Funk | Soul Vinyl 607 Items

Leonard Lothlen Project / Gospel Clouds

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Ice City makes its return and it's another excursion into the world of obscure one-shot bands. Revered by crate-diggers worldwide, it's a long overdue 7" reissue of the elusive band Fate and its one and only record from 1982.

The dreamy "I'm in Love Again" is a rhodes-led, bass heavy groover crescendoing with an eyes-closed guitar solo, drenched in pure, raw passion.

Not to be undone by the A-side, flip the 45 over for the psych-soul slow burner "Without You Girl" for an extra dose of heart-melting emotion.

Icy City kicking off the year strong with another limited 7" that's not to be missed!

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In The Presence / Let Us Pray

7" | 1971 | UK | Reissue (Izipho Soul)

Love On The Line / You And Me Together

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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It was a blessing to make contact with California gospel music icon Leonard Lothlen.

The concept behind this release was to place two gospel compositions recorded fifty years apart on one record! Musically diverse, both inspirational. IN THE Presence features Derick Hughes’ powerhouse vocals with a nod of respect to the late great Bishop Rance Allen

Leonard’s first record in the group G.C.’s from 1971, LET US Pray is a proven rarity with only a handful of copies documented as sold online. Uniquely trippy in sound with the sweetest of harmonies. Limited edition of 300 copies.

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Roy Roberts

7" | 1977 | UK | Reissue (Izipho Soul)

This World Is Full Of Injustice Record Store Day 2022 Black Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Once again it is an incredible honour to license music from Soul Blues legend Roy Roberts, the picks on offer this time are Love ON THE Line, which was recorded last year - this one hits the Southern Soul sweet spot for us and we are naturally thrilled to present it on vinyl.

On the flip is dreamy stepper YOU AND ME Together, taken from the revered LP ‘Country Star’ which also gained a 7” release on Roy’s House of Roton label in 1977.

Limited Edition of 300 copies.

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The Elcados

LP | 1973 | EU | Reissue (Afrodelic)

7" | 1980 | US | Reissue (Parkside)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The ultra-rare masterpiece by Elcados originally released by EMI-Nigeria in 1973 and recorded by Kayode Salami. A top shelf heavyweight Afro-Psych Funk-Rock. A real gem. Featuring 'Ku Mai Da Hankan’

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Sundown

Spaced Outta Place

LP | 1980 | EU | Reissue (Petit Cherie)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Sound Signature is proud to present a re-issue of the 7-inch single from Sundown titled "Spaced Outta Place". Composed by Amp Fiddler, Spaced Outta Place was originally released in 1981 on Parkside Records.

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Marlon Hunter

It's Summer

Home Boy And The C.O.L. Record Store Day 2022 Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Rare soul/funk album out of Oakland, CA. Featuring Marlon Hunter along with the Group The Standards Of Living. Six songs full of jazz/funk groove and Modern Soul atmospheres. First time released in 1980 as a private press this rare pearl represents a must have for diggers, djs and collectors

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Home Boy And The C.O.L.

LP | 1982 | US | Reissue (Tidal Waves Music)

Sounds Of The City Experience

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Limited to 1500 copies. Comes with Obi-Strip. Rare Boogie-Funk-Soul album from 1982. First ever vinyl reissue. Cecil Johnson Lyde Holden aka “Home Boy” (born 1948) is an artist whose musical talent has been unmistakable since his days as a young boy. Growing up listening to his parents 78 RPM Doo-wop, Blues, Jazz and Gospel records, he started signing in church when he was 6 years old. At the age of 10, his mother took him to the famous Club DeLisa (Chicago’s celebrated night spot) and entered him in a talent contest where he won first price singing “Only You” by The Platters. This key-event had sparked a burning desire and a love for music in Cecil that would never leave him…it created an opportunity for him to become an entertainer and recording artist.

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Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Released on the famed tax scam label Tiger Lily in 1976, Sounds Of The City Experience’s self-titled debut album is a rare groove treat with original pressings often reaching astronomical figures on the second-hand market. Its quality carries over into the sound with its richness of character pushing beyond what must have been a very limited recording budget. The members, whose anonymity today stands in stark contrast to the instant fame they generate on the record, go from strength to strength across these ten tracks, and craft some of the most catchy and enticing soul and funk of the 70s. P-vine is excited to be reissuing the album for a limited edition LP package with an iconic Japanese obi strip attached.

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Ingram

The Ingram Kingdom

36,99 €*

Genesis Clear Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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History tends to look back kindly on musicians unafraid to proudly wear their music on their sleeves. On the cover of their 1976 debut album The Ingram Kingdom, the members of Ingram stand united in front of a banner that reads "the funk is in our music," and the transfixing image of the cover flows deep in the body of the album’s audio landscape.

The title track opener further reinforces the foundations of the group's sanctuary with a sprawling funk jam; fit with crunching guitar solos and towering vocals. These moments of funk euphoria are matched evenly with pauses for thought and calm in the spacious soul ballads 'Tried It and Liked It' and 'She’s All Alone (I Need A Man)'. P-vine is delighted to present The Ingram Kingdom as a limited edition reissue with obi strip attached.

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Harari

LP | 1977 | US | Reissue (Tidal Waves Music)

32,99 €*

LP | 1980 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Harari was formed in the late sixties and originally known as The Beaters, the South African group consisting of guitarists Selby Ntuli & Monty ‘Saitana’ Ndimande, bassist Alec Khaoli and drummer Sipho Mabuse decided to change their name to Harari during a tour through Rhodesia (now Zimbabwe) in 1976. The name is taken from a township outside Salisbury (which is now the capital, Harare). With their afro-rock/funk/fusion style they achieved huge successes back home and in the neighbouring states, and they were the first local black pop/rock band to appear on South African TV.

The Beaters/Harari had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. They supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was a three-month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. In the process, they created a sound that was labelled all too simply as ‘Afro-rock’ but was really a fusion of funk- and rock-inspired rhythms with African roots.

In 1976 Harari were also voted South Africa’s top instrumental group and were in high demand at concert venues across the country (they were the first Black band to headline their own show at Johannesburg’s Colosseum Theatre). Harari released several albums and their South African based label (Gallo), even got them a two-album deal with the US major label A&M. Their single, 'Party', entered the American Disco Hot 100 in 1982. After the untimely death of Selby Ntuli in 1978 they would go on to record more albums with a new line-up but it was never the same again. By 1984 the group disbanded, and Harari’s members launched successful solo careers.

Harari was a band that was deeply rooted in pan-African politics, the parallel cross-influences of the Black Panther Movement and Black Consciousness. African American soul music and Soweto Soul contributed to the way Harari became purveyors of all the styles we know today as Afro-soul, Afro-pop and Afro-jazz. The Beaters/Harari left behind a body of work that fused traditional African sounds with rock, funk, jazz, soul and psychedelia into a unique and coherent sound. It shows their ability to capture the many genres flying around South Africa during a time of intense political and cultural shifts.

