Funk | Soul Vinyl 725 Items

LP | 1973 | EU | Reissue (Mr Bongo)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976.
The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first. It was followed by ‘This World Is Full Of Injustice’ and ‘What Ever You Need’.
Licensed from Geoffrey Johnson (Elcados), courtesy of PMG, with special thanks to Dave Hill for his help!

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Foster Sylvers

LP | 1973 | EU | Reissue (Mr Bongo)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Brilliant funk-soul from 1973. Written by Leon Sylvers III, produced by a heavyweight line-up comprising Jerry Butler, Keg Johnson and Michael Viner. As with the majority of The Sylvers music from this period, the album has been heavily sampled. ‘Misdemeanour’ is a truly classic break and has been utilised by Madlib, Big Daddy Kane, Rodney P, The D.O.C, Pete Rock and many more. Danny Krivit edited the track in 2007, adding an acappella version on the front – still a big record with DJ’s. The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006.!

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Sylvers

The Sylvers II

Did You Give The World Some Love Today Baby Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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This is masterpiece. And we mean it. Beautiful, golden-era soul written by Leon Sylvers III, produced by Jerry Butler and Keg Johnson. The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. This is the groups second album, from 1973, and is one of their strongest. Opening with the awesome mid-tempo ‘We Can Make It If We Try’ the record moves
through funk, boogie and deep soul moods, finishing on a hazy, acapella version of The Beatles ‘Yesterday’. The Sylvers always provide a goldmine of samples. This album has been flipped by Madlib (for MF DOOM), Homeboy Sandman, 50 Cent, Ghostface Killah, Black Milk, Roc Marciano, David Banner & 9th Wonder and more. Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006.

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Doris

LP | 1970 | UK | Reissue (EMI)

Standing on the verge of getting it on

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!

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Funkadelic

LP | 1974 | EU | Reissue (Westbound)

LP | 1977 | EU | Reissue (Hot Casa)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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- "Sexy Ways" sampled by Fu-Schnickens for "Props"

- "I'll Stay" sampled by Crucial Conflict for "Hay",
De la Soul for "Millie Pulled a Pistol on Santa" and
K-Solo for "Long Live the Fugitive"

- "Standing on the Verge of Getting it On" sampled by Ice Cube for "Endangered Species" and
Sons of Bazerk for "Part One"

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Francis The Great

Ravissante Baby

LP | 1974 | UK | Reissue (Mr Bongo)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Rare funk & Avant-Garde soul from a seven years old kid singer featuring the best of French and Cameroonian musicians diaspora, recorded in Paris in 1977.

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Incredible Bongo Band

The Return Of …

LP | 1978 | EU | Reissue (Futuribile)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Re-released for the 1st time since 1974!

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Eva Eva Eva

Love Me Please Forever

LP | 1970 | EU (Endless Happiness)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Pink colorations and disco pop confections abound on Eva Eva Eva’s self titled 1978 LP, which is the newest reissue on Futuribile in collaboration with Peer-Southern Productions. The LP possess a stunning sense of eclecticism and depth, with dazzling displays of diva dynamism proceeding over a range of textures and moods…shimmering disco, rustic blues, cinematic exotica, ripping rock’n’roll, and candy dipped funk and soul, with touches of cosmic synth occasionally accenting the mix. And sitting deep on the B-side is a wonderful Italian language version of “Stayin’ Alive.”

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James Taylor

Sweet Baby James

Release: 1970 / EU

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Wax Trader)

Natural Four

Good Vibes

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Stage Two Yellow Vinyl Edition

Pat Thomas

LP | 1976 | US | Reissue (Tidal Waves)

22,74 €* 34,99 € -35%

LP | 1978 | EU | Reissue (Adarce)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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The legendary Ghanaian singer-producer Pat Thomas needs little introduction, he is a globally recognized vocalist and songwriter, famed for both his solo works and that with the highlife bands The Blue Monks, Broadway-Stargazers Dance Band, The Satellites, The Sweet Beans, Marijata, The Kwashibu Area Band and The Uhuru Dance Band. Between 1974 and 2019, he issued more than two dozen recordings offering a unique take on highlife, funk, reggae, soul and Afro-beat/pop. Pat Thomas' work was sampled many times and continues to be featured on compilations by renowned reissue-labels across the globe.

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Paco Ros

Clasicos Con Ritmo

LP | 1974 | EU | Reissue (Sommor)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Adarce proudly presents the reissue of ‘Clásicos con Ritmo’ by Paco Ros. Originally released in 1978 on Discos Maller, still sounds as special and out of time as when it was released; a strange album that has become one of the most sought after jewels - and most hard to find - for lovers of Spanish Groove. 'Clásicos con Ritmo' offers a mix of sounds that range from a kind of analog pre-Balearic to something similar to Library Music, passing through a slow cadence groove based on sinuous layers of Hammond organ, Fender pianos, vibraphones and xylophones. During the 11 songs on the album, Paco Ros revisits his life trajectory through memories: his Valencian childhood in Godella, his professional beginnings in Madrid and his musical adventures as a backing band, his return to Valencia -where he would form 'Los 4 Ros, then simply the Ros - to finally take refuge in his Mallorcan retreat, cradled between Party Rooms, Hotel Discotheques and endless sunrises, moved as always by his infinite love for music.

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Barrabas

Soltad A Barrabas!

Turkish Delight Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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Matao With Atilla Engin

LP | 1979 | EU | Reissue (Arsivplak)

LP | 1981 | EU | Reissue (Favorite)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

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Twylyte '81

The First Coming

LP | 1972 | US | Reissue (Polydor)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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We are very proud to presents this official and first ever reissue of The First Coming, by Twylyte ’81, an extremely rare and underrated Soul-Jazz album produced and released in 1981.
Twylyte ’81 was a 3 pieces band composed of Frank Jones Jr., Alfred Brown Jr. and John Belzaguy, who, except for John, have never recorded anything else than this incredible album. The First Coming is primarily standing out by a superb composition, mixing touch of Soul, Jazz, and Disco together. It secondly shines thanks to the amazing deep and spiritual voice of the band leader, Frank Jones Jr., whose vocals style can sometime remind of John Lucien. Even more impressive is the fact that these 3 fellas were all less or close to 18 years old when composing and recording this beauty. As did others brilliant hidden projects such as Ted Coleman Band, or Minority Band, it was also useful for Twylyte ’81 to receive the support of JSR Records, a kind of non-profit label dedicated to help young bands and artists in recording and producing their own records.
Here are a few words from Al Brown Jr. about this release: “After 38 years, I still have the euphoric feeling while listening to this album. I would say that this was one of my greatest achievements. I want to say "Thank you" Pascal Rioux and associates for sharing the group's vision with the rest of the world. I pray the listeners will feel a portion of what we tried to convey through these songs. When I first began this project, I thought it was just killing time. Being 17 years old at the time, I didn't see the music we worked on being recorded. We (Frank and I) were in a basement practicing each song. Who knew that this music would be recorded let alone picked up 38 years later? I still remember every beat, drum roll, every stop/start; everything. Wow, the nostalgia of it all. I wish this album much successful and I hope in the future I can perform this album live.”

