Funk | Soul Vinyl 228 Items

'crush' — The fourth studio album by Lettuce, released originally on November 6th, 2015 via Lettuce Records. "crush takes off where Rage! and Fly left off. We continue our journey of the Funk universe playing through many styles, including Phychadellia, Classic Soul, and Hip Hop. While still paying tribute to the past, this album clearly is pushing boundaries and has us heading into the Future.” - Adam “Shmeeans” Smirnoff Right out of the gate, Crush begins with an awesomely ostentatious opening. Much like the tuba-headed pachyderm on the album cover, the album’s first song, “The Force” is larger-than-life and mysteriously funky! It is followed by the Herbie Hancock-esque second song, “Get Greasy”, which is as funky as funk can be. Pleasantly reminiscent of Hancock’s “Chameleon”, this track is just what the doctor ordered if you’re looking for foot-stomping funk and tasty, tight percussion. “Phyllis”, one of their most streamed songs of all time, comes in the middle of the album. Clocking in just shy of seven minutes, this spectacular musical voyage hypnotizes the listener with its cosmic, spaced out sound as it gradually rises in intensity, eventually bursting into a jazzy and energetic pinnacle. Songs like “He Made A Woman Out Of Me” and “Sounds Like A Party” feature the only vocals on this predominantly instrumental jam record. The latter is easily one of the brightest and most-fun tracks on the album. The stuttering attack of bass and drums creeps along with a spellbinding groove in “Trillogy”, while tunes like “Pocket Change”, “The New Reel” and “The Lobbyist” sound like they could easily score a 1970’s heist film. From the organ’s moan on the upbeat third track “Chief”, to the Funkadelic-inspired rough edge of “Silverdome”, this fourth record from Lettuce, from start to finish, could collectively be some of the best material the band has turned out in their 20-plus year career. If you’re looking for a party, look no further! Crush has all the ingredients necessary for a good time. Just push play!

James Brown had several incredibly talented funky divas in his late 60s and early 70s stable, including Vicki Anderson and Marva Whitney. But as great as those two powerhouse singers were, Lyn Collins was the strongest hitmaker of that funky JB era. Her strong voice and commanding stage presence - which earned her the nicknames The Female Preacher and Mama Feelgood - quickly proved to be a potent addition to the People Records universe. In the spring of 1972 her second single, the driving and ridiculously funky “Think (About It)” hit the R&B music world like a ton of bricks. As fans young and old know, thanks to its timeless, relentless groove and powerful vocals, “Think” gained a powerful second life in the 1980s thanks to the hip-hop generation, fueling the platinum smash “It Takes Two,” by Rob Base & DJ E-Z Rock in 1988 and additionally sampled by dozens of hip-hop and dance music artists up to the present day. But Collins was far from a one hit wonder: she was as vocally adept on ballads as she was with full-blown funk. She proves this throughout her debut album, which was released in 1972 on James Browns new People Records - the imprint's second full-length release. To wit, aside from the title smash: a powerful and emotional cover of Bill Withers "Ain’t No Sunshine"; the socially progressive "Women’s Lib"; the Gamble & Huff-penned "Never Gonna Give You Up" (originally done by Jerry Butler); and even a daring, muscular take on the song “Fly Me To The Moon,” made famous by, among others, Frank Sinatra. Throughout Think (About It), Collins shows that she was a vocal force to be reckoned with. Backed by a James Brown assembled musical crew that included Pee Wee Ellis, Fred Wesley and, of course, James Brown himself, the platter was bound to impress and succeed. And that it did.

Runner-Up at Apollo Theater Amateur Night! Highly Anticipated Debut Album from a Major New Talent Set to Take the World by Storm Nao Yoshioka's first album, "The Light," was recorded by three teams in the U.S., the Netherlands, and Japan. The notable vintage soul artist Brian Owens from the U.S. handled the instrumental recording and vocal direction for three tracks. In New York, Dani Elliott and Orly collaborated on songwriting and provided tracks. In the Netherlands, Shirma Rouse, hailed as the No. 1 Soul Queen, also took charge of the instrumental recording and vocal direction for three tracks. The Japanese team featured top musicians from the scene, including Takuya Kuroda, a trumpeter renowned for his work with the José James Band. Soul music, connected through Nao Yoshioka, casts its spell from Tokyo to the world.