The album we are presenting you today (Genesis from 1977) comes swinging right out the gate with a set of six monster anthems, explosive up-tempo jams, gorgeous vocal harmonies and chants, Afro-centric fusions of rock, funk and indigenous influences. The album is packed with mesmerizing drum-grooves, psychedelic improvisations and catchy Afrobeat rhythms. This is a quintessential Harari record that every serious collector or fan needs to have in his collection.

Originally released in 1977 on Gallo Records South Africa (and later repressed in 1982 on the same label), Tidal Waves Music now proudly presents the first official reissue of this rare album (original copies tend to go for Large amounts on the secondary market…that is if you’re lucky enough to come across one). This is also the First time ‘Genesis’ is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and featuring the original artwork.

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Alphonse Mouzon

By All Means

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Lloyd Price

Music - Music

38,99 €*

LP | 1980 | JP | Reissue (P-Vine)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Followers of TSG Records will be well aware of the mystery that hovers around much of the short-lived tax-scam label’s artists, so it’s fair to say the releases from the widely-known legend of 50s R&B Lloyd Price stand out among the crowd. Music Music was released in 1976, and sounds markedly different from the trailblazing rhythm and blues sound that had galvanized hits such as “Stagger Lee” and “Perfection” almost twenty years previously.

By the mid-70s Price had moved into the record business as the co-owner of LPG records, and would go on to establish one of its subsidiary labels in secret - TSG Records. Music Music embodies the characteristics of a seasoned label boss with its strong grasp of the music climate, and its embedded recipes for hit-making soul and funk grooves. P-vine is thrilled to be reissuing Music Music as a limited edition LP for the first time in the world with an iconic Japanese obi strip attached.

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Cecil Lyde

Stone Free

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Stone Free was the only album to be released by funk and soul specialist Cecil Lyde in 1980, and its sumptuous body of songs immediately takes hold upon first spin. Originally released with the short-lived Californian label Aladdin Records, Chicago-native Lyde created an album of uncompromising modern soul and boogie that has an urgency to entertain. Title track “Stone Free (Freaks With Me)” is a bold opener with percussion laced like a whip, and active bass melodies complementing Lyde’s falsetto harmonies. Another highlight, “Money’s Funny” doubles down on intricate percussion and bass eccentricities, driving home inspired funk hooks and untapped pleasures. P-vine is thrilled to be reissuing Stone Free under its groove-diggers imprint with an iconic Japanese obi strip.

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The Corner Gang

Stone Out Of Your Mind

38,99 €*

There's A Riot Going On Red Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Another heavyweight release from the vaults of the legendary tax scam label TSG comes this reissue of The Corner Gang’s Stone Out Of Your Mind. Living up to the striking haze of the album’s sleeve, here are nine tracks of energetic pop and sweet soul packed with enough heat to ward off the coldest of winters. Album highlight “The Music Of Your Mind” hits the sweet-spot of the record with its chugging bassline, funk guitars and snarling vocals bouncing off the walls.

By the time the needle reaches the end of the groove, and it finally dawns on you that the album cover may have pinched an idea or two from Jimmy Mcgriff’s At The Organ, the band and its anonymous members have packed up their instruments and disappeared without a trace. P-vine is thrilled to be reissuing Stone Out of Your Mind on vinyl with a limited run for the first time since its original release in 1976. It is also newly remastered and fitted with an iconic Japanese obi strip.

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Sly & The Family Stone

LP | 1973 | UK | Reissue (Sony)

35,99 €*

12" | 1982 | EU | Reissue (Stima)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Sly & The Family Stone are celebrating their 50th anniversary of There’s a Riot Goin’ On released December 10th 1971. The album was a commercial success featuring the hit single “Family Affair” reaching number 14 on the official UK chart. This was a departure from the optimistic psychedelic soul of previous records and shifted to a more political and militant vibe, perfectly encapsulating the turbulent political climate in the United States at the turn of the 1970s. To this day the album is highly regarded and continues to rank in many publications’ best-album lists, including 500 Greatest Albums of All time. This year There’s a Riot Goin’ 50th anniversary features a limited edition red 1LP, which will supported with a PR and marketing campaign.

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Ulysse

Naima / Tiers Monde

16,99 €*

Cecil Holmes Soulful Sounds

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Originally released in 1983, this 12’’ from French-Haitian saxophone player Ulysse became cult – and extremely rare – within the French boogie niche. Both tracks wonderfully succeed in mixing political statements with dance-floor delights. Boogie-pop track “Naïma” seems to be a love song at first, but actually says the impossible resilience of a woman who has grown up in war. The heavy digital reggae song “Tiers Monde” warns us about the abandonment of Third World children. This maxi single, where each track is instantly followed by its instrumental version for greater DJ use, is an authentic snapshot of the Paris mixed club scene of the 1980s. Really hard to find for a very long time, it’s a great pleasure for Stima Records to make this music available again, in order to reach a well deserved new audience nearly 40 years later!

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Music for soulful lovers

LP | 1973 | US | Reissue (Buddah)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | JP | Reissue (P-Vine)

Erik Tagg

Rendez Vous

47,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Erik Tagg’s blend of warm, deeply resonating vocals spread like butter over the smooth instrumentation of this AOR and modern soul classic. 1976’s Rendez Vous was the second album from Tagg who had played in the Dutch bands Beehive and Rainbow Train outside his activity as a solo artist. From his debut two years prior, his emergence as a solo artist had always been full of promise. Yet Rendez Vous still came as a surprise with its expanded instrumentation, and the added weight of his voice on tracks, like the soul-searching “Life Goes On,” fine-tuned a winning formula.

Back in 2020 P-vine reissued the album for the first time on vinyl format through its Groove-Diggers imprint, and will again repress the album as a deluxe double gatefold edition with clear vinyl. Also included are four tracks that weren’t originally compiled on the album bringing the total tracklisting to thirteen.

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John Valenti

Anything You Want

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Anything You Want, The debut solo album from former Puzzle drummer John Valenti makes its way back to LP for the first time in ten years through P-vine’s Groove-Diggers imprint. Originally going by the name John Livigni, his talents had been stewing for some time in the run-up to the original 1976 release. And yet, after supporting smooth pop arrangements for one of the few white bands signed to Motown records, few could have predicted the infectious disco beat and Valenti’s snarling and soulful lead vocals across these eleven tracks. From album opener and title track “Anything You Want,” Valenti establishes a hypnotic connection, and album highlight “Why Don’t We Fall In Love” is as moving as it is an encompassing display of Valenti’s soul power. P-vine is proud to be repressing Anything You Want, and hope that new fans can connect with this free soul classic.

