Funk | Soul Vinyl 3157 Items

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Heaven Must Have Sent You / I Can't Help Myself (Sugar Pie, Honey Bunch)

Bonnie Pointer

12" | 1979 | Original (Vault)

Release: 1979 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1980 | JP | Original (MCA)

Spyro Gyra

Carnaval

All This Love I'm Giving Black Vinyl 2024 Repress Edition

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Gwen McCrae

7" | 1979 | EU | Reissue (Cat)

LP | 1979 | JP | Original (A&M)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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New 2024 reissue. From the LP 'Melody of Life' (Cat 2614).

Exactly the same as the original pressing but the cat on the label has yellow eyes as opposed to red.

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

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Herb Alpert

Rise

The Crusaders = The Crusaders

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Street Life = ストリート・ライフ

LP | 1979 | JP | Original (MCA)

LP | 1976 | JP | Original (Warner Bros.)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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George Benson

Breezin'

7,99 €*

LP | 1985 | JP | Original (CBS/Sony)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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USA For Africa

We Are The World

9,99 €*

Philip Bailey = Philip Bailey

Release: 1985 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Chinese Wall = チャイニーズ・ウォール

LP | 1984 | JP | Original (CBS/Sony)

17,99 €*

LP | 1971 | EU | Reissue (Elemental Music)

Release: 1984 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Includes OBI and insert.

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Diana Ross

Surrender

28,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Music On Vinyl)

Tower Of Power

28,99 €*

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Tower Of Power is the third album release for the Oakland-based Funk band Tower of Power. This is their most successful album to date, which was released in May 1973. The album peaked at No. 15 on the Billboard Top LPs chart and received a Gold record award for sales in excess of 500,000. The album spawned their most successful single, "So Very Hard to Go".

180g vinyl.

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The Meters

Rejuvenation + 2

28,99 €*

2LP | 1987 | US | Reissue (Awesome Tapes From Africa)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g audiophile vinyl

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Dur-Dur Band

Volume 5

23,99 €*

2LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1987 / US – Reissue

Genre: Organic Grooves

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4th strike on Awesome Tapes From Africa, another stunner! The classic Somali band's 1987 recording captures some of the incredible sounds happening in Mogadishu during that era.

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Bill Withers

Live At Carnegie Hall

33,99 €*

LP | 1989 | EU | Reissue (Invisible City Editions)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Pressing / Gatefold Sleeve

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Shawn Pittman

Dreams

LP | 1972 | SE | Original (Moondisc)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited Pressing.

Invisible City Editions returns with an official repress of a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni Producer/keyboardist Engineer Art Forest and Inner City background vocalist dancer/singer Shawn Pittman. On the A side a lush slow modern soul slow burner “Dreams'' features a deep,spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Ms Pittman.” 'Dreams are only Dreams till you make it real' chants Shawn Pittman and we’re lead down a dazzling maze of mirrors. With “I'm Losing Control (Extended Bass-ment Club Mix)” on the flipside a wild late night warehouse dub remix features sci-fi vocal effects,fostex tape loops and ultra-heavy bass and driving drum machines. Minimal lush soul perfect for early mornings and the post-club world and a wild sci-fi house winner for late night club sessions. An IC fave! Remastered by Brandenberg/The Carvery (Note: we’ve also removed the drum machine going out of sync that was on the original press) Official Repress via Art Forest and his label Wildboy.Essential stuff!

Art Forest is an Electronic Engineer and production wizard from Detroit Michigan. He originally recorded 2 of Inner CItys’ Biggest Hits “Good Life” and “Big Fun” and continues to record to this day. Art Forest still finds and repairs equipment to add to his studio today. He also recorded for Paula Abdul “Straight Up” and Madonnas’ “Justify My Love” Shawn Pittman was a singer and dancer from Detroit who was a good friend of Inner City vocalist Paris Grey. Shawn Pittman sang backing vocals and harmonies on “Good Life” and “Big Fun”.

