Funk | Soul Vinyl 164 Items

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In the early seventies, Hank Swarn and Shirley Nanette collaborated to form Never Coming Back. Swarn had been on the road for five years, lending his guitar-backing talent to Earl Grant and his band. While on tour, he wrote some tunes that were ultimately released on the Never Coming Back album. Al Nanette approached Hank about putting together a record with Shirley, who was also keen on getting in the studio. Luckily, Swarn already had songs to bring to the session. With the support some talented local musicians, the album was recorded–mostly in one or two takes–in a little over a week. Unfortunately, the album saw little exposure. Needless to say, this tremendous effort by Nanette, who continues to sing and perform in Portland, has touched the hearts of many who’ve recently heard the album for the first time.

In-Demander By The 12-Piece Ensemble From Milwaukee Taken From Their Self-Titled Lone 1976 Brunswick LP!

Combining the sounds of Afrobeat, Ghanaian Funk, and Ethio Jazz, Derobe (Pronounced Day-Row-Bay) Dance Band creates a unique brand of heavy dance music tinged with dark intensity. Their debut 45, "Gogoplata" b/w "Kem Dahg," was recorded at Secret Stash in late 2013. The haunting melodies and intense driving rhythms crafted by this 13 piece Minneapolis based outfit make this record a must have.

Mastered and cut at 45rpm for high quality and loud sound, these 7"s are packaged in lovingly produced Brazil45 sleeves. Dancefloor essentials for all DJs and collectors!

From the opening bars of their debut LP, you can tell AJ & The Jiggawatts came to play rough. In a world where mid tempo and middle of the road soul permeates the airwaves, this crew of G.E.D. Soul killers are drawing a line in the sand by making soul music that hits harder, faster and nastier than just about anyone in the game today. AJ Eason's gin soaked vocal howls drip with a carefree carousing not unlike that of a street smart hustler making moves to make ends meet. The band follows suit with highly syncopated melodics, often at breakneck speed, all while maintaining an almost inhuman tightness. Toss all of these elements into a highball glass and garnish with a pinch of rock n' soul and you've got the makings for a serious raw soul cocktail.

Limited edition for Record Store Day 2014

St. Petersburg gets funky again!

St. Petersburg gets funky again!

12-inch contains a remix by Tom Noble, a re-edit by J Rocc, and on the flip side, the original extended version of the original track produced and performed by The Soul Investigators, running at over 12 minutes length.

Some people have to wait for fame; some people wait even longer than most. Donnie and Joe Emerson are in a league of their own.

As teenagers in Fruitland, Washington in the late ‘70s, the farming brothers dreamed of being heard. The synthesizers were sometimes crude and the 8-track recorder had its limitations, but the brothers aimed at nothing short of perfection in their home studio on the farm. They titled their 1979 debut Dreamin' Wild, and, as multi-instrumentalist Donnie later admitted, “Joe and I basically lived the dream of the title of the album.” The same goes for their parents who heavily believed in their sons' musical dreams, taking out a second mortgage on the farm and investing $100,000 in a dream that refused to die. But their privately funded, private press record sank without trace, the family lost most of their 1,600 acre farm, and as Joe focused on the family farming business, Donnie focused on his solo career.

As for Dreamin' Wild, things began to change three decades later, when record collector Jack Fleischer bought a copy of the album for $5 at a Spokane thrift shop. Something about the brothers' smiles, bouffant hair, and matching white jumpsuits gave him a good feeling. Fleischer's blogging about the album brought it to the attention of cult musician Ariel Pink, who recorded his own version of standout track “Baby.” Eventually re-released on Light In The Attic and widely available for the first time, the album chimed louder a lifetime after its conception: Pitchfork described it as a “a godlike symphony to teen hood.” The New York Times flew out to the family farm, while Jimmy Fallon took to Twitter to proclaim his love for the duo.

