items

Cover and vinyl are close to NM. 2022 reissue.

“The only time you wear a Tuxedo is when it’s time to party.”

So says legendary West Coast player Snoop Dogg on the opening track of “Tuxedo II”. The blessing of the Doggfather is of special importance to Mayer Hawthorne and Jake One, whose second album as a duo finds them at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk.This is the territory of pre- and post-hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

Bonding over a shared love of Chic, Parliament, and the other signs in the greater funk Zodiac, Mayer Hawthorne (Aquarius) and Jake One (Taurus) were early predictors of the sea changes that American music would undergo in 2016. Their first release of 2015 debuted at #1 on iTunes America’s RnB charts, christened as “Dance Floor Catnip” by the Boston Globe, and “Pure disco-funk hot fire” by Okayplayer. Considering their individual successes (Mayer’s four solo albums, Jake’s production work for the likes of Drake, Future, The Weeknd, and De La Soul) and five Grammy nominations between the two of them, it’s no surprise that their powers combined have yet again yielded a bevy of absolute slappers that are packaged perfectly for dance parties in 2017. The material here, while wholly original, is an exercise in honoring its forebears. “Tuxedo II” recalls the future funk wobble of Zapp, Gap, Jam/ Lewis and Junie Morrison, while nodding lyrically to Mtume, Jodeci and Cameo.The crystallization of the album’s concept comes courtesy of its message of universal love; thanks to the signature combination of soul and pop sensibility that have come to define Mayer’s hooks.

“You gotta do what you love...” says Mayer in a recent interview with Nordstrom’s style blog, one of the many fashion outlets to cover Tuxedo’s rise. After all - the transcendental ritual of the party and the rippling self affirmation of the funk are of one spirit: the spirit of self love...of self expression. “Tuxedo II” is a modern testament to unity and positivity in trying times. It is a reminder that the dance floor will always be there to welcome you, whoever you are.

Two essential disco and soul cuts from Silvia Striplin orginally released in 1980. Produced by Roy Ayers.

A. 'Give Me Your Love' An umptemp disco groover for the more discerning dancefloor. Sylvia’s glorious vocals float over a sumptuous uptempo Roy Ayers tracj. Sampled by Armand Van Helden, Deepdown and Madd Rapper.

B. 'You Can't Turn Me Away' A soul breakbeat classic. Deep downtempo business, this shows Roy Ayers at the height of his powers and Sylvia more than does the track justice. Beautiful!

The instantly recognisable bassline was sampled by Notorious BIG/Junior Mafia on ‘Get Money’. Also sampled by Naughty By Nature and Backstreet Boys.

Limited edition for Record Store Day 2017!

Check out this in demand Latin Funk floor fillers from the group that launched the careers of Eddie and Charlie Palmieri, two giants in the field of Latin fueled jazz fusion playing tohether with one of the most prolific players of the day Bernard Purdie, providing the drums appearing here on 7-inch for the first time in full length versions

This is extremely special. Expansion have taken an 80s soul classic and released it for the first time as a single together with a brand new version.

One Of The Finest And Most Collectable Rca Single From 1967, The Former Just Brother Delivering A Mega-Classic Stomper Backed By A Slick Finger-Clicker

The long-awaited repress of the first Radio Maritko 45 “Oriental Shake”, featuring Habibi twist and Alba’s Shake. Exotica and twist mania from the Greek and Italian sixties that shakes all dancefloors! With a brand new layout!

Originally released on Gloria and her husband Walter Whisenhunt’s label Selector Sound as a 7in single, “Love Is A Hurtin’ Thing” features her soaring vocals
backed by luscious strings, orchestral horns and a searing guitar. On the flip is “Brother Less Than A Man” which sounds like a proto Funkadelic
/Parliament psychedelic funk bomb. Pressed as a 7in single on the House Guests label, it highlights a grittier side of her singing that matches the song’s depth and intensity. Backed by a rhythm section featuring Bootsy Collins and brother Catfish who along with Gloria and her husband founded the label
after leaving James Brown’s band. Look for the similarly titled anthology of Gloria’s ouput on the Selector Sound label to drop later in 2015.

