Funk | Soul 407 Items

Japanese import / Gatefold / First time on vinyl / Limited run

An independent label ‘’Hydeout Productions’’ releases the best compilation album for the first time.

Including from Nujabes’s fresh and passionate works only found in his early works to more emotional and metaphorical works which became the basis of his later success.

They have been known to deep soul, funk and disco collectors for decades for their sought after 7” “Watching Out/Dazed,” long thought to be the band’s only recordings.
Egon tracked down Split Decision Band’s vocalist and songwriter Gordon Starr Flipping in the hopes of more and got it – with Split Decision Band, Now-Again presents a never-before-released album of devastatingly good disco and boogie from the unlikely
city of Des Moines, Iowa. Flipping’s collaborations with Prince’s stable made him a Midwestern legend, but his band’s music is more than an urban tall tale – this album finally proves to the world their merits.

Intervention Records is absolutely thrilled to RE-introduce another classic record in its (Re)Discover Series, Joan Armatrading. Produced and recorded by legend Glyn Johns, Joan Armatrading is the breakout record that saw Joan assume full command of her extraordinary talents and leap to the forefront of rock's great female stars. A soulful, soaring voice and a powerful and evocative songwriter. The smash hits include "Love and Affection," "Down to Zero," and "Somebody Who Loves You."

Joan Armatrading's 180-gram LP is 100% Analog Mastered by Kevin Gray at CoHEARent Audio from the best source available- phenomenal-sounding 1/2" safety copy of the original stereo master tape. The remastering is amazing! Thanks to Glyn Johns' recording and production work, Joan's vocals and guitar playing have never sounded so rich, resonant and dynamic. This is an audiophile demo disc all the way, with depth, realism and a breathing dimensionality.

The album art is beautifully restored by IR's Tom Vadakan and housed in a film-laminated, Old Style "Tip-On" single-gatefold jacket printed by Stoughton.

Thundercat presents “drunk”- a 23-track epic journey into the often hilarious, sometimes dark mind of the Grammy-winning singer/ bassist - featuring a few of his friends joining him along the way including: Kendrick Lamar, Pharrell, Michael Mcdonald, Kenny Loggins, Wiz Khalifa, Kamasi Washington and Brainfeeder Mastermind Flying Lotus.

The most comprehensive compilation on the actuality of the experimental music scene in Switzerland.Interactions: A Guide to Swiss Underground Experimental Music is a double compilation curated by Luis Alvarado and published by Buh Records, that brings together 27 works by more than 30 artists from the current experimental music scene in Switzerland, in a variety of sounds, ranging from free improvisation, ambient and industrial music, to synthesizer music, sound collage and more, which gives an account of an intense activity of the Swiss underground that runs through cities such as Zürich, Bern, Geneva, Lausanne, Basel, Biel, Chiasso and Lucerne.This compilation includes works by Rudolf Eb.er, Martina Lussi, Papiro & Yanik Soland, Manuel Troller, Niton, Therminal C, JMO, Flo Stoffner, Christian Müller, Erb/Loriot/Morishige, Noijzu, Christian Kobi, Alvear/Bondi/d'incise, Julian Sartorius, Joke Lanz, Jason Kahn, Tout Bleu, Belia Winnewisser, Souharce, Laurent Güdel, Dave Phillips, Denis Rollet, Gilles Aubry, Jen Morris, Le Pot, Purpura and Francisco Meirino.This project is part of Incidencias Sonoras: COINCIDENCIA experimental music & sound art platform, by the Swiss Arts Council Pro Helvetia.TRACKLISTSIDE AA1 Rudolf Eb.er - Tod am Bach 02:59A2 Martina Lussi - Pool 03:32A3 Papiro & Yanik Soland - Nozomi 03:45A4 Manuel Troller - Hologram 03:15A5 Therminal C - Sputnik Crash 02:23A6 JMO - Take a Break 02:30A7 Niton - Serote 03:59SIDE BB1 Christian Müller - London Study #2 02:43B2 Flo Stoffner - Carmensac (for Anna) 04:32B3 Erb-Loriot-Morishige - Ice 03:48B4 Noijzu - Invisible 03:05B5 Christian Kobi - I 03:29B6 Alvear-Bondi-d'incise 04:06SIDE CC1 Julian Sartorius - Ziggli 02:17C2 Joke Lanz - Dutschke 03:14C3 Jason Kahn - Nearly You 03:16C4 Tout Bleu - Souviens-toi 03:09C5 Belia Winnewisser 03:34C6 Souharce - Assurance Maladie 04:06C7 Laurent Güdel - State Music N°1 03:26SIDE DD1 Dave Phillips - Categorical thinking... 02:32D2 Denis...

