Funk | Soul 700 Items

Love Life w/ Damaged Sleeve

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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* The long-awaited LP analog reissue of the album 'eyes' * Includes Obi Strip

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Cindy

LP | 1986 | JP | Reissue (Universal Music Japan)

53,99 €*

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1986 release
Japanese pressing

Cindy is a female vocalist who has worked with Tatsuro Yamashita and Yumi Matsutoya as a backing singer.

Her music has been used in many scenes in the anime 'Mezong Ikkoku' as background music, probably due to the fact that she debuted in the opening the

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Eric Dunbar

Freeway

38,99 €*

LP | 1978 | JP | Reissue (HMV Record Shop)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Here is the upcoming P-vine presents ＜ultimate TSG Survey＞ reissue series following Ricardo Marrero, The Topics and The ultimates. "Freeway" was released in 1976 as the only work from pianist and composer Eric Dunbar who was based on New Orleans. Almost nobody had the original edition vinyl released by a legendary tax scam label "tsg Records" because this LP had pressed only a few quantities just for tax saving. Currently, this album is well known as one of the most rare and valuable titles among releases of the label. Not only its rarelity but the music itself is also truly almighty, all tracks are full of intense low-mid grooves and skillful brass sections support the base of sound strongly. The opening number "Freeway (m1)" is one of the highlights of this long play. P-vine is proud to present this long awaited reissue with newly digital remastering and Japanese OBI-strip.

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Kingtones & Marie

Resurrect

39,99 €*

Need It Tom Noble & Fredfades Remix

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Released in 1978 The Kingtones, the doo-wop group with the big hit “Good Night Baby”, tried their hand at city pop.
The album includes three songs by Tatsuro Yamashita: “Let’s Dance Baby”, “Touch Me Rightly” and “My Blue Train”.

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Cosmo With Chuy

12" | 1980 | EU | Reissue (Fantasy Love)

Bubbha Thomas & The Lightmen

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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This obscure 80s left field disco joint was brought to the table by David Haffner, the tapes were transferred by John Morales & forwarded to friends of the label, Tom Noble & Fredfades, to re-envision the works of 'Cosmo with Chuy', as showcased on this limited 12" release

A few words from Tommy aka 'Cosmo'..

"Cosmo was my nickname. I used to play John Coltrane style on slow ballads etc. Chuy was the singers nickname. Jesus Gomez was his real name I think. I was playing Las Vegas at the time, early 80's, with an Elvis impersonator, Morris Bates, for nearly 4 years. Since Elvis passed in the late 70's the impersonation show was a big success. I played Sax, Flute and sang back up harmonies. We played the Silver Slipper casino, then the Landmark Hotel and casino, 14 shows a week. We toured South Africa and played Morris' home town in Vancouver Canada a lot. The late nite band of Chuy's played at a smaller venue on the strip in Vegas from 12pm to 5am. I sat in and jammed one night, and said I'd like to record a couple tunes with his band. So I coughed up some money and we recorded a few songs"

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Boogie Down

7" | 1980 | EU | Reissue (Pressure Makes Diamonds)

Mackey Feary Band Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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On 'Boogie Down' Bubbha Thomas and The Lightmen lean away from the jazzier moods that they were best known for, towards a mid-tempo boogie/funk workout featuring wide open drum breaks, analog synths, fat claps and vibey backing vocals.

The original 45, released in 1980, now goes for silly money if you can find one, so we thought it would be nice to make it available again. Dedicated to the extensive musical and educational work of Bubbha, who passed away at the end of 2020.
Remastered from original master tapes, officially licensed from Now Again.

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Mackey Feary Band

LP | 1978 | US | Reissue (Aloha Got Soul)

LP | 1981 | JP | Reissue (P-Vine)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Must have rare groove classic from Hawaii * Original tracklisting includes full version of 'Powerslide' * Meticulously restored and remastered by Jessica Thompson * First official reissue outside of Japan

Highly coveted Hawaiian jazz/soul album. The debut album from Mackey Feary’s solo band after departing seminal contemporary Hawaiian group, Kalapana. This LP reads like a who’s who in the local 70s music scene: Nohelani Cypriano (of “Lihue” cult fame), Azure McCall (of Lemuria), Jimmy Funai (who produced Hal Bradbury’s debut), and Gaylord Holomalia (who now runs the island studio where stars record, incl. Kanye West, Jay-Z, Mariah Carey). Unlike other reissues, this Aloha Got Soul pressing includes the full version of “Powerslide” in all its 7-minute glory. An all-time classic must-have record from the Hawaiian Islands.

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Fay

This Is A Blessing

LP | 1970 | Reissue (Be With)

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Fay Hill has been based in LA since the 1980s and is best known for her 2nd album "Island In My Mind" which was released in 1987 with a rich selection professional musicians and engineers from LA. This, her debut album "This Is A Blessing", released six years earlier in 1981, is by comparison a much more raw and spontaneous affair which in turn spotlights her powerful gospel vocals, and the bustling funk and soul scene of LA in the early 80s.

"I Don't Know You" (m5) is an album highlight produced by Michael ORR who will be familiar to Rare Groove followers along with its wonderful cutting guitar line. "I Know Who You Should See" (m2) and "Any Load You Can Handle" (m7) were also released as single-cut 7 inches at the time and are still in high demand.It's an album truly full of killer tunes, and finally seeing its first reissue in the world!

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Willie Hutch

Season For Love

7" | 1988 | EU | Original (Jimmy's Production)

Release: 1970 / Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. Often-overlooked, his second album Season For Love (1970) is a must for all deep soul fans and has been sought-after by collectors of different stripes for decades. Whereas his debut featured thundering, gritty numbers, Hutch treats us to a mellower soul here - sumptuous, warm and string-led. He compared his approach to that of Otis Redding and there are definite parallels; from the raspy, rough-hewn vocals that tend to roam between sweet and deeply impassioned to the horn-heavy, emphatic sonic backdrops.

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Cousin Brown

Sex's Machine

Release: 1988 / EU – Original

Genre: Organic Grooves

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Stand In For Love / Love's Needed Record Store Day 2021 Edition

Pandella Kelly

7" | 1971 | EU | Reissue (Horoscope)

Round Robin And Brimstone

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Quite simply, this is one of the rarest records in the world right now. Literally less than a handful of copies and we're talking multi-thousand megabucks to anyone that can prise this out of any long-term collectors box. Good luck with that. Produced by the O'Jay's, written by Eddie Levert and released on the tiny Horoscope label, this is a Soulful work of art which completely justifies it's price. Now available on the original label for everyone to have a chance at owning this masterpiece. A 50th year anniversary release for RSD.