From the opening bars of their debut LP, you can tell AJ & The Jiggawatts came to play rough. In a world where mid tempo and middle of the road soul permeates the airwaves, this crew of G.E.D. Soul killers are drawing a line in the sand by making soul music that hits harder, faster and nastier than just about anyone in the game today. AJ Eason's gin soaked vocal howls drip with a carefree carousing not unlike that of a street smart hustler making moves to make ends meet. The band follows suit with highly syncopated melodics, often at breakneck speed, all while maintaining an almost inhuman tightness. Toss all of these elements into a highball glass and garnish with a pinch of rock n' soul and you've got the makings for a serious raw soul cocktail.

James Brown had several incredibly talented funky divas in his late 60s and early 70s stable, including Vicki Anderson and Marva Whitney. But as great as those two powerhouse singers were, Lyn Collins was the strongest hitmaker of that funky JB era. Her strong voice and commanding stage presence - which earned her the nicknames The Female Preacher and Mama Feelgood - quickly proved to be a potent addition to the People Records universe. In the spring of 1972 her second single, the driving and ridiculously funky “Think (About It)” hit the R&B music world like a ton of bricks. As fans young and old know, thanks to its timeless, relentless groove and powerful vocals, “Think” gained a powerful second life in the 1980s thanks to the hip-hop generation, fueling the platinum smash “It Takes Two,” by Rob Base & DJ E-Z Rock in 1988 and additionally sampled by dozens of hip-hop and dance music artists up to the present day. But Collins was far from a one hit wonder: she was as vocally adept on ballads as she was with full-blown funk. She proves this throughout her debut album, which was released in 1972 on James Browns new People Records - the imprint's second full-length release. To wit, aside from the title smash: a powerful and emotional cover of Bill Withers "Ain’t No Sunshine"; the socially progressive "Women’s Lib"; the Gamble & Huff-penned "Never Gonna Give You Up" (originally done by Jerry Butler); and even a daring, muscular take on the song “Fly Me To The Moon,” made famous by, among others, Frank Sinatra. Throughout Think (About It), Collins shows that she was a vocal force to be reckoned with. Backed by a James Brown assembled musical crew that included Pee Wee Ellis, Fred Wesley and, of course, James Brown himself, the platter was bound to impress and succeed. And that it did.

Back IN Print 2022 Edition - Limited Edition of 300 copies Recorded Live in Hyattsville, MD 1975-2015. George really had no interest in releasing this record. "Seeing Is believing, they don’t need records, trust me I did that, today they getting it live". So this record is that, live tapes from the house, recorded on a government issued cassette recorder from National Library Service for the Blind. George calls these his practice tapes for songwriting, and performance warm-up, and never beyond his ears were they intended to travel. "You just got to see me live if you want to really see me.. so when we get there just plug me in, and point me at that crowd". Last time I saw George they had him wired to the club system. He unplugs his Yamaha keyboard, licks the tip of the power cord and taps a beat on it, finally plugging in, synth lights up, tones all at zero, beats at zero. Then he builds from there, counting blind through a preset one hunderd factory tones and rhythm patterns. "I gotta start off at zero, and go from there." After the Marshmellow Band disperesed, he got this Yamaha keyboard, same one he’s been playing since 1990, endless scrolling over the same presets, trying to make them fit, tempo down, tapping while telling the story and asking if that feels right to you. "This always gonna be different live."Some selections on this album are original material from home sessions prior to George’s 1980 self- released LP. The rest, just a sampling from the Smallwood mind’s library of classic song writers. - Andrew Morgan (Peoples Potential Unlimited)

Check out this essential garage Zamrock/Soul/Funk single as the first official reissue of the celebrated band’s one and only album!

The musical style that became known as Zamrock came to embody the economic despair that followed the 1973-1974 oil crisis, which flung Zambia into recession and exacerbated a wide range of social tensions. Much of Zamrock also captured the controversy of wider politics in Africa and the world. Perhaps the finest example of this is Black Power by The Peace. - The Guardian The Boyfriends, from Kitwe’s Chamboli Mine Township, supplied the founding members for Zamrock’s most famous band, Witch, and kick started one of Zamrock’s best bands, Peace. Their sole Zamrock entry, “Black Power”, recorded at Malachite Film Studio circa 1973/4 and issued circa 1975, sounds like nothing else in the Zamrock canon: a lost message drifiting from the flower power era, imbued with a fiery Zambian voice.

