Funk | Soul Vinyl 738 Items

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Shuggie Otis

Inspiration Information

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g vinyl!

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The Meters

Rejuvenation + 2

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g audiophile vinyl

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Bill Withers

+ Justments

LP | 1974 | UK | Reissue (Mr Bongo)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g vinyl with insert.

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Incredible Bongo Band

The Return Of …

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Re-released for the 1st time since 1974!

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Tower Of Power

Back To Oakland

LP | 1974 | US | Reissue (Alithia)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Back To Oakland is the fourth album by Bay Area based band Tower of Power, released in spring 1974. Tower of Power followed their self-titled gold album with (as said by many critics) an even better album. Back To Oakland was voted by Modern Drummer Magazine as one of the most important recordings for drummers to listen to (check out the Uberfunky intro to "Squib Cakes" - nuff said).

180g vinyl.

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The Escorts

3 Down 4 To Go

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Hot Casa)

Keni Okulolo

Talkin' Bass

LP | 1974 | US | Reissue (Gang)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Reissue of an ultra-rare Afro-Funk album by KENI OKULOLO.

First and rare album from the famous bass player and band leader of MONOMONO Nigerian band. 3 amazing tracks recorded in 1974 at EMI studio, taken from his ultra-rare and so hard to find Talkin' bass experience masterpiece album plus an extra track that we decided with the artist to include here. His funky gem “Funky People” was produced during the famous “Mixed Grill” sessions in Lagos.

Fully Licenced with one of a few living Nigerian musicians with roots in both traditional village music and funky West-African popular genres, five times voted Nigeria's best bassist by the Nigerian Association of Music journalists. The original album is so hard to find and cost more than thousand euros, so don’t hesitate to listen to this remastered Afro-Soul gem.

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Kaygees

Keep On Bumpin

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Sweet Girl Of Mine / Turn Me On

Mel Williams

7" | 1974 | EU | Reissue (Expansion)

11,99 €*

LP | 1974 | EU | Reissue (Bear Family Productions)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This is a true modern Soul masterpiece. Original copies exchanging hands for £1,500.

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Bobby 'Blue' Bland

Dreamer

23,99 €*

LP | 1974 | UK | Reissue (Acid Jazz)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Bobby ’Blue’ Bland
Bobby ’Blue’ Bland (1930 – 2013) was one of the leading US-American Blues, R&B and Soul entertainers. He knew how to combine the intensity of Gospel music with the expression of the Blues. His voice sounded as he wanted to bear witness to one's resolve but he was able to let his voice sound soft, sometimes cool but always culitvated so he could also reach the fans of Frank Sinatra and Nat ’King’ Cole with tremendous success. He formed his remarkable style of singing out of many different influences, characteristic and remained solely reserved for Bobby ’Blue’ Bland.
Duke-Label & ABC Dunhill
Blands voice was always the center of attention. After his huge successes during the 1950s and 1960s for the Duke label, he moved to ABC Dunhill when Duke was sold. He could reach a wider white audience in the early 1970s with his two LPs, ’His California Album’ and ’Dreamer’, plus productions together with B.B. King. ’

Dreamer’ was the record company's trial to produce an album in California with the cool Soul appeal of the city of Los Angeles. As a timeless Soul and Blues classic the album 'Dreamer' contains the in recent years often sampled track Ain’t No Love in the Heart of the City, one of the musical back bones to one of the favorites by Jay Z. The whole album is a wonderful soundtrack for those lonely nights alone and blue in a sleazy joint trying to forget a lost love in a bottle of bourbon.
Dreamer
’Dreamer’ is the warm velvet cover against cold loneliness with so many great songs like I Wouldn’t Treat A Dog (The Way You Treated Me) and Whose Foolin’ Who?, the bluesy Cold Day In Hell, Lovin’ On Borrowed Time and When You Come To The End Of Your Road. I Ain’t Gonna Be The First To Cry has indeed the lyrical quality of The Thrill Is Gone. The production by Steve Barri and Michael Omartian sounds full and ponderous.

The accompanying musicians, guitarists Dean Parks and Larry Carlton, bassist Wilton Felder and drummer Ed Green, ranked as being part in the cream of L.A.'s studio musicians. When ’Dreamer’ was first issued in 1974 a controversial discussion started regarding the production and the arrangements containing a brass section and strings. But now, forty years later, the LP album counts as one of the great masterpieces of its genre and the songs became standards in the repertoires of many Soul and Blues performers. Newly remastered with its original gatefold cover jacket the first real reissue on vinyl after 43 years comes from Bear Family Records!
Grammy® as a lifetime achievement award in 1997
Bobby ’Blue’ Bland was inducted into the ’Blues Hall of Fame’ in 1981 and 11 years later the induction into the ’Rock'n'Roll Hall of Fame’ followed. He received a Grammy® as a lifetime achievement award in 1997.
1-LP, 180 gram Vinyl-LP, 10 tracks

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Leroy Hutson

Closer To The Source

34,99 €*

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Demon)

The Eliminators

Loving Explosion

A Taste Of The Younghearts

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1974 on BRC Records (Brunswick Records Corporation). This is rare and in demand LP proudly reissued by Demon Records on 180g Heavyweight LP with original artwork and printed inner sleeve.

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Younghearts

LP | 1974 | US | Reissue (20th Century)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Everland)

Back East

Day By Day

LP | 1974 | EU | Reissue (Be With)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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A masterpiece in the field of dreamy psyche pop that should have been issued five to seven years before. The Fifth Dimension might be a comparison but there is more. Jazz is one of the basic elements here, dreamy colorful pop and soul music are the others. The mixture is exciting despite it’s relaxed atmosphere. All thrillers here on the song front, great coverversions included turned into this band’s very own songs.

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V.A.

Breath Of Danger

LP | 1974 | EU | Reissue (Be With)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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They Say: “A selection of suspense underscores and drama blackcloths which vary in intensity and cover a wide range of suspense and drama situations”. We say: A breaky, funky library great masquerading as a horror score. Oh, and the cover art is amazing. Breath Of Danger was originally released in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper.

