Funk | Soul Vinyl Sale 342 Items

Having just released South London Sounds on LP with P-vine, Ed Black is back for another offering of fine-crafted modern soul and R&B with Brockwell Mixtape. As his tracks rack up plays on UK playlists like Spotify’s New Music Friday, he has also been turning heads in the far shores of Japan where has featured on the popular Japanese Wave and InterFM897 radio shows.

The range of sounds on this mixtape is an eclectic affair. His voice glides smoothly above the hushed downtempo percussion on “I Ain’t Afraid No More” with guests Tom Dunne & Jarki Monno just some of the names to appear on this highly collaborative mixtape. “Lemonade” is another refreshing splash of soul served with guest vocals from Carrie Baxter.

P-vine is delighted to be releasing Brockwell Tape on LP and CD, and fans of Tom Misch, Jorja Smith and Jordan Rakei should definitely tune in to the future of edbl.

Brian EL Dorado AND THE Tuesday People Release NEW Bombastic Single, Video AND 7 Inch Vinyl ON Choi Records

Tectonic is the latest offering from Melbourne local Brian El Dorado and his first release for 2022. A bombastic song reminiscent of early 2000’s break beats, Tectonic is criss-crossed with hypnotic distorted bass, a falsetto vocal and a touch of psychedelia.

In discussing the song’s origins El Dorado says he “distinctly heard the vocal melody while he was asleep one night and quickly put the idea into a Dictaphone at 6am the next morning.”

Tectonic is a co-production with Ivan "Choi" Khatchoyan (Cookin on Three Burners, The Traffic, Mayfield & Choi Records). Taking a break from live band recording, Brian and Choi have worked exclusively together on Tectonic with Brian playing almost all instruments (guitars, bass, synths and vocals) and Choi playing drums and taking the lead on production.

The pair, who originally met during hip hop open mic nights at The Evelyn Hotel (circa 2005) also bond over playing tennis nearly as much as music. They would talk about music and share ideas over the boom box post tennis matches.

The release of Tectonic is complete with a hilarious video from El Dorado’s long-time video collaborator Agostino Soldati. It will also be available on vinyl with a limited run of ‘45’s on Choi Records.

Hannah Macklin’s debut LP ‘Mu’ is a glittering piece of cosmic orchestral neo-soul. Jazz-informed vocals & production merge triphop and prog influences and join the dots between Homegenic era Bjork or Portishead and contemporary artists like Solange. What’s Mu about? Mu is about everything: Songs about heartbreak and parting share the album with songs marveling at the scale of the universe. Mu is a concept from Zen and Chan Buddhism that means: “nothingness” and also, “pure awareness.” The awareness at the source of all things. In Hannah’s words: “There is so much life in every moment. Endless patterns, algorithms and instances repeating and changing and adapting. Spiraling outwards from the source. What source? The source.” In search of the source, Hannah has composed and arranged an undefinable, cinematic album that leads the listener on a winding path through her imagination. Sonically as well as thematically, Mu is an album of extremes and lofty ambitions. Fragile and delicate vocal and violin textures contrast with crunchy noisescapes and brooding synthesizers. Hannah’s commanding voice shares the spotlight with a string section and is backed by spacious production featuring many acoustic instruments. Sonically, producer Nick Herrera has brought a reassuring chunkiness to this unplugged palette, in particular the head nodding drums that anchor Hannah’s celestial musings . Like a film soundtrack or a symphony Mu is best listened to and understood as a whole - it circles back to themes and refrains and re-examines them. Sometimes a song is a song, sometimes it’s a soundscape dreaming of a song. “When making this album, I had a specific concept for how I wanted the music to sound. I don’t mean in terms of genre… it was more of a visceral, sensory concept which I knew I could only realise by allowing myself to experiment and create simultaneously, believing in my rough ideas enough to grow them, to weave them into stories... I have decided to call the album “Mu” to signify the empty chasm I allowed to hold within me whilst these songs were born."

One of the most influential vocal groups of the 60’s with their original masterpiece, a necessary collection of rare groove and soul ballads. Officially reissued on vinyl after more than 40 years here’s the band fifth album, originally released in 1971 on Little Star Records. Formed in 1958 in Canton, Ohio, and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once Gamble & Huff signed them to their Philadelphia International. Super Bad is a raw, deep funk classic. Ranking among their finest work and it is widely regarded as their most complete album.