But Dreamin' Wild does not tell the full story. In a relatively short span of time (just two and half years) the boys put close to 70 songs down on tape, all recorded at that magical home studio on the farm. A dozen of them are included here on Still Dreamin' Wild: The Lost Recordings 1979-81 and ready to be enjoyed for the first time ever. With a familiar blend of FM rock, power pop, and new wave, these 12 tracks cover the entirety of that fruitful period, stretching from the second song Donnie ever recorded (“Everybody Knows It”) – to tracks documenting his temporary move to L.A. in 1981.

Donnie's life story is in these songs. Where Dreamin' Wild captures the teenage experience, Still Dreamin' Wild tells a broader story, one in which teenage dreams turn to painful yearning. So where the Beach Boys indebted “Ooh Baby Yeah” is inspired by a teenage girlfriend, “Big Money” shows the emergence of a naive political awareness. Later, 1981's “One True Love” captures the sound of what Donnie described as “the city as imagined from the farm,” and the epic closing track, “Don't Disguise The Way You Feel” found Donnie after high school, feeling stifled and frustrated in the isolation of the countryside and mourning the loss of his friend and occasional backing vocalist Dwayne. It is, quite simply, heartbreaking.

The long-belated success of Dreamin' Wild has given the Emerson brothere, still close and still the heart of a loving family, a new lease of life. They've finally taken their music on the road, performing at Seattle's Showbox followed by New York's Mercury Lounge. Still Dreamin' Wild proves that the album wasn't a fluke, and that Donnie's songwriting is as consistent as it is rare. All this time later, we finally have the pleasure of hearing the brothers' music. And the good news? They've still got the jumpsuits.

Can you feel it? There’s a rumble in your ears, a tremble in your knees, the world as you’ve known it is about to split, swallow you up whole and spit you out! Then, and only then, you will know you’ve heard ‘BodyQuake’ the long awaited and eagerly anticipated third album from Laura Vane and The Vipertones!

26 early Rock'N'Roll songs by Ike & Tina Turner, Ruth Brown, Bo Diddley, John lee Hooker, Muddy Waters, etc.

For almost 45 years a complete album of Vic Pitts & The Cheaters tapes has been forgotten, waiting to be released until now. In the late 1960s, Vic Pitts & The Cheaters were one of Milwaukee’s top R&B bands. They had their own TV show, played some of the city’s biggest clubs, and backed up big name acts. Between 1969 and 1970 they recorded over a dozen songs with producer Andre Williams at Chess’ Ter-Mar Studio. The results show why they were such a popular live act; some tracks reveal their roots as James Brown fanatics, others relate the happening sounds of Sly & The Family Stone and Chicago’s first record.

More raw funk from Saint-Petersburg via Detroits very own FNR!

Limited edition repress of those brazilian beauties!

Limited edition repress of those brazilian beauties!

Curtis Harding says that soul music, and his music, speak for themselves. It's self-evident on the Atlanta artist's debut, Soul Power. The driving sound of his electrified Stratocaster, the foot-stomping backbeat and the lyrics swimming in reverb -- with something this flourishing, it's almost reductive to just dig around the roots. Harding's style was born in Michigan and bred on the road, a restless childhood spent singing gospel alongside an evangelizing mother, then cultivated in Atlanta, where he sang backup for CeeLo Green and befriended the Black Lips (he plays with Cole Alexander in Night Sun).

Truth & Soul is proud to present the second volume of our Fallin' Off The Reel compilation on double long playing vinyl.

All Hail The Mighty Sceptres! boldly announces the arrival of the band and is also the rightful title of their debut album. Nick Radford and Angeline Morrison have crafted an extraordinary collection of songs showcasing their love of all things “Soul”, from funk, R&B, jazz, and doo-wop with just a bit of rock, all informed by the sound and attitude of the ‘60s.

Nothing New is an album by Gil Scott-Heron of stripped down acoustic versions of songs from his back catalogue, recorded in New York between 2005 and 2009.