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Little Royal

Jealous

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Gloria Ann Taylor & Walter Whisenhunt's Orchestra

Deep Inside You EP 180g Edition

EP | 1973 | US | Reissue (Ubiquity)

LP | 1978 | EU | Reissue (PMG)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Previously released as part of a double LP
compilation with her complete output on Selector
Sound and the Deep Inside You EP. However, this is
the first official reissue of the Deep Inside You EP as
it's on stand-alone release.
Soul singer Gloria Ann Taylor has no rags to riches
tale to tell. Her story is one of personal sacrifice,
failed relationships, and missed opportunity. She was
leading a hard knock life before being swept-up by
the flash and promise of a marriage and business
partnership with a successful record producer. She
would be nominated for a Grammy, rub shoulders
with James Brown and Bootsy Collins, and turn
heads from Motown. But in the end she rejected
professional singing, the music business, and the
lifestyle that came with it. Thankfully for music lovers,
before Gloria closed the doors on her singing career,
she left us with some amazing soul songs. Deeply
shaded by gospel roots, her haunting sound clearly
comes from the gut. Gloria did not fake the funk.
Gloria was a partial owner of the Selector Sounds
label, along with her husband/producer Walter
Whisenhunt (previously a right-hand man to James
Brown), and her brother Leonard. They released five
Gloria Taylor singles between 1971 and 1977. They
also released the three-song Deep Inside You EP,
under the name Gloria Ann Taylor and Walter
Whisenhunt’s Orchestra. In the studio Whisenhunt
would work up a unique musical brew that mixed
northern soul with exotic percussion and fuzzy
psychedelic guitars. He moved Gloria through a
range of tempos and stylings from ballads to disco.
Her gritty vocal performance was set to orchestral
arrangements creating a juxtaposition of grandeur
and solace. The pinnacle of their collaborations has
to be the jaw-droppingly epic EP version of “Love Is
a Hurting Thing”; a chugging, string-laden disco
track, that sounds like proto-Theo Parrish

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Pogo Limited

We Shall Win

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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LP | 1978 | EU | Reissue (Out-Sider)

Matthew Larkin Cassell

Matt The Cat

LP | 1977 | EU | Reissue (Out-Sider)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Originally from San Francisco, Matthew Larkin Cassell is a talented songwriter, vocalist and multi-instrumentalist. During the ‘70s-80s, Cassell fronted a trio in the Bay Area, opening for major acts like The Tubes and Sylvester. Playing an unique fusion of funk, R&B, jazz and soft-rock, he recorded his first LP, “Pieces” in 1977, followed by a 12” titled “Matt The Cat” in 1978. Both were privately pressed and modestly distributed at the time.
Fast forward to the early ‘00s: Cassell’s albums are discovered by beat diggers & hip-hop producers, which led to some his songs being sampled and included on mixes by people like Kon & Amir, Madlib and M.F. Doom. Famous labels such as Stones Throw and P-Vine reissue his music at the same time that his original albums reach outrageous prices in the collector’s market.
Here’s an overdue reissue of Cassell’s second effort, “Matt The Cat”, originally released in 1978. A great fusion of FUNK, R&B, SOUL-JAZZ and 70s SSW / AOR, featuring “All I’m Missing Is You”, sampled by People Under The Stairs.

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Matthew Larkin Cassell

Pieces

LP | 1973 | US | Reissue (Polydor)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally from San Francisco, Matthew Larkin Cassell is a talented songwriter, vocalist and multi-instrumentalist. During the ‘70s-80s, Cassell fronted a trio in the Bay Area, opening for major acts like The Tubes and Sylvester. Playing a particular fusion of funk, R&B, soul-jazz and 70s pop, he self-financed and released his first album, "Pieces", in 1977.
Distributed only locally at the time, the album remained buried until it was discovered in the '00s by beat makers and crate diggers which led to some of the tracks being sampled and included on mixes by people like Kon & Amir, Madlib and M.F. Doom. Reputed labels like Stones Throw and P-Vine reissued Casell’s music at the same time that the original album was sought-after by funk collectors and reached outrageous prices.
Here’s a straight reissue in original artwork with master tape sound and including a lyrics insert.
Mellow & laid-back FUNK/SOULFUL/JAZZY SOFT-ROCK recommended if you like STEELY DAN, ROY AYERS, LAURA NYRO, YACHT ROCK, private press AOR...

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Mandrill

Composite Truth

LP | 1979 | UK | Reissue (Acid Jazz)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram pressing!

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Leroy Hutson

Unforgettable

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Overdrive – Rock/Jazz - Party

The Bridge

LP | 1972 | EU | Reissue (Sommor)

Israel Suite / Dominante En Bleu

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this fabulous kraut, jazz-funk / fusion / rare grove / library album from 1972, originally released on the budget Tempo label from Germany. Lots of fuzzy distorted organ & Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club…) on drums.
Master tape sound, original artwork and insert with liner notes.

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Rupture

LP | 1973 | EU | Reissue (Sommor)

LP | 1976 | EU | Reissue (Pharaway Sounds)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Impossible to find Spiritual Jazz / Funk / Groove / Psych rarity from France, 1973.

Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cherry, Steve Lacy, etc) on bass, Georges Locatelli (Total Issue) on guitar, Jean-Pierre Mas (piano, organ, guitar, vocals…) In resume, Rupture was a kind of super-group featuring some of the best musicians from the Euro jazz / progressive / fusion scene. It also included collaborations by Michel Fugain and Nicole Croisille.