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Happy Day Singers

Amen

Release: 1972 / SE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1979 | US | Original (Casablanca)

Village People

Live And Sleazy

LP | 1983 | JP | Reissue (P-Vine Special)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+, couple of paper scuffs

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The Moonglows

Look! It's The Moonglows

LP | 1977 | UK | Reissue (Southbound)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi and insert. Record has faintest scuffs. Faint foxing on cover.

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Millie Jackson

Feelin' Bitchy

21,99 €*

2LP | 1976 | JP | Original (Mercury)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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In the spring of 1977, Millie Jackson was down in Muscle Shoals, Alabama, laying down tracks for what became “Feelin’ Bitchy” with co-producer Brad Shapiro. Released in August 1977, the album reached #4 and #34 in America’s Billboard’s R&B and Hot 100, going gold with over 500,000 copies sold. Jackson’s cover of ‘If You’re Not Back In Love By Monday’ – already a hit for Merle Haggard in March 1977 – also reached #5 R&B and #43 in the Hot 100 in August. Although the album did not chart in the UK, “Feelin’ Bitchy” sold strongly to a dedicated fanbase who had voted her the #1 female singer in the Blues & Soul magazine annual poll. Jackson also performed much of the material on her sold-out UK dates in early 1978.

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Oscar Peterson

Essence Of Jazz Piano

They Say I'm Different Black Vinyl Edition

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI!

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Betty Davis

LP | 1974 | US | Reissue (Light In The Attic)

34,99 €*

Ben E. King / Ben E. King With The Drifters

Release: 1974 / US – Reissue

Genre: Organic Grooves

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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

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Stand By Me: The Best Of Ben E. King And Ben E. King With The Drifters

LP | 1986 | US | Original (Atlantic)

Release: 1986 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: Near Mint

7" | 1978 | UK | Reissue (Discs Of Fun And Love)

Alonzo Turner

Whoever Said It

LP | 1981 | JP | Original (A&M)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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We're back with our 5th release! This time it's the certified dancefloor weapon by Alonzo Turner ‘Whoever Said It?’ Released on a 7 inch with a part 1 & 2, this record has been played on dancefloors worldwide by such players as Rahaan, Sadar Bahar and more, with those selectors favouring the part 2 in the most euphoric moments with that incredible vocal half way through. The record has remained hard to come by for most so we are thrilled to have this one out there as an affordable and great sounding reissue. Remastered as always by Frank at The Carvery and this time released with a vibrant company sleeve and a baby yellow label on the 7 to match the original. "Alonzo Turner was born in Northern California in 1955 and was introduced to music by his church, of which his father was pastor. As a young adult, Turner moves to West Hollywood and at 23, he starts to manage a local rock band while working day and night to write what will turn out to be his first and only release, ‘Whoever Said It’. The song catches the attention of Dave Crawford, A former producer at Atlantic. Like most stuff on Crawford’s label, LA Records, the single never makes it to the charts but helps Turner make a name for himself in L.A. and Orange County where he performs often. There is only speculation about what happened to ‘You’ve Got Something’, the LP on which the song was meant to appear, but five years later Alonzo ends up writing an eponymous piece for Norma Lewis (Shakatak, Charade) on her debut album ‘It’s Gonna Happen’. In 1984, struggling to make ends meet from his music career, Turner takes a part time job at a record store, while also pushing garments to an elite clientele in Beverly Hills, even selling clothes to one of Michael Jackson’s designers. In 1991, aged 38, Alonzo Turner will pass away from illness. Written by a loner who lived in a modest flat filled with antiques and expensive art pieces, ‘Whoever Said It’ is a testament to the idea that love does exist beyond our imagination. While asking who is to blame for spreading the opposite theory, Turner makes this simple yet compelling argument to debunk it: emotions are a motor of action, they literally set us in motion and therefore reality derives its very momentum from them." Alonzo Turner biopic originally written by Omar Krivit via musicismysanctuary.com

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Quincy Jones

The Dude

LP | 1981 | EU | Reissue (Sony)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Bill Withers

Greatest Hits

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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7" | 1978 | DE | Original (Bacillus)

Ganymed

It Takes Me Higher

Saturday Night Fever (The Original Movie Sound Track)

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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V.A.