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Round Robin And Brimstone Record Store Day 2021 Edition

LP | 1980 | US | Reissue (Luv N' Haight)

30,39 €* 31,99 € -5%

Give Me The Sunshine Record Store Day 2021 Edition

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release.
Limitation: 1200 copies.

The highly sought after self-titled album by Round Robin and Brimstone typically changes collector's hands for hundreds of dollars and has been on the radar of modern soul/boogie fans for some time with featured cuts on Kon and Amir's "Off Track Vol.1" and our own Groove Merchant Turns 20 compilation. Deep Funk/Soul enthusiasts also know "The Round Robin Monopoly" band which is another project by band leader Robin Lloyd.

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Leo's Sunshipp

7" | 1978 | UK | Reissue (Expansion)

20,99 €*

LP | 1975 | EU | Reissue (Wewantsounds)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release.

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Sylvia

Sweet Stuff

33,99 €*

7" | 1978 | US | Reissue (Fraternity)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Soul Classic BY Soul and Hip Hop Godmother Sylvia Robinson, Released IN 1975 on her Vibration Label and reissued on Vinyl for the first Time IN Decades, With Bonus Tracks.

Wewantsounds is delighted to reissue Sylvia Robinson's super rare soul LP released in 1975 on her Vibration label, part of her All-Platinum/Stang/Turbo empire. A few years later, she would launch Sugarhill Records and put hip hop on the map with "Rapper's Delight" in 1979 and "The Message" in 1982. "Sweet Stuff" features several Sylvia cult classics including "Private Performance," "Soul Je T'aime", a cover of Serge Gainsbourg's "Je T'aime Moi Non Plus" and the mellow favourite "Sho Nuff Boogie" recorded with The Moments. As bonus tracks, the release features "Sho Nuff Boogie, Part 2" which only came out as the single's b-side at the time and the long version of "Soul Je T'aime", all packaged in the album's original artwork. Born and raised in New York, Sylvia Robinson began recording at a young age under the name "Little Sylvia" in the early 1950s. She gained exposure when she teamed up with Mickey Baker scoring a hit in 1956 with "Love Is Strange" as Mickey & Sylvia. She went on to record many singles during the late 50s and 60s before setting up her own label, All Platinum Records in 1966 followed by Stang Records and Vibration. Through these labels, she had several hit records in the 70s as a producer including The Moments' "Love On A Two Way Street" and Shirley & Co's "Shame Shame Shame". ? Sylvia Robinson continued to record as a solo artist shortening her name as 'Sylvia'. She got a massive hit of her own with "Pillow Talk" in 1973, a song she'd originally penned with Al Green in mind. The song went to nr 3 in the charts and started a string of other hits over the next few years. In 1973 she covered Serge Gainsbourg's 1969 megahit "Je T'aime Moi Non Plus" renaming it here "Soul Je T'Aime" and duetting with Fania Records' Latin soul singer Ralfi Pagan. ? The following year was also busy for the singer and producer with three singles that went to the R&B chart: the Soul Ballad "Alfredo", the Funky "Private Performance" and "Sho Nuff Boogie," sung with The Moments. They are all featured on the album "Sweet Stuff" which was released in 1975. Interestingly the song "Sweet Stuff" notoriously sampled by J Dilla for "Crushin'" doesn't appear on this album even if "Sho Nuff Boogie" sounds very much like a forerunner of the song with its similar languorous pace and almost identical melody. "Sweet Stuff" is packed with other tasty soul songs including "I Can't Help It", "The Notion" and "Love Is The Only Thing." Four years later in 1979, Sylvia Robinson would make another genius move with the launch of Sugarhill Records and the Sugarhill Gang's single "Rapper's Delight" which would revolutionize music and almost single-handedly launch hip hop but that's another chapter of Sylvia Robinson's life. Wewantsounds is delighted to reissue one of her rarest albums from her best 70s period for the first time in decades and make it available on vinyl.

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La Pregunta

Shangri La

Make Up Your Mind / Let Your Body Go

Release: 1978 / US – Reissue

Genre: Organic Grooves

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True school heads already know the deal! One of the all-time classic, original break beats, “Shangri La” is a must for any crate. The mysterious La Pregunta came out with this double A-side single in 1978 and it immediately was in rotation for all dance floors — from disco heads to b-boy circles. “Paradise is very nice!” is the familiar catch-phrase that follows the instantly recognizable, uptempo drum break, and paradise is where DJs will be with doubles of this very cut-able small-hole 7-inch. Following the layout of an alternate pressing of the original 12-inch, the Fraternity Music Group’s from-the-masters reissue has the lesser-known “saxophone mix” as the flip side, but for the first time, a tape speed alteration from the original has been fixed, leaving both sides at the same tempo as they were first recorded. Perfect replica labels and a high-quality 33 RPM pressing round out the package of this essential ultimate break. Real DJs Have Doubles!

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Cake

12" | 1979 | EU | Reissue (Mutual Intentions)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (Demon)

Total Eclipse

A Great Combination

Release: 1975 / US – Reissue

Genre: Organic Grooves

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I Always Wanted To Be In The Band

Step By Step

LP | 1976 | US | Reissue (Demon)

29,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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The Best Of Philadelphia International Records

LP | 1981 | EU | Reissue (Sony Music Catalog)

26,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (Edition Hawara)

Robert Ponger

26,99 €*

LP | 1976 | UK | Reissue (Matsuli Music)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Robert Ponger is perhaps best known as the producer for Austria’s biggest pop sensation Falco. His unparalleled production skills are on full display in the iconic hit single “Der Kommissar”, and he is also the main man behind Falco’s legendary early albums “Einzelhaft” and “Junge Römer”. But Ponger deserves at least as much credit for his solo recordings. The most sought-after of these is Ponger’s 1979 self-titled LP, which Edition Hawara is honoured to re-issue. The album contains twelve disco-inspired pieces that are unabashedly playful, but also signal serious musical knowledge and finesse. Recorded in the vicinity of Mistelbach, a village even locals struggle to find on a map, Ponger’s LP breathes the vibe of Studio 54 – with the little special extra that only Mistelbach can add. A true Austrian classic.