The album was recorded over a period of three months and the result was released as a very limited private pressing with help from the Futura label. Arranged by Sylvain Krief and Jean-Pierre Mas, “Israel Suite” included a side-long suite on side A and shorter songs on Side B. An incredible mix of vocal / spiritual jazz, funk, progressive, jazz-pop, psych…

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Erol Büyükburc

Hop Dedik

LP | 1977 | US | Reissue (Luv N Haight)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Years before Baris and even before the fame of Erkin Koray, Erol's flamboyant outfits and spontaneous behaviour brought a youthful, pop-oriented world to Turkish audiences.

Here's his first proper album from 1976.

While not exactly psychedelic, Erol's album shows how far the mix of Anatolian melodies and Western production could reach and you can find here some great examples of Turkish pop spiced with psych, disco and funk.

Includes insert with photos and liner notes by Angela Sawyer.

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Sweet Maya

Starship Commander Wooooo Wooooo

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Luv N’Haight is proud to re-issue Sweet Maya’s self-titled album. A midwest jazz-funk classic with elements of folk, jazz, soul, funk and rock combining to create a heady blend reminiscent of ‘70s work by French band Cortex and songwriting maestro Terry Callier.
The music of Sweet Maya is an extension of each member. As individuals they bring together diverse backgrounds, as a group they blend it all into a sound that is exciting and full of warmth. The six-piece group of multi-talented instrumentalists has five lead singers, four songwriters and four arrangers. The music that grows from the contact of such persons is evidenced in this album. It is Sweet Maya (the Illusion) that flows through and shapes the many idioms of their music. It is Rob Hayes, Tom Davis, Janice Lakers, John Chamberlin, and Mark Bowen who convey the experience. (excerpt taken from original LP liner notes)

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Mastership

LP | 1981 | AU | Reissue (Left Ear)

LP | 1973 | EU | Reissue (Atlantic)

Release: 1981 / AU – Reissue

Genre: Organic Grooves

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Born and raised in Kansas City, Omer J. Coleman was musically inclined from an early age. His parents couldn’t afford to buy him a real drum set, so he took up electrical wiring and wood shop instead, which fed his muse in a different direction. The future Commanderbegan working at the Armco Steel Mill when he was 18, and itwas while he was working at the mill that Coleman came up with Starship Commander Wooooo Wooooo. His coworkers built all of his equipment, from lighting and fog machines to big steel eyeglasses. Coleman’s sister, a seamstress, created his outfits. Self-released in1981,“Mastership” isa lost electronic funk classic. Coleman performs in an alien voice that comes not from electronic filtering but from his own natural vocal distortions.It’s an endearing and very personal space-age funk that blends George Clinton and Kraftwerk in a vision of a better and happier world.

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Donny Hathaway

Extension Of A Man

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Rhino)

Curtis Mayfield

Curtis

LP | 1976 | US | Reissue (Lion Productions)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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180 gram vinyl, cut from the original masters!

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Aura

Aura (Sativa)

LP | 1973 | US | Reissue (GSF)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Aura was a San Francisco Psych-Funk band formed in 1974 which played extensively throughout Northern California and by 1976, the band recorded their first and only album. The original title of the album was meant to be "Sativa", but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as "Aura". Over the ensuing decades, the Aura album has grown in stature to become a major soul/funk collector's item. As a strange side note, it was the producer of underground psychedelic band the Lemon Drops, Reggie Weiss, who wrote the psych-funk title track, 'Sativa' (a parody of The Champs hit song 'Tequila', with water pipe sound effects and blistering guitar leads by former Lemon Drops guitarist, Eddie Weiss) and 'Skyrocket' (with manic fuzz guitar).

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Skull Snaps

LP | 1977 | UK | Reissue (Southbound)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Colored Vinyl, one of the tuffest drum breaks ever originates from this LP!

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Millie Jackson

Feelin' Bitchy

12" | 1987 | UK | Reissue (Freestyle)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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In the spring of 1977, Millie Jackson was down in Muscle Shoals, Alabama, laying down tracks for what became “Feelin’ Bitchy” with co-producer Brad Shapiro. Released in August 1977, the album reached #4 and #34 in America’s Billboard’s R&B and Hot 100, going gold with over 500,000 copies sold. Jackson’s cover of ‘If You’re Not Back In Love By Monday’ – already a hit for Merle Haggard in March 1977 – also reached #5 R&B and #43 in the Hot 100 in August. Although the album did not chart in the UK, “Feelin’ Bitchy” sold strongly to a dedicated fanbase who had voted her the #1 female singer in the Blues & Soul magazine annual poll. Jackson also performed much of the material on her sold-out UK dates in early 1978.

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Purely Fizzycal

Make A Move

Release: 1987 / UK – Reissue

Genre: Organic Grooves

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Keep On Searching For Love Remstered Ediiton

Scratch

12" | 1984 | UK | Reissue (Soul Jazz)

World Of Ecstasy Remastered Edition

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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From 1984, Scratch"s "Keep On Searching For Love" features the uplifting vocals of Linda Taylor (who had a successful solo career on Prelude Records) and was produced by Tony Williams for his Master-Funk label. Sounding like a mixture of rare groove anthems like Gwen Mcrae"s "All This Love I"m Giving", Linda Williams" "Elevate Your Mind" and The Emotions" "Best of Your Love", once again with a distinct South London 80s dancefloor attitude, making "Keep On Searching For Love" a modern day soulful bullet! The flipside instrumental "Eastern Lady" comes complete with hypnotic bassline, drum machines, synths and stabbing horn lines.

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Alien Starr

12" | 1985 | UK | Reissue (Soul Jazz)

Millie Jackson Black Vinyl

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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Superb slice of super-rare electro funk grooviness originally released as a one-off small-run private-press 12" single out of Ohio, USA in 1985. Complete with vocoders, slap bass, drum machine, hand-claps and "space vocals" this electro boogie funk rarity is the jam! This is a one-off pressing very-limited exact reproduction single, remastered and restored by Soul Jazz Records, and is taken from Soul Jazz Records" recent âÇÿSpace Funk 2 - Afro-Futurist Electro Funk In Space 1976-84âÇÖ. This 12" comes in 4-colour black & white original sleeve design and features both an extended and short version of "Music-A-Lizer" plus two extra tracks "World of Ecstasy" and "Compute

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Millie Jackson

LP | 1972 | UK | Reissue (Southbound)

Sunshine Kiz Yellow / White Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Millie Jackson’s second album “It Hurts So Good” is a stone cold classic and climbed into the US Top 30 when released in 1973. Not only does the album contain the evergreen ‘I Cry’ but other smoking tracks like ‘Good To The Very Last Drop’ and ‘Now That You Got It.’

