Funk | Soul Vinyl 433 Items

Copy is close to VG+!

"Psychic Welfare" was produced by Pink Skull and Jeff Zeigler (Kurt Vile, War On Drugs) between the band's Philadelphia studio and Brooklyn, NY. Contending with the seismic swells in both the macro and micro worlds around him, Grefe refracted the polluted waves in a fantastical fit to write the 13 songs of "Psychic Welfare". The album is a map of time and space portals in which the listener can navigate from the corroded corners of machinated life to boundless, amorphous space in mere seconds. Across the album's pull-out poster artwork for "Psychic Welfare" is a hand-scrawled poem by the late NYC sage Ira Cohen entitled "Blind Assemblage". In the poem, Cohen describes the decay of society and struggles to find civility within tragedy, a sentiment mirrored in Grefe's lyrical content of Psychic Welfare, if not masked by a new found pop propensity. The lead track on the album, "Hot Bubblegum," a Television-inspired piece of pop perfectly pushes this dichotomy of psychotic playfulness. "Mu" is a sprawling instrumental spread of blissed-out 80s funk, complete with a tin rooftop sax solo by Billy Dufala (Man Man). "Janine Aubergine" fictionalizes Grefe's girlfriend's bluegrass fiddle-playing aunt as a psychedelic maven over a tango groover, while "Bee Nose (Put Yr Face On)" is a woozy, hazy late-night phone call from the warped Scottish countryside circa 1998. "Summer Reading" feels like a Transformer-era Lou Reed bullying Mark E. Smith around a disco bouncey castle. Tracks from Psychic Welfare were remixed by Brassica, Higamos Hagamos, Ray Mang, and Worst Friends. Each of these remixes will be released as single support and included alongside additional original tracks as bonus downloads. The artwork of Psychic Welfare is taken from a a series of visual synth feedback experiments conducted by the band and video artist Adam Carrigan. The LP edition features a 48" x 96" heavy-stock pull out poster.

Why you'll love it...
The first notes Charles Bradley sings on Victim of Love, his 2013 sophomore release, are not words but moaned lamentations. A drawn out “ooh” reminds listeners who we are dealing with: The Screaming Eagle of Soul, who doesn’t simply sing. Bradley wails, pleads, begs and screeches his way through Victim of Love. Many tracks are love songs, but they’d be better described as songs of longing.

Vinyl with light scuffs and hairlines. Cover with a bent corner and light creasing. Copy n° 323 / 500

Kendra Morris' stellar and soulful debut album 'Banshee' is finally back on vinyl for the first time since 2012. Originally released via Wax Poetics, Colemine Records is now proud to make this album widely available again on record shop shelves, right where it should be. Pulling influences from late-60s and early-70s psychedelic R&B and funk, Kendra adds her own rock twist in collaboration with producer/guitarist Jeremy Page. The album is a rich sonic tapestry, with hip-hop references and beats weaving throughout. All of this sets the perfect backdrop for Kendra's known powerhouse vocals. 'Banshee' effortlessly blurs the lines between sounding old and new, and has left a lasting impression over the last decade. Kendra, in her own words, "howls like a banshee... and roars like a wolf."

close to NM

Mint + Pink Swirl vinyl has a few paper scuffs. Cover is close to NM. with booklet and insert.

The overlooked 2018 boogie masterpiece from Detroit maestro Amp Fiddler and jazz/funk virtuosos Will Sessions is finally back on vinyl! "The One" transports you to a time when rich arrangements and big-studio production values didn’t mean sacrificing the funk! Fronted by powerhouse lead vocals from Amp, "The One" features everything you want out of a roller disco classic: analog synths, snappy guitars, air-tight percussion, Fender Rhodes & Clavinet mastery, and plenty of slap bass. Sprinkle in some lush string and horn arrangements, and the cherries on top are supreme background vocals from the unstoppable female trio Dames Brown.