Funk | Soul Vinyl 319 Items

Jackie Moore’s one session for Wand produced the classic dancefloor sister funk of ‘Who Told You’. This 45 backs it with the previously unissued masterpiece ‘Same Change’ which is equally as good and comes on a facsimile Wand label.

You Fool You Fool (Pt1) / B/W You Fool You Fool (Pt 2) - Prophet & The Disciples
Super-rare 45 from Dave Hamilton’s Detroit studio. A collaboration with Clarence Coulter about the evils of drugs, this song is a street funk classic reissued on 7” for the first time with facsimile label.

Bringing together undeniable grooves and classic soul sounds, The True Loves are comprised of accomplished musicians who have touched the hearts and souls of music listeners and concert goers all over the Pacific Northwest. The focus of the ensemble is clear: create modern soul music that never loses sight of the originators yet remains steadfast in pursuit of that 'next fiery groove'. We are proud to present our first 45 with these talented folks! Featuring all three members of the Delvon Lamarr Organ Trio!

When growing up as a young teenager many dream of hitting the recording studio and getting that record deal.
The sheer musical drive inside you to lay down those raw and emotional feelings.
The chances of going to high end studios were slim and expensive. Opportunities were sparse to say the least.
So the next best thing was to go into one of the ever growing number of home studios that were popping up in the 1980's
Studios in peoples garages or in the spare bedroom.
And so we bring you to a small group of teenagers called Klimate.
They ventured into a un-named 8 track studio in Walsall around 1981 to record a series of 2 tracks.
There is little remembered about the group of lads from member Harbans Srih who played drums on both tracks and was in charge of writing duties. Harbans Srih was also the man behind sde 42 Sticks & Co "Jazz Dancin"/"Jazz funkin" .
The 5 piece band was very multicultural that really represented music in britain at the time. 3 of the players were of Afro-Caribbean decent giving us lead vocals, guitar, bass and keyboard. The 4th member was only known as a ginger haired youth (we like him!!) who was on saxophone duities.
shortly after these recordings tragedy struck Klimate and the bass player was killed in a car accident whilst on vacation in Italy.
fast forward 37 years and Harbans Srih discovers just a single D.A.T from that 1981 session.
We did our utmost to sonically get the recordings up to our very high standards at Super Disco Edits. Whilst we feel it perhaps just falls short, we couldn't ignore these recordings that optimises British youth culture and the heritage of Brit funk .
We hope you enjoy them.

After his song “Space Bella Coola” became one of the more recognizable modern funk tracks on the street dance scene, French producer Aaron Evo brings you his first release on vinyl, “The One.” Featuring a reworked version of “Space Bella Coola” entitled “Unstoppable,” the album displays Aaron’s recognizable sonic palette and slick funk touch. His synths wiggle unthinkably while drums and bass slap, forming concrete-hard foundations for his tracks. Somehow simple yet explosive, “The One” traverses through all territories in the land of funk, from the G to P. Also included on the album is the track “Gangstagram,” created for and played at the grand final of the most important street dance events at Juste Debout & KOD 2018. Future Classic.

Two originally unissued funk tracks from our “Southern Funkin’” compilation. These are guaranteed floor-fillers that sound and look good on a repro Clintone label.

Barbara Brown released a handful of singles in the late 60s but left even more in the studio. Over the years those recordings have slowly been released, but “Got To Be Somebody” imagines them in context as an LP that might have been released at the time.

These 13 tracks include all four singles that were released by Barbara – sometimes under the name Barbara & The Browns – and the music is now recognised as some of the greatest to have come out of Memphis at that time.

These tracks are produced by Charles Chalmers and feature the cream of Memphis musicians including Reggie Young, Bobby Wood and most of the rest of the American Studios session players.

Brown was a local singer who worked in gospel with her sisters before recording for Stax and then signing to Sounds Of Memphis / XL. She scored one Top 100 hit with ‘Big Party’ in 1964.

Limited to 500 copies

First vinyl release for these two tracks by Gil Scott-Heron’s band from college. Previously available as bonus tracks on the CD reissue of “Pieces Of A Man”, both recordings feature Gil and Brian Jackson.

The Clark Sisters mix soul and gospel to fantastic effect on this Sound Of Gospel 45. ‘Everything Is Gonna Be Alright’ was edited down for 7-inch release, but that was shelved, so it is released in the correct format for the first time. The Grammy-winning hit single ‘You Brought The Sunshine’ had its own 7-inch edit which we bring you here.