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1619 Bad Ass Band

37,04 €* 38,99 € -5%

Introducing - The Brief Encounter

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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To single out a release in catalogue of the 70s famed ‘tax scam’ label TSG is a hard ask - the level of quality remained both consistently and inexplicably high during its two years of operation. Thus calling 1619 Bad Ass Band’s 1976 self-titled album a stand-out release doesn’t honour the spirit of the catalogue, and yet, by all accounts, everything about this monolithic funk and soul unit is striking.

Lead by bandleader Khalid Abdul Shalid, album opener “Love to Love” beats down the door with a pulsating funk jam, snarling boy-girl vocal comradery and segues into the mellower reverb-soaked soul track “I Am Mine”. Phyllis Harris, sister of band bassist Carl Harris, takes over as the lead vocalist soon after, and shines on baroque pop-infused album highlight “Just for You”. She later delivers a knock-out vocal performance on the moving soul ballad “Rain (Always Finds Me Crying)”. The band depart on “Nobody” in the same way as they arrive with more stellar funk grooves and call-and-response unity.

Prices on the second-hand market for the original LP and 1978 Graham International reissue have priced out virtually everyone interested in the release for decades. For its first widely available release, P-vine is thrilled to be reissuing the album on LP fitted with an iconic Japanese obi strip.

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Brief Encounter

LP | 1977 | JP | Reissue (P-Vine)

36,99 €*

K. Frimpong & His Cubano Fiesta

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Hot on the heels of announcing a singles collection from the North Carolina funk and soul group, P-vine Records is proud to be repressing Brief Encounter’s debut album Introducing - The Brief Encounter for the first time in eleven years. A much-loved favourite among Rare Groove fans, this album was originally released in 1977 on Seventy Seven Records where it spent the better part of 30 years amassing untouchable prices on the second-hand market. With its first reissue in 2010, many fans were finally able to hop on board the pleasure-bound trip, and with those records now becoming a rarity, a second repress was always on the cards. Album opener “The Brief Encounter (introduction)” ignites the members with rallying vocals, and pacey percussive funk grooves that keeps spirits high and punctuate the album up until its joyous closer “We’re Gonna Have A Good Time”. It’s an album also unafraid to show tenderness at its core, and the soulful ballad arrangements of “Loving and Caring” and “In A Special Way” drops the tempo for a mid-album masterstroke of dynamics. As before, this reissue will come fitted with a unique Japanese obi strip.

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Me Da A Onnda

LP | 1980 | EU | Reissue (Hot Casa)

The Stars / How Can I Tell

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Me Da A Onnda by K. Frimpong and his Cubanos Fiesta isclassic and essential Hi-Life & Afro Funk album from one of the greatest Ghanaian singer and composer, finally reissued for the first time! This legendary K Fimpong's fantastic rare album was recorded in 1980. K . Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti - Akim district and entered right into music after elementary school by joining "Star de Republic" and later "Oko's band" after which he left to K. Gyasy's band where he worked for more than 6 years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of Hi- life and Soul.The excellent background is given by the famous Cubanos Fiesta with members of Vis-A-Vis band. Originally produced on the major Polydor, this four songs recording is a blend of danceable and spiritual Soul and straight Hi-Life. A must-have vinyl of percussive Afro Funk for all the music connoisseurs, K. Frimpong backed by Cubanos Fiesta LP is a true masterpiece, so hard to find and reaching crazy skills for a decent copy affordable. Remastered by Frank Merritt at The Carvery. Pressed on Replika format. Fully licensed by the Alhadji Kwame Frimpong Family

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Barbara Lewis

LP | 1970 | EU | Reissue (Outta Sight)

17,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Joshie Jo Armstead / Carla Thomas

I Got The Vibes / I'll Never Stop Loving You

LP | 1973 | EU | Reissue (Outta Sight)

17,99 €*

LP | 1977 | EU (Survival Research)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Led by maverick composer Abigail Moura, Orquestra Afro-Brasileira were one of the most influential yet overlooked groups in Brazilian music history. Operating for almost thirty years until 1970, they released just two albums - the first of which, Obaluayê, has recently been reissued by Night Dreamer Records - and left behind a legacy of Afro-Brazilian consciousness that continues to resonate today.

Combining Yoruba spirituality, folk tales, Candomblé chants and West African percussion with the instrumentation of the big band jazz tradition in the United States, the Orquestra placed Afro- Brazilian heritage in a new and vital context. Weaving emancipatory narratives into complex poly- rhythms and powerful, syncopated horn lines, the group educated and enlightened all those who saw them perform.

For Abigail’s protégé and percussionist on the group’s 1968 album Carlos Negreiros, the message of the group’s music had a profound impact: “I became aware of what it is to be black,” he says, “discovering the extraordinary potential of the Afro-Brazilian culture in the making of the national ethos.”

Now the last remaining member of the original Orquestra, Carlos was tracked down by producer Mario Caldato Jr. - whose credits include Beastie Boys, Marcelo D2 and Seu Jorge among others - to oversee the first new album of Orquestra Afro-Brasileira material since 1968.

“I was overwhelmed with the percussive rhythms, beautiful deep vocals and combined energy,” Caldato Jr. explains. “It felt like the most authentic Brazilian roots music I had ever heard. It was raw and dynamic, a pure organic sound and energy. It was a spiritual experience.”

Alongside arranger Caio Cezar, Carlos assembled his Orquestra to record five tracks at Berna Ceppas’ Estudio Maravilha 8 studio in Rio De Janeiro. With percussion, horns and vocals cut in single takes over three days, the session captured the intuitive, pure and natural spirit of the group in full flow.

Following the success of the initial session, five additional tracks were recorded at the iconic Estudio CIA dos Tecnicos in Copacabana to complete the album. Mixed by Caldato Jr., 80 Anos is a contemporary incarnation of Abigail Moura’s vision, bristling with the flair of the original recordings.

“This is an important continuation of the Orquestra Afro Brasileira sound and movement that is still strong and relevant today,” Caldato Jr. says.

80 Anos celebrates 80 years since the formation of the group, bringing its trailblazing legacy into the spotlight for a new generation of musicians and listeners alike.

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West Coast Revival

LP | 1975 | EU | Reissue (Modern)

Release: 1977 / EU

Genre: Organic Grooves

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Seattle-born preacher’s son Luther James Rabb played sax with Jimi Hendrix in the Velvetones and after forming popular horns-based rock act Ballin’ Jack, moved to Los Angeles, where soul harmony trio West Coast Revival was born. Early singles for United Artists were produced by Howard Scott and Lonnie Jordan of War, and their sole LP, released in 1977, is an exceedingly rare soul-funk gem, with solid vocal harmony, hard funk breaks, and a touch of sophisticated strings. ‘My Mind Is At Ease’ is a breakbeat special and ‘Feelin’ Allright’ rides a meaty bass groove, both underlining the War connection; our edition comes with bonus love song ‘Beautiful Girl,’ an early single B-side. Overall, this is prime soul-funk with uncommon elements, ripe for rediscovery by all discerning funk fans.