Essence of Life was formed in 1973 in Charlotte North Carolina at Johnson C Smith University.

Towan Butler and Craig Young were basketball players on scholarship who were singing in the shower after practice, when a man named Jock Johnson who was a business major who had graduated heard Towan and Craig singing in the shower and asked if we would like to be in a singing group that he was putting together, if we did he asked us to meet him later that evening at a location on campus.
When we arrived we were introduced to Jerry Johnson, who is Jacque brother, Kenny Lock and Larry Graves and Essence Of Life was formed.
Essence Of Life has performed with such groups as Blue Magic, The Whispers and The Barkays to name a few.

Essence Of Life sang and danced their way into the hearts of fans all over the United States spreading love through high impact performances.

AS PRELUDE TO THE UPCOMING EDDIE MURPHY-STARRING NETFLIX FILM DOLEMITE IS MY NAME, THE EPONYMOUS DOLEMITE RECORDS PRESENTS THIS RECORD STORE DAY-EXCLUSIVE VINYL REISSUE FROM CULT COMEDIAN RUDY RAY MOORE

Despite never achieving major mainstream success in his career, the scope of influence from cult comedian Rudy Ray Moore is palpable and far-reaching. A consummate performer and raconteur, Moore's comedy emphasized raw and explicit story-telling and wisecracking, often told in rhyme, and featuring a backing band; a style of performance that inadvertedly set a blueprint for early hip-hop music. Following in the footsteps of comic legends Redd Foxx and Moms Mabley, his stage presence would inspire the likes of Katt Williams and Snoop Dogg, find widespread underground success among inner cities in the 1970s, and would lead him to collaborate with a wide swath of artists into his later years, from Big Daddy Kane to Insane Clown Posse. His various bits and sketches would even become sampling fodder in tracks by Madlib, A Tribe Called Quest, DJ Shadow, 2 Live Crew, and innumerable others. Above all else, Rudy Ray Moore's best known and most beloved claim to fame is his tales of the legend of Dolemite the pimp. Derived from various obscene stories he overheard while working in a record store, Moore's most famous routine saw him take on the role of Dolemite, and recount humorous stories and anecdotes which framed the hustler as something of a ghetto folk hero. These anecdotes proved to be incredibly popular in urban clubs and parties, and would later be adapted into the hit 1975 blaxploitation film Dolemite, of which Moore would produce and star. In celebration of Rudy Ray Moore's extensive works, as well as the upcoming Eddie Murphy-starring Netflix biopic featuring him, Dolemite Records proudly presents this vinyl reissue of one of his 1975 release, The Return Of Dolemite. Coming just on the cusp of the feature film's release, Return sees Moore at the top of his game, spinning anecdotal yarns about sexual conquests, hustling stories, and in his own parlance: “F*ckin' up motherf*ckas!” Exclusive to Record Store Day 2019, this deluxe reissue comes decades after its initial release, and the first time pressed on vinyl in over 40 years.

Mysterious Sydney songstress Justine recorded one album in ’79, which was never officially released. Left Ear have chosen two tracks for a 45 RPM 12” single, which they feel best highlights Justine’s unique vocal talents and songwriting ability. Here the crafty songstress wields melancholic soul and a funky Jazz inspired number with personal and reflective lyrics, both with an intimate and honest approach.
Elusive Sydney songstress Justine (Bradley) almost entirely wrote, produced and arranged her sole LP in ’79, an album that was funded by a radio station as the beneficiary for emerging talent. The music was created specifically for radio play without any intention of being manufactured. Luckily however, a friend with ties to a pressing plant known aptly as ‘Midnite Flite’, managed to sneak into said plant one evening and press up a small number for the enjoyment of family, friends & those involved.
Left Ear have decided to release what they consider to be the two most significant tracks from this release onto a 12” single, now for the enjoyment of all. The A-Side will feature the haunting ‘Wordless Songs’, a melancholic soulful number which according to Justine explores the “capacity to comprehend a partner’s internal quest for authenticity and connection”. The B-side ‘Mama Didn’t Tell Ya’ is more uplifting in both tempo and arrangements comprising an extended outro, while the lyrics remain just as personal and reflective.