Rain&Shine proudly present Steve Elliott’s first album -True Image (1981). After failing to find musicians with the same direction and devotion to music he had acquired, Steve taught himself to play eleven different instruments and move from hometown of Pasadena, California to Denver Colorado.
Eager to express his musical ability, Steve became a DJ on KDKO radio, and would then go on to compose, arrange and perform True Image on September 20th 1981 with a collection of drum machines, synthesizers, and contributing musicians on rhodes, flute, guitar and vocals.
Mr. Elliott’s philosophy is “You hold in your hand a dream, a dream come true by a man whose only objective was to express the love he contains, the love we all contain within through music.”
On many collectors want lists, passing for a median price of $450 online.

Limited Edition 300 vinyl copies 140 grams for "RSD 2019".
The Italian TRJ Records with "Work Out !" wants to show the intention to preserve vinyl and record stores having produced analog master
for "Soul Clap" that will be released for the "Record Store Day 2019". The Work Out ! with "Soul Clap" explore Jazz, Funk and Soul looking
for the roots of the past, trying to build something delight.

This Is What You Are is now available on 7”. This release is enriched by a brilliant and elegant Brazilian version in a typical samba-jazz mood.

Different Shades Of Brown originated from Spingfield, Ohio in 1968 before being talent spotted by renowned Detroit producer Clay McMurray in 1971, who in turn secured a recording contract with Motown for them. With Clay as their producer they released two singles on the label which are highly regarded by soul music lovers across the world. An album was also recorded for Motown but it has never been released so far. When the group were released from their contract Clay continued recording them.

Durand Jones & the Indications aren't looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. Even with an aesthetic steeped in the golden, strings-infused dreaminess of early `70s soul, the Indications' sophomore LP, American Love Call, is planted firmly in the present, with the urgency of this moment in time. The Indications' 2016 self-titled debut was the product of friends who met as students at Indiana University in Bloomington, In., recorded for $452.11, including a case of beer. American Love Call, the band's sophomore LP is instead the record the Indications dreamed of making, fleshed out with strings, backing vocals, and a newfound confidence in songwriting. Blending a slew of influences from years spent crate-digging, guitarist Blake Rhein says the Indications approach songs in the same way hip-hop producers do, as likely to pull inspiration from `70s folk-rock or classic R&B as they are Nas' Illmatic. "Did I expect to do this shit once I got out of college? Hell no," Jones relays, laughing. "Totally not. But this is what God is telling me to do - move and groove. So I'm gonna stay in my lane."

Central AYR Productions.. Recorded in various places and others spaces, mostly around Orlando Florida. Multi-Instrumentalist and Vocalist, Anthony Cole is the latest chapter of the PPU family album. AYR, pronounced "air", was formed in 1993. AC recalls "those were very productive and indulgent periods of my life", "the next level in black light". We've got countless hours of 4-track cassette recordings to sort through, these were the first few standout tracks, presented to you in their unedited entirety. Stay tuned for more of the what we call Dirt Music, only in the underground, building on where PPU began.

Straight outta Camden, NJ it’s Chocolate Star. Starting in 1980 Chocolate Star served as the outlet for the music of Gary Davis. Gary started Chocolate Star with his long time Camden compatriot Dennis “DJ” Jones after a few years spent under the wing of Peter Brown at P&P Records. But Gary’s storied involvement in music goes back further than that, having studied composition and arrangement with the late jazz great Manny Albam. Gary’s musical education actually started earlier than that as one of the people he learned the most from was his Uncle, famed jazz organist Richard “Groove” Holmes. When you combined the funk Mr. Davis inherited from “Groove”, with the street-sense of Peter Brown with the skillful composition and arrangements learned from Manny Albam, you’ve got Chocolate Star. Playing with a band composed of (very talented) people from his Camden neighborhood Davis released cut after cut of solid funk filled dance music. They’re all compiled here, from the Joe Sample inspired “Gee Dee”, to one of first commercial releases to lay the beat down with a drum machine in “The Pop”. Of course prominently featured is the legendary mover “Gotta Get Your Love”. “A Taste Of Chocolate: The Very Best of Gary Davis” has been assembled with Mr. Davis and whenever possible using Gary’s original masters. These cuts bridge the disco era, into Hop Hop and the earliest forms of House. Talented, versatile, and still able to get you out of your chair and shaking your behind...this is Chocolate Star. This is the very best of Gary Davis.