Originally released as a limited edition vinyl only LP for Record Store Day 2014, now regularly available!

It's finally repressed. This 180g heavy weight vinyl comes in a gatefold cover with liner notes. Funky Chicken brings together some of the best Belgian dance tracks from the early seventies.

It's finally repressed. This 180g heavy weight vinyl comes in a gatefold cover with liner notes. Funky Chicken brings together some of the best Belgian dance tracks from the early seventies.

Repress! Sixteen never-before-reissued R'n'B and early soul stompers, compiled by Jordi Duro. Killer!

With Darondo’s passing in 2013 the world truly lost a singular and unique talent. “Didn’t I” was undoubtedly his most beloved and well-known song making the rounds in Soul collectors’ circles for some time and reaching a much wider audience with numerous placements on TV and movies including the iconic show “Breaking Bad.” Three producers from across the globe have paid him homage by adding their touches and flavor to the classic tune. French producer GUTS remix was previously included on a limited double 7in EP called “Brand New Revolution”. His take on the tune became a summer time favorite with it‘s laid back groove and Darondo’s emotion-tinged vocals layered on top. Florent F also from France, adds some heavier live drums to create a harder-hitting version on his mix. Hailing from Montreal, Canada, noted edit and remix producer Dave Allison’s version picks up the tempo, highlighting the groovier elements of the track transforming the soul tune to a dancefloor mover.

Originally released in 2014. Ikebe Shakedown’s powerful instrumental soul takes “big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from '70s-style horn-driven funk (WNYC Soundcheck).” The Brooklyn-based collective is set to follow up their well-received self-titled debut album with the heavier, more mature sound of their second full-length Stone By Stone. The self-produced album was recorded at the famed “House of Soul” Daptone Studios in Bushwick, Brooklyn. Notes bassist Vince Chiarito, "Thinking of all the great music that has come out of the Daptone Studio really pushed us to refine our songs and grow as a band. It was really inspiring to record there." The band adds that, “Stone By Stone is a much more layered and arranged album. The self-titled debut captured the raw energy of us playing live and the new record is much more of a studio effort. Psychedelic textures weave in and out of the grooves while the horn section offers an explosive response. The songs are heavy and danceable and show our moodier, more melodic side.” The seven-piece band—named after a favorite Nigerian boogie record and pronounced “ee-KAY-bay”—formed in 2008 and has developed a mighty horn section anchored by tight, deep-pocketed grooves. Following 2009’s debut EP Hard Steppin', the band released their self-titled debut full-length LP on Ubiquity Records in 2011 that Okayplayer called “an adventurous trip through time” and “one of the best releases of the year.” Their music has also been featured on a number of television shows and commercials including HBO's Eastbound and Down, Mini Cooper and Vans.

Copy close to NM

Originally released in 2014 as Vol.7 in the Luv N'Haight Edit Series which was the first on a 7-inch and featured heavyweight digger, edit-master, and producer Kon with his take on Twilight’s Modern Soul and Boogie classic “You’re In Love”. He stays true to the original but packs a bit more punch into the groove while keeping the focus on the catchy vocals and chorus on the A-side, and doing it Dub-style with minimal vocals and plenty of echo on the flip. The year prior to its release, 2013 was definitely the year of Kon with a remix released in March via On The Prowl's Party Mix Vol.7, his “All About You” EP dropping in May on Soul Clap’s newly formed record label, and his first solo all-original album “On My Way” released on BBE. In between studio work, touring in promotion of his new releases, and djing parties as one of the world’s most highly sought-after DJs, Kon couldn’t pass up the opportunity to add his name to our growing list of venerated producers that have blessed the Luv N’Haight Edit Series with their work. Supplied with the original stems culled from master tapes provided by Twilight’s own Lawrence Ross, Kon takes full advantage and crafts a classic remix and dub version of the song guaranteed to get any dancefloor jumping. Fast forward nearly 9 years later and Kon remains at the top of his game, both in demand as a DJ, Producer, and Remixer with subsequent releases on BBE (Kon and The Gang) and his celebrated work with his group The Vision (along with Ben Westbeech & Andreya Triana).