“The only time you wear a Tuxedo is when it’s time to party.”

So says legendary West Coast player Snoop Dogg on the opening track of “Tuxedo II”. The blessing of the Doggfather is of special importance to Mayer Hawthorne and Jake One, whose second album as a duo finds them at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk.This is the territory of pre- and post-hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

Bonding over a shared love of Chic, Parliament, and the other signs in the greater funk Zodiac, Mayer Hawthorne (Aquarius) and Jake One (Taurus) were early predictors of the sea changes that American music would undergo in 2016. Their first release of 2015 debuted at #1 on iTunes America’s RnB charts, christened as “Dance Floor Catnip” by the Boston Globe, and “Pure disco-funk hot fire” by Okayplayer. Considering their individual successes (Mayer’s four solo albums, Jake’s production work for the likes of Drake, Future, The Weeknd, and De La Soul) and five Grammy nominations between the two of them, it’s no surprise that their powers combined have yet again yielded a bevy of absolute slappers that are packaged perfectly for dance parties in 2017. The material here, while wholly original, is an exercise in honoring its forebears. “Tuxedo II” recalls the future funk wobble of Zapp, Gap, Jam/ Lewis and Junie Morrison, while nodding lyrically to Mtume, Jodeci and Cameo.The crystallization of the album’s concept comes courtesy of its message of universal love; thanks to the signature combination of soul and pop sensibility that have come to define Mayer’s hooks.

“You gotta do what you love...” says Mayer in a recent interview with Nordstrom’s style blog, one of the many fashion outlets to cover Tuxedo’s rise. After all - the transcendental ritual of the party and the rippling self affirmation of the funk are of one spirit: the spirit of self love...of self expression. “Tuxedo II” is a modern testament to unity and positivity in trying times. It is a reminder that the dance floor will always be there to welcome you, whoever you are.

Soopastole is back with anaother pair of amazing jazz-funk-reworks!

The Big AC’ - a cornerstone of the New Street sound from their debut album ‘No Hard Feelings’ - will be reissued, with the first-time vinyl release of the original version, produced by the brilliant late Noel McKoy, on the reverse side. It will be housed in a beautiful version of the new Acid Jazz house bag, in colours echoing the ‘No Hard Feelings’ sleeve, and will be limited to 500 copies.

With love from Northern Europe... Erotic Mondo's hidden treasure! Long-awaited analog reissue of two Monica Lassen album titles

A Wamono erotic work produced in Japan with the setting of ``A work created for the enjoyment of men and women by a Swedish female musician named Monika Lassen, who is also active as a sexual psychologist.'' Mondo's hidden treasure. This is a rare and unusual record, with sounds that overlap with the dazzling sounds of jazz, rock, lounge, psych, etc.

The sequel was released one year after the previous work ``woman'' was well received. It's an erotic Japanese groove that knows no bounds, with more moaning voices than the previous work, heavy fuzz guitar, piercing organ, and sexy scat! A total concept album consisting of the same song at the beginning and end of both sides.

Homgrown Syndrome is a strong 2 sided major label banger that has been heavily in demand (therefor expensive) for the last 8 or so years. A banging disco funk A side flipped with a deep quality 70s soul stepper, it's a no brainer. Tip for O.G heads: go for the Canadian press as they are vinyl and have the DOPE flip.

Considered an underground classic by many, XL Middleton's “Tap Water” was released at the height of the fervor over 'modern funk' music, brought to life by Dam Funk & carried on by a small but dedicated cadre of artists including Middleton. Always in demand, “Tap Water” has become scarce in the aftermarket and demands collector-level prices when it does sell; thus a reissue was inevitable.