Recorded at her first session at Muscle Shoals, the title track and ‘Love Doctor’ not only appeared on this LP, but on the big screen in the film Cleopatra Jones starring Tamara Dobson. Issued as a single, ‘It Hurts So Good’ became Jackson’s biggest US chart hit peaking at #24. ‘Help Yourself’ and The Ashford and Simpson-penned ‘Don’t Send Nobody Else’ were also recorded at Muscle Shoals. The balance of the album was recorded in New York sessions with tracks like the finger-popping ‘Close My Eyes’ equal to anything Holland-Dozier-Holland were putting out at that time.

For fans of soul and Millie Jackson this album is essential.

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Piper

LP | 1984 | US | Reissue (Ship To Shore)

21,74 €* 28,99 € -25%

LP | 1973 | EU (Future Shock)

Release: 1984 / US – Reissue

Genre: Organic Grooves

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Limited to 300 copies.

Riding high on the success of Gentle Breeze, PIPER was eager to put out more new material. Keeping the same members and guest musicians, the band used its excitement and forward momentum – aided no doubt by its ever-growing experience and taste for experimentation – to produce its next album, Sunshine Kiz, within the tiny span of six months. And despite seeing no change in personnel for these latest efforts, PIPER’s musicality was constantly evolving.

Perhaps most obviously, Sunshine Kiz showed the band beginning to break away from its signature style. Instrumentals were no longer the focus as more vocal-centric tracks made their way to the fore. Sunshine Kiz turned out to be a “song album,” and its lyric sheet saw a substantial increase in the number of words. A Drumulator replaced the LinnDrums, and the programmed percussion suddenly sounded more natural. Some songs actually featured live drumming, abandoning programmed beats altogether.

It could be said that this all amounted to, at least partially, a return to PIPER’s roots. Or, maybe more accurately, it was something like PIPER circa 1981 filtered through the signature sound the band had forged with their two Breeze albums of 1983. The title track on Sunshine Kiz was released as their second-ever single – their first since “Far Away” from their debut album. And with this new single there even came a music video.

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Sylvia

Pillow Talk

Koi No Shunkan-Can't Stop My Love

Release: 1973 / EU

Genre: Organic Grooves

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Often credited as the “Mother of Hip-hop”, Sylvia Robinson was a seminal blues-turned-soul singer, producer, and writer who released a slew of sultry and sensually charged records in the 1970s as a solo act and in the duo Mickey & Sylvia. Pillow Talk remains her most intoxicating work; a steamy bedroom funk record featuring her illustrious breathy, intimate vocals embedded with silky acoustic guitars, lush orchestral strings, piloted by a series of soft, subtle, and seductive clubby rhythms that still sounds fresh and entrancing today.

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Shambara

7" | 1989 | JP | Reissue (Universal Music Japan)

Release: 1989 / JP – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Koala)

John Wagner Coalition

Shades of brown

Don Covay And The Jefferson Lemon Blues Band

Release: 1976 / US – Reissue

Genre: Organic Grooves

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James Browns greatest hits played by The John Wagner Coalition

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Different Strokes For Different Folks

LP | 1972 | EU (Trading Places)

Give Me The Sunshine Record Store Day 2021 Edition

Release: 1972 / EU

Genre: Organic Grooves

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During his long and fruitful career, multifaceted singer-songwriter Don Covay recorded in a variety of styles, including gospel, doo-wop, soul, rock, and blues, and his enviable skills as a songwriter were responsible for the likes of Chubby Checker’s ‘Pony Time,’ as well as Aretha Franklin’s ‘See Saw’ and ‘Chain Of Fools.’ Following his departure from Atlantic, Different Strokes For Different Folks was cut for the small Janus label at the esteemed Swampers HQ in Muscle Shoals, Alabama, the resultant groove irresistibly mixing funk, soul, gospel, and rock, all the while working in plenty of Covay’s individual humour.

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Leo's Sunshipp

7" | 1978 | UK | Reissue (Expansion)

Makoto Kubota And The Sunset Band

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release.

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Stardust / Dixie Fever

7" | 1977 | JP | Reissue (Solid)

LP | 1972 | US | Reissue (Peoples)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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A 7-inch reissue of a song that revolutionized the history of Japanese rock and pop music from SHOW BOAT, a label that has become an unavoidable part of the city-pop and new music scene, has been reissued in its original form.

Hoshikuzu", which was covered by Ann Sully in 2010, is a Japanese pop classic with a laid-back arrangement of American roots music, southern swamp, and R&B rhythms. The B-side features “Dixie Fever”, a sinuous rendition of a New Orleans funk groove.

The original was released in 1977 and was co-produced by Haruomi Hosono. It is an important reissue in the path of the “Tropical Trilogy” that led to “Taian Yoko” (‘76) in the previous year and “Haraiso” (’78) in the following year.

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The J.B.'s

Food for thought

LP | 1972 | US | Reissue (Peoples)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180g vinyl ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

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The J.B.'s

Food for thought

LP | 1972 | UK | Reissue (Expansion)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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limited edition Colored Vinyl ! ... sampled by Erick Sermon, Pete Rock, Pharcyde ... incl. the all-time classic "pass the peas"

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Impressions

Times Have Changed

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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LP | 1976 | UK | Reissue (Soul Brother)

Eddie Russ

See The Light

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Favorite)

Greg Yoder

Dreamer Of Life

A Message From Mozambique

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Favorite Recordings proudly presents this new official album reissue of Dreamer of Life by Greg Yoder: A killer AOR private press LP infused with Folk, Jazz and Soul notes and maybe one of the best albums from the Hawaiian Scene in this style.

Originally from San Francisco, Greg Yoder moved to Hawai'i in the early seventies and after achieving some local fame in the Waikiki area, recorded this one-off LP in 1976 at Audissey Sound studios, in Honolulu. The music is smooth and soothing, mixing xylophones, percussions, sweet guitars and brilliant orchestrations. In short, Dreamer of Life is full of hidden hits and faultless from the first note to the last.

Following his various projects at Favorite Recordings, DJ and producer Charles Maurice recently unveiled this masterpiece by selecting the song “Things Were So Easy” on the AOR Global Sounds Vol.2 compilation. And after the label contacted Greg Yoder about it, the idea of reissuing this amazing album quickly became obvious.

