Funk | Soul Vinyl Sale 428 Items

Cherry Drops Is A Collection Of Tracks Written By Call Super. It Was Started Around The Time They Were Working On A Larger Project Called Tell Me I Didn't Choose This, That Reflected On A Period In Their Life Of Upheaval, Trauma And Self-Discovery. That Project Is Bound Up In A Series Of Compositions For A Self-Made Instrument Called An Epi-Harp, Clarinet, Piano And Percussion And A Collection Of Paintings, Two Of Which Feature On The Covers Of The Two Releases That Make Up Cherry Drops. However The Music On Cherry Drops Became A Release From That Project, A Distraction From Painful Reflections And Recollections. It Had To Be Music With A Direct Dancefloor Connection Because It Was In Those Spaces Where Call Super Found Release Through Those Pivotal Periods In Their Life.

The concept behind ‘Cowboys & Africans’ is that all humans originate from Africa (at one point in history) so as laymen, we are all ‘Africans’. The ‘Cowboys’ reference is to the people in positions of power, who take advantage of the everyday person (or those they have power over). The songs challenge how we see ourselves in today’s society. The message is quite simple – be proud of who you are, your friends, family and fellow humans. Stand up for what you believe in and have the con dence not to be bullied by peer pressure or general opinion

A follow-up of sorts to Messengers Incorporated’s Soulful Proclamation, LA Will Make You Pay $$$ by Burton Inc. featured core members Charles and Barbara Burton of both groups, and is a shining example of the modern soul and disco that pulsed through the Oklahoma underground. Moving away from the psych-infused heavy funk jams of Soulful Proclamation, these eight tracks gave Barbara Burton’s vocals the spotlight with heart-tugging soul ballads, sun-soaked horns and bass grooves. Originally released independently in 1976, P-vine is delighted to reissue the album on limited-edition vinyl with an iconic Japanese obi strip included.

LImited to 100 copies on bone colored vinyl. Only at HHV.

Houston’s reputation for developing first-class jazz acts is well-established, as a stream of young players has been distinguishing themselves for decades…among those musicians and mentors who stood tallest, Bubbha Thomas was no exception (and a major key-player) in this long tradition of talent.

Before becoming an artist and educator, Bubbha Thomas (born 1937) was a Fourth Ward kid who grew up in a music-filled household. In High School, he divided his time between music & basketball (he excelled at both) and studied with jazz legend Conrad “Prof” Johnson. “Prof” would later bring jazz glory to Texas with the Kashmere Stage Band, the group of teenagers who would win the “Best High School Stage Band In The Nation” prize in Mobile, Alabama in 1972 and who were anthologized in 2006 on Now-Again’s ‘Thunder Soul’ (which led to the 2010 Jamie Foxx documentary of the same name).

After finishing college, Bubbha got drafted in the service (he was a Korean War veteran) and would return to Houston in the early 1960s where he found work as a session drummer for the Duke and Peacock labels. Thomas drummed on recordings by O.V. Wright, Buddy Ace and the Mighty Clouds of Joy. He was playing his own stuff and backing luminaries such as R&B singer Chuck Jackson and homegrown legends like Lightnin’ Hopkins. Bubbha Thomas also teamed up with some of his equally legendary peers (like guitarist Melvin Sparks & organist Leon Spencer) and eventually established his own group, the Jazz Merchants.

Bubbha learned every style that was thrown at him and he played straight-ahead jazz with renowned artists before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane and Sun Ra…the result of these newfound influences was the incredible spiritual jazz ensemble ‘The Lightmen’, who released four incredible recordings in the 1970s. Their first album ‘Free As You wanna be’ predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of some of the best in the 1970s jazz underground. The Lightmen albums eventually fell out of print until 2017 when the Now-Again record label brought them back into circulation and generated new interest in Bubbha Thomas’ work.

Thomas had a storied career as a drummer and bandleader, but perhaps his most enduring work is that as a founder of Houston’s Summer Jazz Workshop, a remarkable program that nurtured upcoming talent for generations…we can’t begin to count the number of young people who benefitted from the exposure to music-arts because of Bubbha Thomas and what he meant to the Houston music community. In his career he earned five Grammy nominations and authored a pair of books. Next to this he was also a writer/editor for several local newspapers, ran one of the first Houston African American Television shows and he hosted a radio program on KYOK. Impressive to say the least!

Bubbha Thomas passed away in March 2020 at the age of 82. It was obvious he was a principled, fiery & wise person…and any anger he felt at America’s (and the world’s) injustices he met with music, intellect, activism and unity!

Next to his work with ‘’The Lightmen’’, Bubbha also released the fantastic (solo) album ‘Life & Times’ in 1985. ‘Life & Times’ (which we are proudly presenting you today) is particularly interesting to boogie-enthusiasts because of its high doses of funky twerks, solid grooves, crazy synth work, soulful vocals and excellent drum-beats courtesy of Mr. Thomas himself. You’ll quickly find yourself shaking hips the moment the needle hits the first track! The whole album is backed by a fantastic cast of all-star players and includes Howard Harris (Ruth Copeland), Dwight Sills (Bobby Lyle – TLC), Jerry McPherson (Donna Summer), Leo Polk (Kashmere Stage Band), John Gordon (Strata-East) and Jackie Simley (Queen Latifah – Lionel Richie). All of the above makes this LP an essential purchase for any self-respecting fan and collector.

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Lightin’ Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition complete with the original artwork.