For 23 straight Saturday nights of 1982, "The Chicago Party" dance show assaulted Chicagoland UHF eyeballs with Spandex, Southside fly guys, tender tenderonies, magicians, contortionists, prismatic video gimmickry, and lip-synched singles by a rising regime of local post-disco casualties. Unfettered nightlife and outlandish humor poured out of oddball outpost The CopHerBox II and onto TV screens, presented here as a 100-minute video mixtape on DVD. Its companion compilation features five previously unreleased tracks, joined by music culled from a trove of self-released 45s and small-time 12"s. Die-cut cathode-ray jacket and six in-package stills put the Party at your fingertips.Available on CD or 2LP, each edition of Ultra-High Frequencies: The Chicago Party will arrive in one of six cover configurations, all of which are interchangeable via printed inner sleeves and enclosed booklet. Both editions include our entertaining DVD mixtape, isolating the most absurd and outrageous moments from the original broadcasts. Play functions enable viewers to enjoy 23 unique musical performances, as well as a mini-documentary about the creation and realization of "The Chicago Party." For fans of electronic soul with a public-access aesthetic, Ultra-High Frequencies: The Chicago Party is the place to be.

At the glassy apex of rock's softer side, away from all of the commotion, exists a place for both relaxation and reflection, where listeners can enjoy the present, a cool breeze_a taste of the good life.

Band Leader Alex Puddu is behind the project the Moonfires. The Album is released on 300 copies limited edition on Alex Puddu's own label Al Dente. The Album Black sugar is written, Arranged and Produced By Alex Puddu Recorded during the summer 2014 in Copenhagen Recorded at Redrum Studio Mixed and Masterd in N.Y.C Astoria Queens Soundworks recording by Kamilo Kratc Album photo by Maiken Kildegaard Artwork by Leo Scherfig

Finally back! This weird piece of estonian music reached silly prices on discogs already - better make sure not to miss it again!

New label Smiling C starts off with a compilation LP of released and unreleased works by the Arabic rapper, Shams Dinn.
For their first ever reissue, Smiling C connects with the Arabic rapper Shams Dinn to release a compilation his best songs, including the hit "Hedi Bled Noum". The compilation covers his entire career of with songs made between 1985-1990, most of which went unreleased at the time. One of the few Moroccan rappers to ever be recorded on vinyl back in the 80s, Shams Dinn was a pioneer of Arabic flow. Starting his career because he wanted to be a positive light for the Arabic immigrants living in France. He earned his status participating in freestyle competitions, and performing in small clubs around Europe. His career came to a turning point when he was asked by a major label to record a full LP. Unfortunately, the label decided they didn't want to promote Arabic music (largely because of the Gulf War) - and asked Shams to translate the Arabic to French. Shams Dinn wouldn't stand for that, and he was dropped from the label. The following years he worked at a school, teaching kids how to rap and express themselves through words.
The reissue comes with newly imagined art, and an inner sleeve with interview and photos.

2023 re-issue of Nai Palm (of Hiatus Kaiyote)’s debut solo album.

The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.

Back IN Print 2022 Edition - Limited Edition of 300 copies Recorded Live in Hyattsville, MD 1975-2015. George really had no interest in releasing this record. "Seeing Is believing, they don’t need records, trust me I did that, today they getting it live". So this record is that, live tapes from the house, recorded on a government issued cassette recorder from National Library Service for the Blind. George calls these his practice tapes for songwriting, and performance warm-up, and never beyond his ears were they intended to travel. "You just got to see me live if you want to really see me.. so when we get there just plug me in, and point me at that crowd". Last time I saw George they had him wired to the club system. He unplugs his Yamaha keyboard, licks the tip of the power cord and taps a beat on it, finally plugging in, synth lights up, tones all at zero, beats at zero. Then he builds from there, counting blind through a preset one hunderd factory tones and rhythm patterns. "I gotta start off at zero, and go from there." After the Marshmellow Band disperesed, he got this Yamaha keyboard, same one he’s been playing since 1990, endless scrolling over the same presets, trying to make them fit, tempo down, tapping while telling the story and asking if that feels right to you. "This always gonna be different live."Some selections on this album are original material from home sessions prior to George’s 1980 self- released LP. The rest, just a sampling from the Smallwood mind’s library of classic song writers. - Andrew Morgan (Peoples Potential Unlimited)

