Funk | Soul 3297 Items

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-08-30

LP | 2022 | EU | Original (Aeon Seven Music)

Aeon Seven

Hand Funktion

31,99 €*

Becoming Undone Putrid Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Finally the debut full length LP from Aeon Seven is upon us! After a production career going back to the year 2000, this French maestro has been a creative force in all areas of production, DJing and animation. First gaining some serious attention from the funk/breaks community worldwide with his exceptional Funky Furious EP (2005), he has gone on to produce a clutch of incredible mix tapes that beautifully reveal his deft touch on the turntables and in the studio, he's written a couple of singles for 45 Live Records and produced some slick DJ tools with the Thundercuts series on both 7" and 12". Throughout all this time Aeon Seven has been honing his craft both musically and visually. His love of the instrumental, and obvious love of soundtracks, psyche and jazz come through in all of his productions. From the downbeat and wonderfully eerie and atmospheric themes of "The Hidden Hand", the cosmic harp led soundscape of the opening track "Outer Space Illusion" to the uptempo and funky blaxploitation vibes of "Mankind Hunt", Aeon Seven's grasp of songwriting is mature and expertly executed.

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ADULT.

LP | 2022 | US | Reissue (Dais)

Voices Of Gemma Instrumentals

Release: 2022 / US – Reissue

Genre: Organic Grooves

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After a quarter century of nearly nonstop activity, dystopian Detroit synth-punk institution ADULT. have perfected a strain of stylistic cohesion in the album format, "but for this we wanted something that's falling apart." Becoming Undone, the 9th official full-length by co-founders Nicola Kuperus and Adam Lee Miller, explicitly succeeds in this aim, simultaneously rejecting and reflecting the planetary discord that inspired it. Begun in the latter half of 2020 against a backdrop of unprecedented flux and seismic isolation, the duo kickstarted their muse by sourcing fresh additions to the rig: a vocal loop pedal for Kuperus and Roland percussion pads for Miller. Reconnecting with legacy influences like the politicized industrial percussion of Test Department and the queasy miscreant synthetics of TG's 20 Jazz Funk Greats sparked a series of fruitfully frenetic sessions, centered on themes of impermanence and dissonance. Miller's rationale is blunt: "We weren't interested in melody or harmony since we didn't see the world having that."From the tense technoid blitz of "Undoing / Undone" to the twitchy EBM of "Fools (We Are_)" and "I Am Nothing," the sides bristle with strident acidic revolt and black leather sequential circuits, unhinged and unforgiving. Elsewhere, slower tempos of purgatorial unraveling ("Normative Sludge," "She's Nice Looking") showcase a breadth of vocal FX, Kuperus sounding alternately indignant and possessed, decrying the crimes, fears, and failings of a deluded world. Throughout, the band's chemistry crackles with revulsion and strobe-lit dissent, equal parts exorcism and denunciation. "Humans have always been pretty terrible," Kuperus explains. "But every year the compromises of culture just accelerate."Becoming Undone is also freighted with a more personal pain, as Kuperus' father passed away during the height of the pandemic, just before the album took root. As his hospice caretakers, she and Miller faced the banality of finality, surrounded by objects drained of meaning, "the joy...

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Adrian Younge

LP | 2018 | US | Original (Linear Labs)