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J.R. Bailey

Just Me 'N' You

Hugo In Wonder-Land Record Store Day 2020 Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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A dramatic, string-drenched epic, James Ralph Bailey’s Just Me ’N’ You has been a sought-after soul masterpiece for decades. A lush suite of beautiful songs, it was conceived as a concept album; a sophisticated paean to love. Originally released by MAM Records in 1974, Just Me ’N’ You is a breathtaking jazzy soul album. It’s similar in style to Marvin Gaye’s What’s Going On - particularly the performances, orchestrations and chord progressions - but dealing with a different universal subject matter. If What’s Going On was about romance instead of politics, it would sound like this.

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Hugo Montenegro

LP | 1974 | US | Reissue (Nature Sounds)

25,99 €*

Second Best (Is Never Enough) Blue Vinyl Edition

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1200 copies.

"You have taken what I write, play, and sing about to an even higher level of expression. "
-Stevie Wonder

Hugo Montenegro was a prolific composer and orchestra leader, best known for crafting dynamic film and television soundtracks throughout the 1960s and 1970s. In addition to original compositions, the New York native also recorded many unique interpretations of contemporary work by other artists. In 1974, Montenegro released Hugo In Wonder-Land, his take on the catalog of music icon Stevie Wonder. The album is entirely instrumental, offering a brand new perspective on Wonder’s acclaimed originals. Montenegro’s lush arrangements and Moog-heavy electronic elements make for a genre-bending classic that Stevie Wonder himself has championed. After years out of print, Hugo In Wonder-Land is now back on limited-edition vinyl.

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The Finishing Touch

12" | 1974 | UK | Reissue (Brookside Music)

11,99 €*

LP | 1974 | UK | Reissue (Mr Bongo)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Philly Groove and Brookside are back at it! This time with a remix edit of Finishing Touch - 'Second Best (Is Never Enough)'. Side A gets a Mike Maurro Remix, edited down to a DJ friendly 7'' version and the B Side contains the original single version. Pressed on limited edition blue vinyl 7'' for the collectors.

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Tom Brock

I Love You More And More

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Sommor)

Barrabas

Soltad A Barrabas!

21,99 €*

J.J. Barnes / John Gary Williams

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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Sweet Sherry / The Whole Damn World Is Going Crazy

LP | 1974 | EU | Reissue (Outta Sight)

17,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Real Gone Music)

Don Julian & Larks

Super Slick

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (P-Vine)

100% Pure Poison

Coming Right At You

33,99 €*

LP | 1974 | EU | Reissue (Demon)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole album released in 1974 from this almighty group of nine musicians lead by Chicago native Danny Leake continues to turn up in the hands of the most determined collectors for good reason. Formed in the most unlikely of circumstances as a group of American military workers stationed in Germany, the band made one dazzling leap onto the frontline of soul before promptly disbanding and never looking back. As with all records that get marked with the coveted 'rare' status, what we don't know about the record outweighs what we do, but as the needle fits the groove on album opener "You Keep Coming Back," and the vocal and instrumental harmonies build into a frenzy, the addictive joy of the record takes hold for repeated listens. P-vine is delighted to be bringing this album back from the vaults for a limited pressing fitted with a unique Japanese obi strip.

After the opener rich with soul, "No More City, No More Country" changes pace with a psychedelic funk jam that blossoms into a piece of spiritual jazz and social commentary of 70s America. "Windy C" is an album highlight and kicks off the B-side with a lost funk classic where the individual talents of Steve Maxwell's organ playing, Leake's guitar and John Jackson's percussion all combine to make the deftest of touches count. The wealth of compositional talent behind the album contributes to its varied sound, and the might behind Marvin Daniels' vocals and trumpet playing joins Leake on the songwriting credits with producer Rick Hartung. Leake would later make his name as the trusted sound engineer of Stevie Wonder, but his roots as the mythical bandleader of 100% Pure Poison lives on in the books of rare record folklore.

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Chairmen Of The Board

Skin I'm In

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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At The Hotel Record Store Day 2022 Vinyl Edition

Eunice Collins

7" | 1974 | UK | Reissue (Mod-Art)

13,99 €*

LP | 1974 | US | Reissue (Get On Down)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One record which has lately come to prominence is the brilliant "After Hours" by Charlie Mitchell aka Vic Marcel on an absolutely gorgeous slice of mellow Rare-Groove which recalls the Leon Ware vibe perfectly. Produced and arranged by seasoned veterans Tony Silvester and Bert DeCoteaux this incredibly hypnotic song was also written by top writers J.R. Bailey and Ken Williams. "After Hours" has grown in popularity particularly over the last few years with original copies now reaching the £200-£250 valuation.

The flip-side is another slice of beautiful mid-tempo soul from the same production stable. Only one copy currently available the last time we checked, such has been the demand over the last two years especially. Quite why this record has been underground for so long is open to debate. Vic Marcel was under contract to RCA at the time hence the Charlie Mitchell pseudonym. Janus were also suffering distribution problems at the time which explains why the original is so rare. We're proud to finally make this available again on the original Janus imprint. Another double-sided beauty.

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Shuggie Otis

Inspiration Information

Release: 1974 / US – Reissue

Genre: Organic Grooves

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The Showmen Blue Vinyl Edtion

The Showmen

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1974 | EU | Reissue (Be With)

Nucleus

Under The Sun

27,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Show The World Gold Vinyl Edition

Boo And The Tru-Tones

LP | 1974 | US | Reissue (Not Dark Yet)

20,99 €* 29,99 € -30%

7" | 1974 | UK | Reissue (Stream)

Release: 1974 / US – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Limited edition of 200 copies on golden vinyl.

Reissued for the first time in over 40 years, Show the World is an unrated and relatively unknown soul / reggae album from the Caribbean. Having recently been sampled by Benny The Butcher, collectors and producers are starting to pay attention to what has been an overlooked gem until now. With the album ranging from sweet soul that sounds like it could have been released on Motown in its prime, to funky numbers that could be played in clubs, to reggae that could stand alongside some of the Studio 1 releases, this is sure to please many. No filler.