She first emerged as an avant-garde violinist who channeled her playing through loop pedals. Then songwriter, vocal performer, and beatmaker. She's captivated audiences at festivals around the world, touring her trail-blazing EPs Sudan Archives (2017) and Sink (2018). Sudan's many identity coalesces in her debut album, Athena: a psychedelic, magnetic take on modern R&B.

"When I was a little girl, I thought I could rule the world," Sudan Archives announces in the sparse, string-plucked opening bars of Athena, on the strident "Did You Know". Her musicality and sense of self-belief developed as a young child in the church. Born Brittney Parks, but called Sudan from a young age, she moved around Cincinnati, Ohio many times as a child; religion and music were the most stable forces in her life. It was in church that Sudan began learning to play the violin by ear, participating in ensemble performances. "I remember begging my mom to get me a violin," she says. "From there I just never let it go – it felt like I had a purpose."

Growing up with a twin sister, Sudan also learned young that she was the "bad twin". Her stepdad – a one-time music industry executive – tried to turn the two into a pop duo when they were teenagers, but Sudan would miss rehearsals and curfew so frequently that the project was abandoned. Still, the experience was valuable: "My stepdad basically planted this whole idea of artistry as a career," she remembers. Though she left the band behind, Sudan clung onto the idea of pursuing music when she moved to Los Angeles at age 19. While studying and holding down two jobs, she would spend her spare time "fucking around with some beats and making some weird shit", which she released tentatively under the name Sudan Moon – a combination of her childhood nickname and her love of Sailor Moon. The ethereal quality of those early lo-fi, G-funk-inspired beats would eventually make its way into Sudan's current sound.

It was once she discovered ethnomusicology, and learned to incorporate the violin into her beats, that she really unlocked a new level. Cameroonian electronic music pioneer Francis Bebey was an early inspiration: "His music is so simple, and the way he combines strings and electronic music is such a vibe.” From there, she educated herself about other artists and ethnomusicologists, learning about the history of one-string fiddling in Ghana, Sudan, and all over the world, which "blew my mind". Now a fervent crate-digger with ambitions of studying ethnomusicology, she changed her artist name to Sudan Archives.

After she met with Stones Throw A&R and Leaving Records founder Matthewdavid, Peanut Butter Wolf signed her to Stones Throw. Her self-titled debut EP introduced the world to Sudan's fusion of North African-style fiddling, layered R&B harmonies, and pared-back production. Her second EP Sink was a resounding six-track statement that, according to Jenn Pelly at Pitchfork, saw Sudan "level up as a songwriter" — especially true of the bold self-love song "Nont For Sale".

Those EPs, Sudan says, were "like a haiku of what the album is". Athena is "more in your face, more confrontational – and that's also how I've grown as an artist. I used to be a hermit who would make beats in her bedroom, but now I'm working with other writers, producers and instrumentalists, I've learned how to communicate. It feels like I'm almost back in church." At first, it was tough for Sudan to cede any control in her creative process, but as she got stuck into the sessions with producers Wilma Archer (Jessie Ware, Nilufer Yanya), Washed Out, Rodaidh McDonald (The xx, Sampha, King Krule), and Paul White (Danny Brown, Charli XCX), she opened up. The resulting album, whittled down to 12 taut tracks from around 60, is her most ambitious work yet.