The Electronique Void: Black Noise

Release: 2018 / US – Original

Genre: Organic Grooves

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In the great and ongoing culture war between high and low, raw and refined, the real versus popular, certain territories have been ceded:
styles considered mainstream get to be pretty, lovely and optimistic. Styles originating underground are presumed to be gritty, burly
and practical.
So it’s a subversion of a kind, and definitely an intellectual challenge, to bathe a foreboding bass line in a lilt. To make gloomy shine.
Adrian Younge’s Voices of Gemma embodies the potential of the hybrid. By just saying no to the borders a label like underground might
impose on a creativity like his, he’s able to fashion a sound that elbows its way past your defenses, whatever they are. You don’t want
to hear anything grim today? Had enough of that on the news, thanks? Younge has a couple of angels on hand to waft a hard truth over
so that when it hits it feels like a kiss. Sick of the saccharine piped over aisle 4 at Walgreens? Younge’s palming you a melody fit for
impending doom.
Voices of Gemma comes from Younge’s refusal to accept the premise. His stance is there in every artist’s job description — the
determination to suction up sounds and flavors and phrases from all over the past and present and imagined and documented, and then
splice and dissolve what he finds into more possibilities and new ways of seeing, something fresh.
On this project his songs are precise, the set ups delivered with a satiny finish and, in the low end, just a hint of louche. Care has been
given to every detail, and the old way of doing a thing (bring in an orchestra, record to tape) is the way it’s done; it’s like listening to a
five-star hotel.
Voices of Gemma is luxurious, a style that we forgot could be present day, as accustomed as we are to sampled and thrice-removed
versions of it. This is high-class signified, a world-class realization.

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Adrian Younge

LP | 2016 | US | Original (Linear Labs)

LP | 2018 | US | Original (Linear Labs)

Release: 2016 / US – Original

Genre: Organic Grooves

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It was made the way they made electronic music in the good old days, all analog everything, right after synthesizers shrunk to a manageable size and you didn’t have to trek down to a university to use one anymore. Electronic music as practiced and developed by pioneers like Dick Hyman and Raymond Scott and Wendy Carlos is precise and intentional. In making his first electronic album, Younge took his cues from them, reminding a contemporary audience what a synthesizer, deep in its heart, really could be. “Black Noise” is men talking to men about women; “Lemonade” is a woman talking to women about men, and they both orbit around a failure we take for granted like the sun: loving you is complicated. It’s a skill; we forgot. Adrian Younge calls “The Electronique Void” an academic album, by which he means it is both instructional and informational. There’s a problem at the heart of it, a woman who’s been told that she’s loved, but she doesn’t recognize that, can’t feel it, may have heard it all before, may be worrying about the wrong things. Jack Waterson, long a guitarist in Younge’s band, plays the role of narrator, sounding professorial and rather superior as he lays out for the woman where she’s erred. That vocoder you hear is Adrian, talking to her on a subterranean level, the way an artist must. The discourse on the album is the kind of thing that happens when you go blonde and then you can’t keep ‘em off you. These truths are cold and hard, and our hero begrudges the well-meaning advice being rained down upon her as any independent woman would. The science of love, its formulas and if-then constraints, causal relationships and observable properties, is best taught experientially, but learning it hurts so, so bad. Music, especially electronic music, reliant as it is on abstraction and unrepentant as it is about hijacking your physiological responses to tempo and rhythm and dynamics, is a way to get there without going through it.

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Adrian Younge presents

Voices Of Gemma

Adrian Younge presents Venice Dawn

Release: 2018 / US – Original

Genre: Organic Grooves

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In the great and ongoing culture war between high and low, raw and refined, the real versus popular, certain territories have been ceded: styles
considered mainstream get to be pretty, lovely and optimistic. Styles originating underground are presumed to be gritty, burly and practical.
So it’s a subversion of a kind, and definitely an intellectual challenge, to bathe a foreboding bass line in a lilt. To make gloomy shine. To trojan
horse some heavy feelings in a delicate vocal.
Adrian Younge’s Voices of Gemma embodies the potential of the hybrid. By just saying no to the borders a label like underground might impose
on a creativity like his, he’s able to fashion a sound that elbows its way past your defenses, whatever they are. You don’t want to hear anything
grim today? Had enough of that on the news, thanks? Younge has a couple of angels on hand to waft a hard truth over so that when it hits it
feels like a kiss. Sick of the saccharine piped over aisle 4 at Walgreens? Younge’s palming you a melody fit for impending doom.
Voices of Gemma comes from Younge’s refusal to accept the premise. His stance is there in every artist’s job description — the determination
to suction up sounds and flavors and phrases from all over the past and present and imagined and documented, and then splice and dissolve
what he finds into more possibilities and new ways of seeing, something fresh.
On this project his songs are precise, the set ups delivered with a satiny finish and, in the low end, just a hint of louche. His characters are
lyrically poised, but when it comes to their emotional lives, as portrayed melodically, it’s one cliffhanger after another. Younge’s female leads
take up residence in their upper register, a fairytale landscape pierced only once by a man’s voice. The dreamy, internal feeling singers Brooke
deRosa and Rebecca Engelhardt conjure up is tethered to the earth by music that’s filmic and deeply intelligent. Here there are easter eggs left
in accent notes and fills. Care has has been given to every detail, and the old way of doing a thing (bring in an orchestra, record to tape) is the
way its done; it’s like listening to a five-star hotel.
Voices of Gemma is luxurious, a style that we forgot could be present day, as accustomed as we are to sampled and thrice-removed versions
of it. This is high-class signified, a world-class realization.