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Vee Gees

Talkin'

15,99 €* 19,99 € -20%

The Girl Next Door / Stop Let Your Heart Be Your Guide

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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The Vee-Gees (previously known as the Versatile Gents) were from Greensboro, N.C. The versalite Gents started the Group in 1967 originally as "the African Americans" performed at a talent show at Gillespie Park School, Geensboro, North Carolina. Soon After Virginia Massey a Senior Music Major at A&T joined the group and the name was changed to Gin And The Gents. After one year Massey left the Band and their name was changed to The Versatile Gents. They reformed and called themselves the Vee Gees in the early 70’s. The Members are Robert Evans (Vince Evans of the NFL's brother), Nathaniel Herring, Anthony Quick, CC Stewart, Cecil Young.In their band. Carlton Morales that wrote "Vallotte" and played with Julian Lennon on guitar. Kevan Tynes on drums. Walter Carlton on bass. They recored a beautiful sweet soul side call It’s hard to say so long on Jump in 1973. They came back to the studio in 1974 and cut the incredible Talkin on Jump off records. Vee Gees Talkin is the ultimate crossover tune, Spun by some of the best deejays in the world in the last 3 decades including Arthur Fenn, Keith Money, Andy Burns, Buey, Andy Dawes, Alexander Dimitriades Bentley, Jens Chreisti, Steven Clancy and many others. We’re sure you will be singing all day “Hey brother, brother, just had a talk with the man yesterday.. what did he saaaaaay? “

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The Mansion

7" | 1974 | UK | Reissue (Soul Junction)

Black Sugar II Black Vinyl Edition

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Two fine examples of Sweet/Group Soul Harmony that was originally released as vanity project on the local Gibbs label by this former ex Prison group with original copies being excruciatingly hard to find in any condition.

Artist Bio:

The Mansion were initially a prison group formed by Charles Lorenzo Blakely in 1970 while serving time in the Green Bay Reformatory at Allouez, Wisconsin. The Mansion’s line up included at different times Michael Locke, Stanley Newburn, Carl Anderson, John Crawford, Michael Smith, Larry Moses, Ronald Hardin, Jerome Wagner, Larry Lister, Maurice Payne and Charles himself. One day while rehearsing in the prison chapel, the Mansion attracted the attention of the warden’s wife who happened to be showing some local dignitaries around. Impressed by what she heard the warden’s wife was instrumental in the Mansion being invited to perform for the city’s television station Wbay, where they recording two holiday programs. The warden later gave them permission to perform outside the prison which brought them to the attention of a Milwaukee neighbourhood program adviser by the name of Al Dunlap of the Commando Project One. It was through Dunlap that the Mansion recorded their solitary 45 release in 1974 “The Girl Next Door /Stop! Let Your Heart Be Your Guide” for a local Milwaukee label Gibbs (406). The label’s owner Bill Gibbs held the release back until some of the members of the Mansion were granted their release papers as at that time prisoners were unable to sign any contract agreements while still incarcerated. Although Charles Blakely remained incarcerated, he was later moved to a medium security prison in Fox Lake County, Wisconsin. While there he formed a gospel group, called the ‘Bell Tones’ who’s line up included Charles, Mayweather Lee, Joe Hayes, and Levell Rudd. The formation of this group was seen as major factor in Charles’s rehabilitation which led to his eventual parole in 1976. Once on the outside Charles with former ‘Bell Tone” member Mayweather Lee were joined by Charles (Sonny) Bryant and Jimmy Taylor to form a new ensemble by the name of The “Final Chapter”. As the final Chapter they recorded a solitary release for Marvel Love’s New World Label “Now I Know/Get Down For Your Action” (nw800) during 1980, a brief association that for several reasons was to eventually brake down. Although Jimmy Taylor left to pursue a career as a blues musician the remaining three members of the ‘Final Chapter’ continued to perform until they finally disbanded in 1987. Three previously unissued Final Chapter songs can be found on Soul Junction Various Artists CD compilation “We Got A Sweet Thing going On” Volume II. The Mansion’s Gibbs 45 is now is a highly prized and sort after item amongst Sweet and Group Soul collectors.

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Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)

LP | 1974 | US | Reissue (Fat Possum)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1974 with a "quadraphonic" sound. Brilliant songs by a cohesive band that knew how to materialize a memorable and original fusion project at an international level.

If Latin funk exists, it's thanks to pioneering bands like Black Sugar, a Peruvian group created in the early seventies that recorded two fundamental albums for the Afro-American and Latin genre. A pair of albums that are now re-released by the Valencian label Discos Monterey with the usual sound and visual quality to which we are accustomed. The roots of this band come from the Far-Fen (syllables for Farfisa and Fender), formed in the late sixties by guitarist Víctor "Coco" Salazar and Miguel "Chino" Figueroa on keyboards. One night they were spontaneously joined by the sensational voice of Carlos "Pacho" Mejía. In the seventies, in the Peruvian capital there was a shortage of "white" sugar and the darker cane sugar was consumed. Hence the group's name. Peru was in the midst of a dictatorship and the military were against music that did not come from Peruvian folklore.

Rock and roll with foreign roots languished due to the imposition of the established power, and Black Sugar emerged, whose main skill was to mix, with enormous passion and fascinating ability, Latin sounds and the funk that came from the United States.

The result is two memorable albums, with a large part of their own songs and most of them composed by Pacho. The first, with an eponymous title, was released in 1971 by Sono Radio, whose musical director Jaime Delgado Aparicio was in charge of the fiery arrangements with generous brass and energetic percussion. Released with the credits in English, they managed to break into the Top Ten of the Miami charts with the song "Too Late". They even received an offer to record their next album in the United States, but decided to stay in their country. That second album was released in 1974 with a "quadraphonic" sound, taking advantage of the label's magnificent studios. From the mid-seventies onwards the desertions began and it would not be until 2010 that the project would be recovered with some historical and younger musicians.

To listen to Black Sugar is to go back to the Peruvian night of the seventies with fiery music, full of sensuality and rhythm. Brilliant songs by a cohesive band that knew how to materialize a memorable fusion project, very original and at an international level. Two unique albums reissued by Monterey that will delight all lovers of Afro-Latin sounds and good music in general. Alex Magic Pop

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Al Green

Explores Your Mind

39,99 €*

Joe / Quiet Tunes Record Store Day 2023 Edition

Release: 1974 / US – Reissue

Genre: Organic Grooves

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1974's Al Green Explores Your Mind (originally released on HI Records) continues the Mitchell and Green uptempo groovy hard soul alliance. Although more mellow than Green's previous releases, this album reflects only in part the changes Willie Mitchell had begun to weave into his music, giving his productions a lighter feel. This is because Al Green is unique and his style can't be confused with anyone else, no matter what producers do to the arrangements. Contains the classic "Take Me To The River," later also recorded by the Talking Heads and the sentimental "School Days."