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Nikki Giovanni

Way I Feel

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Modern Harmonic)

Nikki Giovanni

Truth Is On Its Way

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Modern Harmonic)

Nikki Giovanni

Like A Ripple On A Pond

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Christmas Card Colored Vinyl Edition

The Temptations

LP | 1970 | EU | Reissue (Island)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Don't turn your back on me

Front Line Orchestra

12" | 1982 | US (RFC)

Firebirds Live At Berkeley Jazz Festival Volume 1

Release: 1982 / US

Genre: Organic Grooves

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/ long version

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Prince Lawsha

LP | 1975 | US | Reissue (Birdseye)

16,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1977 | US | Reissue (Tidal Waves Music)

Harari

Genesis

LP | 1976 | EU | Reissue (P-Vine)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Spice

Let There Be Spice

37,04 €* 38,99 € -5%

7" | 1983 | EU | Reissue (Discs Of Fun And Love)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Along with other reissues for The Ultimates, The Topics and Ricardo Marrero, P-vine has been steadily reissuing the hard-to-find funk and soul gems on the short-lived 70s label TSG, and this latest reissue for Spice's 1976 record Let There Be Spice is of no exception and is packed with seasoned heat. It's a record that complements and blurs the lines of soul, funk and disco, and was once so rare that not even the band knew of its existence. Only in recent times have we been able to put together a picture of a group growing up in The Bronx with the burning desire to perform and light up the stage.

Tracks like "Everything Is You", "Don't Fight It" and "Fool In Love" are glorious examples of the heavenly soul sound the group construct with harmonising waves of soothing vocals dancing together with warm string sections. "Happy Music" and the following "Do It Nice" up the tempo and show off another side to their sound as the songs twist and turn through proggy synthesizer solos and funk guitar rhythms. P-vine can't wait to deliver this exciting release and keep the fire burning strong for this exceptional album.

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Jimmy Mack

Pop Goes The Weasel

Live and lowdown at the Apollo

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Discs of Fun and Love return again with another 7 inch of pure soulful goodness, this time taking a trip to Wisconsin with Jimmy Mack's ‘Pop Goes The Weasel’. Originally released in 1983, this incredibly hard to find record comes with the original and an edit from one of the UK's most exciting producers and a great friend of the label, Bristol's Admin. Super sweet soul for the perfect moments in the dance.

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Marva Whitney

LP | 1979 | US | Reissue (Polydor)

Sagisu Shiro With Somethin'special

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Produced by James Brown

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Eyes

LP | 1979 | JP | Reissue (Tokuma)

72,99 €*

Love Life w/ Damaged Sleeve

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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* The long-awaited LP analog reissue of the album 'eyes' * Includes Obi Strip

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Cindy

LP | 1986 | JP | Reissue (Universal Music Japan)

53,99 €*

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1986 release
Japanese pressing

Cindy is a female vocalist who has worked with Tatsuro Yamashita and Yumi Matsutoya as a backing singer.

Her music has been used in many scenes in the anime 'Mezong Ikkoku' as background music, probably due to the fact that she debuted in the opening the

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Eric Dunbar

Freeway

38,99 €*

7" | 1982 | EU | Reissue (Fantasy Love)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Here is the upcoming P-vine presents ＜ultimate TSG Survey＞ reissue series following Ricardo Marrero, The Topics and The ultimates. "Freeway" was released in 1976 as the only work from pianist and composer Eric Dunbar who was based on New Orleans. Almost nobody had the original edition vinyl released by a legendary tax scam label "tsg Records" because this LP had pressed only a few quantities just for tax saving. Currently, this album is well known as one of the most rare and valuable titles among releases of the label. Not only its rarelity but the music itself is also truly almighty, all tracks are full of intense low-mid grooves and skillful brass sections support the base of sound strongly. The opening number "Freeway (m1)" is one of the highlights of this long play. P-vine is proud to present this long awaited reissue with newly digital remastering and Japanese OBI-strip.

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Bernard Walker

My Lover / Sexy Thang

Bubbha Thomas & The Lightmen

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Junei, the guitarist behind The Space Army Band, who would team up with his brother, General Lee, to form The Lost Weekend remains a pivotal character amongst the music scene of his hometown, Gary, Indiana.

Working closely with local indie groups & producers, such as Gordon Keith of Steeltown (Jackson 5's first manager), Junei would spend the 70s writing & recording whilst touring with artists such as The Emotions, Curtis Mayfield & Albert King.

Junei's calling card came to be in 1987, when he released his single 'Let's Ride' & 'You Must Go On' on local imprint, Pharoah's Records. The following year, he teamed up with Bernard Walker to produce a signature of that late-80s bedroom indie sound, cemented by the ideology & instruments used.

As Junei recalls..

"Bernard Walker approached me based on my reputation around town. He told me about this song that he wrote called "My Lover." Initially, he wanted to record a demo but I convinced him that I could do an actual finished production of his song, right from my small project "tape based, 8-track" basement studio. The sessions took place in Gary, Indiana in the basement of my parents home inside my... more

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Boogie Down

7" | 1980 | EU | Reissue (Pressure Makes Diamonds)

LP | 1977 | US | Reissue (Ubiquity)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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On 'Boogie Down' Bubbha Thomas and The Lightmen lean away from the jazzier moods that they were best known for, towards a mid-tempo boogie/funk workout featuring wide open drum breaks, analog synths, fat claps and vibey backing vocals.

The original 45, released in 1980, now goes for silly money if you can find one, so we thought it would be nice to make it available again. Dedicated to the extensive musical and educational work of Bubbha, who passed away at the end of 2020.
Remastered from original master tapes, officially licensed from Now Again.

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Francisco Aguabella

Hitting Hard

Superfine Feeling Record Store Day 2021 Edition

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“Hitting Hard” originally released in 1977 by Epsilon Records is widely regarded as one of Aguabella's seminal works, with its “street-style” rare groove fusing Brazilian, salsa, Latin jazz, and funk flavors. Playing with a talented cast of heavyweights including San Francisco vibist Nerio De Gracia, the dynamic Cedric Deon Bi on vocals, and percussion great Armando Peraza. With original copies still fetching a pretty penny in the secondary market, this limited reissue of essential Latin jazz-funk is a worthy addition to any record collection.

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Rare Pleasure

7" | 1977 | EU | Reissue (Ramrock Retro)

The Sweetest Thing / Someone Else's Arm Record Store Day 2021 Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In 2020, Dance Music don, Ashley Beedle was approached to edit the unreleased track which had a UK 12” vinyl release in 2021 on the charity A's and Bees label. Having heard the track in all its glory, Ramrock Boss Lady, Jo Wallace immediately thought that a 7” edit would sound like a Blackpool Mecca classic that never existed! And so, the editing process began again and, this time, the North Street Collective came up with ‘Superfine Feeling’ 7” Edits and, in the true tradition of soul tracks, named them Pt1 & Pt2. An exuberant, uplifting, Mecca Soul unreleased monster finally receiving the talcumed dancefloor love it deserves 44 years later!