One of the most coveted unreleased Low Rider / Soul Ballads. A Huge tune, up there with Darling dears (google that shit). Only released on a Japanese compilation 20 odd years ago without the bands consent (and with some of the channels missing) we bring you the full unreleased Version for the first time. This is a big one for people who know the score.
If that's not enough, we found this rather good unreleased disco gospel number on the master tapes of their Private Press LP sessions (also coming soon) but we had to give the ballad to the A side, roll the windows down and blast it.

‘Little Orphan Boy’ is the second single taken from album ‘This Is Brian Jackson’, presented with remixes by Two Soul Fusion, a.k.a. Louie Vega and Josh Milan.

The veteran artist’s first true solo LP in over 20 years, ‘This Is Brian Jackson’ is produced by Phenomenal Handclap Band founder Daniel Collás. Collás lovingly re-frames and updates ideas and demos that Jackson first laid down back in 1976, right around the time he recorded ‘Bridges’ with Gil Scott-Heron, for a solo project that never saw the light of day… until now.

Alongside his ‘Two Soul Fusion’ partner Josh Milan, Louie Vega gives the album’s closing track ‘Little Orphan Boy’ two truly vintage remix treatments, taking the song on an eclectic, soul-stirring, timeless journey. The extended ‘Two Soul Fusion’ mix calls to mind the golden era of Masters at Work productions, featuring a Latin-infused percussion groove, shimmering organs and in-the-cut funky guitar lines. The ‘Downtempo’ remix lets Brian Jackson’s vocals ride over a head-nodding, stripped back, yet equally soulful arrangement.

“A dream to work with Brian Jackson” says Louie Vega. “I mean, he’s a big part of our musical landscape and has been a huge inspiration in our lives. From way back to my early years in the Bronx, through to my DJing and producing career, into productions like Nuyorican Soul, Elements of Life, Kenlou, Brian and Gil have always been with us! Now to work on such an amazing song with Brian’s keyboard work and lead vocal, it made it so much easier for Two Soul Fusion (Josh and I) to find that pocket and groove. We had to create an epic piece and take you on a trip through several styles, it was calling for it. That’s due to the original work of Brian Jackson, a true Master at Work & Two Soul Fusion hero!!! I’m looking forward to seeing what’s next on the horizon with us and the one & only Brian Jackson.

Brian Jackson: “I have always loved the musicality and the rhythmic power that surges through the artistry of Louie Vega since I first heard him in Masters at Work. I made a silent wish that one day I would hear one of my songs given that special treatment. Imagine my elation to know that it would finally happen – with a song I wrote and recorded 45 years ago for a solo project that might have never happened if not for producer Daniel Collás and BBE chief Peter Adarkwah! Louie, along with Two Soul Fusion partner Josh Milan and I are alike in so many ways, I knew that if we ever got together, magic would happen and well… here’s to magic! My love and gratitude to Louie, Josh, Daniel, Peter and the beautiful BBE family.”

Brian EL Dorado AND THE Tuesday People Release NEW Bombastic Single, Video AND 7 Inch Vinyl ON Choi Records

Tectonic is the latest offering from Melbourne local Brian El Dorado and his first release for 2022. A bombastic song reminiscent of early 2000’s break beats, Tectonic is criss-crossed with hypnotic distorted bass, a falsetto vocal and a touch of psychedelia.

In discussing the song’s origins El Dorado says he “distinctly heard the vocal melody while he was asleep one night and quickly put the idea into a Dictaphone at 6am the next morning.”

Tectonic is a co-production with Ivan "Choi" Khatchoyan (Cookin on Three Burners, The Traffic, Mayfield & Choi Records). Taking a break from live band recording, Brian and Choi have worked exclusively together on Tectonic with Brian playing almost all instruments (guitars, bass, synths and vocals) and Choi playing drums and taking the lead on production.

The pair, who originally met during hip hop open mic nights at The Evelyn Hotel (circa 2005) also bond over playing tennis nearly as much as music. They would talk about music and share ideas over the boom box post tennis matches.

The release of Tectonic is complete with a hilarious video from El Dorado’s long-time video collaborator Agostino Soldati. It will also be available on vinyl with a limited run of ‘45’s on Choi Records.

All Analog Process From The Original Master Tapes. Cut by Kevin Gray. Doin’ Our Thing’s first U.S. vinyl reissue since its original 1968 release date. 1968’s 'Doin’ Our Thing' is not only their first self-produced album but offers their most varied selection of songs.

Limited edition of 200 copies on golden vinyl.

Reissued for the first time in over 40 years, Show the World is an unrated and relatively unknown soul / reggae album from the Caribbean. Having recently been sampled by Benny The Butcher, collectors and producers are starting to pay attention to what has been an overlooked gem until now. With the album ranging from sweet soul that sounds like it could have been released on Motown in its prime, to funky numbers that could be played in clubs, to reggae that could stand alongside some of the Studio 1 releases, this is sure to please many. No filler.

What is Northern Soul? Well, you could start with the pounding, but vocally-restrained, soul of Bobby Garrett’s ‘My Little Girl’ as a prime example. When the UK’s Jay Boy issued the instrumental version from the two-track master tape in 1972, Northern Soul kids who craved instrumentals were in ecstasy. At last, the two are coupled and issued on the famed Mirwood imprint – just as they should be.

The late Bobby Baker originally from College Park Georgia, was an original member of the American rhythm and blues band The Coasters formed in 1955. He sadly passed away in Feb 2022.Bobby was hired by Dana V Andrews & David Futch (originally from Detroit Co-owner of Davida Inc & founder of Gospel Label Futch Music Record with his brother Josh) with an amazing group of musicians including the incredible Patrice Rushen for this project. ‘Everything Has Got To Be Alright’ Is an ultra rare Gospel Crossover Funky Soul 45 and it’s by far the rarest on Davida Inc records Music perfection!