Funk | Soul Vinyl 306 Items

1981 mono reissue. Saw cut.

US Original Mono Terre Haute Pressing
Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise.

US original.
Sleeve has heavy edge wear,

Tear in spine. Writing on cover.

Record has many hairlines and surface marks.

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

Tear in top spine.

US original.

Vinyl with scuffs, hairlines and a couple of deeper marks

Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise. Cover with light storage wear.

Vinyl with many scuffs and hairlines, plays with background noise. Cover with shelf wear and completely torn upper spines.

Vinyl with many scuffs and hairlines. Cover with long open seam splits

Very little is known about Roy Redmond besides the fact he recorded 4 songs and 2 singles in 1967 for Loma Records, a Warner Bros subsidiary that is well known by Norther Soul/6os Soul aficionados. Redmond's largest success is probably his soulful cover of The Beatles 's "Good Day Sunshine", considered by some as one of the best Beatles covers. His other single is a more obscure affair featuring on the A side "Ain't That Terrible" and on the flip "A Change Is Gonna Come", a very fine cover of the Sam Cooke's classic - beautiful stuff. The A side "Ain't That Terrible" is a stylish, uptempo, relentless Northern Soul piano stomper that will get Soul fans up and moving their moneymakers in no time! Relatively unknown, this track is on par with the greatest numbers of the genre such as Lou Pride's "I'm coming home in the morning" or Bob and Earl's "Harlem Shuffle". This is pure underground Northern Soul at its absolute best. To be played often and... Loud. Keep the faith!

Original US stereo pressing. Copy close to VG

Seam split on top spine

Record has surface marks and light scratches. Cover has ring wear. Orange RCA label.

Original US Pitman pressing.

Still sealed. Price tag. Cover has waterdamage stains.

Writing on label.
Cover with punch hole.

Cover has a small writing on the back and a small seam split and slight wear. Vinyl and cover are close to VG+.

Close to VG+

Cover has seam splits.

Record has many hairlines and audible surface marks. Cover has seam splits.

When first released Astro-Sounds From Beyond The Year 2000 promised an uncharted trip beyond the now generation! And it certainly delivered, as soon as the needle drops onto the opening track ‘Flameout’
we are in astral freak-out territory with cosmic strings phased beats & displaced fuzz guitars... Despite being released as a budget label’s take on the burgeoning psychedelic scene Astro Sounds, delivers the real deal.
This is thanks in no small part to the central role played by Wrecking Crew guitarist Jerry Cole. Cole had previously been the involved some L.A. session colleagues and cut his own psychedelic
album: The Inner Sounds of the Id by 'The Id' and was the perfect choice to front Astro Sounds which can be considered a development from the seminal sounds of the Id.
Astro Sounds has suffered from some unofficial releases that offer poor audio quality. This Vinyl Exotica re-issue is remastered from the original tapes and is presented on coloured vinyl

US original, stereo version.
Sleeve has light wear.
LP has surface marks.

Sleeve has much wear.
LP has scratches.

Writing on cover.

Stained cover. Slight label variation. Stereo.

Writing on cover.

US original.
Sleeve and label have handwriting.

Limited Edition for Record Store Day 2019! Often quoted as being one of the greatest Soul records of all-time, “Open The Door To Your Heart” was Darrell Bank’s first release and biggest hit. A one-off UK issue copy on London Records recently sold for a huge £14,543 in 2014 and is testament to the quality of the song and recording. Here, for the first time ever, is the previously unissued instrumental version by the Funk Brothers - the Solid Hitbound musicians including Rudy Robinson, Uriel Jones, Eddie Willis, Bob Babbit and Dennis Coffey. This work of art will be reissued on the original Revilot label.

Isolated at the rural fringe of Northern California, Bailey's Nervous Kats took Shasta County by storm in the early '60s. Combining surf, rock n' roll, exotica, and R&B, the Kats were a teenage dream draped in Magnatone amplifiers and crisp white polo tees. Their self-titled_and only_LP came at the dead end of the band's run, issued on Orville Simmons' one-shot Emma imprint in 1965. The mid-century modern LP of your dreams.

Record plays with surface noise without overpowering the music.

tear in spines

Original US pressing.

Vinyl with many scuffs and hairlines. Cover with long open seam splits on top and bottom spines.

Seam split. Original US mono pressing.

With poster

Cover with ring wear and punch hole.

1968, in the Brazilian dictatorship, Fábio released this psychedelic gem LSD (Lindo Sonho Delirante), writed by him and Carlos Imperial.

A soul / garage floor killer till today. Besides the alucinated rhythm, the song was an explicit provocation to the political society of the 60’s.