After its various compilations reissues over the past 2 years, Favorite Recordings is more than ever keen to enlighten rare-groove forgotten music and will quickly follow-up with great new full albums and compilations reissue projects in 2016.

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Juju

LP | 1973 | US | Reissue (Black Fire)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Motown)

Stevie Wonder

Talking Book

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | EU (Trading Places)

Zzebra

Release: 1974 / EU

Genre: Organic Grooves

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Paul Baillargeon & Dean Morgan

Viens, Mon Amour

LP | 1970 | EU | Reissue (Tresor National)

20,89 €* 21,99 € -5%

Checking Out Remastered Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Tresor Notional is a new Montreal-based record label dedicated to reissuing long lost gems recorded in Quebec (Canada). Their inaugurational release will be o 180g vinyl-only official reissue of the 1970 cult classic “maple syrup porn” soundtrack “Viens, mon amour’ (Love in a 4 letter World), composed by Paul Baillargeon (Star Trek TV series, Jean- Pierre Ferland's Soleil, Curious Georges) and Dean Morgan.
Between 1968 and 1974, Quebec was exposed to unabashed exploitation cinema. Erotic and taboo, these B-movies took on the name of films de fesses (titty films) or “maple syrup porn”. The genre produced some of the most delectable and collectable soundtracks at the time while “Viens, mon amour” easily stands out as one of the sexiest example ever recorded in La Belle Province! Original pressings are scarce and have been highly sought-after for decades by collectors from around the world. This remastered reissue highlights every sensual, psychedelic and
funky side, where rare grooves mix with delicate pop songs and Moog- infused, fuzz-driven titles with hard-hitting brass. A true gem for cinephiles, DJs and all diggers of exotic sounds... with a distinctive Québécois feel.
This first-ever reissue also includes extensive liner notes, rare artwork and exclusive commentaries from the composers. Pressed at 1000 copies, the album will be released in June 2019.

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Nat King Cool

12" | 1984 | UK | Reissue (Soul Jazz)

20,89 €* 21,99 € -5%

There's Music In The Air Blue Vinyl Edtion

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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From 1984, Nat King Cool"s stunning in-demand one-off single release "Checking Out" sounds like a blend of MFSB"s "Mysteries of the World" meets UK brit-funk complete with very cool flip-side instrumental. Originally released on the tiny Tai Wan label, this track sounds fresh!

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Letta Mbulu

LP | 1976 | EU (Future Shock)

Nothing Can Stop My Loving You / Step Out

Release: 1976 / EU

Genre: Organic Grooves

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Letta Mbulu was lucky when she emigrated from South Africa, where blacks were troubled and ridiculed by the Apartheid system. She was lucky to rescue a recording deal with A&M records, and even the label's founder, Herb Albert, produced the record, Johnny Mandel did the orchestrations, and Quincy Jones wrote the liner notes. However, it wasn't only luck - Letta Mbulu's talents as a singer are such that they couldn't be overheard. Her husband, Caiphus Semenya, also from South Africa and a musician, helped her throughout. There's Music in the Air from 1976 features songs varying in tempos and moods and languages, and there's a mellow aura of purity and peace, almost innocence, that captures the listener.

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1619 Bad Ass Band

7" | 1976 | JP | Reissue (P-Vine)

Cruisin' Black Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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From mellow crossover soul to furious heavy funk, all the way to sweet ballads, the self titled LP from 1619 Bad Ass Band has it all! We’ve taken Nothing Can Stop My Loving You and Step Out from the LP to cut a seven inch single!

Long considered by crate diggers to be rare even among the ultra rare TSG records, 1619 Bad Ass Band’s self-titled album is like catnip for rare groove collectors! From the mellow crossover soul, furious funk, sweet ballads, and everything in between, we’ve selected mid-tempo dance number “Nothing Can Stop My Loving You” and heavy funk number “Step Out” (famously sampled by DJ Shadow) to be cut on 7 inch 45rpm vinyl!

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William Odell Hughes

LP | 1981 | US | Reissue (Tidal Waves Music)

The Girl Next Door / Stop Let Your Heart Be Your Guide

Release: 1981 / US – Reissue

Genre: Organic Grooves

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180g Black vinyl limited to 500 copies (w/obi strip)
Rare Detroit Funk Soul album
First ever vinyl reissue since 1981
Featuring Tribe founder Wendell Harrison A Detroit resident, William Odell Hughes is a much-loved street educated singer-songwriter and music composer. As a regular passenger riding to work on the Detroit East Side bus route in the early eighties, he met jazz pianist Pamela Wise who also rode the bus to work every day and who he noticed was always reading music. Pamela told him about saxophonist, clarinetist, and producer Wendell Harrison (founder of the legendary Tribe collective and a regular collaborator of Pamela Wise). She introduced Odell to Wendell, who was impressed with William’s compositions and felt that it would be a great project for release on his WenHa record label.

Hughes and Harrison began producing and recording the album to be called “Cruisin”featuring musical arrangements by both Wendell Harrison and Pamela Wise. This album (released in 1981) was the first recording for Hughes and the beginning of a long musical journey that continues to this day. Cruisin’ features an all-star line-up that includes Andrew Gibson (The Counts), Pamela Wise (Tribe) and award-winning Detroit Jazz icon Wendell Harrison...all doing their bit and making this a monster of an album!

William Odell Hughes’ debut album has all the best characteristics of an 80s album: it’s filled with funky playful beats and has excellent soulful honey-dipped vocals. On Cruisin’ the listener is treated to both mellow soul sounds and electrifying disco boogie (that’ll make even the shyest of club goers want to get up and dance) and Wendell Harrison’s instantly recognizable flute-playing and synth pads give the record a warm, relaxed groove. Prepare yourself for funky vibes, cool soothing feet-tapping rhythms, fantastic interplays on vocal tempos...all backed by a beautiful array of soulful synthesized and cosmic music.

References to universal awareness are plentiful throughout and the spirituality of The Tribe remains a constant undertone; a gentle reminder of WenHa’s roots. With a sound like this, it’s no wonder that this album has long been considered a grail for crate diggers around the world. All of the above makes this incredible record both timeless and as relevant today as it was back when it was initially released.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this rare funk & soul album (original copies go for large amounts on the second-hand market) originally released in 1981 on WenHa records. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip. This vinyl edition also features the original photography by acclaimed British photographer Brian Smith known for his work with artists such as Screamin’ Jay Hawkins, Howlin’ Wolf, Chuck Berry and John Lee Hooker.