Side A's cover of "Tearz" is as much an homage to the Wendy Rene sample as it is to the Wu-Tang Clan track. The song starts as a glazed over cover of "after laughter, comes tears" with Shannon Wise of The Shacks singing Wendy Rene's timeless mantra. Halfway through, the mood dramatically shifts and the drums and organ that drive the original RZA sample take over. A dubbed out Lee Fields taps in like only he can, and the song spirals into outer space.Side B finds EMA dipping into the deeper side of the Wu catalog with Raekwon's "Verbal Intercourse." Mixing the grimy, gritty production aesthetic of the original with elements of dubbed out reggae, El Michels Affair once again pushes the definition of a "cover" and truly makes it a tune of their own.

From the dawn of doo-wop to the death of disco, the Notations saw_and sang_it all. Persisting through changing trends and technologies, on major labels and minor ones, produced by both Syl Johnson and Curtis Mayfield, nothing could stop the Notations from representing Chicago's Southside for decades. The first overview of their indie label golden age, Still Here 1967-1973 finds the Notations at a musical crossroads, turning from simmering R&B ballads to socially-conscious soul. Offering up a platter of golden-dipped harmonies, inventive arrangements, and super-powered soul, the Notations survived as unheralded legends in their own time.

Dr.Dre and Jay-Z sampled, legendary cinematic funk combo Calibro 35 announces the reissue of their fifth album "S.P.A.C.E." on ltd edition Crystal Orange vinyl and digital deluxe edition with bonus tracks.

Record Kicks presents the reissue of Calibro 35's fifth acclaimed long-time sold out album "S.P.A.C.E." on limited edition Crystal Orange vinyl and digital "deluxe" version with bonus tracks.The publication is part of "The Record Kicks Trilogy" that follows the reissue of the first three albums of the band, released in 2020. This time, Milan label Record Kicks will repress on wax of three different colours and on digital deluxe edition, the fourth, fifth and sixth legendary studio albums of the Italian cinematic-funk cult band. The digital deluxe edition of "S.P.A.C.E." includes 3 bonus tracks: "clbr 35", originally released as a b-side of "Bandits of Mars" 45 vinyl, and the unreleased songs "Omicron Paradox"and "The Haploids".

Recorded to tape on an 8-track tape recorder at the 'analog mecca' Toe Rag Studios in London, the worldwide famous studio where The White Stripes penned "Elephant", "S.P.A.C.E." is the fifth studio album by Calibro 35. Forget about the gripping noir atmospheres of their previous full lengths, with this album the Milan combo escapes from planet earth and lands on their own satellite to write the perfect funk soundtrack of an imaginary sci-fi movie directed by Sergio Leone. They've thrown away the balaclavas and embraced a bunch of synthesizers in their new instalment where Calibro 35 explores fresh new territories.

From the storming imaginary main title notes of the title track "S.P.A.C.E." to the percussive effects and creepy organ of "Serenade for a satellite", with incursions into cosmic afrobeat ("Ungwana Bay Launch Complex"), lunar funk ("Bandits On Mars") and trippy atmospheres ("Something Happened on Planet Earth"), in "S.P.A.C.E." Calibro 35 sound as cinematic and groovy as ever. Captured live and direct to tape with no overdubbing or editing facilities by Tommaso Colliva (Muse/Franz Ferdinand), the sound is tough, warm and super tight and confirms the unique musicianship of the band able in few years to gain followers worldwide.

Active since 2008, Calibro 35 enjoy a worldwide reputation as one of the coolest independent bands around. During their fourteen-year career, they were sampled by Dr. Dre on his Compton album, Jay-Z, The Child of lov & Damon Albarn; they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat and Headhunters and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine as "the most fascinating, retro-maniac and genuine thing that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide including VIP fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin' Criminals) among others.

