Funk | Soul 516 Items

Record has many hairlines and surface marks. Cover has seam splits and general wear..

Cover has ring wear and slight foxing inside gatefold.

Cover with seam split on bottom spine, ring and shelf wear. Vinyl with scuffs and hairlines

Vinyl with scuffs and hairlines. Cover with seam split on top spine

Vinyl with scuffs and hairlines. Cover with ring wear and seam damage

Vinyl with scuffs and hairlines

Cover with ring wear

Vinyl with scuffs and hairlines. Cover with ring, shelf wear

Resolution 88: Tom O’Grady - Rhodes Electric Piano, Hohner Clavinet D6, ARP Odyssey, Oberheim Four Voice Polyphonic Synthesizer, Solina String Ensemble, Mellotron M400, Streetly Electronics Novatron, Roland CompuRhythm Cr-78, Maestro Echoplex Ep-3, Fender Fuzz-Wah, Maestro Phaser Ric Elsworth - Drums Tiago Coimbra - 1978 Fender Jazz Bass, Anaconda Ultra J4E-elite Bass Oli Blake - Percussion, samples and effects

Other performers: Tom Smith - Tenor Saxophone, Soprano Saxophone, Bass Clarinet Vanessa Haynes - Vocals

Recorded by Mike Thorne & Joshua Holland at Rimshot Studio Additional recording: Oberheim Four Voice Polyphonic Synthesizer recorded with Lester Barnes in his spaceship Mellotron M400 and Roland CompuRhythm Cr-78 recorded with Mat Roberts at Effort Studios Streetly Electronics Novatron recorded with Jason Court at Flying Cuttlefish Music

Resolution 88: Tom O’Grady - Rhodes Electric Piano, Hohner Clavinet D6, ARP Odyssey, Oberheim Four Voice Polyphonic Synthesizer, Solina String Ensemble, Mellotron M400, Streetly Electronics Novatron, Roland CompuRhythm Cr-78, Maestro Echoplex Ep-3, Fender Fuzz-Wah, Maestro Phaser Ric Elsworth - Drums Tiago Coimbra - 1978 Fender Jazz Bass, Anaconda Ultra J4E-elite Bass Oli Blake - Percussion, samples and effects

Other performers: Tom Smith - Tenor Saxophone, Soprano Saxophone, Bass Clarinet Vanessa Haynes - Vocals

Recorded by Mike Thorne & Joshua Holland at Rimshot Studio Additional recording: Oberheim Four Voice Polyphonic Synthesizer recorded with Lester Barnes in his spaceship Mellotron M400 and Roland CompuRhythm Cr-78 recorded with Mat Roberts at Effort Studios Streetly Electronics Novatron recorded with Jason Court at Flying Cuttlefish Music

Record is slightly warped but still enjoyable.

Latin funk at its finest. A kingpin player of Miami’s Cuban music scene, Ray Fernandez, brought together his ‘court’ for this sensational Afro-Cuban funk triumph. Largely a family affair, the album features his wife, two sons and a range of other talented musicians including Rickey Washington on saxophone, father of the contemporary jazz maestro Kamasi Washington. Originally released in 1973 on Manuel J. Mato’s iconic and collectible Sound Triangle Records, Ray & His Court is a dose of Miami heat fuelled by a Cuban fire, taking in salsa, soul, funk, calypso and Afro-Cuban rhythms.

A kaleidoscopic album that draws influence from a range of different genres and scenes blended together in true Ray Fernandez style. Side A, showcases an array of traditional Latin workouts including the addictive enticing opener 'La Señorita Lola' and the pulsating 'Lo Sabia' with its punchy horns and Ray’s wonderful, quirky bubbling organ groove. The tantalising ‘Venimos Acabando’ and bouncing organ stabs of ‘El Alacran’ are two further tickets to get a dancefloor vibing.

The B-side then steps things up, slipping a hit of heavy-weight Miami funk into the mix. Take the DJ favourite ‘Cookie Crumbs’ with its fiery bassline, tripped-out voiceovers and breakbeat drums. Or the amazing, memorable and truly unique funk instrumental ‘Soul Freedom’ with some mighty fine bass clarinet work courtesy of Gary Gottfried. Also featured is a seductive organ-led Cuban funk rework of Bobby Hebb's 'Sunny' (are there any bad versions of this song?), with a sumptuous female vocal that combine to serve up a seductive take us this much-loved classic.

'Ray And His Court' is a brilliant blend of Afro-Cuban gems and Miami funk heat from an influential group on Miami’s Latin music scene. A majestic and magnetic classic where every track is a surefire winner.