Funk | Soul Vinyl 157 Items

Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.

First official reissue of this essential and insanely rare Willie Tee double sider. New Orleans gold from the Nola vaults, the A side ‘Please Don’t Go’ is a certified Northern Soul classic with the flip a fantastic smokey, low slung soulful number that’s become a real collector’s favourite. With original copies having traded hands for £1800 in the past, it’s high time this was made available to a new generation of listeners. Red label version original black sleeve.

Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.

Formed in 1964 in Watts, California, U.S. and based in Los Angeles, the original members were the texan twin brothers Wallace Scott and Walter Scott plus Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Gordy Harmon injured his larynx in a driving accident and was replaced by Leaveil Degree. Planets Of Life was the result of the incoming change, a vocal soul-funk masterpiece from a renewed harmony group. Often compared to the Isley Brothers, due to Scotty Scott vocal similarities to Ronald Isley, the band was an excellent r&b combo, turning lately into an electric funk vibe with a clear Temptations twist.

180 Gram vinyl!

Iconic 1968 Northern Soul Anthem, One Of The Famed “3 Before 8” As Played Every Sunday Morning At Wigan Casino During It’s 8 Year Reign Coupled With The Original Demo, Recorded By The Writers At The Impact Studio, Detroit, 1965

Debut single from the mighty Tim Maia! Released upon his return from the USA in the late 60’s. Highly sought after and prized in its original form, we are very proud to reissue this record. Maia sings in English here – influenced by his time spend travelling and working in the USA. Both songs are very soulful, reminiscent of the great soul singers of 1960’s USA, who were clearly a powerful inspiration to him. Official Mr Bongo reissue. Licensed from Som Livre.

Produced entirely by Norman Whitfield, The Temptations’s "Puzzle People" takes the next step along the path that Cloud Nine started, and takes the Detroit band further away from a classic soul sound, and more towards the realm of psychedelic soul. Although a few ballads, including “Running Away (Ain’t Gonna Help You),” are still present, the album is primarily composed of Sly & the Family Stone/James Brownderived proto-funk tracks such as the lead single “Don’t Let the Joneses Get You Down,” and the number-one Billboard Pop hit “I Can’t Get Next to You.” Also included are psychedelic-styled covers (recorded with distorted guitars, clavinets, and spacy reverb and sound effects) of contemporary songs such as The Isley Brothers’ “It’s Your Thing,” The Beatles’ “Hey Jude,” and Roger Miller’s “Little Green Apples.” "Puzzle People" was released on the same day (September 23, 1969) as "Together", a duets album of covers by The Temptations and label mates Diana Ross & the Supremes. It peaked into the Top 5 on the Billboard Pop Albums chart, and spent fifteen weeks at number one on the R&B Albums chart.

Originally released in 1962, The Twenty-Fifth Day Of December is The Staples Singers’ holiday classic, featuring traditional songs such as “Joy To The World, “Silent Night,” “Go Tell It On The Mountain” and more. This reissue features the original album artwork and is cut from the analog master, pressed on 180-gram vinyl at Memphis Record Pressing and housed in a tip-on jacket.

The Show Stoppers was formed in 1967 by Alex Burke and Laddie Burke (Yes! they were brothers of Solomon Burke...) who joined with fellow brothers Timmy Smith and Earl Smith, all of them were students of Germantwon Highschool (Philadelphia). They are best remembered for their 1967 hit "Ain't Nothin' But A House Party" and they have recorded a bunch of 7" EP/Sge until they disbanded in 1972. This EP contains four of their best songs.

Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.

Why you'll love it...
Back to Back captures the instrumental aspect of the ’67 Stax-Volt European tour (“Volt” is the name of Stax’s subsidiary label). Immediately apparent is that the live versions of these songs are played much faster than the recorded ones. Exuberant? Definitely! These folks were racing across unfamiliar cultures and landscapes, reimagining their place in this world, looking down at the clouds for the first time. The pace was faster because their lives were — quickly — getting so much larger. In these recordings, you can hear all of that emotional exhilaration, all of that savoring of personal respect, that thrill of the new. Many of these songs were several years old, but they shine on Back to Back like they’re being performed for the first time. Over and over, you hear the musicians throwing in something extra, curlicues and tangents that express their excitement.

A scorcher from the golden age of gospel, via its cardinal label.
From 1960, during the family’s second decade with Savoy, featuring Gertrude Ward, Christine Jackson, Mildred Means and Vermettya Royster — and Clara, totally riveting and in-your-face with evangelistic fervour and raw soul.

Plus a rambunctious, floor-filling Wade In The Water, by Jessy Dixon and his Singers.

Handsomely sleeved (showing a contemporary but slightly different Wards lineup).