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The Mansion

7" | 1974 | UK | Reissue (Soul Junction)

LP | 1989 | EU | Reissue (Invisible City Editions)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Two fine examples of Sweet/Group Soul Harmony that was originally released as vanity project on the local Gibbs label by this former ex Prison group with original copies being excruciatingly hard to find in any condition.

Artist Bio:

The Mansion were initially a prison group formed by Charles Lorenzo Blakely in 1970 while serving time in the Green Bay Reformatory at Allouez, Wisconsin. The Mansion’s line up included at different times Michael Locke, Stanley Newburn, Carl Anderson, John Crawford, Michael Smith, Larry Moses, Ronald Hardin, Jerome Wagner, Larry Lister, Maurice Payne and Charles himself. One day while rehearsing in the prison chapel, the Mansion attracted the attention of the warden’s wife who happened to be showing some local dignitaries around. Impressed by what she heard the warden’s wife was instrumental in the Mansion being invited to perform for the city’s television station Wbay, where they recording two holiday programs. The warden later gave them permission to perform outside the prison which brought them to the attention of a Milwaukee neighbourhood program adviser by the name of Al Dunlap of the Commando Project One. It was through Dunlap that the Mansion recorded their solitary 45 release in 1974 “The Girl Next Door /Stop! Let Your Heart Be Your Guide” for a local Milwaukee label Gibbs (406). The label’s owner Bill Gibbs held the release back until some of the members of the Mansion were granted their release papers as at that time prisoners were unable to sign any contract agreements while still incarcerated. Although Charles Blakely remained incarcerated, he was later moved to a medium security prison in Fox Lake County, Wisconsin. While there he formed a gospel group, called the ‘Bell Tones’ who’s line up included Charles, Mayweather Lee, Joe Hayes, and Levell Rudd. The formation of this group was seen as major factor in Charles’s rehabilitation which led to his eventual parole in 1976. Once on the outside Charles with former ‘Bell Tone” member Mayweather Lee were joined by Charles (Sonny) Bryant and Jimmy Taylor to form a new ensemble by the name of The “Final Chapter”. As the final Chapter they recorded a solitary release for Marvel Love’s New World Label “Now I Know/Get Down For Your Action” (nw800) during 1980, a brief association that for several reasons was to eventually brake down. Although Jimmy Taylor left to pursue a career as a blues musician the remaining three members of the ‘Final Chapter’ continued to perform until they finally disbanded in 1987. Three previously unissued Final Chapter songs can be found on Soul Junction Various Artists CD compilation “We Got A Sweet Thing going On” Volume II. The Mansion’s Gibbs 45 is now is a highly prized and sort after item amongst Sweet and Group Soul collectors.

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Shawn Pittman

Dreams

Home Boy And The C.O.L. Record Store Day 2022 Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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mited Pressing.

Invisible City Editions returns with an official repress of a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni Producer/keyboardist Engineer Art Forest and Inner City background vocalist dancer/singer Shawn Pittman. On the A side a lush slow modern soul slow burner “Dreams'' features a deep,spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Ms Pittman.” 'Dreams are only Dreams till you make it real' chants Shawn Pittman and we’re lead down a dazzling maze of mirrors. With “I'm Losing Control (Extended Bass-ment Club Mix)” on the flipside a wild late night warehouse dub remix features sci-fi vocal effects,fostex tape loops and ultra-heavy bass and driving drum machines. Minimal lush soul perfect for early mornings and the post-club world and a wild sci-fi house winner for late night club sessions. An IC fave! Remastered by Brandenberg/The Carvery (Note: we’ve also removed the drum machine going out of sync that was on the original press) Official Repress via Art Forest and his label Wildboy.Essential stuff!

Art Forest is an Electronic Engineer and production wizard from Detroit Michigan. He originally recorded 2 of Inner CItys’ Biggest Hits “Good Life” and “Big Fun” and continues to record to this day. Art Forest still finds and repairs equipment to add to his studio today. He also recorded for Paula Abdul “Straight Up” and Madonnas’ “Justify My Love” Shawn Pittman was a singer and dancer from Detroit who was a good friend of Inner City vocalist Paris Grey. Shawn Pittman sang backing vocals and harmonies on “Good Life” and “Big Fun”.

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Home Boy And The C.O.L.

LP | 1982 | US | Reissue (Tidal Waves Music)

Free Man Black Vinyl Edition

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Limited to 1500 copies. Comes with Obi-Strip. Rare Boogie-Funk-Soul album from 1982. First ever vinyl reissue. Cecil Johnson Lyde Holden aka “Home Boy” (born 1948) is an artist whose musical talent has been unmistakable since his days as a young boy. Growing up listening to his parents 78 RPM Doo-wop, Blues, Jazz and Gospel records, he started signing in church when he was 6 years old. At the age of 10, his mother took him to the famous Club DeLisa (Chicago’s celebrated night spot) and entered him in a talent contest where he won first price singing “Only You” by The Platters. This key-event had sparked a burning desire and a love for music in Cecil that would never leave him…it created an opportunity for him to become an entertainer and recording artist.

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Friimen Muzik Company

LP | 1976 | US | Reissue (Tidal Waves Music)

LP | 1977 | US | Reissue (Tidal Waves Music)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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THE Friimen Muzik Company (also known as Friimen) was formed after the Biafran war in 1973-1974 in the town of ABA in the eastern part of Nigeria. Aba was the Number 1 Music Hub in the entire Eastern Region of Nigeria. While bands and artists like ‘Ofege’ and ‘Fela Kuti’ ruled the Lagos scene, bands like ‘Friimen’ and ‘The Apostles’ were ruling the ABA scene.

Before forming the band, most of its members were already working together as freelance session musicians backing up solo artists on several recordings and concerts (or were playing in military bands that gradually became civilian bands because the war had just ended). Friimen members’ credits were numerous and they played, wrote or performed on recordings from well-known acts like The Funkees, The Jets, The Apostles…and countless others.

When they started concentrating on writing their own songs, the group instantly took off and became an overnight hit that resulted in them doing multiple successful nationwide tours. Friimen would go on to record three albums: Free Man (1976), We Can Get It On (1978) and Merry Man (1979). All three albums were released on the Aba based label Anodisc Records (the key label to be on if you wanted your music heard and out there), Anodisc also released hit records by ‘Sweet Unit’ and ‘Voice Of The Cross’ but The Friimen Muzik Company was the label’s signature band.