2LP | 1977 | JP | Original (RSO)

Release: 1977 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Dreamin' Wild Blue Vinyl Edition

Donnie & Joe Emerson

LP | 1979 | US | Reissue (Light In The Attic)

29,99 €*

Movin' In The Right Direction

Release: 1979 / US – Reissue

Genre: Organic Grooves

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40th Anniversary Edition
Pressed on Baby Blue Wax
LP include detailed liner notes by Dave Segal, interviewing the Emersons plus unseen photos
Housed in gatefold “tip-on” jacket, with insert and includes download card for full album

“‘Baby’ has been a staple on just about every playlist/mixtape I’ve assembled in the past 3 years. It is nothing short of sublime.” – Ariel Pink
“This is one of those LPs that helps one understand why people bother to even look for records to begin with… lovely, surprising mix of folk, soul, psych and funk.” – Oliver Wang, Soul-Sides
Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin’ Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.
Spurred on their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brother’s school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.
This rare slice of bedroom-funk gets the usual Light In The Attic treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson’s collection. Be sure to also check out the short documentary (above), Rock and Roll Farmers.

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Steve Parks

LP | 1981 | EU | Reissue (Luv N' Haight)

29,99 €*

Sons And Daughters Of Lite

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Originally released by Solid Smoke Records in 1981, and becoming a rare groove staple and classic in the '90s and early 2000's. This is the first proper reissue of the highly sought after album on 180gm vinyl and housed in a heavyweight tip-on jacket. Featuring the title track "Movin' In the Right Direction" along with "Sadness In My Samba".

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Let The Sun Shine In Colored Vinyl Edition

LP | 1978 | US | Reissue (Luv N Haight)

Live At The Hollywood Bowl (An Evening Of Magic)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Back in by popular demand!

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Chuck Mangione

2LP | 1979 | JP | Original (A&M)

17,99 €*

LP | 1974 | JP | Original (Capitol)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Tavares

Hard Core Poetry

9,99 €*

2LP | 1972 | JP | Original (Liberty)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese promo copy!

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Ike & Tina Turner

Golden Disk Series

8,99 €*

7" | 1977 | BE | Original (RKM)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI!

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Chakachas

Africa Yama

22,99 €*

O Bendim O / Nerden Nereye

Release: 1977 / BE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Perihan

7" | 1976 | TR | Original (Müzik Nova)

30,99 €*

7" | 1976 | US | Reissue (Bouzouki Joe)

Release: 1976 / TR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

pressing bumps

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Edip Akbayram & Dostlar

Mehmet Emmi

7" | 1973 | DE | Original (Polydor)

Release: 1976 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2011 reissue

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James Brown

Stoned To The Bone

Release: 1973 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

7" | 1979 | UK | Original (CBS)

Earth, Wind & Fire

After The Love Has Gone

Release: 1979 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 1979 | AU | Original (WEA)

Player [1]

Space Invaders

Release: 1979 / AU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

From East To West / Scotch Machine

Voyage

7" | 1978 | DE | Original (Hansa International)

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

You Sexy Thing - Remix By Ben Liebrand

Hot Chocolate

7" | 1987 | EU | Original (EMI)

7" | 1989 | UK | Original (Breakout)

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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Janet Jackson

Rhythm Nation

Release: 1989 / UK – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | JP | Reissue (Atlantic)

Johnnie Taylor

Wanted One Soul Singer

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

7" | 1974 | DE | Original (Tamla Motown)

Syreeta

Your Kiss Is Sweet

Release: 1974 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

The First Time Ever I Saw Your Face

Roberta Flack

7" | 1972 | UK | Original (Atlantic)

Release: 1972 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Together We Are Beautiful / Baby Let Me Kiss You

Fern Kinney

7" | 1980 | DE | Original (WEA)

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1979 | UK | Original (Atlantic)

Chic

My Feet Keep Dancing

Release: 1979 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

You Got The Power / Let 'em Do What They Wanna

Please

7" | 1976 | DE | Original (Telefunken)

Release: 1976 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1984 | EU | Reissue (Discomatin)

Marche Noir

Lot'vie / Y'a Du Blues

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1976 | JP | Original (MCA)

Tanya Tucker

Here's Some Love

LP | 1978 | JP | Original (Arista)

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Eric Carmen

Change Of Heart

7,99 €*

The Three Degrees & The Sound Of Philadelphia

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

With OBI. Cover and vinyl are close to NM.