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Harari (The Beaters)

Rufaro

LP | 1975 | EU | Reissue (Matsuli Music)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Top reissue of their in demand 1976 LP by the super group. Includes the long jam ''Oya Kai'', keeps on going.. Also holds their known tune ''Musikana'', killer groove. Alec Khaoli, Selby Ntuli and Sipho Mabuse with their first album as Harari made a great debut channeling a raw energie following up their LP as the beaters. The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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The Beaters

Harari

27,54 €* 28,99 € -5%

LP | 1983 | JP | Reissue (P-Vine)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Excellent reissue of this amazing LP by the South African super group. Check the tunes ''Harari'' and 'Thiba Kamoo'', super groovy arrangements and tight cohesion between Alec Khaoli on bass guitar and Sipho Mabuse on drums, laced with the soaring vocals and guitar play by Selby Ntuli. Tip! The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Jim Schmidt

Somethin' Right

Novaphonia Black Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Long awaited reissue for AOR fans is here! JIM Schmidt is a American Christian singer actived in 80's west coast and his only work "Somethin’Right" had been released in 1983 from Emerald Records, produced and arranged by Terry Winch. this work was highly regarded as a masterpiece of CCM (Contemporary Christian Music) AOR, the chorus participation of Richard Page and Steve George of Paiges and some tracks is compsed by Bob Wilson from Seawind and Roby Duke. AOR listeners can not stand with opening tune "Love Has Taken It All Away"! this reissue will come with OBI-strip.

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

LP | 1976 | EU | Reissue (Demon)

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Jackie Wilson

Nobody But You

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Life & Times Clear Vinyl Edition

Bubbha Thomas

LP | 1985 | US | Reissue (Tidal Waves Music)

39,99 €*

I Don't Know / This Is A Blessing

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Clear vinyl edition limited to 100 copies worldwide.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Fay

7" | 1981 | EU | Reissue (P-Vine)

LP | 1974 | UK | Reissue (Mr Bongo)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Fay's only work "This Is A Blessing" Originally released in 1981 has never been reissued in history but it was the finest and overlooked masterpiece of 80's city soul …p-vine would like to present 2 tracks from that album as 7inch EP! These tracks are edited by Michael Orr, who well known by "Spread Love" which has inpressive front cover, for just this release!

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Tom Brock

I Love You More And More

22,99 €*

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Al 'Man' Muntzie And The Embraceables

Die Happy / Die Happy (Instrumental) Red Vinyl Edition

7" | 1976 | UK | Reissue (Mr Bongo)

16,99 €*

Al 'Man' Muntzie And The Embraceables

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Official Mr Bongo Soul Reissue We stumbled onto Al Muntzie's under the radar soul beauty 'Die Happy' after conducting an interview with Joe Quarterman for a feature on our website. It got us salivating about the prospect of further productions, which Joe had recorded, but had perhaps been overlooked. 'Die Happy' was originally released in 1976 and was the only release on S.B. Moon Records. The record has a crossover vibe as it sits beautifully between modern soul, funk, and proto-disco. Initial research didn't shed much light onto the background of the song. The trail was sparse, other than the record appearing on the sales list of rare-soul collectors and record dealers. So we decided to go back to the source and find out about the record directly from Joe himself. "I met Al Muntzie through my bass guitar player, Elliot Adams. Elliot informed me that Al was looking for a song that was funky and suitable for a group. At that time, 1976 - 79, I had written the words and melody to 'Die Happy" and Elliot cranked out a mean bass part that gave the song life. He should be credited as co-writer for his outstanding bass part. At this time my band, FreeSoul, had dis-banded and worked as sideman musicians. Elliot and I made a demo of the song on a cassette and we let Al Muntzie hear it: he liked it. We set a recording date at the Omega Recording Studio in northern Virginia. We used a combination of two bands; FreeSoul and Experience Unlimited (eu). Al sang lead vocal and me and the Embracebles did the background vocals. Al was very cooperative and did not say much during the session. He followed my direction and got the job done. The session took all day into the late evening hours where we mixed and mastered the tune to perfection. We had a good time creating this work of art." We are forever thankful to Joe for giving us the opportunity to present this fantastic production by Al, Elliot, and Joe, and to give it the new lease of life, which it rightfully deserves.

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Die Happy / Die Happy (Instrumental) Black Vinyl Edition

7" | 1976 | UK | Reissue (Mr Bongo)

OST That's The Way Of The World

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Earth, Wind & Fire

LP | 1975 | EU | Reissue (Music On Vinyl)

28,49 €* 29,99 € -5%

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Second Best (Is Never Enough) Blue Vinyl Edition

The Finishing Touch

12" | 1974 | UK | Reissue (Brookside Music)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Philly Groove and Brookside are back at it! This time with a remix edit of Finishing Touch - 'Second Best (Is Never Enough)'. Side A gets a Mike Maurro Remix, edited down to a DJ friendly 7'' version and the B Side contains the original single version. Pressed on limited edition blue vinyl 7'' for the collectors.

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The Ultimates

You're My Lady

56,99 €*

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Well known as a super rare vinyl of sweet soul will be reissued again by P-vine! originally issued by the TSG records in 1976 according to producer Bruce Clark, TSG's LP is bootleg as well as The Topics

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The Topics

Giving Up

54,99 €*

Everybody Needs Lovin, Nows The Time / Hey Look At Me

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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Jelly

7" | 1978 | EU | Reissue (Fantasy Love)

LP | 1976 | EU | Reissue (Be With)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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In the Spring of 1978, Aaron McCarthy Jr, a.k.a. ‘Jelly’ was invited to Miami by local producer, Thomas Fundora to assist Herman Kelly with his forthcoming album, ‘Percussion Explosion!’. Herman, who was studying at the University of Miami at the time, had met Jelly whilst studying Music Theory together at Henry Ford Community College in Detroit. Both Detroit natives, Jelly had founded the group the Soulful Sonics, later to be known as Pure Pleasure whilst Herman transferred to Miami. The group Life consisted of Jelly on Vocals, Percussion & arrangement, Oliver Wells on Keys, John DeMonica on Bass, Michal Cordoza on, Guitar, Travis Biggs on Horn Arrangements and Keys. ‘Percussion Explosion!’, which included the infamous ‘Dance To The Drummer Beat’, was recorded at ‘Miami Sound Studios’, as a forthcoming release on Fundora’s Electric Cat label, distributed by RCA. On reviewing which tracks made the album, there was a track recorded during those sessions that Herman decided to leave out, a song Oliver Wells had been working on and completed once Jelly arrived called ‘Everybody Needs Lovin, Now’s The Time’. Originally known as ‘Now’s The Time’, Jelly finalised the lyrics and arrangement and cut a deal with Fundora to transfer the master for an independent release on a joint label ‘fu-ja’, made up of FU (Fundora) & JA (Jelly). Jelly had started performing professionally after joining the Navy in 1970. Stationed at Naval Air Station Glynco in Brunswick Georgia, he was part of the Navy band as well as working the clubs with local groups. ‘Hey Look At Me’ was written whilst in boot camp, a song that when he performed & won with at a Whcb talent show upon returning to Detroit. The song was recorded using a 4 track in 1976 at Richard Wells Studio, Detroit. During the late 70s, Jelly was pursuing a successful career in music locally in Detroit by hiring spaces and hosting cabarets. A graduate of local teacher & Motown Orchestra player Ernie Rodgers, Jelly would hire musicians from his class to perform with him at these events. The majority of players who would become Jelly’s group, ‘Skybirst’. Both ‘Hey Look At Me’ & ‘Everybody Needs Lovin, Now’s The Time’ were mastered by Greg Reilly at Super Disc in Detroit and sent to Nashville to get pressed as a quantity of 200. Jelly released his single in July of 1978 as part of a show he had lined up at ‘Mr Kelley’s Lounge’, an exclusive venue in downtown Detroit. Fast forward 30+ years, Jelly was reminded about this single after Brad Hales of Peoples Records played this track at a European Soul Weekender that, needlessly to say, saw a regained interest in this elusive single. Jelly’s currently working on his biography so be sure to look out for that, it’s a pleasure to be able to present to you these two timeless tracks.