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Something About April Deluxe Edition

2CD | 2015 | US | Original (Linear Labs)

16,99 €*

LP | 2015 | UK | Reissue (XL)

Release: 2015 / US – Original

Genre: Organic Grooves

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This is the Linear Labs deluxe edition in cardboard sleeve. The release contains the full CD album and instrumentals including bonus tracks.

Adrian Younge is the next generation of soul music. A self-taught musician and recording engineer who has dedicated his life to the study of classic soul music, Younge finds himself at the center of a new soul renaissance with a vision for pushing the boundaries of the music itself.

For his current solo project, Younge envisioned a new sound that would revisit his earlier, more baroque instrumental work of Venice Dawn and mesh it with the deep, gritty soul of Black Dynamite, eventually deciding to bring everything full circle by releasing the material under the moniker Venice Dawn.

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Adele

25,99 €*

It's The Same Old Story / Night Of The Wolf

Release: 2015 / UK – Reissue

Genre: Organic Grooves, Pop

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Always best selling Adele is back with a new set of heartfelt anthems.

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Act 1 / Ivano Fossati

7" | 2024 | UK | Original (Measured Mile)

12,99 €*

7" | 2023 | UK | Original (Athens Of The North)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The latest 7" single on Bob Stanley's Measured Mile label is a floor-filling double-sider.

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Ace In The Hole

What About Love

16,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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2LP | 2022 | EU | Original (Afar)

Abiodun Oyewole

Gratitude

33,99 €*

Stepping Out Of Your Shadow / Don't Follow Me

Release: 2022 / EU – Original

Genre: Organic Grooves

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Gratitude is the eagerly anticipated new solo album from Abiodun Oyewole, the poet, teacher and founding member of The Last Poets. The album liner notes include an extensive new interview with Abiodun himself, detailing the writing process of the album. Looking back, the Last Poets are often referred to as the godfathers of rap, and by listening to their early recordings; it's easy to hear why. Their words encompass revolution, sex, death, drugs, and Black Power - they own their words. From their mouths - words are a sense of pride, a statement, and a feeling of empowerment. There's no self-conscious hang-up with the Last Poets using words as an art form. On May 19th, 1968 (in celebration of Malcolm X's birthday), The Last Poets performed their first ever concert in Mount Morris Park (in Harlem), now called Marcus Garvey Park. Their debut album was released in 1970 including poet/singer Abiodun Oyewole. Now AFAR is proud to present a whole new way of thinking socially, politically, emotionally, and humanly - via the perspective of Abiodun Oyewole of The Last Poets with his new solo album 'Gratitude' - it's not a protest album, it's an inspirational LP/CD via the inclusive words and God-like voice of Abiodun - this is not an angry man, but an older wiser man - reflecting on his life and spiritual quests. Rappers love him for coining the phrase "Party and Bullshit" decades ago - but this is not that - this is a sacred journey with a universal message for all people regardless of their background and nationality. // "One Of The Most Influential Spoken-Word Groups That Pioneered Hip-Hop" NPR // "Experimenting With Street Poetry And Percussive Sound, The Music Of Harlem's Last Poets Helped Lay The Groundwork For Hip-Hop" Rolling Stone //Ltd edition Double Black Vinyl + Interview booklet. CD, Capacity wallet + interview booklet.