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Hyla Parker

7" | 1974 | UK | Reissue (Cheri)

14,99 €*

LP | 1974 | EU | Reissue (Easy Tempo)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A cherished cut from the Cheri Records back catalogue. Crossover creaminess from the relatively under the radar Hyla Parker, with both sides written by Ted Daryll (Theodore Meister) who wrote hits like Melba Moore’s ‘Touch' and Jerry Bulter ‘Good Times’ (famously sampled by Jamie XX).

The A side is a beautiful stepper love song titled ‘Joe’, harnessing a lovely guitar-led groove with a soaring string section in accompaniment. The B side delves even deeper with a gorgeous deep soul number aptly named ‘Quiet Tunes’. It's easy to hear why this record is so sought after. Brown label version original black sleeve.

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Genius

They Say I'm Different Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Extremely obscure ‘Rare Groove’ album recorded in Argentina in 1974 and produced by great radio and music producer Mochin Marafioti. It has been impossible to learn who the musicians of the amazing session were. Soul, funk, psychedelia and latin melt into a sort of funkadelic sound. Spoken intro, sensual vocals and a monster rhythm section flirt with wah wah guitars and catchy melodies. A truly hidden treasury brought back to life by legendary Easy Tempo crew and destined to please the worldwide Rare Groove clubbing nation. To the original recording were added Edits by Andrea Passenger done in the spirit of the classic disco music manipulators like Tom Moulton, Danny Krivit and Walter Gibbons. To be played very loud.

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Betty Davis

LP | 1974 | US | Reissue (Light In The Attic)

34,99 €*

2LP | 1974 | EU | Reissue (Easy Tempo)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Les Chakachas

Discoteca Sudamericana

LP | 1974 | JP | Reissue (P-Vine)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LES Chakachas 'Disco Sudamericana' has been released by CBS Sugar in 1974 and when originally came out did not receive the attention it deserved. At least not the same of the previous album, a club classic with dancefloor bangers as 'stories' and 'the Party'. But if we take a deeper look at the album, 'Disco Sudamericana' is much richer in terms of catchy tracks and killer grooves. 'super Cat', 'liza& Brooks' or 'selling Mango' are just some of the peaks here. It is then amazing to discover that such an exotic band came from Belgium ! We stress to remember anyway that Tito Puente wife is the lead singer here, giving the session an appealing latin flavor. LES Chakachas is yet another major release on the legendary Easy Tempo label, offering this time two extra tracks not featured on the original release !

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Funkgus

Man With A Gun

41,99 €*

LP | 1974 | EU (Trading Places)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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The first Funkgus album, with its enigmatic toxic blue jacket design and rare groove elements that will appeal to any perceptive vinyl collector. Several cover songs are played on the album, including an upbeat, passionate version of the funk classic 'Memphis Soul Stew', familiar from King Curtis's version, which is a great achievement. A supremely psychedelic and funky double-sider is available with iconic Japanese obi-strip!

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Zzebra

Release: 1974 / EU

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (The Carolean)

George McCrae

Rock Your Baby

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Kick It Off / Movin' Music

Kenyatta

7" | 1974 | UK | Reissue (Epsilon)

15,19 €* 18,99 € -20%

Skip Mahoaney & The Casuals

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Ultra obscure funk (official re-issue)

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Your Funny Moods Black Vinyl Edition

LP | 1974 | US | Reissue (Numero Group)

Skip Mahoaney & The Casuals

Release: 1974 / US – Reissue

Genre: Organic Grooves

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As the empowerment of the '60s gave way to the societal bankruptcy of the '70s, a turned-on black music emerged to soundtrack the agony of america at a crossroads. Tracked at DB Sound in silver spring, maryland by producer R. Jose Williams, your funny moods is built around the rhythms and keys of drumming wiz James Purdie. Remastered here from the original analog tapes, this 50th anniversary edition is peak group harmony soul from the chocolate city.

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Your Funny Moods Purdie Green Smoke Vinyl Edition

LP | 1974 | US | Reissue (Numero Group)

27,99 €*

I Want To Groove You / Your Love Is Like A High

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Van Jones

7" | 1974 | UK | Reissue (Symphonical)

12,99 €*

Do It 'Til You're Satisfied Blue Vinyl Edition

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A limited re-release of the very first single created by Virginia Soul Legend, Van Jones. Originally released in 1974, this release celebrates one of the most soulful, heartfelt recordings pressed onto a 7", the first step in Vans career defining his artistry & expression. The original release remains obscure due to the handful of copies known worldwide, now lovingly restored & released exclusively through Symphonical, in direct collaboration with Van Jones & Erwin Epps.

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B.T. Express

LP | 1974 | US | Reissue (Friday Rights Mgmt)

42,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | UK | Reissue (Selector Series)

Gloria Scott

What Am I Gonna Do

23,99 €*

Promised Heights 50th Anniversary Colored Vinyl Edition

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Gloria Scott’s ‘What Am I Gonna Do’ is considered by many as one of the greatest soul records of all time. A masterpiece produced by Barry White, that oozes class, lush instrumentation and the remarkle vocal talent and emotive delivery of Ms Scott.

From the impecable opener ‘What Am I Gonna Do’ through to the Modern Soul scenes favourite, ‘(A Case Of) Too Much Love Makin’, nearly every cut on the LP is a classic.

An extremely rare LP since it’s release in 1974, with original copies changing hands for over £100. Now 50 years on it has been officially licenced & lovingly reissued by the Selector Series label and arguably an LP every Soul fan needs in their collection.

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Cymande

LP | 1974 | UK | Reissue (Partisan)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | JP | Reissue (P-Vine)

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Kashmere Stage Band

Plays Originals

37,99 €*

Out Of Gas But Still Burning

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Kashmere Stage Band

LP | 1974 | JP | Reissue (P-Vine)

37,99 €*

Love Ain't Nothin' But A Business Goin' On

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Junior Parker

LP | 1974 | WW | Reissue (Mr Bongo)

LP | 1974 | EU | Reissue (Farfalla)

Release: 1974 / WW – Reissue

Genre: Organic Grooves

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Next up in Mr Bongo's Groove Merchant Records reissue series, sees an outing for a much-loved and heavily sampled funk/soul/blues album by Junior Parker. Originally issued under the title The Outside Man on Capitol Records in 1970 with an alternative cover, this reissue replicates the Groove Merchant release titled Love Ain't Nothin' But A Business Goin' On featuring the car cover released in 1971.