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Channel 3

7" | 1973 | EU | Reissue (Dakar)

Round Robin And Brimstone

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. This one-off 1973 release turned out to be the only recordings of Chicago veterans Channel 3. Powered by a brilliant Carl Davis production, a sublime William Sanders arrangement and a sterling Willie Henderson rhythm, 'The Sweetest Thing' is quite simply a masterpiece of Chicago Soul which has become even more popular over the years. A mint original is £250+ these days so this has been long overdue for a 7 Inch release.

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Round Robin And Brimstone Record Store Day 2021 Edition

LP | 1980 | US | Reissue (Luv N' Haight)

27,89 €* 30,99 € -10%

Make Up Your Mind / Let Your Body Go

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release.
Limitation: 1200 copies.

The highly sought after self-titled album by Round Robin and Brimstone typically changes collector's hands for hundreds of dollars and has been on the radar of modern soul/boogie fans for some time with featured cuts on Kon and Amir's "Off Track Vol.1" and our own Groove Merchant Turns 20 compilation. Deep Funk/Soul enthusiasts also know "The Round Robin Monopoly" band which is another project by band leader Robin Lloyd.

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Cake

12" | 1979 | EU | Reissue (Mutual Intentions)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (Demon)

Total Eclipse

A Great Combination

Release: 1975 / US – Reissue

Genre: Organic Grooves

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I Always Wanted To Be In The Band

Step By Step

LP | 1976 | US | Reissue (Demon)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Sade

Sweetest Taboo

12" | 1985 | US (Epic)

F.B.I. / Talkin' Bout Love / Love Love Love / Bad Deal Green Vinyl Edition

Release: 1985 / US

Genre: Organic Grooves, Pop

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/ You're Not The Man

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F.B.I.

2x7" | 1977 | UK | Reissue (Dynamite Cuts)

LP | 1971 | US | Reissue (Curtom)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Dynamite Cuts 45s series is proud to release another double-pack; loaded with jazz funk 7” wonders. F.B.I. (Funk Band Inc) was the UK’s original Jazz-funk band. Four tracks from this timeless LP are now on 7” for the first time. Originally released in 1977, this LP is now massive with the collectors, and is in the ‘must-have’ category. The incredible ‘Bad Deal’ (my personal favorite), and, yes, the outstanding, “Talkin about love”, are both on there. This Dynamite Cuts release is a gatefold edition; with some previously unseen photos of the band. Unmissable

Dynam7090

A – “fbi” – Funk breaks and anthemic rare groove vocal club classic. B – “Talkin’ about love” – Amazing vocal Mid-tempo and uplift funk n soul gem. This is a dream to have on a 7” vinyl

Dynam7091

A – “Love Love Love” – Classic soul version cut of the JR Baily sweetness, Essential for soul lovers and music collectors B – “Bad Deal” – Mid-tempo vocal Jazz-funk n soul groove, my favorite track.

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Curtis Mayfield

Roots

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (Edition Hawara)

Robert Ponger

26,99 €*

LP | 1976 | UK | Reissue (Matsuli Music)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Robert Ponger is perhaps best known as the producer for Austria’s biggest pop sensation Falco. His unparalleled production skills are on full display in the iconic hit single “Der Kommissar”, and he is also the main man behind Falco’s legendary early albums “Einzelhaft” and “Junge Römer”. But Ponger deserves at least as much credit for his solo recordings. The most sought-after of these is Ponger’s 1979 self-titled LP, which Edition Hawara is honoured to re-issue. The album contains twelve disco-inspired pieces that are unabashedly playful, but also signal serious musical knowledge and finesse. Recorded in the vicinity of Mistelbach, a village even locals struggle to find on a map, Ponger’s LP breathes the vibe of Studio 54 – with the little special extra that only Mistelbach can add. A true Austrian classic.

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Harari (The Beaters)

Rufaro

Novaphonia Black Vinyl Edition

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Top reissue of their in demand 1976 LP by the super group. Includes the long jam ''Oya Kai'', keeps on going.. Also holds their known tune ''Musikana'', killer groove. Alec Khaoli, Selby Ntuli and Sipho Mabuse with their first album as Harari made a great debut channeling a raw energie following up their LP as the beaters. The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Antonio L. Newton

LP | 1987 | US | Reissue (Tidal Waves Music)

LP | 1976 | EU | Reissue (Demon)

Release: 1987 / US – Reissue

Genre: Organic Grooves

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Antonio L. Newton AKA Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European ‘Motown Review’ tour. Within two years, Newton became the Miracles’ musical director.

Tony Newton also toured and recorded with other Motown artists such as The Supremes, Marvin Gaye, Stevie Wonder, The Jackson 5…and countless others. Earning the nickname “the Baby Funk Brother” he left his trademark of solid, hard-driving and deftly clever grooves on such timeless hits as “Where Did Our Love Go,” “Baby Love,” “Stop In The Name Of Love,” “Nowhere to Run,” “ABC,” “Never Can Say Goodbye,” “Don’t Leave Me This Way,” and many others. Next to his impressive body of work for Motown, Newton can be heard on several hit singles from labels like Invictus-Hotwax and Stax. Later, Newton gained recognition as a member of both the acclaimed jazz-rock fusion group: The New Tony Williams Lifetime (headed by Miles Davis’ drummer Tony Williams) and the British hard rock group: G-Force (with veteran guitarist Gary Moore).

Tony Newton also recorded several solo albums during his impressive career, including the two total classics: ‘Mysticism & Romance’ (1978) and ‘Novaphonia’ (1987).

On the album, we are presenting you today (Novaphonia from 1987) the listener is treated to something Unique (and this is not an overstatement). Newton really puts the ‘multi’ into multi-instrumentalist, playing the synthesizers, the electric bass and the drum machine. Experimental is the keyword here, sounds vary from psych/trance (almost like a soundtrack from a space movie), to funk, fusion, rock, R&B, soul and jazz. Novaphonia has both elements of Tony Newton’s impressive musical past and his vision for the future.

Spacious synths, unusual instruments and an all-around cosmic approach make this an ‘out of this world’ and Very intriguing album. Resonant, sonically rich, sonorous, colorful, mind-expanding sounds are what one should expect from the 20th century Novaphonic sound developed to its greatest extent. These harmonies are innately pleasing to the human ear, mind and nervous system.

Explore new musical frontiers intended to catapult the listener towards new dimensions…this is an album that just begs for a special place in your record collection!