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Abi Farrell

7" | 2022 | EU | Original (Big A.C.)

16,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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7" | 2023 | EU | Original (Eraserhood Sound)

Abby Jeanne

Know Better

12,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Abby Jeanne has been an artist her entire life. While growing up in Milwaukee, WI, she was indoctrinated into the arts via a public art schooling experiment in the 90s. As a pre-teen, she was socially adopted by a Rock N Roll cafe cult, where she wrote music, painted, and started her deep infatuation with records, especially 60s pop and underground soul/rock n' roll via the haunted jukebox that lived there. A series of family tragedies, including the loss of her sister, left Abby living in a car with her guitar, which led to her traveling overseas and carving out a music career for herself. Through it all, she is currently a New York City-based multimedia artist who has built a name for herself through not only her music, but her visual art and event throwing. After years of hustling to create DIY releases and garnering the support of national radio stations across the country, 2022 saw Abby Jeanne release the single "That's Where We Are" on Philadelphia's Eraserhood Sound. Today she is back with a brand new 45, Know Better / Sage and Cigarettes. Both of these unforgettable tracks feature Eraserhood Sound's signature in-house analog synth and soul production, and they represent some of Abby's best, most inspired work to date. A-side "Know Better" is a rollicking pop-soul party-starter that features a four on the floor beat, electrifying guitar riffs, and deceptively profound lyrics that examine the selfishness and vapidity of today's society. On the flip side, "Sage and Cigarettes" is one of the most powerful and intimate songs Abby has ever recorded. The track, with its slow-burning shuffle and classic instrumentation reminiscent of Otis Redding's most emotional work, is a direct reflection of her experience healing as a traumatized woman in a modern world. Together, these two songs showcase the extremely talented, complex, and exciting Abby Jeanne, an artist who is undoubtedly ready to take the world by storm in 2023 and beyond.

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Into The Blue HHV European Exclusive Clear Teal Wave Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

28,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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"Into The Blue is the clearest portrait of who I am as an artist. It's me through and through," says multi-instrumentalist Aaron Frazer. A daring blend of soul, psychedelia, spaghetti western, disco, gospel and hip-hop, Into the Blue represents the impressive range of Frazer's sonic talents. Frazer maintains the unmistakable falsetto and classic songwriting he's known for, but plants Into the Blue firmly in the now with a hip-hop mentality at its core, weaving together genres and production techniques to form something new. Into The Blue was conceived, like so many classic records, out of actual heartbreak. Frazer moved cross-country from Brooklyn to Los Angeles and embarked on a journey that's reflected in the album's themes of grief, loneliness, and searching for healing. "Into The Blue really means heading into the unknown. That has been the last year of my life and I'm still in the blue," Frazer explains. "But there are also songs here that celebrate love and the giddiness of a new relationship and all that. That's part of a breakup to me, processing the whole thing, remembering the things that were right as much as the things that were wrong." Frazer wrote on every track and played several live instruments on the album. The title track, "Into The Blue", is a haunting, resolute anthem, combining cinematic strings and tough-as-nails breakbeats as Frazer heads west. "Here I go, to a place where the broken heart knows," he sings. "It's all I can do. Back into the blue." "Payback" is an explosive dancefloor heater, featuring shimmering tambourines and driving bass lines. Northern soul drums meet snarling fuzz guitar, hurdling towards its epic conclusion. The album features moments of towering arrangements, recalling David Axelrod and Ennio Merricone, balanced by rawness, incorporating iPhone recordings and one-take vocals. For Into the Blue, Frazer enlisted Grammy-winner Alex Goose as coproducer, known for his crate-digging samples and collaborations with hip-hop artists like Freddie Gibbs, Madlib and Brockhampton. Frazer also experimented with samples for the first time on a record, drawing from unexpected sources like 90s R&B group Hi-Five. Though Into the Blue is born out of heartbreak, Frazer hopes it leaves listeners with a sense of optimism. "You know, you can still laugh on a day when you're grieving," he says, "there's no peaks without valleys," he says, but Into The Blue sees Aaron Frazer at new heights.