The Mississippi-born, Memphis-based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971.

Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker’s trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).

The album also features three Beatles cover versions in the form of ‘Taxman’, ‘Lady Madonna’ and ‘Tomorrow Never Knows’. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped-out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.

As shown with Cypress Hill’s use of ‘Taxman’, since the ‘70s Parker’s legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.

A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker’s Love Ain't Nothin' But A Business Goin' On is a superb example of the early ‘70s crossover funk/soul sound.

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The Rainbow Orchestra

Wonderland Of Sound

Impeach The President Clear Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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To mark its 50th anniversary, Farfalla Records is proud to announce the reissue of the highly sought after German library gem "Wonderland of Sound". Originally released in 1974, the album was produced by Brillant-Musik's founder Werner Tautz and recorded in Zurich. Wonderland of Sound is the epitome of the classic 70s library sound. A jazzy bliss orchestrated by the hottest European session players making up the Big Band "Rainbow-Orchestra". A Splendidly funky and stunning set of compositions and arrangements with ultra-stylish horn section.

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The Honey Drippers

7" | 1974 | UK | Reissue (Alaga U.S.)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | Reissue (Lgp Alpha Music)

Izumi Yukimura

Super Generation

60,99 €*

Release: 1974 / Reissue

Genre: Organic Grooves

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Malik Black Vinyl Edition

Lafayette Afro Rock Band

LP | 1974 | EU | Reissue (Strut)

Skin I'm In 50th Anniversary Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Strut proudly presents the first official remastered reissue of Lafayette Afro Rock Bands exlusive funk/Afro original album, Malik, originally released in 1974. This remastered reissue, the first of its kind, meticulously crafted by The Carvery from the original tapes, showcases the album in its entirety and includes the full original artwork.

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Chairmen Of The Board

LP | 1974 | UK | Reissue (Demon)

33,99 €*

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Losalamitoslatinfunklovesong / Summer (The First Time)

Gene Harris

7" | 1974 | UK | Reissue (Selector Series)

15,99 €*

The Line Of Time And The Plane Of Now Splatter Vinyl Edition

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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This one’s for the steppers!

Gene Harris, the American jazz pianist, appearing on over 50 albums in his career, including on labels Blue Note & Concord Jazz, known for his warm sound and known for his warm sound and blues and gospel infused style that is known as soul jazz.

Originally released in 1974 on the classic soul jazz album Astral Signal, Losalamitoslatinfunklovesong gained a second wave of popularity when it was played as part of the London centric, Rare Groove scene in the late 80’s.

Remastered and lovingly reissued on the increasingly ‘buy or cry’ Selector Series label, this seminal laid back stepper is available for the first time In over 45 years!

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Shira Small

LP | 1974 | US | Reissue (Numero Group)

27,99 €*

Loving You, Needing You, Loving You, Wanting You' / Watch Where You're Going

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Real people music recorded at aQuaker Boarding school in the mid-'70s. Mixing soft psych, vocal jazz, andsunshine soul, Shira Small and her highschool music teacher Lars Clutterhamcreated a peerless artifact of outsidermagic. Imagination, wonder, theexistential dread of Vietnam and mathclass and getting caught smoking weedin Nixon's America_ it's all here. Isyour life alright?

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Bobby Hutton

7" | 1974 | UK | Reissue (Expansion)

LP | 1974 | US | Reissue (Craft)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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The two tracks on this 7” (which feature as bonus tracks on the Expansion CD reissue of “Piece Of The Action”) were first released back-to-back in 1974 on the ABC label. Both songs are co-written and produced by McKinley Jackson, key to songs for Lamont Dozier, Freda Payne and The Four Tops at ABC in the early to mid-70s.

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Round Robin Monopoly

Alpha

37,99 €*

LP | 1976 | US | Reissue (Cat)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Vinyl LP pressing. Originally released in 1974 on the Stax imprint Truth Records, The Round Robin Monopoly's funk-soul extravaganza Alpha returns to vinyl for the first time in 50 years! Evoking the feeling of a car chase scene in a mid-'70s action movie, Alpha lives right at the intersection of top-notch musicianship and immaculate vibes. This Jazz Dispensary Top Shelf reissue was cut from the original analog tapes by Kevin Gray.

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Gwen McCrae

Something So Right

Love and Happiness / Take Me To The River

Release: 1976 / US – Reissue

Genre: Organic Grooves

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- "I've Got Nothing to Lose but the Blues" sampled by Royal Flush for "Iced Down Medallions"

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Al Green

12" | 1976 | US (London)

13,99 €*

12" | 1976 | US | Reissue (Unidisc)

Release: 1976 / US

Genre: Organic Grooves

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/ take me to the river

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Van McCoy

The Hustle

LP | 1976 | US | Reissue (Koala)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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/ love is the answer / soul cha cha

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John Wagner Coalition

Shades of brown

LP | 1976 | US | Reissue (Chess)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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James Browns greatest hits played by The John Wagner Coalition

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Jack McDuff

Sophisticated funk

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Home Is Where The Hatred Is (Live)

Gil Scott-Heron

12" | 1976 | US (Strata-East)

13,99 €*

LP | 1976 | US | Reissue (Lion Productions)

Release: 1976 / US

Genre: Organic Grooves

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plus The Bottle (live) … juhhuuuu, finally on 12" !

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Aura

Aura (Sativa)

21,99 €*

LP | 1976 | EU | Reissue (Favorite)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Aura was a San Francisco Psych-Funk band formed in 1974 which played extensively throughout Northern California and by 1976, the band recorded their first and only album. The original title of the album was meant to be "Sativa", but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as "Aura". Over the ensuing decades, the Aura album has grown in stature to become a major soul/funk collector's item. As a strange side note, it was the producer of underground psychedelic band the Lemon Drops, Reggie Weiss, who wrote the psych-funk title track, 'Sativa' (a parody of The Champs hit song 'Tequila', with water pipe sound effects and blistering guitar leads by former Lemon Drops guitarist, Eddie Weiss) and 'Skyrocket' (with manic fuzz guitar).