Tidal Waves Music now proudly presents the first-ever vinyl reissue of ‘Novaphonia’ since its release in 1987. This rare & private pressed album (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Jackie Wilson

Nobody But You

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Demon)

Brown Sugar

Featuring Clydie King

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Life & Times Clear Vinyl Edition

Bubbha Thomas

LP | 1985 | US | Reissue (Tidal Waves Music)

39,99 €*

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Clear vinyl edition limited to 100 copies worldwide.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Smoke

Risin'

Al 'Man' Muntzie And The Embraceables

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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"Smoke" is a soul vocal group from Kansas City though soul music was not so popular at that time. The band had Larry Brown who is also a member ofAHarold Melvin & the Blue Notes, and Melvin Manning who is the younger brother of Marva Whitney.This album was originally released 1976 and P-vine released this album 24 years ago as LP and that edition has gotten expensive recently. So we decided to present it again for sweet soul lovers all over the world as a limited edition LP with OBI strip.The outstanding slow ballad "I'm So Lonely" provesAthis LP is not only rare, but also has perfect quality!

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Die Happy / Die Happy (Instrumental) Red Vinyl Edition

7" | 1976 | UK | Reissue (Mr Bongo)

17,99 €*

Al 'Man' Muntzie And The Embraceables

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Official Mr Bongo Soul Reissue We stumbled onto Al Muntzie's under the radar soul beauty 'Die Happy' after conducting an interview with Joe Quarterman for a feature on our website. It got us salivating about the prospect of further productions, which Joe had recorded, but had perhaps been overlooked. 'Die Happy' was originally released in 1976 and was the only release on S.B. Moon Records. The record has a crossover vibe as it sits beautifully between modern soul, funk, and proto-disco. Initial research didn't shed much light onto the background of the song. The trail was sparse, other than the record appearing on the sales list of rare-soul collectors and record dealers. So we decided to go back to the source and find out about the record directly from Joe himself. "I met Al Muntzie through my bass guitar player, Elliot Adams. Elliot informed me that Al was looking for a song that was funky and suitable for a group. At that time, 1976 - 79, I had written the words and melody to 'Die Happy" and Elliot cranked out a mean bass part that gave the song life. He should be credited as co-writer for his outstanding bass part. At this time my band, FreeSoul, had dis-banded and worked as sideman musicians. Elliot and I made a demo of the song on a cassette and we let Al Muntzie hear it: he liked it. We set a recording date at the Omega Recording Studio in northern Virginia. We used a combination of two bands; FreeSoul and Experience Unlimited (eu). Al sang lead vocal and me and the Embracebles did the background vocals. Al was very cooperative and did not say much during the session. He followed my direction and got the job done. The session took all day into the late evening hours where we mixed and mastered the tune to perfection. We had a good time creating this work of art." We are forever thankful to Joe for giving us the opportunity to present this fantastic production by Al, Elliot, and Joe, and to give it the new lease of life, which it rightfully deserves.

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Die Happy / Die Happy (Instrumental) Black Vinyl Edition

7" | 1976 | UK | Reissue (Mr Bongo)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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The Topics

Giving Up

54,99 €*

LP | 1982 | JP | Reissue (P-Vine)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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Michael Stosic

27,19 €* 31,99 € -15%

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Early 80's AOR / Blue Eyed Soul's treasure is finally reissued as LP! Michael Stosic is SSW from Nevada, USA, their name might not be well known in this world but it is a masterpiece that boasts a music quality that sets it apart from a mere rare vinyl reissue! Original pressing had been sold only 30 copies in local shops in Nevada in 1982 and P-vine reissued this album as CD in the summer of 2020, this time we present it as reissue LP with OBI for the first time! For fans of Erik Tagg (plp-6973), Positive Force (plp-6955), Lui (plp-6977) etc...

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Danny Dee

Movin' In

7" | 1976 | EU | Reissue (South Street Disco)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Danny Dee aka Lil Albert was an original member of Hawaii's Society of Seven, P-Vine present a vinyl reisue of his sought-after 1976 album Movin' in.

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Rare Pleasure

Let Me Down Easy

7" | 1980 | EU | Reissue (Kalakuta Soul Bahlo)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7" for RSD. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue.

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Corniche Band

Dance

Life & Times Bone Colored Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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7“ Vinyl Only – Limited to 500 copies Special remarks : Official Re-Issue of Hard to Find Tunisian Soul and Disco Nugget from 1980. Tracklist A. Dance B. Can’t You See Me Shortinfo After a well received and enjoyed first joint on this freshly founded co-founded music label joining Kalakuta Soul Records with the neighboring Bahlo Records Store, Kalakuta Soul Bahlo Records is more than happy to re-issue a Disco gem that has been enjoyed in several occasions in the past years but seldom was easy to find. On a working trip to Italy the salesmen Mohmed Fersi, Lotfi Ferjani, Smir Almia, Mohsen Matri and Nejib Toukabri used their stopover in Italy for a recording session guided by the owner of Phono Sound Dischi Francesco Ammaturo and that resulted in the release of „Dance“ and „Can’t You See Me“ in 1980. Almost 40 years later, KABA’s half Guy Dermosessian got invited by the mighty Najib Ben Belgacem for a memorable party he organized together with Tunis’ mighty „Downtown Vibes“ Family at Wax Bar followed by a live stream for downtown based and freshly found record label „Eddisco“. Why we’re telling you that? Well, odds are it turned out that one of Downtown Vibes’ Baba and Eddisco’s Mama was the amazing selector and DJ Hamdi Toukabri, nephew of Nejib Toukabri, Corniche Band’s Keyboard maestro. And the rest is history as you can imagine. We are more than pleased to have had the chance to re-issue this amazing record we hereby would like to dedicate to the shortly deceased Mohmed „Momo“ Fersi and his family. May his soul rest in peace. We would also like to thank Hamdi Toukabri and Nejib Toukabri for making this happen and possible as well as our brother Najib Ben Belgacem for bringing us all together in the first place. Corniche Band comes in its original Cover design and with the same tracklist.

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Bubbha Thomas

LP | 1985 | US | Reissue (Tidal Waves Music)

23,99 €* 31,99 € -25%

Life & Times Black Vinyl Edition

Release: 1985 / US – Reissue

Genre: Organic Grooves

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LImited to 100 copies on bone colored vinyl. Only at HHV.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition complete with the original artwork.

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Bubbha Thomas

LP | 1985 | US | Reissue (Tidal Waves Music)

Makoto Kubota And The Sunset Band

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Black vinyl edition limited to 500 copies worldwide.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Stardust / Dixie Fever

7" | 1977 | JP | Reissue (Solid)

20,99 €*

2LP | 1986 | EU | Reissue (Rhino)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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A 7-inch reissue of a song that revolutionized the history of Japanese rock and pop music from SHOW BOAT, a label that has become an unavoidable part of the city-pop and new music scene, has been reissued in its original form.

Hoshikuzu", which was covered by Ann Sully in 2010, is a Japanese pop classic with a laid-back arrangement of American roots music, southern swamp, and R&B rhythms. The B-side features “Dixie Fever”, a sinuous rendition of a New Orleans funk groove.