The Friimen Muzik Company was so solid that every new group or artist wanted the Friimen to back them up in the recording studio. As a result, Anodisc Records received tons of demo cassettes from aspiring artists…the label would then first consult the Friimen members to see if these new acts were worthy of giving a chance to record and release an album for Anodisc. Over the course of the years the band went through several line-up changes…but in 1980 the band finally broke up and their story came to an end.

The album we are presenting you today (Free Man from 1976) was recorded at the famous Decca Studios in Lagos and comes swinging right out of the gate with a set of no less than Eight monster tunes. Expect nothing less than crazy afrobeat and over the top melodic funk influenced by a wide array of artists (both local and international). Mesmerizing solos, captivating grooves, impeccable sequences that turned many heads…everything you need to get a dancehall into a complete uproar. The musicians’ skills are just plain incredible! Free MAN is a quintessential record that every serious collector or fan needs to have in his/her collection.

Originally released in 1976 on Anodisc Records Nigeria, Tidal Waves Music now proudly presents the first official reissue of this seminal Afrobeat/Afrofunk album. This is also the first time the album is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip and featuring the original artwork. This reissue also comes with an insert featuring pictures of the band and extensive liner notes from band-member Arthur Freds.

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Harari

Genesis

Twenty Four Hours A Day / Rejoice

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Harari was formed in the late sixties and originally known as The Beaters, the South African group consisting of guitarists Selby Ntuli & Monty ‘Saitana’ Ndimande, bassist Alec Khaoli and drummer Sipho Mabuse decided to change their name to Harari during a tour through Rhodesia (now Zimbabwe) in 1976. The name is taken from a township outside Salisbury (which is now the capital, Harare). With their afro-rock/funk/fusion style they achieved huge successes back home and in the neighbouring states, and they were the first local black pop/rock band to appear on South African TV.

The Beaters/Harari had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. They supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was a three-month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. In the process, they created a sound that was labelled all too simply as ‘Afro-rock’ but was really a fusion of funk- and rock-inspired rhythms with African roots.

In 1976 Harari were also voted South Africa’s top instrumental group and were in high demand at concert venues across the country (they were the first Black band to headline their own show at Johannesburg’s Colosseum Theatre). Harari released several albums and their South African based label (Gallo), even got them a two-album deal with the US major label A&M. Their single, 'Party', entered the American Disco Hot 100 in 1982. After the untimely death of Selby Ntuli in 1978 they would go on to record more albums with a new line-up but it was never the same again. By 1984 the group disbanded, and Harari’s members launched successful solo careers.

Harari was a band that was deeply rooted in pan-African politics, the parallel cross-influences of the Black Panther Movement and Black Consciousness. African American soul music and Soweto Soul contributed to the way Harari became purveyors of all the styles we know today as Afro-soul, Afro-pop and Afro-jazz. The Beaters/Harari left behind a body of work that fused traditional African sounds with rock, funk, jazz, soul and psychedelia into a unique and coherent sound. It shows their ability to capture the many genres flying around South Africa during a time of intense political and cultural shifts.

The album we are presenting you today (Genesis from 1977) comes swinging right out the gate with a set of six monster anthems, explosive up-tempo jams, gorgeous vocal harmonies and chants, Afro-centric fusions of rock, funk and indigenous influences. The album is packed with mesmerizing drum-grooves, psychedelic improvisations and catchy Afrobeat rhythms. This is a quintessential Harari record that every serious collector or fan needs to have in his collection.

Originally released in 1977 on Gallo Records South Africa (and later repressed in 1982 on the same label), Tidal Waves Music now proudly presents the first official reissue of this rare album (original copies tend to go for Large amounts on the secondary market…that is if you’re lucky enough to come across one). This is also the First time ‘Genesis’ is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and featuring the original artwork.

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Messengers Incorporated

7" | 1972 | EU | Reissue (P-Vine)

Live and lowdown at the Apollo

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Although the word "ultimate" is rarely attached to the Rare Groove world, there are certain records deserving of such titles and among them, Messenger's Incorporated's Soulful Proclamation is a legendary work of funk and soul. It was dug up in the boom of deep funk, and P-vine is delighted to be bringing of its most two popular tracks to 7" single. The highlight of the album "Twenty Four Hours a Day" is a funk jam whose contrasting melancholy in the vocals of Barbara Burton add an alluring quality to the single. On the B side, the high tension instrumental funk on"Rejoice" that concludes the album is a power to behold.

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Marva Whitney

LP | 1979 | US | Reissue (Polydor)

Make Up Your Mind / Let Your Body Go

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Produced by James Brown

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Cake

12" | 1979 | EU | Reissue (Mutual Intentions)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Novaphonia Black Vinyl Edition

Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

I Don't Know / This Is A Blessing

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Fay

7" | 1981 | EU | Reissue (P-Vine)

LP | 1972 | UK | Reissue (Westbound)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Fay's only work "This Is A Blessing" Originally released in 1981 has never been reissued in history but it was the finest and overlooked masterpiece of 80's city soul …p-vine would like to present 2 tracks from that album as 7inch EP! These tracks are edited by Michael Orr, who well known by "Spread Love" which has inpressive front cover, for just this release!

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Ohio Players

Pain

LP | 1980 | EU | Reissue (Favorite)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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The first in our programme to release all three Ohio Players Westbound albums on vinyl.

“Pain” was their first for the label, released in 1972. The album charted relatively modestly at #21, but it was the six months that it spent on the charts that was the surest indicator of what was to come. The band was touring heavily and was just a hit away from a breakthrough. This would come with their next Westbound album, “Pleasure”, and the hit, ‘Funky Worm’.

Featuring the first of Joel Brodsky’s series of iconic covers.

Regular weight black vinyl in a gatefold sleeve.