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Greg Yoder

Dreamer Of Life

LP | 1976 | UK | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Favorite Recordings proudly presents this new official album reissue of Dreamer of Life by Greg Yoder: A killer AOR private press LP infused with Folk, Jazz and Soul notes and maybe one of the best albums from the Hawaiian Scene in this style.

Originally from San Francisco, Greg Yoder moved to Hawai'i in the early seventies and after achieving some local fame in the Waikiki area, recorded this one-off LP in 1976 at Audissey Sound studios, in Honolulu. The music is smooth and soothing, mixing xylophones, percussions, sweet guitars and brilliant orchestrations. In short, Dreamer of Life is full of hidden hits and faultless from the first note to the last.

Following his various projects at Favorite Recordings, DJ and producer Charles Maurice recently unveiled this masterpiece by selecting the song “Things Were So Easy” on the AOR Global Sounds Vol.2 compilation. And after the label contacted Greg Yoder about it, the idea of reissuing this amazing album quickly became obvious.

After its various compilations reissues over the past 2 years, Favorite Recordings is more than ever keen to enlighten rare-groove forgotten music and will quickly follow-up with great new full albums and compilations reissue projects in 2016.

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George Benson

Breezin'

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Brunswick)

Jackie Wilson

Nobody But You

16,14 €* 16,99 € -5%

LP | 1976 | EU | Reissue (Hot Casa)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Exact repro vinyl reissue. US import. Produced by Carl Davis and Sonny Sanders, 'Nobody But You' was Jackie Wilson's final and arguably finest album. Originally dating back to 1976, it was recorded in Detroit and had top-notch arrangements by Sanders and David Van De Pitte. One charting single was the wise and exuberant 'Don't Burn No Bridges', which featured his Brunswick labelmates The Chi-Lites.

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Sue Barker

LP | 1976 | EU | Reissue (Pharaway Sounds)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Fantastic and rare Soul-Jazz album recorded in Adelaide (Australia) in 1976. Originally pressed and released on Crest records and fully licensed by the Hot Casa team to reissue it on a deluxe 180g vinyl.
Sue Barker is a Jazz singer from the 70s – and one who isn't afraid of picking up a bit of Soul. Most of the album features covers from Duke Ellington to Marvin Gaye, Curtis Mayfield or even James Brown!
Actually this is more than just a vocal album, there’s a lot of space for instrumental solo from her top Adelaide musicians team. She gets hip small combo of seven musicians backing that match all the right inflections in her vocals – jazzy when needed, more southern Soul at other points – often with more of a 60s acoustic mode than the sorts of more-electric and groovy instrumentation others singers of the time were using. Arrangements are by Grahame Conlon, the guitarist in the group.
A classic Soul-Jazz album finally available to everybody…

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Erol Büyükburc

Hop Dedik

21,99 €*

Takin' My Time With You / I Want You (All For Myself

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Years before Baris and even before the fame of Erkin Koray, Erol's flamboyant outfits and spontaneous behaviour brought a youthful, pop-oriented world to Turkish audiences.

Here's his first proper album from 1976.

While not exactly psychedelic, Erol's album shows how far the mix of Anatolian melodies and Western production could reach and you can find here some great examples of Turkish pop spiced with psych, disco and funk.

Includes insert with photos and liner notes by Angela Sawyer.

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Maureen Bailey

7" | 1976 | UK | Reissue (Soul Brother)

8,99 €*

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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LP | 1976 | UK | Reissue (Matsuli)

Pacific Express

Black Fire

LP | 1976 | UK | Reissue (Soul Brother)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Militant jazz, fusion, funk and soul from mid-seventies Manenberg, outside Cape Town, with a set of roots in club dance traditions like ballroom ('langarm'), Khoisan hop-step and the whirling 'tickey draai' ('spin on a sixpence') of the mine camps; others in jazz-rock and the New Thing, from Santana and Chicago to Shepp and Coltrane.

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Eddie Russ

See The Light

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Epic)

The Jacksons

Release: 1976 / US – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Mr Bongo)

Jackson Sisters

Togetherness Is Always A Good Venture - Tambourine Party Volume 2

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Officially reissued at last! Considered by many to be a genuine ‘holy grail’ of soul & funk. Featuring ‘Miracles’ as sampled by Public Enemy, Basement Jaxx, Arrested Development and many more. Originally from Compton, Los Angeles, the Jackson Sisters were one-hit wonders who briefly shone and made some noise in the early 1970s before quickly fading into obscurity. Their only US chart entry was 'I Believe In Miracles,' a funky slice of bubblegum soul with a catchy, sing-along chorus released on the Prophesy label that briefly saw them make the lower reaches of the R&B charts in September 1973.
Even though the sisters ceased performing together in 1975, their greatest tune, 'I Believe In Miracles' began to live a charmed life. In 1988, the song was resurrected as part of the UK 'Rare Groove' scene which resulted in it denting the bottom end of the UK pop charts (it peaked at No. 72). British vocal group, The Pasadenas, cut their own version of the tune in 1989, and a year later, Public Enemy sampled 'Miracles' for their track, 'Can't Do Nuttin' For Ya Man.’ Official Mr Bongo reissue. Licensed courtesy of Universal Music Group Limited. Liner notes by Charles Waring.

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Super Elcados

LP | 1976 | EU | Reissue (Mr Bongo)

Alan Parker & Madeline Bell

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976.
The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first. It was followed by ‘This World Is Full Of Injustice’ and ‘What Ever You Need’.
Licensed from Geoffrey Johnson (Elcados), courtesy of PMG, with special thanks to Dave Hill for his help!

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The Voice Of Soul

LP | 1976 | UK | Reissue (Be With)

Let Me Sing My Song To You

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Veteran library musician Alan Parker recorded with session vocalist Madeline Bell for his Themes International Music label and the result was 1976’s The Voice of Soul.

The sensational uptempo dancer “That’s What Friends Are For” is probably the most well known track on the record, and is a big hit on the rare groove scene, but it is by no means an anomaly. The Voice of Soul is essentially a perfect, sophisticated soul album with heaps of swagger and sass from beginning to end. Its once generic-sounding title is now deservedly definitive.

And the whole LP oozes sex. It oozes sex so much that it could have soundtracked a period porn film. Indeed, parts of it did. “Love Is All” and “You’ve Got What It Takes” both featured on the infamously banned Pretty Peaches from the same year.