Family vocal group the Esquires was formed in Milwaukee in the late 1950s; by the time they moved to Chicago to launch their recording career the group featured Gilbert Moorer, Alvis Moorer, and Sam Pace and although Curtis Mayfield turned them down, Bunky Sheppard recognised their potential, their debut single ‘Get On Up’ a smash hit that led to the recording of this brilliant debut album, an excellent collection of upbeat melodic soul with the group’s vocal harmonies in the spotlight. Further permutations would follow but Get On Up And Get Away captures the group in its illustrious eginning, full of shining joy. A top-notch release!

The Egyptians - Thanks Yo You

Southside sweethearts, the Dreamliners, first came into the scene as the Royaltones in 1961 when they were students at South San High School in San Antonio, TX. In 1963, label head Abie Epstein signed them to his Cobra & Jox labels producing 4 singles. On the way to a studio session, Ana (Ana) Wilburn coined "The Best Things in Life" on the dashboard of her car. Out popped a playful Farfisa and harmony-driven tune reminiscent of the Crystals or Ronettes. Ana also wrote and sang lead on the haunting ballad "Just Me & You." A song about longing and adolescent heartache that's perfect for any post-breakup kleenex session.

The only original album by West Coast soul vocal group The Ballads, released in 1969, is still a favourite among soul fans, but has only been reissued on vinyl once before, in 1982. P-vine is honoured to be able to reissue it on LP with a Japanese obi.

The album is extremely rich and wonderful, with gems such as Gene Chandler's 'God Bless Our Love' and 'The Gift Of Love', as well as Detroit-style dance numbers, and will also include a bonus track that was only released as a single. The album captures the band's cradle period in the 1970s, when they began to fully embrace a sweet soul style.

Limited green colored vinyl LP pressing.

The album that started it all! Spanky Wilson’s legendary debut from Mother’s Records saw Philadelphia’s soon to be soul diva teaming up with legendary producer/arranger H.B. Barnum to deliver a killer 11-track LP! From the opening notes of “You’re Gonna Miss Me”, to the final fading chimes of “The Last Day of Summer”, Spanky Wilson’s beautiful voice is always on full display. Despite the fullness of her voice, there’s a surprising tenderness - undercutting soulful funky numbers with an element of emotionality unlike anything her peers would ever put out. As Spanky’s voice soars, her backing band, at times as sparse as a single piano, and at times as full as a big band, is always tight, giving Spanky plenty of room to shine while showing off their own immense talents. Don’t miss the album that started it all for legendary soul diva Spanky Wilson, now available on limited edition vinyl with a special Japanese Obi-strip!

Breezy Sunshine-Pop / Soft-Rock / Psych-Pop from California, 1970, featuring Peter Clark a.k.a Chet DeMilo.

Crystal clear recording, awesome vocal harmonies, superb musicianship, bossa & blue-eyed-soul-jazz touches,folk-rock moves…

In 1969 Chet Demilo was appearing at Donkin's Inn, Marina Del Rey, where he met Arnie Marcus and Ray Hames, who together were to become part of an incredible slice of history. Donkin's became the hottest and most famous destination in Southern California for the next seven years, and Chet was the magnet that started the new singles scene in Los Angeles with Marina Del Rey as ground zero.

Arnie sat in on bongos with Chet from time to time, and Ray, who was managing an apartment complex that housed 200 flight attendants, just happened to have a unit available!! Chet moved in, and he and Ray started working on songs together. Chet suggested forming a vocal group with Arnie and SST was born. For three months they practiced the intricate vocal harmonies and in early 1970 cut the album, "Soft Soul Transition". A thousand records were pressed, and an album release party was held at Donkins where SST gave their one and only performance that night!

There was interest in the project at Burt Bacharach's Blue Seas Music, but it was not to be and SST faded away...until more than 20 years later when the SST album was discovered by a new generation of DJs and collectors looking for cool and groovy sounds from the 60s-70s.

Sly & the Family Stone came into their own with their second album, Dance to the Music, released in 1968. It contains the Top Ten hit single of the same name. "Dance to the Music" peaked at #8 in The Billboard Hot 100, and reached 9th place in the R&B Singles of 1968. The song propelled Sly & The Family Stone into the stratosphere. This seminal album helped lay the groundwork for the development of Funk music.

180g vinyl.

Born in rural Mississippi and associated with Memphis, versatile entertainer Rufus Thomas is a legendary figure, having been a tap-dancer, comedian, and DJ before recording for Satellite in 1961—the label that soon became Stax. Thomas’ improvised hit, ‘The Dog,’ led to immortal follow-up, ‘Walking The Dog,’ so massively popular that it became the centerpiece of his debut LP, an irresistible blend of funk and soul with lashings of Thomas’ trademark humour. Whether with originals or standards like ‘Ya Ya’ and ‘Land Of 1,000 Dances,’ Thomas keeps the action tight and in addition to both ‘Dog’ hits, there is further installment, ‘Can Your Monkey Do The Dog,’ co-penned with Stax’s Steve Cropper. A killer set!

