Funk | Soul Vinyl 135 Items

Breezy Sunshine-Pop / Soft-Rock / Psych-Pop from California, 1970, featuring Peter Clark a.k.a Chet DeMilo.

Crystal clear recording, awesome vocal harmonies, superb musicianship, bossa & blue-eyed-soul-jazz touches,folk-rock moves…

In 1969 Chet Demilo was appearing at Donkin's Inn, Marina Del Rey, where he met Arnie Marcus and Ray Hames, who together were to become part of an incredible slice of history. Donkin's became the hottest and most famous destination in Southern California for the next seven years, and Chet was the magnet that started the new singles scene in Los Angeles with Marina Del Rey as ground zero.

Arnie sat in on bongos with Chet from time to time, and Ray, who was managing an apartment complex that housed 200 flight attendants, just happened to have a unit available!! Chet moved in, and he and Ray started working on songs together. Chet suggested forming a vocal group with Arnie and SST was born. For three months they practiced the intricate vocal harmonies and in early 1970 cut the album, "Soft Soul Transition". A thousand records were pressed, and an album release party was held at Donkins where SST gave their one and only performance that night!

There was interest in the project at Burt Bacharach's Blue Seas Music, but it was not to be and SST faded away...until more than 20 years later when the SST album was discovered by a new generation of DJs and collectors looking for cool and groovy sounds from the 60s-70s.

Yet another collaboration between Sandro Brugnolini and Stefano Torossi, who also worked together on the masterpiece “Feelings”. “Musica per commenti sonori” consists of twelve amazing tracks that will excite lovers of the wildest funk, producers in search of rare breaks, and those with a penchant for the psycho-beat atmospheres of the sixties. One of the rarest library music releases ever, that’s never been re-released in any form until now!

“Musica per commenti sonori” is a cult series within the diverse world of Italian library music. In the late sixties and seventies, the small record label Costanza Records has published several releases precisely focusing on ‘background music’, including works of great composers such as Peppino De Luca, Roberto Pregadio, Franco Micalizzi, Vito Thomas, Giancarlo Thomas Puccio Roelens, Riccardo Luciani, and by the protagonists of this long-time due reissue: Sandro Brugnolini and Stefano Torossi.

The two musicians, who had also worked together on the masterpiece “Feelings” (1974), have often collaborated and delivered some of the best Italian library music of all time. “Musica per commenti sonori” is certainly one of the most interesting. On the two equally split sides of this LP, the first for Torossi and the second for Brugnolini (but it seems that this partition was exclusively dictated by legal demands), there are twelve amazing tracks that will excite lovers of the wildest funk, producers in search of rare breaks, and those with a penchant for the psycho-beat atmospheres of the sixties.

Among the most heated tracks featured on Torossi’s side, we can’t pass over the amazing “Sweet-Beat”, “Interrupted” (perhaps the best track of the album) and “Repetition” while “Polyphony”, “Motuproprio” and the closing track “Flyer” shine on Brugnolini’s. Virtually impossible to find, even at astonishing prices, this reissue puts back into the market one of the best examples of ‘The Italian Art of Library Music’: a genre worldwide envied and collected.

Originally released in 1969, “Fischiando in beat” presents twelve gems of instrumental beat music,
fabulous specimen of that music genre often labelled with the much-abused term ‘lounge’ – or ‘easy
listening’, if you prefer. Forget about the experimental “Synthi Time”: here you can only breathe an
incredible desire for fun and dream of the late 60s, Rome and its exclusive cocktail party.

Sly & the Family Stone came into their own with their second album, Dance to the Music, released in 1968. It contains the Top Ten hit single of the same name. "Dance to the Music" peaked at #8 in The Billboard Hot 100, and reached 9th place in the R&B Singles of 1968. The song propelled Sly & The Family Stone into the stratosphere. This seminal album helped lay the groundwork for the development of Funk music.

180g vinyl.

'Tell Mama' is the eighth studio album by American singer Etta James. The album was originally released in 1968 on Cadet Records and was produced by Rick Hall.

colored vinyl

180g vinyl, remastered, two bonus songs.

The soundtrack to this 1969 German sexual comedy was produced by Improved Sound Limited, showcasing their killer blend of experimental pop, blues, rock, jazz, funk and easy listening, augmented with tape effects, phasing, distorted guitar... Groovy songs influenced by 60's beat and psychedelia.

Newly mastered sound by Jörg Scheuerman. Comes complete with an insert with photos and liner notes. Limited to 500 copies only.

180 Gram vinyl!

180 Gram Vinyl!

Back To Black 180 gram vinyl reissue

Remastered double LP incl. 18 tracks ... produced by James Brown, sampled by Del, EPMD, Special Ed, Funkdoobiest, ...

180 gram vinyl ... classic !

180 gram vinyl

heavily sampled classic funk album!!

- "In the Middle" sampled by Chubb Rock for "Organizer"

- "The Chicken" sampled by 2 Live Crew for "I Ain't Bullshitin'",
Big Daddy Kane for "Calling Mr. Welfare",
CEO for "Hit Me with the Beat" and
Main Source for "Think"

- "Why Am I Treated So Bad" sampled by The Associates for "From the Ground Up"

- "Soul Pride" sampled by Digable Planets for "9th Wonder (Blackitolism)",
Mad Flava for "Gotz ta Flow ta This",
Mr. X & Mr.Y for "1956",
Peshay for "Psychosis" & "Vocal Tune" and
Roni Size for "Hot Stuff"

sampled by Afu-Ra, Diamond D ...