As is usual with library records, The Voice of Soul was hard to get even when it was first released. It’s next to impossible now. So here’s your opportunity to own what is in our opinion one of the finest rare soul LPs of the late 70s, and a superb example of Madeline Bell’s superlative vocal talents.

But that’s not the whole story. As well as pitching the record as “a varied selection of modern female vocal features which are equally suitable for background or radio programme usage”, the original release notes go on to explain that “the corresponding backing tracks are issued on TIM 1022 The Sound of Soul. Therefore it is possible to edit from vocal to instrumental version and vica versa where commentary or scene changes occur.”

So yes, all of the backing tracks from The Voice of Soul were released as The Sound of Soul, and we couldn’t re-issue one without re-issuing the other.

As with all ten re-issues, the audio for The Voice of Soul comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Larry Jon Wilson

LP | 1976 | EU | Reissue (Be With)

LP | 1976 | EU | Reissue (Mr Bongo)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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He can break your heart with a voice like a cannonball.” - Kris Kristofferson. Larry Jon Wilson came to the party late. When he arrived in Nashville, country soul pioneer Tony Joe White had already made six albums. Townes Van Zandt had made seven, Mickey Newbury eight. Kristofferson, the accepted High Priest of the New Nashville, had made five. Larry Jon, by the time he arrived, had spent ten years in corporate America. He did not start playing guitar until the age of 30, but five years later he released his debut, New Beginnings (1975) and followed it just a year later with Let Me Sing My Song To You, both on Monument Records. A revelation among the hipsters and critics of Nashville, the LPs ensured Larry Jon was immediately embraced as part of the mid-70s “outlaw country movement” that eschewed slick production in favour of a raw, gritty approach.

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Spaceark

Spaceark Is

The All American Powerhouse

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The second album from SpaceArk. More brilliant self-released, private-press jazz/soul from 1976 Los Angeles. ‘SpaceArk Is’ came out on Color World records in 1976, on a limited run of about 5,000 copies. It followed their self-titled debut (also available now on Mr Bongo) on the same original label, the year before.
For a handful of years in the Seventies, SpaceArk was one of the most promising and electrifying bands in Southern California. Although their music was far greater than the sum of its parts, those parts made for a very original style. R&b, soul, rock, pop, jazz, classical … it all came together in blissful stream of intricate compositions that swept up crowds from US military bases to Northern Soul clubs around the UK.
SpaceArk wrote and performed more than 100 songs during their time together. Most of them were not recorded and are now either lost or forgotten.
Official Mr Bongo reissue with liner notes by Amar Patel. Licensed direct from Peter Silberg.

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V.A.

LP | 1976 | EU | Reissue (Be With)

LP | 1976 | EU | Reissue (Be With)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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They Say: “Driving brass and sax ensemble over funky rhythm section, playing tracks of various feel and style”. We say: From the Lincoln Continental that memorably adorns the cover to the tranquil funk contained within, this glowing ode to the grooving force of 70s American soul music is ice cool all over. With brilliant contributions from the Three Key Alans™ (Hawkshaw, Parker, Tew) as well as Mike Moran, Les Hurdle and Keith Roberts, this is driving music for only the vibiest cats. Originally released in 1976, The All American Powerhouse is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.

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Junie

Suzie Super Groupie

Don't You Worry Baby The Best Is Yet To Come / Try To Leave Me If You Can

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Walter ‘Junie’ Morrison released his third solo LP, Suzie Super Groupie, in 1976. A slick, smooth and soulful record, it’s a genre-melting tour de force with rich elements of proto-boogie, funk and jazz. In short, this is yet another essential album reissue from Be With.

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Bessie Banks

7" | 1976 | EU | Reissue (Pressure Makes Diamonds)

11,99 €*

7" | 1976 | EU | Reissue (South Street Disco)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Ultra-rare modern/Northern soul/funk crossover, now extremely expensive in its original form. Cut loud & proud. Artwork based on the original promo version. Officially licensed from Phase One Network.

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Rare Pleasure

Let Me Down Easy

15,99 €*

7" | 1976 | UK | Reissue (Sonic Wax)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7" for RSD. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue.

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Mixed Feelings

Sha La La

14,99 €*

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Every home should own a copy of a record This good, it’s hot buttered crossover soul at it’s very best.

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Danny Dee

Movin' In

Al 'Man' Muntzie And The Embraceables

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Danny Dee aka Lil Albert was an original member of Hawaii's Society of Seven, P-Vine present a vinyl reisue of his sought-after 1976 album Movin' in.

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Die Happy / Die Happy (Instrumental) Black Vinyl Edition

7" | 1976 | UK | Reissue (Mr Bongo)

15,99 €*

Al 'Man' Muntzie And The Embraceables

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Official Mr Bongo Soul Reissue We stumbled onto Al Muntzie's under the radar soul beauty 'Die Happy' after conducting an interview with Joe Quarterman for a feature on our website. It got us salivating about the prospect of further productions, which Joe had recorded, but had perhaps been overlooked. 'Die Happy' was originally released in 1976 and was the only release on S.B. Moon Records. The record has a crossover vibe as it sits beautifully between modern soul, funk, and proto-disco. Initial research didn't shed much light onto the background of the song. The trail was sparse, other than the record appearing on the sales list of rare-soul collectors and record dealers. So we decided to go back to the source and find out about the record directly from Joe himself. "I met Al Muntzie through my bass guitar player, Elliot Adams. Elliot informed me that Al was looking for a song that was funky and suitable for a group. At that time, 1976 - 79, I had written the words and melody to 'Die Happy" and Elliot cranked out a mean bass part that gave the song life. He should be credited as co-writer for his outstanding bass part. At this time my band, FreeSoul, had dis-banded and worked as sideman musicians. Elliot and I made a demo of the song on a cassette and we let Al Muntzie hear it: he liked it. We set a recording date at the Omega Recording Studio in northern Virginia. We used a combination of two bands; FreeSoul and Experience Unlimited (eu). Al sang lead vocal and me and the Embracebles did the background vocals. Al was very cooperative and did not say much during the session. He followed my direction and got the job done. The session took all day into the late evening hours where we mixed and mastered the tune to perfection. We had a good time creating this work of art." We are forever thankful to Joe for giving us the opportunity to present this fantastic production by Al, Elliot, and Joe, and to give it the new lease of life, which it rightfully deserves.