As humans, we are aware of our inner beast and should therefore be able to control it. We understand our hard-wired primal urges and why they exist in an evolutional sense. We understand the relationship between mind and body. Highly evolved and intelligent, we should be able to recognize these genetic hangovers and control them as a means to act positively and move forward as a compassionate species. Unfortunately, this is not the case. Recent global eve...

Always best selling Adele is back with a new set of heartfelt anthems.

Released For The Very First Time In The Format It Was Recorded For. The Holy Grail Of Bolan's Unreleased Soul Recordings As Producer For Sister Pat Hall, Includes Completely Unheard Version Of Do Your Thing Taken From Newly Acquired Original Reels Features Completely Reworked Version Of Classic T. Rex Tracks 'Jitterbug Love', 'Get It On', 'Sunken Rags', And The Never Released In Marc's Lifetime 'Sailors Of The Highway'. Besides Some Self-Released Gospel Recordings, Pat Hall Was A Much Sought After Vocalist In The Late 60's Early 70's, Having Worked With Joe Cocker As One Of The `Sanctified Sisters' Along With Gloria Jones.In 1972 Pat (& Hloria) Became Backing Singers On The U.S T.Rex Concerts And In Mid To Late 1973 Marc Bolan Decided He Was Going To Produce An Album By Pat, Being Well Ahead Of The Then Interest In Black American Soul By Fellow Pop Stars David Bowie John Lennon And Elton John. The Album Was Recorded But Never Released (On Vinyl), Until Now!Pat Hall Never Released Anything Again, This Album Remains The Sole Released Recordings Of This Extraordinary Singer.

Some twenty years after René Costy's passing, his work - finally - goes global. Moreover, this being a selection out of more than 400 tracks from a virtuoso, versatile andinsatiable artist, it is hard to underestimate the importance of this compilation, which focuses on Costy's library music production from the 70's.

Re-issued and remastered. Genre - Funk/Jazz/Soul/Psyche. 'Life & Love' is the third album from Skinshape (with 'Filoxiny' being his fourth). Written, Recorded and Produced by Will Dorey at the Arch Studio, London, and in his bedroom. Great melting pot of styles and tunes, D.I.Y. Funk Soul Jazz. Recommended if you're into Khruangbin. Skinshape is the project of British musician William Dorey. The sound has roots in many genres but in particular 1960s-0s Funk, Soul, Reggae, Psychedelic Rock, Afrobeat and Folk. Skinshape grew out of a love for old music and the way it sounded. Initially Dorey experimented with samples (especially drum breaks) to create instrumental Hip-Hop/Trip-Hop tracks but then later started to play around with tape machines as a means to create his own 'samples'. This process gave birth to Skinshape with all elements being recorded by Dorey since the first self-titled album released in 2014. Aside from the Skinshape project Dorey was bassist for the band Palace from 2014-2017 and runs a reggae label called Horus Records based in North London.

The long-awaited repress of the first Radio Maritko 45 “Oriental Shake”, featuring Habibi twist and Alba’s Shake. Exotica and twist mania from the Greek and Italian sixties that shakes all dancefloors! With a brand new layout!

Nearly 40 years after releasing two of the greatest funk 7-inches of all time, the breakbeat masterpieces "Space Funk" and "Midnight Theme," the legendary Manzel is back on Fraternity Records with another sureshot double-sider. Originally comprised of Manzel Bush on keys, Larry VanDyke on guitar and late Steve Garner on drums, the 2017 incarnation of the group adds powerhouse Jay Mumford, p.k.a. J-Zone, in the drum chair and is lean and funky as ever. "High And Tight" is a classic party jam, complete with chanted vocals and a couple drum breaks that establish the new man in the trio is no joke on the skins. "Standing On Mars" continues the favored space-related vibe of Manzel's past releases, an uptempo jazzy instrumental dancefloor mover that simply cooks, with Manzel doing double duty on electric piano and organ.