Exact replica repress!! George gave us his orginal metal stampers and we were able to press a limited run of these before the plate broke! Best sound quality here.. don't miss this sought after modern soul masterpice. Perfect for all the still clubbing moms on the dancefloor.

Following up on the success of Lady Wray’s solo debut album Queen Alone, we are
proud to give you another 45 offering, this time showing another side of Nicole.
Known worldwide for her early career as a Hip Hop / R&B singer, then more recently
for her more matured Soul inspired writing, the A side of this one “Underneath My
Feet” shows just how hard it is to put Lady Wray in a box. If you haven’t seen her live
show, you may have no idea that she has a healthy bad ass Rock and Roll side to her,
commanding crowds with a raucousness that likens Betty Davis. Underneath My Feet
is a tough blend of glam rock drums and guitar stabs that Nicole takes to like a fish to
water. A self proclaimed voodoo woman, putting a spell on the listener, warning all of
her unbridled power.
The B side is the heart wrenching Guilty, a song Wray wrote to cope with the
incarceration of her brother. One listen and it is impossible to doubt the sincerity,
again showing Cole’s songwriting prowess with imagery of no one to cheers with, and
not wanting to experience the comforts of home knowing her brother was locked up in
a cell. A solid 2 sider showing a different side of Lady Wray than she is typically known
for all wrapped up in a beautiful picture sleeve cover.

After a strong debut in 2016, Durand Jones & The Indications are
hitting the road this spring with a new 45 from their debut LP. The
lead album cut, “Make A Change” is powerful message soul at its
fnest! Never more powerful and never more relevant! Meanwhile,
the B-side is a cookin’ lowrider soul jam featuring the sweet falsetto
of drummer Aaron Frazer. A two-sided burner.

San Diego’s The Sure Fire Soul Ensemble is here with
their debut full-length on Colemine Records. Laid back
vibes, funky rhythms, and heavy instrumental goodness
are the order for the day.

Red Vinyl.
Includes original inner sleeves.
Records are close to NM. Box with edge wear.

Side A's cover of "Tearz" is as much an homage to the Wendy Rene sample as it is to the Wu-Tang Clan track. The song starts as a glazed over cover of "after laughter, comes tears" with Shannon Wise of The Shacks singing Wendy Rene's timeless mantra. Halfway through, the mood dramatically shifts and the drums and organ that drive the original RZA sample take over. A dubbed out Lee Fields taps in like only he can, and the song spirals into outer space.Side B finds EMA dipping into the deeper side of the Wu catalog with Raekwon's "Verbal Intercourse." Mixing the grimy, gritty production aesthetic of the original with elements of dubbed out reggae, El Michels Affair once again pushes the definition of a "cover" and truly makes it a tune of their own.

Athens of the North are proud to presentRenée Geyer's modern soul masterpiece ‘Be There In The Morning'. Recorded in the USA early 1977 but only released as a single in Australia how this was not a worldwide hit is beyond us. On the flip we have the impossibly rare 1976 version recorded in Australia before Renee headed to the USA. Timmion Cutting Laboratory did the lathe worksoit’s cut loud and deep, sounds amazing, an essential 45 for disco or modern soul heads.

The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.

This is the Linear Labs deluxe edition in cardboard sleeve. The release contains the full CD album and instrumentals including bonus tracks.

Adrian Younge is the next generation of soul music. A self-taught musician and recording engineer who has dedicated his life to the study of classic soul music, Younge finds himself at the center of a new soul renaissance with a vision for pushing the boundaries of the music itself.

For his current solo project, Younge envisioned a new sound that would revisit his earlier, more baroque instrumental work of Venice Dawn and mesh it with the deep, gritty soul of Black Dynamite, eventually deciding to bring everything full circle by releasing the material under the moniker Venice Dawn.

tiny wear, few paper scuffs