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Die Happy / Die Happy (Instrumental) Red Vinyl Edition

7" | 1976 | UK | Reissue (Mr Bongo)

17,99 €*

LP | 1976 | EU | Reissue (Demon)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Jackie Wilson

Nobody But You

25,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | UK | Reissue (Matsuli Music)

Harari (The Beaters)

Rufaro

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Top reissue of their in demand 1976 LP by the super group. Includes the long jam ''Oya Kai'', keeps on going.. Also holds their known tune ''Musikana'', killer groove. Alec Khaoli, Selby Ntuli and Sipho Mabuse with their first album as Harari made a great debut channeling a raw energie following up their LP as the beaters. The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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The Topics

Giving Up

54,99 €*

Stage Two Clear Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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Pat Thomas

LP | 1976 | US | Reissue (Tidal Waves Music)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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North American version on CLEAR vinyl
Limited 180g Vinyl Edition (500 copies) with obi strip
Rare Ghanese Highlife-Soul album from 1976
Featuring the Marijata band backing up Pat Thomas
First ever vinyl reissue
First ever release outside of the African continent

The legendary Ghanaian singer-producer Pat Thomas needs little introduction, he is a globally recognized vocalist and songwriter, famed for both his solo works and that with the highlife bands The Blue Monks, Broadway-Stargazers Dance Band, The Satellites, The Sweet Beans, Marijata, The Kwashibu Area Band and The Uhuru Dance Band. Between 1974 and 2019, he issued more than two dozen recordings offering a unique take on highlife, funk, reggae, soul and Afro-beat/pop. Pat Thomas’ work was sampled many times and continues to be featured on compilations by renowned reissue-labels across the globe.
Born in 1946 in Agona (in the Ashanti region) as Kwabena Nyamekye Amoo-Mensah, Pat Thomas almost literally had music in his DNA: his father was a music theory teacher and his mother worked as a bandleader. His uncle was none other than legendary Ghanaian guitarist King Onyina, who was not only renowned for his own recordings, but for his performing work with Nat King Cole, Miriam Makeba, Ray Charles and Ella Fitzgerald. Thomas went to live with his uncle where he learned musical notation, began to study guitar and play drums. He became a notable composer, and as a teenager, quickly established a reputation in the local club scene as a singer.
In the early Seventies, he moved to Accra to join Ebo Taylor’s legendary highlife band The Blue Monks (their residency at the Tip Toe Nite Club is an important part of Ghanaian musical history). Pat Thomas left Taylor’s band (though their friendship and their musical association continued) and moved to the Ivory Coast in 1973, where he formed The Satellites. The band was short-lived but they did record a few singles. In 1974, he formed The Sweet Beans (which also featured Ebo Taylor in some of its incarnations) and started to cut several albums for the Ghanaian label Gapophone Records between 1974 and 1980. Soon, his singles started to become major radio-DJ favorites.
1976 turned into Pat Thomas’ busiest year…this was the year that he released his most-famed works: the “Stay There”, “Pat Thomas Introduces Marijata” and “Stage Two” albums! Marijata was a notable funky Ghanaian group (who had their own unique identity) that started to back Thomas’ on several of his classic albums.
In 1978, he was voted “Mr. Golden Voice of Africa” and in the first half of the Eighties he started issuing his well-known ‘Action’ album series…here his musical vision got broader and Thomas started to include Afro-Latin sounds & funky African disco parallel to his already signature Afrobeat-Afropop sound. It was also during this period that he moved to London to record several of his own albums and collaborations with other artists. Pat Thomas was restless…he moved and played all over Europe for the next years, recording for a series of labels. In 1990 he moved to Canada where he began teaching in addition to playing and recording (his 1991 album “Sika Ye Mogya” on Fire Records won the Album of the Year award in Ghana).
Pat Thomas remains active as a performer and recording artist in the 21st century and currently resides in Ghana, where he resumed his teaching career and plays across the African continent, making occasional forays to Europe.
The album we are presenting you today (Stage Two from 1976) comes swinging right out the gate with a set of nine monster tunes, heavy drum-breaks, reggae infused afro-beats, funky bass lines, Wah-wah-psyche guitars and lyrics that straddle between a sense of melancholy and frantic urgency. This is a quintessential Pat Thomas (backed by the Marijata band) record that every serious collector or fan needs to have in his collection.
Originally released in 1976 on Gapophone Records Ghana, Tidal Waves Music now proudly presents the first official reissue of this rare album (original copies tend to go for LARGE amounts on the secondary market…that is if you’re lucky enough to come across one). This is also the FIRST time Stage Two is being released outside of the African continent. This North American vinyl version is limited to 500 copies on 180g Clear Vinyl and also comes with an obi strip.

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Smoke

Risin'

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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"Smoke" is a soul vocal group from Kansas City though soul music was not so popular at that time. The band had Larry Brown who is also a member ofAHarold Melvin & the Blue Notes, and Melvin Manning who is the younger brother of Marva Whitney.This album was originally released 1976 and P-vine released this album 24 years ago as LP and that edition has gotten expensive recently. So we decided to present it again for sweet soul lovers all over the world as a limited edition LP with OBI strip.The outstanding slow ballad "I'm So Lonely" provesAthis LP is not only rare, but also has perfect quality!

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Eric Dunbar

Freeway

38,99 €*

LP | 1976 | EU | Reissue (P-Vine)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Here is the upcoming P-vine presents ＜ultimate TSG Survey＞ reissue series following Ricardo Marrero, The Topics and The ultimates. "Freeway" was released in 1976 as the only work from pianist and composer Eric Dunbar who was based on New Orleans. Almost nobody had the original edition vinyl released by a legendary tax scam label "tsg Records" because this LP had pressed only a few quantities just for tax saving. Currently, this album is well known as one of the most rare and valuable titles among releases of the label. Not only its rarelity but the music itself is also truly almighty, all tracks are full of intense low-mid grooves and skillful brass sections support the base of sound strongly. The opening number "Freeway (m1)" is one of the highlights of this long play. P-vine is proud to present this long awaited reissue with newly digital remastering and Japanese OBI-strip.

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Spice

Let There Be Spice

38,99 €*