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Keith Mansfield

Contempo

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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They Say: “New directions in contemporary scoring”. We say: Contempo is one of the best full album listens in the KPM 1000 library. Succinct smoking soul, super tight breaks and string-drenched sleaze composed by the library master, Keith Mansfield. The creator of the romping tunes that became the iconic themes to the BBC’s Grandstand programme and their televised Wimbledon Tennis Championship coverage, Keith Mansfield was perhaps KPM’s most prolific artist from the mid 1960s right the way through the 1980s. As well as the sort of pop orchestral sound that is all over these classic library records, he could also turn his hand to raw, edgy rock and funk. Quentin Tarantino is a big fan, going as far as including some of Keith’s work on the soundtracks to Kill Bill and Grindhouse. Many library records are a game of two halves and Contempo is certainly one of those. The first side cooks on a high funk breaks flame whilst the flip is something altogether more tranquil, yet no less groovy. It lays back with dreamier, post-coital grooves. Rugged funk opener “The Fix” confidently displays its low slung languid grooves with heavy drums, horns and bass. Smokin’ in slow motion. The punchy “What’s Cooking” follows and has a lighter, more whimsical touch. But the drums still roll and the clavs wiggle in fascinating opposition to those horns. The dark and moody intro to “Cut To Music” gives way to a more inclusive, relaxed funk that’s all irresistible bass and stabbing horns. The mid-tempo “Man Alive” signals the time to really get down.

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Danny Dee

Movin' In

7" | 1976 | EU | Reissue (South Street Disco)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Danny Dee aka Lil Albert was an original member of Hawaii's Society of Seven, P-Vine present a vinyl reisue of his sought-after 1976 album Movin' in.

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Rare Pleasure

Let Me Down Easy

12" | 1981 | EU | Reissue (Record Shack)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7" for RSD. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue.

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Touch Down

Ease Your Mind

Rockin - Poppin Full Tilting

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Full colour picture sleeve - officially licensed and remastered 12 inch reissue. Seen as one of the sparks that ignited the bridge between the Brit-Funk and UK Disco styles, Touchdown's 'Ease Your Mind' is a British classic from back in '81. Released on the iconic, influential and original UK dance music label Record Shack from the minds of Jeff Weston and Northern Soul, Blackpool Mecca and Wigan casino DJ/Promoter/icon, Ian Levine.

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Lee Alfred

7" | 1980 | EU | Reissue (Cancer)

Life & Times Bone Colored Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Black 7" dinked centre hole vinyl. Fully remastered reissue with replica artwork of this super sought after slice of 1980’s disco, 'Rockin – Poppin Full Tilting' celebrating the 40th anniversary of it's original release. A classic in it's own right, Midland brought it back to the forefront of people's minds, expertly sampling it in the 2016 summer anthem ‘Final Credits’, leaving many scrambling to find an original copy of the 7 inch. And with prices in excess of £125 it's high time an official reissue came around.

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Bubbha Thomas

LP | 1985 | US | Reissue (Tidal Waves Music)

25,59 €* 31,99 € -20%

Life & Times Black Vinyl Edition

Release: 1985 / US – Reissue

Genre: Organic Grooves

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LImited to 100 copies on bone colored vinyl. Only at HHV.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition complete with the original artwork.

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Bubbha Thomas

LP | 1985 | US | Reissue (Tidal Waves Music)

29,99 €*

LP | 1981 | EU | Reissue (Sony)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Black vinyl edition limited to 500 copies worldwide.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Bill Withers

Greatest Hits

26,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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2LP | 1986 | EU | Reissue (Rhino)

Aretha Franklin

Aretha

28,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Mickey & The Soul Generation

How Good Is Good Record Store Day 2020 Edition

7" | 1972 | EU | Reissue (Mr. G)

Teasing You Again / Your Love, My Love T Record Store Day 2020 Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

Fully remastered reissue with replica artwork of ultra-rare heavyweight Funk 45 by DJ Shadow’s favourite Funk band, Mickey & The Soul Generation – ‘How Good Is Good’. 1972 originals of this 7 inch gem sell on the second hand market for £1000. Black 7″ dinked centre hole vinyl

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Willie Tee

7" | 1972 | EU | Reissue (Gatur)

Don't You Worry Baby The Best Is Yet To Come / Try To Leave Me If You Can

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

One of the most expensive records in the world. The only available copy on Discogs is a mere £4,000! This was Willie Tee returning to his ’60s anthem “Teasing You” but updating it with a beautiful 1972 New Orleans production turning it into a Modern Soul anthem. It’s a work of sublime genius and the fully remastered 7″ reissue will have replica artwork of the original Gatur label. You have just been spoilt, again.

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Bessie Banks

7" | 1976 | EU | Reissue (Pressure Makes Diamonds)

LP | 1978 | EU | Reissue (Mad About)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Ultra-rare modern/Northern soul/funk crossover, now extremely expensive in its original form. Cut loud & proud. Artwork based on the original promo version. Officially licensed from Phase One Network.

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Jay Days

Between The Swells

Playtime Green Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Killer AOR Rarity. Highly recommended ! Jay Days' only album presents eight killer funky AOR sounds and blue eyed soul tracks. Rarely surfaced in the collectors' market but now the album is finally reissue on vinyl. A band formation with mysterious session men who support JAY Days of slack guitar vocal, gentle electric piano with jazzy rock, blue-eyed soulful medium mellow, female chorus with mystic groove. It contains Hawaiian-style acoustics and dense performances unique to the Private Press. It is a hidden AOR masterpiece where you can feel the tropical atmosphere of the street along with the wind of the West Coast.