Two huge Bobby Womack classics, the heart-on-a-sleeve ‘How Could You Break My Heart’ and the sweet soul love song, ‘Give It Up’ get a much deserved, official remastered reissue.
Produced and composed alongside Patrick Moten, who worked with the likes of Loleatta Holloway, Anita Baker and Rosie Gaines, ‘How Could You Break My Heart’ was a massive record on the modern soul scene and still a favourite across the board with the biggest selectors and DJs on the circuit.
The blend of warm woozy keys and magical piano touches, over energetic strings, powerful horns and tight percussion, are near impossible not to get swept up by and provide the perfect backing for Womack to bare all. Arguably one of the greatest soul singers to have ever done it, endless amounts of passion and raw emotion emanate from his rugged tones as he swallows the bitter pill of heartache and rejection.
On the B side the bittersweet ‘Give It Up’ where soaring strings and sumptuous chord progressions, marry with the full range of Womack’s vocals and those expert backing harmonies. A luscious sax solo and funk bass give a sultry feel that mixes with the tenderness on show, providing a powerful metaphor for the swirling emotions that come part and parcel with this ever-relatable tale of reaching out for love.
Large dinked centre hole.

Like most other Northern Soul aficionados, I would love to have an original of Milton James’ trance-like, rhythmic soul dancer ‘My Lonely Feeling’ but a Kent 45 is going to have to fill the gap until that lottery win. Milton was a member of, and is backed by, the Creators who usually had Little Johnny Hamilton out front.

It is coupled with the quirky and similarly elusive ‘What Did You Gain By That?’ by Lew Bedell’s right-hand soul man - Kennard Gardner.

The soul CD hit of 2019 so far has been the Lowrider compilation and on that, the previously unissued ‘I’m Just Passing Time’ by Melvin Hicks & the Versatiles has impressed everyone – including the Southern Soul Spinners of California who initiated the compilation. Its flip is another stunning ballad, ‘Now Girl’, taken from the Goldwax master tapes and sung by the Lyrics. Now it is available on vinyl, it is guaranteed to have a new lease of life.

Our Deep Soul series already sports Eddie Parker’s acclaimed ‘But If You Must Go’ and now we have his supremely soulful version of ‘Crying Clown’ taken from the same sessions. Already a great ballad cut by him in the 60s, this sparser piano-led take is as intense as soul music gets. It is backed with the beautiful melancholy of Detroit great Sandra Richardson’s ‘Deserted Garden’, previously only available on our first “Jack Ashford - Just Productions” CD.

Dennis Coffey and Mike Theodore’s productions on the Detroit group CJ & CO were mainly in the disco field but Westbound’s tapes also revealed a superb version of the Moods’ ‘Rainmaker’ and a glorious mid-tempo number ‘Let Them Talk’. Diggin’ Deep’s limited release of ‘Let Them Talk’ sold out in days so here it is to satisfy demand, coupled with a first time on vinyl for ‘Rainmaker’.

George Jackson’s beautiful ‘Talking About The Love I Have For You’ has become increasingly in-demand in recent years and the original pressing is now fetching hundreds of pounds. To make this release even more tempting we have added his late 60s recording ‘It’s Not Safe To Mess Over Me’, a real southern soul stomper that was a star track on our “Fame Northern Soul” CD and debuts here on vinyl.

In the 1950s and 60s, the Cincinnati recording scene was dominated by Syd Nathan’s King label, whose R&B catalogue made it a major player among post-war independents. In its shadow was Fraternity, a smaller concern launched by Harry Carlson in 1954.

The well-respected Carlson set about building an artist roster which reflected his conservative musical taste, scoring smash hits by Cathy Carr and Jimmy Dorsey a couple of years later which established the label as an indie to be reckoned with.

Here, though, we spotlight decidedly non-MOR Fraternity recordings by influential guitar hero Lonnie Mack, soulful girl group the Charmaines, bluesy singer-guitarist Albert Washington, and female duo the 2 Of Clubs.

For those with appetites whetted by this old-fangled 7-inch vinyl sampler, further Fraternity recordings by each of these artists can be found elsewhere in the Ace Records catalogue. For now, though, here’s your chance to enjoy four fine examples of the sound of mid-60s Cincinnati.

A double LP by this pianist/producer from Los Angeles who worked with DJ Jazzy Jeff, Raphael Saadiq, Chris Daddy Dave, Amp Fiddler and many more.

Kelly Finnigan's debut solo album for Colemine Records represents the culmination of his 15 years of experience - in the studio as a songwriter, multi-instrumentalist, engineer, producer - and touring the US and Europe as a singer, musician, and band-leader. The content within reflects his dedication to expression through the rich American music traditions of soul, gospel, doo-wop, and R&B. The subject is love. Its ecstasies and heartaches. Love sought, found, betrayed, lost, and rediscovered. The result is a marvelous collection of songs and performances that run the gamut from whispering tenderness to roaring appeals; from lean and mean to lush and lovely. And always_always, manifestly honest, and undeniably soulful. With Finnigan guiding these songs from their conception all the way to the record pressing plant, the new release provides the singular voice missing from soul music: a visionary that writes, records, performs and produces his own material.