Record Store Day 2020 Release. Finally, after 53 years, “I Caught You In A Lie” is now rightly regarded as one the Great New Orleans Soul classics. Whilst many people may only know the various cover versions, Robert Parker’s original sublime slice of heartfelt Soul has steadily built in reputation, especially recently. That’s why original Nola copies are £150+, even for battered ones! So here is the official legitimate, remastered repress on the sacred Nola label. 7 Inch with replica artwork.

This slice of Louisiana deep Southern soul has taken on a life of its own since Dave Godin included it on his first “Deep Soul Treasures” CD, and the single has shot up to well over three figures in value.

In 2021 the song is the subject of a cover version by the-name-to-drop Lady Blackbird and we felt it was about time that it was reissued in its original format.

Renaldo Domino blasted onto the fertile Chicago soul scene of the late 60's with a voice as sweet as sugar and deep grooves that sound just as fresh five decades later. Releasing singles on Mercury subsidiaries Smash and Blue Rock, and later Twinight records, Renaldo’s all-too-brief career has still managed to leave an impact to all those lucky enough to hear it.

Domino's Renaldo first record: I Love My Girl & I'm Hip To Your Game, came out in 1967 on the impossible to find Arnell records. I'm Hip To Your Game was later released on Smash in 1969

Renaldo returned to the spotlight in 2007 when the Chicago reissue powerhouse Numero Group put him on the cover of their deluxe box set Eccentric Soul: Twinight's Lunar Rotation (which included other greats Syl Johnson, The Notations, and many more). Renaldo’s performing career began to flourish once again with shows around country. In early 2019 Renaldo teamed up with producer Jeremy Kay and arranger JB Flatt and set out to record new tracks that would live up to Renaldo’s great early records. Assembling a crack team of Brooklyn’s best they pulled out all the stops, creating a mix between the lush arrangements of Chicago’s early soul style and the hard-hitting beat of current Brooklyn soul. The new single “No Laggin’ & Draggin’” / “Give Up The Love”, released Feb 2020, is now available on Colemine Records. Backed by The Heavy Sounds, Renaldo’s live performances continue to deliver with passion and precision, making new fans young and old.

Deliberately presented as a dance music release, this brilliant Quincy Jones album - first released on Mercury label in 1961 - comprises material from two marvelous big band performances recorded the year before in Paris and New York. Here the great composer and arranger leads a first class "dance organization", a top-flight big band featuring the cream of NY Jazz musicians, among them: Clark Terry and Freddie Hubbard - trumpets, Curtis Fuller and Melba Liston - trombones, Phil Woods, Oliver Nelson and Sahib Shihab - saxes, Stu Martin - drums. An exquisite platter of highly swinging and danceable grooves signed by the genius of Quincy Jones

Originally released in 1969, “Fischiando in beat” presents twelve gems of instrumental beat music,
fabulous specimen of that music genre often labelled with the much-abused term ‘lounge’ – or ‘easy
listening’, if you prefer. Forget about the experimental “Synthi Time”: here you can only breathe an
incredible desire for fun and dream of the late 60s, Rome and its exclusive cocktail party.

The Soul Album is the fourth studio album by American soul singer-songwriter Otis Redding, released in 1966. It features Redding performing songs that he co-wrote, as well as covers of songs by such musicians as Sam Cooke, Eddie Floyd, Roy Head, and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album and is also credited as the co-author of three tracks. The Soul Album shows Otis Redding moving from strength to strength in a string of high-energy, sweaty soul performances, interspersing his own songs with work by Sam Cooke ("Chain Gang"), Roy Head ("Treat Her Right"), Eddie Floyd ("Everybody Makes a Mistake"), and Smokey Robinson ("It's Growing") and recasting them in his own style, so that they're not "covers" so much as reinterpretations.

Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
250 copies pressed.

180g Vinyl

180 gram high quality pressing vinyl!

Star Trek to soulstress - Lieutenant Uhura aka Nichelle Nichols was a groundbreaking actor, singer and trailblazer and these two standout tracks sound as sweet as they did over 50 years ago.
A valuable collectable must for Soul, Northern fans & well as any true Trekkie...original copies are changing hands for £250+.
Remastered and reissued on 7 inch with large / dinked centre hole in Epic generic paper sleeve.

Reissued and remastered with replica artwork - the highly sort after classic rare groove track, 'Iron Leg' by DJ Shadow's favourite Funk band, Mickey & The Soul Generation.

Original copies trade hands for £125+. Black 7" dinked centre hole vinyl.