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The Three Degrees & Philadelphia Sounds

LP | 1975 | JP | Original (Philadelphia International)

It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with Obi.

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The Supreme Jubilees

LP | 1980 | US | Reissue (Light In The Attic)

Steppin' Out On The Groove

Release: 1980 / US – Reissue

Genre: Organic Grooves

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New LP Color Edition pressed on opaque maroon & transparent yellow wax
First ever LP reissue

Liner notes by Jessica Hundley interviewing the band, plus rare archive photographs
LP housed in an expanded gatefold jacket
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over.

Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.

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Tony Jackson

12" | 1983 | UK | Reissue (Freestyle)

LP | 1975 | JP | Original (Tamla Motown)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Freestyle drop the first official reissue of a much sought-after UK boogie gem from Tony Jackson, originally released on the Switch label in 1983 and recorded at the legendary Landsdowne Studios!

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V.A.

New Soul Best Collection

The Space Between White Vinyl Vinyl Edition

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with Obi.

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Joanna Brouk

LP | 1981 | US | Reissue (Numero Group)

Hugh Brodie And The Real Thing

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Previously issued on three rare cassette-only editions, Joanna Brouk's 1980 sophomore album The Space Between has finally been given spacious LP quarters. The side-long title track, performed by Brouk's Mills College instructor and sometime-lover Bill Maraldo is among the deepest and most distinctive pieces in the new age canon, while side B's three cuts expand the theme in hypnotic new directions.

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LP | 1975 | US | Reissue (Kheba)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1985 | EU | Reissue (Favorite)

George Sauma Jr.

21,99 €*

LP | 1977 | US | Reissue (Demon)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Favorite Recordings proudly presents an exclusive eponymous LP by Brazilian singer and composer George Sauma Jr., originally produced in 1985. Imagine a never-marketed release on which you’d hear not only the beautiful and genuine George’s songs but also the work from two figures of the Brazilian Music Golden Age: Arthur Verocai and Junior Mendes! A much-needed album for all Brazilian connoisseurs. Back in the days, George Sauma Jr. was a young artist from Rio de Janeiro, learning on his side how to play chords and compose songs since he was 10. Still at the university, he’s influenced by Brazilian artists like Cassiano or Tim Maia, deeply fascinated by the arrangements and the “levada” (the groove) of all these new Brazilian songs. Simple and romantic music that resonated to his soul and creativity. Around 1985, the story took an unexpected turn. George tells: “Dna Deyse Lucidy, the mother of Junior Mendes was a candidate for deputy and went to my father’s company to advertise. When I saw her, I shouted, “I’m a big fan of your son!” ” Of course, she could not praise more the work of her son. On her advises, George went to his studio on Rua Siqueria Campos at Copacabana. Junior loved the project and sent him to Arthur Verocai to improve the arrangements. Without money, the decision was taken to record everything at Junior Mendes’ studio on an 8-channel mixer. It was a small set-up but the emotions were there! George surely had other plans for some of his songs but without the budget, they ended up doing everything the best they could. And they did very fine with a top-notch team of musicians: Paulo Black on Drums, Arthur Verocai on Guitar, Ricardo Do Canto on Bass and Helvius Vilela on Keyboards. Leaving the studio with the tapes, George tried to knock doors of international labels, but none did even dare to give him an answer. With less than 1000 copies pressed back in the days and without any distributor or label behind him, he went with proud to record stores, but received nothing than a strong reality check regarding the difficulties for a young Brazilian artist to achieve something on the saturated market of the 80s. Even for free, record stores didn’t want it. In the end, he ended up giving copies to friends and families, knowing deep inside that the songs were good! George tells: “I decided to leave, calm and conscious. I’ve still made three more albums, however on tapes, as it was more affordable. This time, just for my pleasure…”. Thirty-five years after, it’s with great emotion that this first album by George Sauma Jr. is now made available as Vinyl LP with its original offset printed innersleeve & CD.