The original was released in 1977 and was co-produced by Haruomi Hosono. It is an important reissue in the path of the “Tropical Trilogy” that led to “Taian Yoko” (‘76) in the previous year and “Haraiso” (’78) in the following year.

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Aretha Franklin

Aretha

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Changing Man / I'm Just Your Clown

The Power Of Attorney

7" | 1973 | US | Reissue (Nicetown / Brewerytown Beats)

Don't You Worry Baby The Best Is Yet To Come / Try To Leave Me If You Can

Release: 1973 / US – Reissue

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind. In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band. Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born. In January of 1973, Power of Attorney got the chance to record at Sigma Sound Studios, the legendary space that helped birth the Philadelphia International sound as well as classic albums like David Bowie's Young Americans. Taking the routines that they had rehearsed for a reported five hours each day, the band laid down the tracks — including the reflective “Changing Man,” an original composition by McDowell. “It tells the story of a man who made a mistake, and after a while in jail, he gets his head together, and realizes it’s time to straighten it out,” the 21-year-old serving life for murder told The Philadelphia Daily News upon the single’s release. The 7-inch single was released on the Nicetown label in 1973. Sold directly from the prison activities office, 500 copies were originally made. After more practicing and recording, one year later James Brown & Polydor Records offered The Power Of Attorney’s lone full-length, 1974’s From The Inside… Between 1973 and 1975 the band played 400+ concerts outside of the prison walls. Even opening for Stevie Wonder at Lincoln University and also making a live appearance on the Mike Douglas show. Forward to 2020 – While digging through the Sigma tape archives at Drexel University, Brewerytown Beats owner Max Ochester – known for deep-dive Philly reissues by The Thompsons and Sounds Of Liberation – noticed two tapes, with only “P.O.A.” scribbled on the spines. Upon further inspection, it was discovered that these 2-inch multi-reels contained six songs, four of them previously unreleased, all from 1973. The full original studio tapes for Power Of Attorney’s “Changing Man” sessions had been found, 47 years later. Expertly mixed and remastered from the original reels, Power Of Attorney’s Changing Man (out now on Brewerytown Records) is a document of the joy and pain of a handful of men trying to make the best of an impossible situation. The bittersweet love ballad “I’m Just your Clown” is featured on the flip. The reissued single is available now on Brewerytown Records on vinyl and streaming platforms. The label will follow this up with the vinyl and streaming release of all 6 songs found on that long-lost Sigma tape, on vinyl & CD in late 2020.

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Bessie Banks

7" | 1976 | EU | Reissue (Pressure Makes Diamonds)

We've Gotta Find A Way Back To Love / Two Wrongs Don't Make A Right

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Ultra-rare modern/Northern soul/funk crossover, now extremely expensive in its original form. Cut loud & proud. Artwork based on the original promo version. Officially licensed from Phase One Network.

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Freda Payne

7" | 1973 | EU | Reissue (Pressure Makes Diamonds)

Lyman Woodard Organization

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Slept-on modern soul/funk featuring the break from "Ham 'N' Eggs" by A Tribe Called Quest. Cut loud & proud. Licensed from Demon Music Group by pressuremakesdiamonds.co.uk

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Don't Stop The Groove

LP | 1979 | UK | Reissue (Pure Pleasure)

35,99 €*

Iwishcan William Record Store Day 2020 Edition

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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When Cobb's Corner nightclub owner Henry Normile was murdered, followed by the in-street shooting and death of Eddie Jefferson, the heart of the Detroit jazz scene was ripped apart. Through the advent of the Labor Day Montreux-Detroit Jazz Festivals starting in 1980, things picked back up measurably, but the club scene has never been the same. This live recording of the Lyman Woodard Organization, which was taped the day before Normile was killed in his next door apartment, more than any other album or event exemplified the never say die spirit of Motor City jazz. It also was a hallmark for a unique style of the music, an urban rhythm & blues infused contemporary jazz that stood tall for both listeners and dancers during the tail-end of the disco movement. Woodard was in his prime, determined that his idea was singular, and went beyond soul-jazz into a realm where only he could claim ownership. With guitarist Robert Lowe and saxophonist Allan Barnes, who would both go on to national acclaim as leaders, the Organization was a powerhouse in live performance not to be denied, and for sure a solid sending crowd pleaser. A much better recording than his studio cult classic "Saturday Night Special", this live set laid the groundwork for the continuation of Woodard's career for decades to come, and showed his fellow Detroiter's that better days lay ahead. Where the title track is happy and a bit more commercial than the rest with its slinky, straight, fingerpopping, sublime beat and seductive vocal line, "Disco Tease" prances along in a hard rock vein with conga accents from Lorenzo Brown and chicken scratch, dramatic guitar chords from Lowe. "Down Lowe" is a concrete, fatback groove from the guitarist, while "Djarum" turns the wick down in a slow, sexy nightshade visage, with Kerry Campbell's soprano sax expanding the horn section with Woodard's organ in stretched out phrases. The appropriately titled "Theme In Search Of A Sports Spectacular" is the killer track, as trumpeter Marcus Belgrave joins the band in an Olympic sprint, an irresistible melody that is catchy, infectious, memorable, and anthematic as any warrior clarion call to battle in the athletic arena. This driven, tenacious, forceful piece of music still stands the test of time for its ferocious attitude and champion-like strut. This recording documents not only the darkest days, but the bright hope a financially strapped Detroit offers to the rest of the world, and the determination Woodard always exemplified.

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The 3 Pieces

12" | 1982 | EU | Reissue (Rogue Cat Resounds)

LP | 1976 | EU | Reissue (Be With)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2020 Release. Full printed sleeve - black 12” vinyl. Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those. Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus: “I wish love. I can love. I will love. I am love.”

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Junie

Suzie Super Groupie

LP | 1977 | US | Reissue (Demon)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Walter ‘Junie’ Morrison released his third solo LP, Suzie Super Groupie, in 1976. A slick, smooth and soulful record, it’s a genre-melting tour de force with rich elements of proto-boogie, funk and jazz. In short, this is yet another essential album reissue from Be With.

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Windy City

Let Me Ride

Release: 1977 / US – Reissue

Genre: Organic Grooves

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It Should Have Been You / God Don't Like Ugly

Gwen Guthrie

12" | 1982 | US (Island)

12" | 1984 | EU | Reissue (Glossy Mistakes)

Release: 1982 / US

Genre: Organic Grooves

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/ god don't like ugly

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Cover Boys

Reality

LP | 1980 | JP | Reissue (Teichiku)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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In a time where dancing has a kind of nostalgic feeling attached to it, Glossy Mistakes kicks off its brand new series of dancefloor-oriented EPs, Glossyfloor. The starting point of this adventure from the Madrid based label comes with the reissue of the highly demanded Cover Boys’ banger ‘Reality’, an absolute ode to one of human beings most basic instincts.

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Judy Anton

Smile

72,99 €*

Paul Dupont & His Orchestra

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Pop

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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.