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Into The Blue Frosted Coke Bottle Clear Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

28,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Into The Blue Black Vinyl Edition

LP | 2024 | US | Original (Dead Oceans)

27,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Bring You A Ring Heart-Shaped 45 Edition

7" | 2023 | US | Original (Colemine)

24,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Limited edition heart shaped vinyl! The A side of this 45, a brand new track from Aaron Frazer, is about how pressure makes diamonds. The last couple years have been really challenging, especially for those navigating relationships amidst the chaos. This song celebrates the connections of love that are strong enough to weather any storm, and the certainty that comes from making it through together. The B side features a track from Aaron's first solo LP, Introducing. Lyrically, Frazer sounds lovesick; the imagery he paints of demons "so close behind" and the repetition of these lyrics emphasize his longing. The song starts with piercing guitar, dark bass, and chime piano and Frazer himself drums throughout the song. The orchestration is swell while the strings and voices blend well with the transcendent feel of the music.

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7" | 2023 | US | Original (Colemine)

Bring You A Ring

11,99 €*

LP | 2019 | EU | Original (The Sleepers Recordz)

Release: 2023 / US – Original

Genre: Organic Grooves

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The A side of this 45, a brand new track from Aaron Frazer, is about how pressure makes diamonds. The last couple years have been really challenging, especially for those navigating relationships amidst the chaos. This song celebrates the connections of love that are strong enough to weather any storm, and the certainty that comes from making it through together. The B side features a track from Aaron's first solo LP, Introducing. Lyrically, Frazer sounds lovesick; the imagery he paints of demons "so close behind" and the repetition of these lyrics emphasize his longing. The song starts with piercing guitar, dark bass, and chime piano and Frazer himself drums throughout the song. The orchestration is swell while the strings and voices blend well with the transcendent feel of the music. Grab this 45, on either black and limited edition heart shaped vinyl, available 12/08/2023 from Colemine Records.

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Aaron Evo

The One

8,99 €*

2LP | 2016 | US | Original (Aaron Abernathy Music)

Release: 2019 / EU – Original

Genre: Organic Grooves

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After his song “Space Bella Coola” became one of the more recognizable modern funk tracks on the street dance scene, French producer Aaron Evo brings you his first release on vinyl, “The One.” Featuring a reworked version of “Space Bella Coola” entitled “Unstoppable,” the album displays Aaron’s recognizable sonic palette and slick funk touch. His synths wiggle unthinkably while drums and bass slap, forming concrete-hard foundations for his tracks. Somehow simple yet explosive, “The One” traverses through all territories in the land of funk, from the G to P. Also included on the album is the track “Gangstagram,” created for and played at the grand final of the most important street dance events at Juste Debout & KOD 2018. Future Classic.

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Aaron Abernathy

Monologue

20,99 €* 27,99 € -25%

LP | 2024 | EU | Original (Rhythm Section International)

Release: 2016 / US – Original

Genre: Organic Grooves

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Here comes the highly anticipated album release from Aaron Abernathy featuring Black Milk, Deborah Bond, Nat Turner, Phonte (of Little Brother + The Foreign Exchange), Zo!

Aaron Abernathy, is a jazz pianist/soul singer and multi-talented entertainer. Born in Cleveland, Ohio, Abernathy comes from a long-line of historical pioneers including Civil Rights Leader, Rev. Ralph David Abernathy and student of the same high school music program as the late R&B great Gerald Levert.