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Windy City

Let Me Ride

Release: 1977 / US – Reissue

Genre: Organic Grooves

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LP | 1980 | EU | Reissue (Favorite)

Dwight Druick

Tanger

LP | 1973 | US | Reissue (ABC)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Dwight Druick’s born in Montreal to a professional gambler and an ex-Radio City Rockette. One of five children, he grew up in a family buoyed by music and beleaguered by the vagaries of miscalculated risk. After attaining a McGill University bachelor’s degree in Art History, Dwight fully embraced both music and risk by traveling to London, where he signed a contract with Pye Records and Joe Cocker’s management company. The ensuing record, Druick & Lorange was released to critical acclaim and relative success. After returning to Canada, Dwight recorded two albums with Phil Vyvial: Midnight and Minuit. Recorded with the Muscle Shoals Rhythm Section in Alabama, the duo’s work achieved airplay success in Quebec and across Canada. Dwight subsequently released his first French language solo album, Tanger, released in 1980 by the Canadian label, Bobinason.
Today quite hard to find in its original version, Tanger is first of all an incredibly solid album, clearly underrated and deserving more credit. Mostly known by collectors and DJs for the stunning cover of Toto’s classic hit, “Georgy Porgy”, which was produced and arranged with the help of George Thurston (Boule Noire), it includes many other tasty titles, with amongst them another fine rendition of “Open Your Eyes” by The Doobie Brothers. In fact, with its brilliant mix of Modern-Soul, Disco and AOR styles, the whole album is already considered by many connoisseurs as a classic, and clearly a must have for anyone enjoying this musical blend.
Never reissued on vinyl until now, there was not much more needed at Favorite Recordings to make it happened.

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Johnny Pate

OST Shaft in Africa

On The Rise Black Vinyl Edition

Release: 1973 / US – Reissue

Genre: Organic Grooves, Soundtracks

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12 tracks incl. 'are you man enough' performed by The Four Tops ... classic blaxploitation soundtrack!!

- "Shaft in Africa" sampled by Beatnuts for "It's Da Nuts",
Cookie Crew for "Born this Way",
Diamond D for "Best Kept Secret",
Dismasters for "Black and Proud",
Hakeem for "Hip Hop Reborn",
Naughty by Nature for "The Hood Comes First",
Ras Kass for "Rasassination",
Tony Scott for "Get Into It" and
Tuff Crew for "Soul Food"

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Barbara Howard

LP | 1977 | US | Reissue (Remined)

One Nation Under A Groove

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Barbara Howard’s On The Rise is more than just another rare soul LP. It’s a love story. It’s a dream. It was an attempt to break through. And although Barbara certainly never became a star, one song did become a staple in rare soul and funk DJ sets, keeping interest in Barbara Howard just under the surface. And as fate would have it in 2016, a sealed copy of the LP would find its way into Plaid Room Records in Loveland, OH and kick start the revival of her story and her music.

In 1968, as an outgrowth of a community movement and talent search program called “Operation Step-Up”, Steven Reece wanted to take his community movement to the next level. This is when the idea of founding an independent label came to mind. The idea was to self-produce quality records and through successful sales attempt to land major label distribution. Steve identified Barbara Howard as the talent and set to producing her record. The idea was to produce an LP with a variety of tracks that could be marketed to a variety of radio formats and markets (gospel, pop, soul, jazz, etc.).

And while the record fizzled shortly after its release, Steve and Barbara ended up getting married shortly afterwards making this possibly the most romantic production of a record is soul music history. So via Colemine’s reissue imprint Remined Records, we are proud to present to you Barbara Howard’s On The Rise.

