Funk | Soul Vinyl 247 Items

Japanese pressing. close to NM. OBI is missing.

Cover with light wear.

Still sealed with hype sticker. 2019 reissue.

Splits in seams.

Pink/Brown ATCO-labels.
Cover has edge wear, writing and a water stain on back. The record has a lot of scuffs and plays with pretty quiet surface noise (depending on the songs' volumes it's more or less (in-)audible)

Vinyl with a couple of light scuffs

Monarch Pressing.
Cover with faint ring wear.

OBI not included.
Record has some hairlines and a few superficial scratches.

Record has some hairlines and a few superficial scratches.
Cover with seam splits.

US original.
Sleeve has heavy edge wear,

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

US original.

Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise. Cover with light storage wear.

Vinyl with many scuffs and hairlines, plays with background noise. Cover with shelf wear and completely torn upper spines.

Record has surface marks and light scratches. Cover has ring wear. Orange RCA label.

Split at bottom seam. Back cover has a big water stain.

Original US Pitman pressing.

Cover has seam splits.

When first released Astro-Sounds From Beyond The Year 2000 promised an uncharted trip beyond the now generation! And it certainly delivered, as soon as the needle drops onto the opening track ‘Flameout’
we are in astral freak-out territory with cosmic strings phased beats & displaced fuzz guitars... Despite being released as a budget label’s take on the burgeoning psychedelic scene Astro Sounds, delivers the real deal.
This is thanks in no small part to the central role played by Wrecking Crew guitarist Jerry Cole. Cole had previously been the involved some L.A. session colleagues and cut his own psychedelic
album: The Inner Sounds of the Id by 'The Id' and was the perfect choice to front Astro Sounds which can be considered a development from the seminal sounds of the Id.
Astro Sounds has suffered from some unofficial releases that offer poor audio quality. This Vinyl Exotica re-issue is remastered from the original tapes and is presented on coloured vinyl

Cover with ring wear and punch hole.

1968, in the Brazilian dictatorship, Fábio released this psychedelic gem LSD (Lindo Sonho Delirante), writed by him and Carlos Imperial.

A soul / garage floor killer till today. Besides the alucinated rhythm, the song was an explicit provocation to the political society of the 60’s.

Original US pressing.

Torn spines. Original US pressing. Writing on cover.

Torn spine. Sticker on front.

US original.

Cover with long open seam split on bottom spine

close to NM

Slightly damaged seams.

US original.

Small light scuff on side B.
Record is close to VG+.

Record has just a few hairlines and is close to VG+.

Record is close to VG+.
Prong was removed.

Indianapolis Pressing.
Cover with cut-out.

Terre Haute pressing.
Still shrink wrapped but opened.
Small light scuff on side 1

Vinyl with many scuffs and hairlines. Cover with seam split, spine damage and shelf wear

Vinyl with many scuffs and hairlines. Cover with seam split on top spine and shelf wear

Shape of Things to Come is the fifth studio album by the American guitarist George Benson, recorded in 1968 and arranged by Don Sebesky. It was his first album for A&M Records and his first album to be produced by Creed Taylor, who would remain his producer until 1976. After four years and three different labels, Benson signed with the A&M/CTI label in 1968. He was to be the replacement for their star Wes Montgomery, who had died earlier in the year. For his first album with the label, producer Taylor brought in all of the labels heavyweights, arranger Sebesky, engineer Rudy Van Gelder, and guest artists Herbie Hancock and Ron Carter. The album is mostly cover songs from artists as diverse as Aretha Franklin, The Monkees and Glenn Miller. It also contains a pair of original compositions and some reworkings of movie soundtracks.

Sleeve is taped on top seam, bottom seam and at opening. Sleeve also has writing and punch hole. Record has some scuffs and hairlines, but is close to vg+.

All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Doin’ Our Thing’s first U.S. vinyl reissue since its original 1968 release date. 1968’s 'Doin’ Our Thing' is not only their first self-produced album but offers their most varied selection of songs.

Cover close to VG+

Vinyl with a couple of light scuffs

1968 Debut album from the king of the psychedelic bayou. First ever reissue of the Original Mono Mix sourced from the Original Master Tapes. Mastered by Kevin Gray. Limited Edition Green Vinyl.

US original compilation. Cover with punch hole.