180 gram vinyl

The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor. Sourced from the original analog master tapes by Kevin Grey. All Analog Process (aaa) Initially working as a guitar player for such greats as Sonny Boy Williamson & Etta James, Impulse Records eventually offered Mel Brown the chance to record his own material. Recorded in 1967 in Hollywood, CA, for the Impulse record label, Brown amassed a group of session musicians who had played with Charles Mingus, Marvin Gaye, and Dizzy Gillespie. Much of the album was arranged by Oliver Nelson, who worked with Thelonious Monk, Sonny Rollins, Jimmy Smith and more. His touch is felt all over the record and helps solidify the journey. These recording sessions also reflected the Sunset Strip and the energy of late ‘60s Los Angeles so incredibly, you can almost hear the go-go boots hit the floor to dance til they drop.

The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor. Sourced from the original analog master tapes by Kevin Grey. All Analog Process (aaa) Initially working as a guitar player for such greats as Sonny Boy Williamson & Etta James, Impulse Records eventually offered Mel Brown the chance to record his own material. Recorded in 1967 in Hollywood, CA, for the Impulse record label, Brown amassed a group of session musicians who had played with Charles Mingus, Marvin Gaye, and Dizzy Gillespie. Much of the album was arranged by Oliver Nelson, who worked with Thelonious Monk, Sonny Rollins, Jimmy Smith and more. His touch is felt all over the record and helps solidify the journey. These recording sessions also reflected the Sunset Strip and the energy of late ‘60s Los Angeles so incredibly, you can almost hear the go-go boots hit the floor to dance til they drop.

An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.

Here are the fabulous Mar-Keys, the Memphis based group, remembered to be the first house band at Stax Records. A bunch of talented, solid studio musicians who formed the foundation for the legendary Stax sound. Originally issued in early 1962, "Do the Pop-Eye" was the band's second album, a collection of minimal, infectious Soul-Funk-Rock instrumentals. Among the players: guitarist and composer Steve Cropper, bassist Donald “Duck” Dunn and organist Booker T. Jones. Just the right people to lay down the perfect groove for a quintessential album of instrumental music to dance to.

Leon Thomas’ debut as a leader was this classic of spiritual jazz recorded for Bob Thiel’s Flying Dutchman label. Originally pressed in 1969, it features an all-star band including Pharoah Sanders (under the name Little Rock), Lonnie Liston Smith (piano), James Spaulding (alto sax), Cecil McBee (bass), Roy Haynes (drums) and Richard Landrum (bongos).

“Spirits Known And Unknown” features versions of ‘The Creator Has A Master Plan (Peace)’, the classic ‘Song For My Father’, ‘One’, ‘Echoes’ and the topical ‘Damn Nam (Ain’t Goin’ To Vietnam)’. Subtitled New Vocal Frontiers upon release, the rear sleeve noted that “Thomas is searching as far into himself as he can go for spirits known and unknown and is creating new dimensions of vocal expressiveness to bring these spirits – these feelings – into the experience of others.” The fact that this album is hailed as a classic shows that he succeeded.

Pressed on 180gm vinyl we have remained faithful to the original pressing replicating the Flying Dutchman label style and gatefold-sleeve.

Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

Self-released in 1969 ‘Our Thing’ is the debut album of the performing Houston unit known as Kashmere Stage Band. The Texas student band came together at the Kashmere High School and under the direction of musical director Conrad O. Johnson, released a series of cult album on Kram Records, before disbanding in 1978. Raw funk, that’s basically what they’ve been playing and clearly there was a blacksploitation feel all over the place, but their drive was quite unique. Rediscover the myth.

Very unknown artists from Brixton (London), they have recorded two singles on Beacon label in 1968. And no more info about them. But we Love these four tracks of killer Soul & R'n'B in the vein of Ike & Tina.

Johnnie Mae Mathews is fondly referred to as being 'The Godmother Of Detroit Soul' as she was responsible for creating at least 8 different Detroit record labels and for discovering and nurturing many future Motown artists in their early years. In fact she was a major source of inspiration for the young Berry Gordy, founder of Motown. We are delighted to finally be releasing what many people consider to be the pinnacle of independent Detroit Soul music, the impeccable and gut-wrenching 'I Have No Choice', the defining record of Johnnie Mae Mathews many recordings with the equally impressive 'That’s When It Hurts' on the flip. 'I Have No Choice' is a record that has finally hit the heights it always deserved after being a cult record for almost 50 years and is now commanding a staggering £1200-1500 for a decent original copy for those lucky enough to be in that league. This will be a historic RSD release with comprehensive notes and photos from Johnnie Mae Mathews expert Richard Gilbert. If you’re a Soul music fan, then this record is indispensable. Full picture sleeve featuring Johnny herself in full swing, with liner notes, and fully remastered, heavyweight vinyl 45.