Recommend for fans of: Aretha Franklin, Betty Davis, Lyn Collins, Sharon Jones, Ann Peebles

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Funkadelic

LP+7"+All Media | 1978 | US | Original (Warner Bros.)

39,99 €*

LP | 1973 | US | Reissue (GSF)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

7'' included.
Writing on label and cover.
Record has some hairlines and a few superficial scratches.

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Skull Snaps

20,99 €*

Time After Time / She's Gone

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Step By Step

7" | 1972 | US | Reissue (Numero Group)

LP | 1978 | US | Reissue (Malaco)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Soaring falsetto lead from 13-year-old Johnnie Gee, who, alongside brothers Jerome and Dewitt and a handful of kids from their Milwaukee stomping grounds, formed Step By Step in 1969. Gee and company’s 1972 sweet soul double sider for Jim Kirchstein’s regional powerhouse Cuca Records is among the rarest singles produced by the Sauk City outfit over its 13 year run, barely making it outside of Wisconsin before appearing on 2007’s Home Schooled: The ABCs of Kid Soul album.

Step By Step’s “Time After Time” has since become a highly sought after single on the low rider circuit, and was prominently featured in season two of Aziz Ansari’s breakout Netflix series Master of None. Both sides have been remastered from the original analog Cuca masters, with two additional songs tacked onto the digital version.

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Freedom

Farther than imagination

Release: 1978 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (Fantasy)

The 3 Pieces

Vibes of truth

LP | 1977 | US | Original (Columbia)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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sampled by Presage and Da Lench Mob

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Weather Report

Heavy Weather

9,99 €*

LP | 1976 | US | Reissue (Cat)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Cover with storage wear and big writings on the front! Record is close to VG!

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Gwen McCrae

Something So Right

24,99 €*

Journey Through The Secret Life Of Plants

Release: 1976 / US – Reissue

Genre: Organic Grooves

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- "I've Got Nothing to Lose but the Blues" sampled by Royal Flush for "Iced Down Medallions"

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Stevie Wonder

2LP | 1979 | US | Original (Tamla)

LP | 1972 | US | Reissue (Buddah)

Release: 1979 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Barbara Mason

Give Me Your Love

18,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Checker)

Violinaires

Groovin' With Jesus

LP | 1974 | US | Reissue (20th Century)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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180 Gram vinyl!

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Barry White

Can't Get Enough

Do You Still Feel The Same Way

Release: 1974 / US – Reissue

Genre: Organic Grooves

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sampled by Kool G Rap, 50 Cent, Raekwon

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Tommie Young

LP | 1973 | US | Reissue (Soul Power)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | US | Reissue (Fantasy)

Pleasure

Future Now

LP | 1972 | US | Reissue (Nodlew)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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- "Thoughts of Old Flames" sampled by Big Daddy Kane for "Give it to Me",
Questionmark Asylum for "Hey Look Away Now",
Rakim for "Remember That" and
Under Ground Kings for "It's Supposed to Bubble"

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Weldon Irvine

Liberated brother

LP | 1971 | US | Reissue (Prestige)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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early release on his own label ... real nice!

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Leon Spencer Jr.

Sneak preview!

21,99 €*

LP | 1977 | DE | Original (Atlantic)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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with Melvin Sparks, Idris Muhammad, Grover Washington Jr., ...

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Supermax

World Of Today

Release: 1977 / DE – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Reissue (Tambourine Party)

Revelation

Love Affairs

29,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1985 | JP | Original (Palo Alto Jazz)

George Howard

Dancing In The Sun

The Highway QC's Featuring Spencer Taylor

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with obi, includes insert |

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Watching Over Me

LP | 1987 | US | Original (Messiah)

24,99 €*

LP | 1976 | UK | Original (CBS)

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs, close to VG+. Cover with bumped corner

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Santana

Festivál

8,99 €*

Stevie Wonder's Journey Through The Secret Life Of Plants

Release: 1976 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Original inner sleeve

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Stevie Wonder

2LP | 1979 | US | Original (Tamla)

8,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | NL | Original (Arcade)

George Benson

The Love Songs

Thin Line Between Love And Hate

Release: 1986 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

Vinyl with many scuffs and hairlines. Cover with completely open top and bottom spines, seam splits and creasing.