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Phase 7

LP | 1980 | US | Reissue (Aloha Got Soul)

30,99 €*

Lyman Woodard Organization

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Formed by a bond stronger than blood — friendship — the seven members of Phase 7 made their mark on Hawaii’s nightlife in the 1970s with their high caliber musicianship and on-stage antics, captured in their highly coveted 1980 debut LP, Playtime.

Phase 7 clinched an unprecedented residency at the Infinity nightclub in the Sheraton Waikiki — the hotel had only ever hired mainland acts, including the Burgundy Express and the Lewis & Clark Expedition, before bringing in Phase 7 to fire up the dancefloor.

Their musical talents paired with their penchant for mischief often raised the bar while raising eyebrows.

Tracks like “Playtime” and “Dance The Night Away” show off their love for stone cold grooves. “So Good To Be In Love” takes us on a trip to a dancefloor filled with funk, disco, and tropical rare grooves. Tunes like “Slip Away” and “You And Me” prove the band can pen not just dancefloor hits but top notch slow jams.

“In the studio, every one of these guys spent as much time in the control room as on the other side of the glass, adding their talents to every phase of the production,” reads the LP’s original liner notes.

“But although they’re superb studio musicians, vocalists, and writers, Phase 7 is foremost a performing group. To capture their true essence you really have to see them live.” Encouraged by Infinity’s resident DJ, Travis Davis, Phase 7 entered Broad Studios to cut Playtime.

Playtime is a testament to the band’s musicianship, vocal talents, songwriting skills, and aptitude for tomfoolery, in the studio and on stage.

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Don't Stop The Groove

LP | 1979 | UK | Reissue (Pure Pleasure)

35,99 €*

Lots Of Love / Struggling Together

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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When Cobb's Corner nightclub owner Henry Normile was murdered, followed by the in-street shooting and death of Eddie Jefferson, the heart of the Detroit jazz scene was ripped apart. Through the advent of the Labor Day Montreux-Detroit Jazz Festivals starting in 1980, things picked back up measurably, but the club scene has never been the same. This live recording of the Lyman Woodard Organization, which was taped the day before Normile was killed in his next door apartment, more than any other album or event exemplified the never say die spirit of Motor City jazz. It also was a hallmark for a unique style of the music, an urban rhythm & blues infused contemporary jazz that stood tall for both listeners and dancers during the tail-end of the disco movement. Woodard was in his prime, determined that his idea was singular, and went beyond soul-jazz into a realm where only he could claim ownership. With guitarist Robert Lowe and saxophonist Allan Barnes, who would both go on to national acclaim as leaders, the Organization was a powerhouse in live performance not to be denied, and for sure a solid sending crowd pleaser. A much better recording than his studio cult classic "Saturday Night Special", this live set laid the groundwork for the continuation of Woodard's career for decades to come, and showed his fellow Detroiter's that better days lay ahead. Where the title track is happy and a bit more commercial than the rest with its slinky, straight, fingerpopping, sublime beat and seductive vocal line, "Disco Tease" prances along in a hard rock vein with conga accents from Lorenzo Brown and chicken scratch, dramatic guitar chords from Lowe. "Down Lowe" is a concrete, fatback groove from the guitarist, while "Djarum" turns the wick down in a slow, sexy nightshade visage, with Kerry Campbell's soprano sax expanding the horn section with Woodard's organ in stretched out phrases. The appropriately titled "Theme In Search Of A Sports Spectacular" is the killer track, as trumpeter Marcus Belgrave joins the band in an Olympic sprint, an irresistible melody that is catchy, infectious, memorable, and anthematic as any warrior clarion call to battle in the athletic arena. This driven, tenacious, forceful piece of music still stands the test of time for its ferocious attitude and champion-like strut. This recording documents not only the darkest days, but the bright hope a financially strapped Detroit offers to the rest of the world, and the determination Woodard always exemplified.

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Marc Laroi Cummings

7" | 1978 | UK | Reissue (Expansion)

LP | 1976 | EU | Reissue (Be With)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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A modern soul double header 7” that has become increasingly in demand is this gem by Marc LaRoi Cummings. Original copies on the Setting Sun label have been exchanging hands for £60-£80 where they have become available. The original label, song writing and production is courtesy of former Motown artist Ronnie McNeir, now a member of The Four Tops, and always of interest to the soul community through the quality of his work on his own releases and for others. It was his first album on Ronnie’s own Setting Sun label from 1985 that became Expansion’s first artist album release, while his label engaged with other artists such as Marc who worked with Ronnie as a backing singer on work with David Ruffin (“Gentleman Ruffin”) and The Four Tops (he co-wrote “Strung Out For Your Love”)

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Junie

Suzie Super Groupie

LP | 1974 | US | Reissue (Demon)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Walter ‘Junie’ Morrison released his third solo LP, Suzie Super Groupie, in 1976. A slick, smooth and soulful record, it’s a genre-melting tour de force with rich elements of proto-boogie, funk and jazz. In short, this is yet another essential album reissue from Be With.

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Odyssey 5

First Time Around

15,29 €* 16,99 € -10%

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Wewantsounds)

Alice Clark

34,99 €*

We Are Family / He's The Greatest Dancer

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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2022 repress. Following the success of Wewantsounds' Alice Clark RSD edition featuring an extra 20-page booklet, the label reissues the standard version of Alice Clark's highly sought-after soul jazz classic produced by Mainstream Records' Bob Shad in 1972. Featuring original artwork, remastered sound making this reissue is the first official reissue of Alice Clark's original album for decades, a long overdue release of one of the best Soul albums ever recorded. When it comes to legendary albums, very few can match the cult status achieved on the international jazz and funk scene, by Alice Clark's eponymous album, recorded for Mainstream Records in 1972. The record which went unnoticed when it first came out has become one of the most sought-after albums ever since it became cult on the London jazz and funk scene in the late '80s. It is now being acknowledged as one of the best soul albums of all-times. Recorded live over two days at the Record Plant studios in New York City, the album was produced by Bob Shad and arranged by jazz veteran Ernie Wilkins with a big band setting. The music is a superb mix of jazz and soul blessed by Clark's superb singing and including two all-time favorites, "Don't You Care" and "Never Did I Stop Loving You" plus a selection of heart-wrenching songs beautifully sung by Clark. Hailed as a soul masterpiece alongside Aretha Franklin or Roberta Flack's best albums, Alice Clark's LP took almost fifty years to achieve classic status and Alice Clark is now finally getting the recognition she deserves.