He joined the ranks of artists like Donny Hathaway and Roberta Flack as a graduate from the prestigious music program at Howard University, where he sharpened his piano playing and musicianship by majoring in jazz piano. With outstanding talents as both a pianist and a vocalist, he has acted as musical director for global touring acts Black Milk and Slum Village and collaborated with Grammy-nominated artists including Jack White, The Foreign Exchange, and Eric Roberson.

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A Song For You

Home

30,99 €*

The Cookhouse 5 Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Berlin"s pre-eminent vocal ensemble, "A Song For You" pioneers a new wave of choral music with their debut album "Home". A Song For You, are a groundbreaking vocal ensemble, uniting over 50 artists from all over the world, led by the visionary collaboration of Noah Slee and Dhanesh Jayaselan. The collective defies any form of categorisation, sitting in a sonic realm somewhere between Neo Soul, R&B and Gospel. A Song For You celebrates the rich tapestry of Berlin"s musical landscape while providing a critical platform for underrepresented voices.

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94 East

LP | 2019 | US | Reissue (Numero Group)

24,99 €*

LP | 2023 | EU | Original (Blank Forms Editions)

Release: 2019 / US – Reissue

Genre: Organic Grooves

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LP in tip-on jacket with purple velvet and gold foil stamping. In 1975, Brooklyn transplant Pepe Willie booked time at Cookhouse Recording Studios in Minneapolis, Minnesota, to demo five original compositions. Without roots in the Twin Cities' insular scene, Willie had no fixed backing group to help realize the arrangements he and vocalists Marcy Ingvoldstad and Kristie Lazenberry had been rehearsing. Willie organized a young cast of backing musicians for the session, among them his wife's cousin: a 16-year-old guitar prodigy named Prince Rogers Nelson. Known colloquially as "The Cookhouse 5" these recordings showcase Prince's instantly recognizable guitar playing, seasoning to perfection 94 East's short-but-sweet songbook. A crucial document concerning the origins of the Minneapolis Sound, the B-side boasts instrumental versions of each infectious tune, providing an even greater vantage point from which to admire the Purple One's expressive playing style, already evident in his teenage years.

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7038634357

Neo Seven

29,99 €*

LP | 2017 | EU | Original (Wan Chai)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Neo Gibson records, performs, and occasionally produces under the alias 7038634357. Their music is characterized by its formal precision, melodic structure, and an idiosyncratic emotional tenor built around loosely narrative compositional forms. Up until this point, it has been primarily self-released on small-batch CDrs and performed in intimate settings. Recorded entirely on their computer using digital synthesis and audio processing, Neo Seven is their first vinyl record, and could be considered their seventh album depending on where you begin amidst their prolific and fluid output.Within a runtime of just over thirty minutes, Neo Seven contains a spare, beautiful, and raw journey through and around the artist's emotive, psychologically-charged ambient songwriting. The album's seven tracks bleed into and out of one another, continually forming and deforming between ambient soundscape, song, and silence. As each track builds upon its own interior logic, complex forms emerge out of simple structures, and layers of oscillations commingle and create space for each other. Pulsation is a major motif throughout the record, as Neo's heavily-processed harmonic melodies, gated regularly by silence, create an expansive field in which an interior, subjective journey takes place.

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7-A-Side

Super Dancing Hits

21,99 €*

My Baby / Love Will Find Its Way

Release: 2017 / EU – Original

Genre: Organic Grooves

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Wan Chai Records is a Hong-Kong based label, specialized in rare Asian records and quality reissues.
For their first release, they wanted to highlight a promotional record released at 500 copies only in Hong-Kong for a famous Soda brand. It was offered with a pack of bottles in 1977 and never been released.
Produced and arranged by Noel Quinlan, this Album is a mix of Funk and Soul covers. The result is an awesome LP including groovy covers, from the classic “Lowdown” by Bob Scaggs, to a Funky “I Shot The Sheriff” by Bob Marley with a deep Fender Rhodes, and 12 other outstanding tracks.