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The Persuaders

LP | 1972 | US | Reissue (Win Or Lose)

LP | 1978 | JP | Reissue (Epic)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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sampled by Kid Frost, Heavy D & Arrested Development

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Jeff Beck

Blow By Blow

23,99 €*

LP | 1977 | JP | Original (CBS/Sony)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs, closer to VG+. Japanese pressing without OBI

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Bob James

Heads

LP | 1971 | US | Reissue (Dee-Lite)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Kool & The Gang

Music is the message

7" | 1975 | UK | Reissue (Athens Of The North)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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sampled by ATCQ, Biz Markie, Casual ...

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Papa Bear & His Cubs

You're So Fine

The Jacksons = The Jacksons

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Deepfunk / soul super rarity flipped with one of the best deep soul sides ever recorded, the family had some great images so we opted for a picture sleeve on this one, 400 copies only. forget about finding an O.G. Researched by our man, Brian Sears
Papa Bear And His Cubs were the brainchild of Eddie Disnute Sr., aka Papa Bear. A native resident of Hampton, Arkansas. Eddie started his music career in gospel then transitioned into secular music after moving to Milwaukee, Wisconsin in 1963. While living in Milwaukee with his wife and children, Eddie played with a group called the Fenders but eventually decided to start a group of his own with his kids aptly named Papa Bear And His Cubs.
Eddie Sr., a naturally gifted musician, taught his children how to play music. Creativity is a part of the Disnute DNA and before long Eddie's cubs were perfecting chops of their own. Papa Bear And His Cubs started performing together around the late 1960s. Although a few memorable gigs came their way, Wisconsin proved to be too cold for the Disnutes so they made their way back to Hampton, Arkansas.
The family continued to perform in Arkansas then made another move to Houston, Texas where they hoped to break into the music scene down south. They lived there for nearly three years and even recorded at SugarHill Studios, yet nothing materialized and the recordings remain a mystery to this day. For their final move, the Disnutes returned home to Hampton after Eddie's wife Christine (aka Mother Goose) received word that her father was ill.
In 1975 the group recorded their only vinyl record at Sam Griffith's home recording studio in Camden, Arkansas. Disnute Sr. recalls it only taking "one night, and one take" for both "Sweetest Thing On This Side Of Heaven" and "You're So Fine" to be born. Both songs have an entrancing quality that is inescapable and will surely resonate with listeners for years to come.
The group continued to perform until the early 1980s, at which point the cubs were bears themselves, who decided to go their own separate ways. When thinking back to their prime days, one thing will always remain clear in Eddie Sr.'s memory, "we could play, all it took was a countdown of 1, 2 ,3, 4 and we're gone".

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Victory = ビクトリー

LP | 1984 | JP | Original (Epic)

Bound / Remember You Opaque Yellow Vinyl Edition

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Ponderosa Twins Plus One

7" | 1971 | US | Reissue (Numero Group)

LP | 1983 | JP | Original (Motown)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, Numero is proud to present the first official American 45' repressing of the Ponderosa Twins + 1 original 1971 release of Bound b/w I Remember You.

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Lionel Richie

Can't Slow Down

LP | 1972 | EU | Reissue (Demon)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Copy closer to NM

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Laura Lee

Two Sides Of Laura Lee

Soul Greatest Hits Series

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This classic is reissued on 180g heavyweight black vinyl with original artwork and printed inner sleeve.

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The Three Degrees

LP | 1977 | JP | Original (Epic)

Philip Bailey = Philip Bailey

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Japanese pressing with OBI and insert. Warped vinyl, but still enjoyable, with foxing.

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Chinese Wall = チャイニーズ・ウォール

LP | 1984 | JP | Original (CBS/Sony)

7,99 €*

LP | 1974 | EU | Reissue (Demon)

Release: 1984 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI

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The Eliminators

Loving Explosion