In name, The Zone Identity sounds like a long forgotten band comprised of college students from the age of psychedelia that released one obscure 45 that lives on with a mortgage-busting price tag. It’s about 50 years too late for a story that cool – The Zone Identity is just the latest musical endeavor from producer, drummer, DJ, writer, multi-instrumentalist, (occasional) MC and music industry outsider, J-Zone.

After the unexpected cult success of The Du-Rites, J-Zone’s 2016 funk offering with guitarist Pablo Martin, the New York native follows with a different take on the funk for the inaugural offering of The Zone Identity. Working with a wide array of different musicians with different backgrounds for The Zone Identity makes for a more funk-jazz-inspired and solo driven take on J-Zone’s trademark drums and production. This debut 7” features jazz guitarist Ed Littman and Hammond B-3 organist Bennett Paster from Fraternity Music Group house band, The U.B.'s, as well as J-Zone’s go-to percussionist, Ray May, on congas. Littman and J-Zone split the bass playing duties. An avid funk 45 collector, J-Zone uses both sides of the release to pay homage to his musical heroes and favorite records with a spin on two of his favorite tunes. While the A-Side re-works “Funk-I-Tus,” an obscure late ‘60s offering from L.A.-based Warm Excursion, the b-side will be more familiar with its nod to “Let The Music Take Your Mind,” an early hit for J-Zone’s favorite band, Kool and the Gang. The original story is more exciting, but the reality is easier to believe. It’s also cheaper.

Limited edition vinyl!

Transcendent : “Surpassing the ordinary; exceptional”
2007 - 2017 : Heavenly Sweetness is turning 10 years old!
They are celebrating with 3 birthday parties, and 2 compilations! One is a best of the label’s production, and the 2nd one is made of exclusive tracks, composed for this occasion.
This compilation is a very subjective best of the label’s production, from each album or single we had the chance to produce, with great artists.
A journey through 10 years of music, a great introduction to the label’s universe, but even the experts will discover unknown tracks.
Including well known artists such as Guts, Blundetto, Sly Johnson, Anthony Joseph, but also more confidential artists: Robert Aaron, Jacaranda Muse, Patchworks (and his tribute to Gil Scott-Heron) and many others!

From the archives of the legendary BELTER and DISCOPHON labels, essential to understand the birth of the Catalan Rumba and Flamenco-Pop genre in Spain, we’ve selected 14 dance-friendly tracks taken from overlooked LPs and 45s.
This is the real gipsy–funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah–wah, organ, electric bass, exotic percussions, soulish horns, latin and even oriental touches...
Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars and groovy rumba–pop bands: DOLORES VARGAS “La Terremoto”, CHANGO, ROSA MORENA, RUMBA 3, EL PRÍNCIPE GITANO, EL NOI...

Some records are timeless and never age - "Happiness Is Just Around The Bend" by The Main Ingredient is one of those records. Originally released in 1974, "Happiness" was a record before it's time - had it been released a year later it would undoubtedly have been one of the first 12" discs - so as a result, most discerning DJs at the time chose to play the album cut.
The song is actually a cover of UK Prog-Jazz band Brian Auger's Oblivion Express's version from the year before but Main Ingredient took the song to a whole new level and, 44 years later, it has become one of the most revered dance tunes of all-time.
Main Ingredient were unlucky with 12" releases, which is why we're delighted to give "Evening Of Love" it's first-ever 12" release! Once again this was a 1981 album track which years later it would become a Modern Soul anthem and rightfully be regarded as one of their best records.

The Norman Connors produced Aquarian Dream first appeared in 1976 with their debut album on Buddah, featuring the extremely popular 'Phoenix' along with the club dancer 'East 6th Street'.
Both tracks were only released previously on 12" in the UK and quickly became a huge collector's item with the release averaging £50 on Discogs some 38 years later.
Fully remastered on limited edition 180 gram heavyweight vinyl, officially reissued for the first time since its original release.
A much loved & timeless disco track sampled many times in the house music community.