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3TOB

7" | 2023 | UK | Original (Six Nine)

19,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (100 Copies)

3phaz

Three Phase

23,99 €*

III Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Three Phase is the self-titled debut LP by mysterious Cairo based artist, 3Phaz. Falling in a dark dystopian area between Mahraganat & Shaabi on one side, and hardcore techno and Grime on the other, this record is like nothing you ve heard before. Three Phase is a brutal, hard hitting, deconstruction of the already raw and explosive Mahraganat sound.

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24 Carat Black

LP | 2020 | US | Reissue (Numero Group)

There's A Wrinkle In Our Time / Psychadelic Love Standard Edition

Release: 2020 / US – Reissue

Genre: Organic Grooves

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Champagne Wave VinylFrom Shrine to Stax, Isaac Hayes to Gloria Ann Taylor, The Mad Lads to The Staples Singers, Detroit to Atlanta, Kendrick to Pusha-T, Dale Warren's singular voice is the lone constant. Beneath the ethereal beauty of his productions was a genius crippled by his unbridled id. His ever-evolving 24-Carat Black project spanned the '70s, producing a masterpiece and an unfinished follow up. Discovered in a storage space were Warren's 1980s demos cut with grown n' sexy divas Princess Hearn, Vicki Gray, and LaRhonda LeGette right before his untimely death at the age of 50. III is an unfinished symphony that peels away the final layer of Dale Warren's mysterious oeuvre.

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1984

7" | 2024 | US | Original (Brewerytown)

15,99 €*

There's A Wrinkle In Our Time / Psychadelic Love Deluxe Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-07-19

Not much is known about this early 1970's psychedelic soul group from the Germantown section of Philadelphia. But we do know this record was recorded in 1969 released in 1970 - and one of two records on Michael Nise's (Nise Productions Inc) Philadelphia Round Records (see More Below) Brewerytown Records Label & Insert design by Jeremy Zombie 1984 consists of band members - Gerald Foster, Ronald Hynson, Andrea Johnson, Harold Johnson, Arthur "sly" RAY, Stanley Vurton - From Nise Productions INC: Circa 1970 Audio Magazine, a nationally respected magazine and audio authority, recognizes Nise Productions, Inc. in a special campaign. The promotional director for North American Publishing Company initiates this promotional campaign that utilizes the extended relationship between Frank and Michael Nise with Audio Magazine through the years. "Nise Productions, Inc. is a successful sound production company." Audio Magazin In conjunction with sports announcer Gene Kelly (Cincinnati Reds and Philadelphia Phillies), Nise Productions, Inc. produces a commemorative audio record highlighting the 20th Anniversary of the 1950 Phillies pennant-winning home run. Wpbs-fm markets and advertises the product. Nise Productions, Inc. moves into corporate audio-visual and multi-track studio production. They establish an entertainment management, publishing and production entity. They sign The Ghetto Children and later, individually, Joy Stamford, who began with The Ghetto Children. Frank and Michael acquire a Sony Superscope dealership and build a two-track audio recording studio, a graphics department and a record mastering facility. They do this while also producing albums for schools and churches on location and produce over 40 albums. The Nise's initiate their first record label, Philadelphia Round Records, with two groups: American Asphalt and 1984.

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1984

7" | 2024 | US | Original (Brewerytown)

31,99 €*

(Livin' In) New York City / Moodies Basement

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-07-19

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10th Street

7" | 2022 | EU | Original (Mighty Eye)

14,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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7" | 2023 | US | Original (Mighty Eye)

10th Street

E.A.R.L.'S Theme

14,99 €*

107th Street Stickball Team

Release: 2023 / US – Original

Genre: Organic Grooves

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We’re taking it back, one more time, to 10th Street's self titled debut album. This time, Mighty Eye Records is proud to present a down and dirty lo-fi remix of the opening track “E.A.R.L.’s Theme” by the one and only DJ extraordinaire Tom Noble (Superior Records / Superior Elevation). Backed with the original version of “E.A.R.L.’s Theme” on the B-side, this 45 is guaranteed to keep you moving on the dance floor!