Moniquea's Yes No Maybe is an album that is steeped in the synthesizer-heavy aesthetics of 1980's R&B funk (often referred to as "boogie") but is modern enough to move past the "retro" label into something that builds a fresh sound upon the blueprints created by seminal 80's acts such as Prince, Midnight Star, or Evelyn "Champagne" King. YNM was released at the height of the 'modern funk' movement, as championed by Dam Funk & carried on by a small but dedicated cadre of artists such as Moniquea herself, & album producer XL Middleton. Having been out of print and growing evermore scarce in the second hand market, a reissue was all but inevitable.

Athens of the North are proud to presentRenée Geyer's modern soul masterpiece ‘Be There In The Morning'. Recorded in the USA early 1977 but only released as a single in Australia how this was not a worldwide hit is beyond us. On the flip we have the impossibly rare 1976 version recorded in Australia before Renee headed to the USA. Timmion Cutting Laboratory did the lathe worksoit’s cut loud and deep, sounds amazing, an essential 45 for disco or modern soul heads.

Still sealed. Sticker residue. Tiny corner wear. Limited edition Clear vinyl.

Limited Edition.
No. 124/300.

Red viny.

Deeper scratch on side B.

Vinyl with a couple of light scuffs, closer to NM

Vinyl close to NM

Close to NM.

Raw gospel stuff! Most of the recordings included here were published in 45's or 78's for less known independent companies, some by tiny local labels and sometimes paid by the church congregation itself.

Record is close to VG+

Original inner sleeve. Original UK/US pressing. 180gr vinyl. Cover and vinyl are close to NM. Small seam split.

Exact replica repress!! George gave us his orginal metal stampers and we were able to press a limited run of these before the plate broke! Best sound quality here.. don't miss this sought after modern soul masterpice. Perfect for all the still clubbing moms on the dancefloor.

By popular demand, Truth & Soul is proud to present the instrumental version of the already classic self titled debut by Lady.

New Tune By The Lead Voice Of Legendary Philly Group The Jones Girls, Currently Being Heralded As One Of The Best New Soul Records Of The Year With Inspirational Lyrics And An Irresistible Street Soul Groove

One Of The Most Cherished, Iconic Northern Soul Records Of All Time Available On A Nice Looking, Affordable Lookalike Reissue 45

120 gram vinyl in gatefold sleeve with download code!

After 14 years out of the spotlight, D'Angelo releases 'Black Messiah'. Lyrics from Q-Tip and Kendra Foster, and backing by Questlove, James Gadsen and Pino Palladino. All sexy as hell, like his previous work.

120 gram vinyl in gatefold sleeve with download code!

After 14 years out of the spotlight, D'Angelo releases 'Black Messiah'. Lyrics from Q-Tip and Kendra Foster, and backing by Questlove, James Gadsen and Pino Palladino. All sexy as hell, like his previous work.

Instrumental version of Lee Fields & The Expressions' "Emma Jean" record. Soul legend Lee Fields has re-teamed with the Expressions for his new album Emma Jean.

180g vinyl including two bonus tracks!

Limited edition for Record Store Day 2015!

The third volume in Vampisoul's 'R&B Hipshakers' series is available on LP for the first time, featuring rockin' R&B and early soul from the King/Federal/DeLuxe catalogues. You get 20 terrific dance cuts from 1955 through 1964 selected by genre expert Mr. Fine Wine of WFMU's Downtown Soulville.

Detroit vocalist Billy Garner recorded a trio of killer funk titles for Dave Hamilton in the late 60s, this is the final one to make it to a BGP 45. It is a relentless groove and its original release on New Day is very hard to find. As a special treat it comes with a special New Day label.

An explosing boogie funk for your dancefloor with a special guest Joe Bataan on the track 'The Mover'.