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Sister Sledge

12" | 1978 | US (Cotillion)

12" | 1981 | EU | Reissue (Gold Mink)

Release: 1978 / US

Genre: Organic Grooves

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/ he's the greatest dancer

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Jaymz Bedford

Just Keep My Boogie

12" | 1981 | EU | Reissue (Monte Cristo)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Pure unadulterated boogie fire from the Gold Mink vaults, which combined the power of James Bedford with the production genius of Roy Ayers back in ’81. With original copies trading hands for £150+ it’s high time a remastered and officially licensed reissue came around. A firm favourite of the likes of Mr Scruff and Sadar Bahar, ‘Just Keep My Boogie’ is that uplifting slice of boogie that is a tried and tested dancefloor bomb. The brightest of funk keys dance around delicious little guitar licks as those infectious vocals burrow their way into your brain.

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Soweto Soul Orchestra

Hugo In Wonder-Land Record Store Day 2020 Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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This 2020 re-issue sees all tracks cut again from the official studio files, ensuring both audio quality and originality. Soweto Soul Orchestra is produced and composed by Sipho "Hotstix" Mabuse, whose importance to South-Africa's music scene can hardly be underestimated. Being a formative member of The Beaters, which was later renamed Harari, he toured Africa extensively and even hit the American charts with their "Party" single. After Harari split in 1982, Sipho went solo and scored another hit with "Burn Out", which could be heard in every township, and produced and recorded for Hugh Masekela and Miriam Makeba among others. The Soweto Soul Orchestra project boasts a variety of funky tracks, all marked with that jazzy South-African sound. The stand-out tune on this one, for us, is the epic 8 minute long cosmic disco cover of "Hang em High", the original soundtrack for the eponymous classic Western movie.

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Hugo Montenegro

LP | 1974 | US | Reissue (Nature Sounds)

12" | 1984 | EU | Reissue (Glossy Mistakes)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1200 copies.

"You have taken what I write, play, and sing about to an even higher level of expression. "
-Stevie Wonder

Hugo Montenegro was a prolific composer and orchestra leader, best known for crafting dynamic film and television soundtracks throughout the 1960s and 1970s. In addition to original compositions, the New York native also recorded many unique interpretations of contemporary work by other artists. In 1974, Montenegro released Hugo In Wonder-Land, his take on the catalog of music icon Stevie Wonder. The album is entirely instrumental, offering a brand new perspective on Wonder’s acclaimed originals. Montenegro’s lush arrangements and Moog-heavy electronic elements make for a genre-bending classic that Stevie Wonder himself has championed. After years out of print, Hugo In Wonder-Land is now back on limited-edition vinyl.

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Cover Boys

Reality

LP | 1980 | JP | Reissue (Teichiku)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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In a time where dancing has a kind of nostalgic feeling attached to it, Glossy Mistakes kicks off its brand new series of dancefloor-oriented EPs, Glossyfloor. The starting point of this adventure from the Madrid based label comes with the reissue of the highly demanded Cover Boys’ banger ‘Reality’, an absolute ode to one of human beings most basic instincts.

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Judy Anton

Smile

72,99 €*

Quintessence Black Vinyl Edition

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Pop

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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

36,99 €*

Quintessence Brown Vinyl Edition

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Rare Private Pressed NC Funk/Soul from 1983
First vinyl reissue since 1983
Comes with insert
Black Vinyl Edition Limited to 500 copies, comes with obi strip

JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert.

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

29,69 €* 32,99 € -10%

LP | 1972 | UK | Reissue (Westbound)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies. JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert. Limited to 100 copies 180g Brown Vinyl (available exclusively from HHV Records).

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Ohio Players

Pain

Joel Ramirez Jr & Fantasy

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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The first in our programme to release all three Ohio Players Westbound albums on vinyl.

“Pain” was their first for the label, released in 1972. The album charted relatively modestly at #21, but it was the six months that it spent on the charts that was the surest indicator of what was to come. The band was touring heavily and was just a hit away from a breakthrough. This would come with their next Westbound album, “Pleasure”, and the hit, ‘Funky Worm’.

Featuring the first of Joel Brodsky’s series of iconic covers.

Regular weight black vinyl in a gatefold sleeve.

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I'll Call You Every Morning / I Can't Let Her Go

7" | 1981 | EU | Reissue (Rain&Shine)

12,34 €* 12,99 € -5%

LP | 1971 | EU | Reissue (BGP)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Originally put on the map by Brian From Wheaton, a passionate collector from IL - This record has been fetching upwards of £1000 from those crazy Northern Soul DJs.
Officially licensed and re-mastered. Essential modern soul dancer, now available for the world to enjoy.

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Funk Inc.

George & Glen Miller / The Millers

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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incl. the classic break 'kool is back' as sampled by everybody and even more !

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Easing / Version

7" | 1979 | UK | Reissue (Third World)

LP | 1972 | EU | Reissue (Demon)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Disco crossover track originally on UK label Third World, 1979.

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Harrison Kennedy

Hypnotic Music

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Demon)

8th Day

Turkish Delight Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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1970s Detroit American funk-soul group signed to Invictus, part of the legendary HDH label group (Holland- Dozier- Holland), who helped define the iconic Motown sound. Reissued with original artwork, printed inner sleeve and pressed on 180g heavyweight vinyl

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Matao With Atilla Engin

LP | 1979 | EU | Reissue (Arsivplak)

21,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

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Black Ivory

Mainline

12" | 1979 | US (Buddah)

18,99 €*

Kimiko Kasai with Herbie Hancock

Release: 1979 / US

Genre: Organic Grooves

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/ dance

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Butterfly

LP | 1979 | EU | Reissue (Be With)

34,99 €*

12" | 1976 | US | Reissue (Unidisc)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-09-20

This is the 2020 repress. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse Mouzon and renowned organist Webster Lewis to bassist Paul Jackson, reedman Bennie Maupin and the master percussionist Bill Summers, the legendary performers crafted amazingly good vocal versions of Herbie / Headhunters jazz-funk.