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Saboreando, Pot Full Of Soul

LP | 2018 | EU | Original (Everland)

19,99 €*

12" | 2020 | EU | Original (Emotional Rescue)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Plus 4 Unreleased Bonus Songs! This is a band project from the late 1960s with a very young Bobby Marin, a leading figure in the invention of BOOGALOO music, a cocktail of Latin music, Rhythm & Blues, Soul and Rock’n’Roll oft he day clearly geared towards the western pop music that made the top of the charts. As he grew up on 107th Street in Harlem / NYC he and his mates played a game called Stickball during the day which is a street variation of baseball originating from the New York area while at night he rehearsed with a doo wop ensemble named THE LATIN CHORDS and others from his team got together in a percussion group in buildings on the opposite site of the street. It was no miracle that both groups soon merged into one act that became the 107TH STREET STICKBALL TEAM producing this sole LP in 1969 with a 7“ decoupled probably upfront that featured the two album tracks „On old Broadway“ and „Mojo shingaling“. Well shaped originals of the full length vinyl go for 200,00 € now as a mono pressing, while even those which fetch lower prices never fall beyond 100,00 €. Therefore this reissue on Everland Records suits us fans of outstanding 1960s music fairly well with even four bonus tracks added that band leader Marin unearthed from his personal vaults. This is clearly a typical album in the field of BOOGALOO music of the later 1960s. Western popular music such as beat with British roots, American soul music with lush arrangements and orchestration and the well known elements of bossa nova, salsa, cha cha cha and merengue team up in an exciting sound that gave us some very intense albums during the short span of it’s real popularity in between 1966 and 1969 around NYC but also far out in the latin world. The anthems of one’s life in the Bronx or in Harlem given by the likes of Tito Puente could be felt pouring out of the relaxed, yet intensely pulsating rhythms from drums and percussion on this record while the melodic constructions on top of this groundwork were either soul inspired such as with the hauntingly dreamy opener „On old broadway“ with a great pop appeal and beautiful horn section and vocal arrangements, had a bluesy approach such as the ballad „Look to me“ in three – quarter time at first but adopting a latin melody and cha cha cha beat towards the end of the song or showed a 1960s pop beat affinity with the vocal melodies on top of a bed of ever grooving mid paced salsa rhythms with powerful horns accompanying the basic structures as you can hear it in the two minute shorty you put a hurt in my heart. But this was only one side oft he coin. There were even more traditional latin songs to be found here which were even sung in Spanish. „Toma Guajira“ could easily be an evergreen on the dancefloor in every bar in Havanna. The mixture was breathtaking for you did not get away from dancing and twirling to the enthralling rhythms upon which sometimes the instruments could take a frantic path such as the organs or the saxophone in the soul inspired instrumental „Barbara with the kooky eyes“, which has this typical late 60s atmosphere. Wherever you put the needle in the groove the music will grab you by the heart and legs. The four bonus tracks fit well with the original album and if you would not know they were added only for this reissue you would never realize they would have stayed unreleased for about 50 years. „Come live with me“ is a hot blooded latin groover with a late 50s soul and doo wop feel merged with cumbia and salsa elements. The melodies drag you straight into the clubs of Cuba’s capital. „Rosemary with the funny knees“ is rather modern soul pop and Northern soul of the day in which more of these Cuban aspects appear for a moment but with the late 60s sound prevailing. It feels like the band drifts from one one world into the other and back without losing a beat. „Hey mama“ is a cross of 60s doo wop vocal music and Latin sounds that makes up a prototypical boogaloo style dance floor sweeper. „Lost in the jungle“ adds some 1950s exotica elements to the haunting 60s pop with latin rhythm groundwork and once more frantic performances from the horns and the singers make it an instant classic. I could go on raving about this album but instead I recommend to buy a copy of the reissue and get the full boogaloo experience. If I should limit myself to only one record from this style it would certainly be this.

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101 Band

Crazy Kind Of Feeling

13,99 €*