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Dwight Druick

Tanger

Rahni Harris & Family Love

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Dwight Druick’s born in Montreal to a professional gambler and an ex-Radio City Rockette. One of five children, he grew up in a family buoyed by music and beleaguered by the vagaries of miscalculated risk. After attaining a McGill University bachelor’s degree in Art History, Dwight fully embraced both music and risk by traveling to London, where he signed a contract with Pye Records and Joe Cocker’s management company. The ensuing record, Druick & Lorange was released to critical acclaim and relative success. After returning to Canada, Dwight recorded two albums with Phil Vyvial: Midnight and Minuit. Recorded with the Muscle Shoals Rhythm Section in Alabama, the duo’s work achieved airplay success in Quebec and across Canada. Dwight subsequently released his first French language solo album, Tanger, released in 1980 by the Canadian label, Bobinason.
Today quite hard to find in its original version, Tanger is first of all an incredibly solid album, clearly underrated and deserving more credit. Mostly known by collectors and DJs for the stunning cover of Toto’s classic hit, “Georgy Porgy”, which was produced and arranged with the help of George Thurston (Boule Noire), it includes many other tasty titles, with amongst them another fine rendition of “Open Your Eyes” by The Doobie Brothers. In fact, with its brilliant mix of Modern-Soul, Disco and AOR styles, the whole album is already considered by many connoisseurs as a classic, and clearly a must have for anyone enjoying this musical blend.
Never reissued on vinyl until now, there was not much more needed at Favorite Recordings to make it happened.

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A Different Drummer

LP | 1977 | EU | Reissue (Rain&Shine)

LP | 1974 | EU | Reissue (Everland)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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1977, East Hartford, Connecticut. Rahni Harris — a 21 year old reverend and multi-instrumentalist — and his band, ‘Family Love’, were not afraid to embrace their love of R&B and Gospel. They laid down ‘A Different Drummer’ LP - One of the most forward thinking LPs recorded during this period and arguably of all time.
‘Syncopated Love’, 'He’s My Friend’ and ‘Make It Easy’ have been supported by DJs and collectors in the know for many years. Now, Rain&Shine give Rahni’s’ seminal record another lease of life for discerned collectors, DJs and music lovers worldwide!
Remastered with full original artwork.

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Back East

Day By Day

Soul Queen Of New Orleans

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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A masterpiece in the field of dreamy psyche pop that should have been issued five to seven years before. The Fifth Dimension might be a comparison but there is more. Jazz is one of the basic elements here, dreamy colorful pop and soul music are the others. The mixture is exciting despite it’s relaxed atmosphere. All thrillers here on the song front, great coverversions included turned into this band’s very own songs.

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Irma Thomas

LP | 1978 | US | Reissue (Maison De Soul)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Original (Nyami Nyami)

New Tutenkhamen

I Wish You Were Mine

LP | 1982 | EU | Reissue (Rain&Shine)

Release: 1979 / EU – Original

Genre: Organic Grooves

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A lost piece of Zimbabwean musical history: the only album from local legends the New Tutankhamen, combining Jazz, Soul, Folk and Township rhythms. With only 2 copies of the original LP known to exist and no trace anywhere on the internet, the band's magnum opus is available for the first time in over 40 years.

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Steve Elliott

Completion Of A Miracle

LP | 1986 | EU | Reissue (Rain & Shine)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Rain&Shine continue the love for Steve Elliott’s self-produced music by giving his second LP ‘Completion Of A Miracle’ (1982) another lease of life.
Remastered from the original reel-to-reel tapes. Includes dancefloor cut ‘Wake Up’. Another essential release from Rain&Shine, set to become a future collector’s item.

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The Nelson Family

Filled With His Spirit

LP | 1973 | US | Reissue (Prestige)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Official re-release of The Nelson Family's Gospel LP from 1986. Essential for any serious collectors of Gospel. Quality from end-to-end, including the cuts Thank You Lord (firm favorite of Floating Points and Skymark), Filled With His Spirit and Everlasting Love.

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Boogaloo Joe Jones

Black Whip

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Everland Jazz)

The John Danser Octet

The Danser Revolution

LP | 1972 | US | Reissue (Decca)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Earlier in 2017 Everland Jazz presented a reissue of Danser's Inferno's - Creation One, originally released in 1973. Now we present the even more obscure release The Danser Revolution by The John Danser Octet, almost impossible to find in original format. The ultra rare funky jazz LP from 1977 contains the killer funky fusion tune "Cool" known for being sampled by Gangstarr, Blackalicious and J.Dilla. At age 14, John Danser emigrated from London and established himself in New York City where he earned a master's degree in music at the Manhattan school of music. In his early years, Danser played in classical as well as jazz gigs, simultaneously arranging and composing. In the 1970’s, composer and multi-instrumentalist John Danser formed Danser’s Inferno, a funky Jazz-Rock-Fusion band, an ensemble of 14 very talented musicians. The John Danser Octet most probably contains the core of that same ensemble but the groups’s single album is so rare that little is known about it’s exact origins. So, just let the great music speak for itself. Licensed from Jessica Danser.

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David Axelrod

The auction

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Haruomi Hosono, Shigeru Suzuki & Tatsuro Yamashita

Pacific

LP | 1978 | EU (Victory)

Sings - The New Orleans Series

Release: 1978 / EU

Genre: Organic Grooves

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Reuniting the best session musicians Japan had to offer to make an album that would evoke the atmospheres of South Pacific islands, the kind of places Japanese people spend their vacations in. Pacific (1978) is a treat to the ears; its theme of the southern Pacific ocean and its warm cerulean waters relax its listeners with a fusion of city pop, soft jazz, and that good old 1970’s funk while remaining surprisingly fully instrumental throughout all contributions from artists Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita. A true cult LP and an inspiration for a lot of, so called, “vaporware” music.

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Irma Thomas

LP | 1979 | US | Reissue (Bandy)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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LP | 1980 | UK | Reissue (Soul Brother)

Wood, Brass & Steel

Hard & Heavy

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Beat Goes Public)

Funk Inc.

Superfunk

LP | 1970 | US | Reissue (Polydor)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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produced by David Axelrod !

- "Message from the Meters" sampled by Eric B & Rakim for "Keep 'em Eager to Listen"

- "Goodbye, So Long" sampled by Brand Nubian for "Hold On",
Lench Mob for "All on My Nut Sac" and
YG for "Ghetto Celeb"

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Lee Dorsey

Yes We Can

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | US | Reissue (Paula)

Cash McCall

Omega man

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | US | Reissue (AVI)

Lowrell

Release: 1979 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | US | Reissue (Hi)

Al Green

Explores Your Mind

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Original (Celluloid)

Lightnin' Rod

Hustler's convention

Release: 1973 / US – Original

Genre: Organic Grooves

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Do it til youre satisfied

B.T. Express

LP | 1974 | US | Reissue (Scepter)