Funk | Soul Vinyl 329 Items

A scorcher from the golden age of gospel, via its cardinal label.
From 1960, during the family’s second decade with Savoy, featuring Gertrude Ward, Christine Jackson, Mildred Means and Vermettya Royster — and Clara, totally riveting and in-your-face with evangelistic fervour and raw soul.

Plus a rambunctious, floor-filling Wade In The Water, by Jessy Dixon and his Singers.

Handsomely sleeved (showing a contemporary but slightly different Wards lineup).

First Lady of Song Ella Fitzgerald overcame the challenges of a tumultuous youth through music, her performances with the Chick Webb Orchestra at the Savoy Ballroom and distinctive scat singing leading to early recordings and the 1938 breakthrough, ‘A Tisket A Tasket.’ After recording bebop LPs for Decca, manager Norman Granz launched the Verve label to allow her to broaden her musical horizons, exploring the Great American Songbook. Released in 1960, Ella Wishes You A Swinging Christmas sees her tackle Christmas classics as only Ella can, the lavish orchestration overseen by noted conductor Frank de Vol.

Label sleeve is VG.

On top of tree and cookies, a successful Christmas should also include proper music. If your household only holds one Christmas album, it should definitely be “Ella Wishes You A Swinging Christmas”. Ella Fitzgerald sings like an angel and swings so hot that it's barely allowed at that celebration. The classic album from 1960, which Rolling Stone placed at number 10 on its “25 Greatest Christmas Albums of All Time” list, is now available in the most appealing edition ever, as a festive red, remastered LP with a fresh new cover design. Give it to your loved ones - or to yourself.

Vinyl seems unplayed. With OBI and insert. 1975 reissue. Cover is close to NM.

Splits in seams.

Japanese pressing. Foxing

Back To Black 180 gram vinyl reissue

Most listeners only became aware of Billy Preston as a solo artist after he signed to Apple Records in the late 1960s. But he'd been recording for a long time prior to that, dating back to when he was a teenager. This instrumental album for Sam Cooke's SAR label (issued on its sister Derby imprint) was cut in March 1963, when Preston was still going to high school in Los Angeles. The very fact that it's wholly instrumental indicates that it's pretty early in Preston's evolution, and though he does play some piano, it's really on the more uptempo, organ-dominated tunes where he hits the best groove. In truth, these aren't any great shakes even when it comes to soul organ instrumentals, but they have a nice swinging bounce that places them a cut above period background music, though they fall a good ways short of being spellbinding. The slower numbers (including covers of hits by Sam Cooke and Ray Charles) verge on easy listening; in contrast, the more urgent cuts are cookin', with bop, jazz, and gospel influences spicing up the soul/R&B recipe. (allmusic)

Fame collectors know how rare this 45 is to find in the wild; it hardly ever happens. ‘Go Away With Me’ is a fabulously, catchy dance number from 1963 when the little-known Dixon wandered into the Fame Studios in Muscle Shoals and laid these track down. It is one of Dan Penn’s very early compositions and the nascent talent of the writer is in evidence here. The tuneful self-penned ‘Time Will Tell’ flip reveals another accomplished musical bent to the singer who, though he only cut two 45s, was revered as a major Muscle Shoals influence by the likes of Jimmy Johnson, Donnie Fritts and David Hood.

Southside sweethearts, the Dreamliners, first came into the scene as the Royaltones in 1961 when they were students at South San High School in San Antonio, TX. In 1963, label head Abie Epstein signed them to his Cobra & Jox labels producing 4 singles. On the way to a studio session, Ana (Ana) Wilburn coined "The Best Things in Life" on the dashboard of her car. Out popped a playful Farfisa and harmony-driven tune reminiscent of the Crystals or Ronettes. Ana also wrote and sang lead on the haunting ballad "Just Me & You." A song about longing and adolescent heartache that's perfect for any post-breakup kleenex session.

Originally released on Sue Records in 1963 this was Ike & Tina Turner fourth album, the one that earned them a first grammy nomination and a further step in the consolidation of their international success. Most of the tunes here are highly energetic up-tempo numbers while the whole album comes as the fruit of a unique combination of raw R&B and highly energetic Rock n Roll.

Writing on cover.

Bottom spine is torn. Original inner sleeve.

Original US pressing.

Small light scuffs on both sides.
Cover lamination is peeling.

Writing on cover.

Tear in spine. Writing on cover.

Vinyl with scuffs and hairlines

11 tracks ... sampled by Guru, Ghostface, Geto Boys ... 180 gram vinyl

1965 funky Instro-Soul album from Chicago that originally came out on Mercury. It deals with new interpretations of James Bond themes and own Bond inspired compositions. Feat. Studiomusic Clarence Perry (tenor), Richard McCrea (organ) and Ed Townsend (Piano).

Here are two great cuts, previously unreleased as singles, recorded for Al Sears’ Sylvia label in New York City in 1965. The Corvairs had one very good release on the label in a soul group harmony style. ‘I'll Never Do It Again’ and ‘A Feeling Deep Inside’ are more R&B and sound earlier than the 45 release. Both tracks have picked up admirers from their New Breed and Modernist CD releases and their release as a Sylvia repro label single will be very welcome.

Reissue as a part of the Start Your Year Off Right Kampagne von Warner. This 1965 collection from The King of Soul™ is as fresh and urgent now as ever. Featuring “That’s How Strong My Love Is” and “Mr Pitiful” among this beautifully curated collections of soul ballads, this is a foundational record in any collection. (Original RD: March 1965)

Billy Preston’s mastery of the organ was such that he was commissioned for collaboration by The Beatles, The Stones and countless others, his classic Hammond work a defining element of ‘Get Back.’ Released in 1964 when Preston was still 19, The Most Exciting Organ Ever mixes swinging originals such as ‘Low Down,’ ‘Soul Meetin,’ ‘The Octopus’ and ‘Billy’s Bag’ with expressively soulful covers of standards such as ‘If I Had A Hammer’ and ‘Don’t Let The Sun Catch You Crying,’ ably showcasing Preston’s awesome dexterity and unmatched ability on his chosen instrument. With every track a winner, the title rings true!

Isolated at the rural fringe of Northern California, Bailey's Nervous Kats took Shasta County by storm in the early '60s. Combining surf, rock n' roll, exotica, and R&B, the Kats were a teenage dream draped in Magnatone amplifiers and crisp white polo tees. Their self-titled_and only_LP came at the dead end of the band's run, issued on Orville Simmons' one-shot Emma imprint in 1965. The mid-century modern LP of your dreams.

Isolated at the rural fringe of Northern California, Bailey's Nervous Kats took Shasta County by storm in the early '60s. Combining surf, rock n' roll, exotica, and R&B, the Kats were a teenage dream draped in Magnatone amplifiers and crisp white polo tees. Their self-titled_and only_LP came at the dead end of the band's run, issued on Orville Simmons' one-shot Emma imprint in 1965. The mid-century modern LP of your dreams.

All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Long out of print 1965 Mono release. Featuring the legendary The Mar-Keys’ horn section. Includes the hit single "Soul Dressing". Limited Clear Vinyl Pressing

Tears in spines. Writing on cover. Drill hole.

cover with puchhole and bottom seam split. vinyl has only superficial marks

Record has light scratches and marks, plays with slight background crackles. Cover solid VG.

Cover with long open seam split on bottom spine

Seam split and storage wear. Vinyl is Close to VG. 1965 reissue.

Vinyl with many scuffs and hairlines. Cover with long open seam splits on top and bottom spines.