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Van McCoy

The Hustle

12" | 1981 | EU | Reissue (Record Shack)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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/ love is the answer / soul cha cha

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Index

Starlight

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Brit Funk at it's best! The 1981 classic Index - 'Starlight', that commands prices of up to £85, gets a much deserved and long-awaited, remastered reissue.
A melding of genres, that incorporated elements of funk, disco, soul and jazz, Brit Funk harnessed a raw energy bubbling up in the UK scene through the late ‘70s & ‘80s. Index 'Starlight' is a prime example of this spirit. Timeless in its makeup, glistening keys, full-frontal basslines and bold funk guitars give the foundation for those divine male and female vocals to sweep over.
Take to the B side for 'The Break' version leaving the vocals at bay and letting the exquisitely arranged instrumentation work the dancers into a frenzy. Favoured by everyone from Four Tet and Motor City Drum Ensemble to Gilles Peterson and DaM-FunK for its extended grooves and uninterrupted breaks, it's a Brit Funk bomb if there ever was one. A must for any discerning digger out there, this deserves a place in every collection!

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LP | 1974 | EU | Reissue (Be With)

Breath Of Danger

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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They Say: “A selection of suspense underscores and drama blackcloths which vary in intensity and cover a wide range of suspense and drama situations”. We say: A breaky, funky library great masquerading as a horror score. Oh, and the cover art is amazing. Breath Of Danger was originally released in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper.

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The All American Powerhouse

LP | 1976 | EU | Reissue (Be With)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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They Say: “Driving brass and sax ensemble over funky rhythm section, playing tracks of various feel and style”. We say: From the Lincoln Continental that memorably adorns the cover to the tranquil funk contained within, this glowing ode to the grooving force of 70s American soul music is ice cool all over. With brilliant contributions from the Three Key Alans™ (Hawkshaw, Parker, Tew) as well as Mike Moran, Les Hurdle and Keith Roberts, this is driving music for only the vibiest cats. Originally released in 1976, The All American Powerhouse is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.

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The Hunter (Drama Suite) / Adventure Story

LP | 1975 | EU | Reissue (Be With)

12" | 1975 | US (Philadelphia International)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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They Say: “Composite themes and incidental cues for dramatic application”. We say: Well, it’s definitely dramatic. No wonder this LP was mined by a multitude of 70s and 80s crime shows. Much like Beat Incidental, this true gem includes a raft of enjoyable sub-ten second incidental cues alongside satisfyingly stretched out, hard-knocking sleuth-funk. The Hunter (Drama Suite) / Adventure Story is a real library-head’s library album. We’re treated to some of the best works of no less than five different heavyweights of the genre: drummer Brian Bennett, guitarist Clive Hicks (of The Gentle Rain), saxophonist Duncan Lamont, rock bassist Dave Richmond and keyboard session giant Steve Gary! Something of a dream line-up, they each contributed stellar efforts to create one of the most sought-after of the legendary KPM albums.

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The O'Jays

Love Train

CD | 1972 | US | Reissue (Dolemite)

Release: 1975 / US

Genre: Organic Grooves

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/ i love music / back stabbers

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Rudy Ray Moore

The Turning Point

CD | 1971 | US | Reissue (Dolemite)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Rudy Ray Moore
The Turning Point

Dolemite Records
DOL103-CD
8 29357 01032 2
$8.14

Throughout the 1970s, Rudy Ray Moore made his name as one of the most uniquely explicit, anti-establishment underground comedians working. With his profane, controversial material, and frequently taboo stories surrounding his famed pimp character Dolemite, Moore commanded a cult-fanbase throughout the decade, remained a star of blaxploitation films of the era, and was a strong influence on rap stars such as Snoop Dogg, Big Daddy Kane, and 2 Live Crew. His party records were considered too vulgar to be displayed in record shops, but word of mouth made his albums the stuff of legends.

Though Rudy Ray Moore was widely known for his provocative stand-up, less is known about his musical side. Though he found success as a comedian he had always wanted to be a famous singer, and deeply loved to perform music. (His stand-up shows regularly featured a backing band, providing his monologues a backdrop of jazz and R&B music.) In 1972, as his comedy career was booming with cult-popularity, Moore released The Turning Point, and fans were treated to the raunchy raconteur's previously unheard croon. The album features smooth R&B renditions of songs by Curtis Mayfield, The Impressions, The Platters, and other favorites of the comedian, even featuring two originals written by Moore himself.

The music on The Turning Point could easily stand toe-to-toe with the smooth, silky 70s soul of greats like Isaac Hayes or Lou Rawls. Over 35 years later, Dolemite Records, with a dedication to bringing Rudy Ray Moore's legacy to a modern audience, now brings you this compact disc reissue, complete with retrospective liner notes from Rudy's former manager Donald Randell.

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Rudy Ray Moore

The Cockpit

I Can't Believe I Ate The Whole Thing

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Although the cover lists it as his third, this was actually Rudy Ray Moore's seventh full length comedy album release. After the massive success of Eat Out More Often and This Pussy Belongs To Me in 1970, Moore had developed a formula taking long traditional spoken monologues, or "toasts", and freshening them up for the "now generation" as he would call it. The release of The Cockpit in early 1971 continued this formula and also introduced the world to "Petey Wheatstraw: The Devil's Son-in-law", a character which Moore would later base a feature length film around in 1977. The Cockpit remains one of Mooreís most popular albums. It also needs to be
noted that this was the first time Rudy used completely topless women in his artwork and this may in fact be the first major record release that includes a man on the cover with semi-naked women!

- Mark Jason Murray, Biographer

Rudy Ray's Petey Wheatstraw was inspired by the real deal, an influential blues recording artist from back in the 1930's who spelled it "Peetie" and billed himself not only as the Devilís Son-in-Law but also the High Sheriff From Hell with song titles like "I Want Some Seafood" and "Meat Cutter Blues." Poetic humor. Rhythm and rhyme. That's where Rudy Ray got the name and then turned his jokester character from a comedy bit into a 1976 motion picture... and during the filming where I, Don Randell, first met Rudy Ray Moore.

The Cockpit was recorded in front of a live audience, their great applause an indication of how deeply into Rudy Ray they were with his pimpin'& players sex on wax party album... ghetto street rhymes that help them free their minds and release some pressure. Rudy Ray Moore takes them on a high flyin' wicked ride, in total control at the helm in "The Cockpit."

- Liners Notes by Donald Randell

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Rudy Ray Moore

CD | 1988 | US | Reissue (Dolemite)

Make It Last Forever Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

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Another raucous and raw comedy album from Rudy Ray Moore's vast crazy catalog! He's got some nasty ass shit to talk and you will thrill with the exploits of Dangerous Dan, Lolita (who likes mucho peetah) and even Romeo & Juliet (!). Don't be ashamed if you find yourself repeating these bits to friends as there's plenty here to laugh at. This album is over 40 years old and a testament to the power and shock of Moore's material. If you need to catch your breath, Moore gives you a break by the album's end as he reworks one of his old vocal tracks with... well... some pretty nasty lyrics. What did you expect? This is a Rudy Ray Moore album!