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Tapestry

LP | 1977 | EU | Reissue (Farfalla)

Quintessence Black Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Farfalla Records allows you to discover again the music of Roger Webb (aka Paul Dupont) with this album that could have been the perfect soundtrack for a crime film of the 1970s, alternating powerful tracks with jazz-funk rhythms and melodic tracks with light/romantic themes. Tapestry was recorded for the London based recording company Chappell Recorded Music and released in 1977 exclusively for professional use.

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

36,99 €*

Quintessence Brown Vinyl Edition

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Rare Private Pressed NC Funk/Soul from 1983
First vinyl reissue since 1983
Comes with insert
Black Vinyl Edition Limited to 500 copies, comes with obi strip

JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert.

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

32,99 €*

Ain't nothin' goin' on but the rent

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies. JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert. Limited to 100 copies 180g Brown Vinyl (available exclusively from HHV Records).

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Gwen Guthrie

12" | 1986 | US (Polydor)

Release: 1986 / US

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (BGP)

Funk Inc.

George & Glen Miller / The Millers

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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incl. the classic break 'kool is back' as sampled by everybody and even more !

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Easing / Version

7" | 1979 | UK | Reissue (Third World)

LP | 1971 | EU | Reissue (Demon)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Disco crossover track originally on UK label Third World, 1979.

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8th Day

Turkish Delight Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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1970s Detroit American funk-soul group signed to Invictus, part of the legendary HDH label group (Holland- Dozier- Holland), who helped define the iconic Motown sound. Reissued with original artwork, printed inner sleeve and pressed on 180g heavyweight vinyl

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Matao With Atilla Engin

LP | 1979 | EU | Reissue (Arsivplak)

21,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

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Black Ivory

Mainline

12" | 1979 | US (Buddah)

18,99 €*

I Love You / House Of Fun And Love

Release: 1979 / US

Genre: Organic Grooves

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/ dance

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Sweet Mixture

7" | 1973 | EU | Reissue (Discs Of Fun And Love)

Hey Lady / Just To Be With You

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Discs Of Fun and Love are back and incredibly happy to announce the second release “House of Fun and Love” by Sweet Mixture. A fully licensed and remastered issue of this holy grail crossover record.
Originally recorded in 1973 at Ron Rice’s Bazar Studios in Chicago, Sweet Mixture’s “House of Fun and Love” is a sensational crossover holy grail with the slower smooth A side “I Love You” (perfect for those after hour listens). This hyper-rare record has been trading hands for around £1000 in the last few years so we are incredibly pleased to release the fully licensed and remastered issue to the world. Fully licensed from Ron’s family and remastered by Grammy nominated mastering house the Carvery for this release and the record comes in another striking company sleeve.
"Finally out again on a 45, from discs of fun and love" - Gilles Peterson
"Very excited to hear this magnificient and super rare record is being reissued. Don't sleep on the beautiful House Of Fun and Love" - Waxist

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Elements

7" | 1971 | JP | Reissue (Numero)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Everland)

Terea

Terea Special Edition

27,99 €*

Kimiko Kasai with Herbie Hancock

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Anybody remember STREET FEET? These guys used to be an all instrumental 1970s funk act with a cineastic feel, means that their music could easily have been used as library music for TV productions, especially police movies. They had one album in 1977 and then disappeared. At least it seemed so. But they rather teamed up with singer Sharon Robinson, who has been background vocalist with Leonard Cohen and songwriter for people like Diana Ross, Patti Labelle or Michael Bolton later on and was reluctant to use her own name on the album for tax shelter issues with her label. Since her middle name is Terea, as it was said, this became the project name as well. Original copies from the long since vanished BABY GRAND label fetch prices of 1500 $ and more, so here EVERLAND MUSIC, who own the whole catalogue of the BABY GRAND label, kick out the jams with their ultimate reissue of this classic. The music on this outstanding album could easily be regarded as some of the greatest late 70s black music. And what a great variation of sounds do we found here. Smooth funk with a silkier edge and piercing synthesizers, soul pop with lush arrangements, giant harmonies and a cineastic atmosphere or warm and soulful ballads, no matter what, it is in here. Each song has his own spirit and memorable hooks. The performance is tight and despite all perfection quite passionate. The overall musical direction is gentle since this is pop music par excellance. If you dream yourself on through the dense arrangements you will find so many nifty little details that you can only speak out your deepest respect for the participating band and the singer with the enthralling voice. What goes on beyond the surface is so sorcerous. All those ghostly synthesizer lines. The funky and evergrooving pop version of Hendrix‘ „Manic depression“ fits perfectly well with the rest of the tunes. Organ, percussions, bass guitar, electric piano and vocals make it a massive head swirler and dancefloor sweeper. Next big thing on this album a few songs later is the gospel influenced ballad „For free“, which could have been, in a little more reduced version, one of the most haunting pieces on an early THE BAND or Neil Young record. Here we get a song with lush string arrangments and melodies so haunting and so deeply touching that you almost start crying the one or another tear of joy. All in all this music might feel glamourous but it has an earthy approach and this makes it stand the test of time with ease. Black music aficionadoes will find themselves in need of this record.

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Butterfly

LP | 1979 | EU | Reissue (Be With)

34,99 €*

12" | 1976 | US | Reissue (Unidisc)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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This is the 2020 repress. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse Mouzon and renowned organist Webster Lewis to bassist Paul Jackson, reedman Bennie Maupin and the master percussionist Bill Summers, the legendary performers crafted amazingly good vocal versions of Herbie / Headhunters jazz-funk.

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Van McCoy

The Hustle

10" | 1973 | UK | Reissue (Honest Jon's)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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/ love is the answer / soul cha cha

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The Metro-Tones Inc.

Get Together

The All American Powerhouse

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Dedicated ‘to the United Nations and especially young people’, this is slow-burning, steeply screwed, early-seventies Atlanta funk by James Conley and co, spun out of a line from Eliza Hewett’s nineteenth-century hymn, When We All Get To Heaven.

The flip is deadly, too: a super-soulful blend of Sly & The Family Stone with Kool & The Gang, movingly confused and sincere in its pleading (without threats or machismo) to be loved back.

Both sides come with instrumentals. Check part two of Get Together.

Beautifully sleeved.

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V.A.

LP | 1976 | EU | Reissue (Be With)

The Hunter (Drama Suite) / Adventure Story

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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They Say: “Driving brass and sax ensemble over funky rhythm section, playing tracks of various feel and style”. We say: From the Lincoln Continental that memorably adorns the cover to the tranquil funk contained within, this glowing ode to the grooving force of 70s American soul music is ice cool all over. With brilliant contributions from the Three Key Alans™ (Hawkshaw, Parker, Tew) as well as Mike Moran, Les Hurdle and Keith Roberts, this is driving music for only the vibiest cats. Originally released in 1976, The All American Powerhouse is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.

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V.A.

LP | 1975 | EU | Reissue (Be With)