On the album's cover, she poses as a Greek goddess sculpted in bronze. Simultaneously at her most powerful — channelling the energy of her princess warrior heroes Xena and Sailor Moon — and her most vulnerable, Sudan challenges the viewer to see what's under the surface. "I'm naked!" she says. "I don't have anything to hide at all, it's all out there."

The pop world lost one of the most important soul singers ever to grace the world on 1st April 1984. Marvin Gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all Collected on this album.

140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.

Limited whitelabel 7-inch deejay press of 50 copies only!

Rare UK only modern soul/boogie release recorded 1979 in Los Angeles with Fred Wesley providing the horn section perfectly de-guitarized by BTO Spider b/w in demand sensational smooth '77 modern/crossover groover!

Led by Enrique Delgado, Los Destellos truly defined the sound of Peruvian cumbia with the incorporation of diverse influences and the use of electric guitars. This compilation selects the Los Destellos tracks closest to the genres of psychedelia, beat and boogaloo, taken from albums released between 1968 and 1978. These 20 irresistible songs are essential elements of Peruvian cumbia, the rhythm that changed the face of Lima, shook the Andes and spread like a forest fire across the Amazon basin. For fans of Los Mirlos, Link Wray, Davie Allan and surf instrumentals. A 2019 Record Store Day release. Total worldwide pressing: 1000

2023 re-issue of Nai Palm (of Hiatus Kaiyote)’s debut solo album.

Reissue of the fantastic debut LP from France's pioneer avant-electronic unit ART & TECHNIQUE. Originally released in 1981 by Hi-Tech records. Haunting obscure minimal electronic sounds, ambient and atmospheric ventures, minimal wave with some ethnic elements. And excellent use of rhythm boxes, sound generators and strange vocals, reminds of 23 Skidoo's "7 songs", early Muslimgauze or O Yuki Conjugate's sound. Remastered by former member Bernard Filipetti. Limited edition of 300 copies.

Repress of her in-demand and sought after 10 track LP compilation with all her Selector Sound 7in output.

180 gram pressing housed in heavyweight tip-on jacket

Amidst much anticipation from collectors, record stores, DJ's and producers alike Gloria Ann Taylor's musical output on Selector Sound have been compiled and will be presented in a deluxe triple-gatefold double LP package complete with photos and extensive liner notes. Soul singer Gloria Ann Taylor has no rags to riches tale to tell. Her story is one of personal sacrifice, failed relationships, and missed opportunity. She was leading a hard knock life before being swept-up by the flash and promise of a marriage and business partnership with a successful record producer.

She would be nominated for a Grammy, rub shoulders with James Brown and Bootsy Collins, and turn heads from Motown. But in the end she rejected professional singing, the music business, and the lifestyle that came with it. Thankfully for music lovers, before Gloria closed the doors on her singing career, she left us with some amazing soul songs. Deeply shaded by gospel roots, her haunting sound clearly comes from the gut. Gloria did not fake the funk.

Gloria was a partial owner of the Selector Sounds label, along with her husband/producer Walter Whisenhunt (previously a right-hand man to James Brown), and her brother Leonard. They released five Gloria Taylor singles between 1971 and 1977. They also released the three-song Deep Inside You EP, under the name Gloria Ann Taylor and Walter Whisenhunt's Orchestra. In the studio Whisenhunt would work up a unique musical brew that mixed northern soul with exotic percussion and fuzzy psychedelic guitars.

He moved Gloria through a range of tempos and stylings from ballads to disco. Her gritty vocal performance was set to orchestral arrangements creating a juxtaposition of grandeur and solace. The pinnacle of their collaborations has to be the jaw-droppingly epic EP version of "Love Is a Hurting Thing"; a chugging, string-laden disco track, that sounds like proto-Theo Parrish.

The first album by Sault started a series of now four albums in two years that scored big time with critics all over the world.