- Mark Jason Murray, Biographer

Rudy Ray continued to cut his comedy party records, rappin' out his street rhymes with a little music behind. The room was packed with guys and gals, friends and partiers from the neighborhood. Dudes, pimps, gangsters, players, winos, and just plain Bad Ass Kids! And this album is breakout time! I Can't Believe I Ate the Whole Thing blew the doors open, set the trend, the one that a decade later in 1986 launched 2 Live Crew when they sampled Rudy Ray Moore on hit singles "Throw That D" and "Get it Girl" from their debut album The 2 Live Crew Is What We Are. Through word of mouth and pure outrageousness the 2 Live Crew album sold over half a million copies.

And it didn't stop there!! Rudy Ray was now deep in the Hip Hop mix. 2 Live Crew's "Movin' Something" audaciously sampled "Romeo and Juliet," Rudy Ray's nasty duet with Lady Reed, aka Queen Bee from the Dolemite movies and one of Rudy's early label signings back in the day. Ice Cube with Funk Master George Clinton throws out in "Bop Gun" a Rudy Ray Moore line from on this very album, "No One Knows Where the Nose Goes." Big Daddy Kane loves the track "Dangerous Dan."

I Can't Believe I Ate the Whole Thing is the album that sets the tone for the Hardcore Hip Hop scene. Here you can hear where Dr. Dre, N.W.A. Snoop Dogg, Busta Rhymes, and Ice T got their stuff. Also where comedian Robin Harris took Rudy's joke "Piccolo Player" and made it one of his own laugh line bits. All of it jumped off
this album and swayed a generation. Straight off the street from shooting dice, playin' the horses in a bookie joint, and cruising in a lowrider car to smoking weed and late night listening when the kids are all asleep. Yeah, right!

As Rudy Ray Moore said, "Rappin' and cappin' is my game. And all those young men are rappin' good! BUT, when it comes down to rappin', I was through with it before they even learned what to do with it!!"

- Liner Notes by Donald Randell

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Donna McGhee

LP | 1978 | EU | Reissue (Wewantsounds)

Parliament/Funkadelic & P Funk Allstars

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Donna McGhee's ultra rare New York disco classic from 1978 produced by Greg Carmichael and Patrick Adams reissued with original artwork and remastered audio.

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Dope Dogs

Tape | 1988 | US | Original (Hot)

7,99 €*

Release: 1988 / US – Original

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Be With)

Optimistics

LP | 1972 | US | Reissue (Polydor)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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This is some serious top shelf material out of Baltimore and a certified masterclass in sweet symphonic soul. Optimistics was originally released in 1970 on Turbo and it’s every bit as essential as The Chi-Lites, The Delfonics and The Moments yet nowhere near as known. Those original copies are ridiculously rare and, of course, the prices are equally ridiculous. Optimistics is a killer LP throughout, beloved of discerning hip-hop producers worldwide and routinely championed by the legendary Pete Rock. The genius George Kerr has handled the production on what is an album of beautiful, naïve soul for mind and body. It’s bursting with goodness and, like the best of its genre, it radiates a heart-breaking ambience that cuts right to the core.

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Little Royal

Jealous

21,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Peoples)

The J.B.'s

Food for thought

20,99 €*

Victim Of The Joke: An Opera

Release: 1972 / US – Reissue

Genre: Organic Grooves

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limited edition Colored Vinyl ! ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

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David Porter

LP | 1971 | US | Reissue (Craft)

35,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Craft)

Booker T & The MG's

Melting Pot

35,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (20th Century)

Barry White

Stone Gon

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1988 | EU | Reissue (Cool Cult)

Harry Case

Magic Cat

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Demon)

Satisfaction Unlimited

Think Of The Children

Do You Love Me / You're The One

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1972 this is a rare LP originally released on Invictus, Hotwax label. This release is so obscure there is little information about them online. This is a vocal, soul classic that features the masterful title track ‘Come On Back’ and the monster club cut ‘Lets Change The Subject’ Line-up includes Lorenzo Hines (lead tenor), James Isom (second tenor), Earl Jones (baritone), and Fletcher Lee (bass). Reissued on 180gm heavyweight classic black vinyl.

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Timeless Legend

12" | 1985 | EU | Reissue (Expansion)

Hozan Yamamoto With Sharps & Flats

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Their ‘Synchronised’ album from 1980 is one of the rarest ‘rare grooves’ and both original copies and the ‘Northern Soul’ single “I Was Born To Love You” still sell for over £1,000 a copy. Of the two sides “You’re The One” has become the most enduring and in demand, again an original reach which has been sold for £1000 on the collectors scene. In this edition the release has been restored to how the original first looked and sounded on Pendulum Records artwork from Expansion.

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Beautiful Bamboo-Flute

CD | 1971 | EU | Reissue (Mr Bongo)

A Taste Of The Younghearts

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format these days. Official Mr Bongo reissue.

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Younghearts

LP | 1974 | US | Reissue (20th Century)

16,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Roberta Flack & Donny Hathaway

LP | 1972 | EU | Reissue (Music On Vinyl)

29,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Paul Baillargeon & Dean Morgan

Viens, Mon Amour

LP | 1970 | EU | Reissue (Tresor National)

20,89 €* 21,99 € -5%

Try It Out / Head Over Heels

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Tresor Notional is a new Montreal-based record label dedicated to reissuing long lost gems recorded in Quebec (Canada). Their inaugurational release will be o 180g vinyl-only official reissue of the 1970 cult classic “maple syrup porn” soundtrack “Viens, mon amour’ (Love in a 4 letter World), composed by Paul Baillargeon (Star Trek TV series, Jean- Pierre Ferland's Soleil, Curious Georges) and Dean Morgan.
Between 1968 and 1974, Quebec was exposed to unabashed exploitation cinema. Erotic and taboo, these B-movies took on the name of films de fesses (titty films) or “maple syrup porn”. The genre produced some of the most delectable and collectable soundtracks at the time while “Viens, mon amour” easily stands out as one of the sexiest example ever recorded in La Belle Province! Original pressings are scarce and have been highly sought-after for decades by collectors from around the world. This remastered reissue highlights every sensual, psychedelic and
funky side, where rare grooves mix with delicate pop songs and Moog- infused, fuzz-driven titles with hard-hitting brass. A true gem for cinephiles, DJs and all diggers of exotic sounds... with a distinctive Québécois feel.
This first-ever reissue also includes extensive liner notes, rare artwork and exclusive commentaries from the composers. Pressed at 1000 copies, the album will be released in June 2019.

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World Series

7" | 1983 | EU | Reissue (Chuwanaga)