The late Bobby Baker originally from College Park Georgia, was an original member of the American rhythm and blues band The Coasters formed in 1955. He sadly passed away in Feb 2022.Bobby was hired by Dana V Andrews & David Futch (originally from Detroit Co-owner of Davida Inc & founder of Gospel Label Futch Music Record with his brother Josh) with an amazing group of musicians including the incredible Patrice Rushen for this project. ‘Everything Has Got To Be Alright’ Is an ultra rare Gospel Crossover Funky Soul 45 and it’s by far the rarest on Davida Inc records Music perfection!

The original 1975 version on Roulette is a much loved classic. Ron Foster’s 1985 instrumental version is a completely different interpretation with a full 21+ orchestra and now it takes on a new identity with the original lead singer of Whirlwind, Sandi Everett, who recently recorded a new vocal - This composition’s 48 year journey is now fulfilled!

On the flip we are proud to present LEE McDONALD’s Let’s Play Luck, a hidden gem from his iconic LP ‘Sweet Magic’; released on a 7” for the very first time and as an extended mix!

Everybody with a deep knowledge in R&B is confident with the essence of live P-Funk: the costumes, the stagecraft, the dozen-plus musicians. Alongside Sun Ra Arkestra this was pure afro-futurism, longtime before it was of our current language. The so called coming of the Mothership took place in this 1977 live, during the life changing P.Funk Earth Tour. Anyone who’s seen footage of the band at their prime can’t overstate the greatness of their spectacle.

Gene Jackson's rich soulful character along with his emotional range make him one of the finest local vocalists. His debut album “1963" came out in 2017 to critical acclaim, including a Blues Blast nomination (new artist debut). His new album “The Jungle”, out of which this 7” release is taken, has plenty of songs with the subjects you’d expect a soul singer to tackle: falling in love, the heartbreak from love and the evergreen “right now you can’t trust anybody,” as he puts it. A St. Louis native, Gene grew up singing. His mother, Mary Coleman, sang with Ike and Tina Turner, the Shirelles and others. She encouraged her son’s gift, and he gained experience singing in the Mt. Gideon Missionary Baptist Church.

Another Product Of The Incredible Fertile Roma Est Scene, Directly From The Gutter Of Pescheria, The Open Laboratory-Collective That's Been Churning Out Quality 24/7. Next Week Revolution Is Gabor On Vox (Holiday Inn, Metro Crowd, Tropicantesimo), Gino Luigi On Bass (Hallelujah!) And Matteo Pozzi On Electronics (Cacao, Actionmen). Their Debut Is A 5 Track Manifesto Of Love, Utopia, Revolution And Freedom. Think Sleaze Electronics, Night Shifty Rhythms, Tropical Trance And Industrial Dub. Recorded And Produced By The Great Hugo Sanchez And Mastered By Federico Grella @ Dirty Sound Studio. Artwork By Giovanna.

We could get some more copies for a lower price, so we also lowered your price. A bargain! /

In the early seventies, Hank Swarn and Shirley Nanette collaborated to form Never Coming Back. Swarn had been on the road for five years, lending his guitar-backing talent to Earl Grant and his band. While on tour, he wrote some tunes that were ultimately released on the Never Coming Back album. Al Nanette approached Hank about putting together a record with Shirley, who was also keen on getting in the studio. Luckily, Swarn already had songs to bring to the session. With the support some talented local musicians, the album was recorded–mostly in one or two takes–in a little over a week. Unfortunately, the album saw little exposure. Needless to say, this tremendous effort by Nanette, who continues to sing and perform in Portland, has touched the hearts of many who’ve recently heard the album for the first time.

The first single cut from "We Are King" which is the 1st album of soul group "King", which was generously praised by famous big-name artists such as Prince, Kendrick Lamar, Robert Glasper, Erykah Badu…

Includes instrumental on the flip! Limited to 300 copies!

Limited to 250 copies.

The A side of this new 45 from Colemine records can be described assophisticated lounge-pop for dinnertime at a hip debutante ball in 1962. Featuringa track off of Durand Jones & The Indications third LP, Too Many Tears depicts astory of heartbreak, with Aaron Frazers silky falsetto mournfully painting a scene ofbetrayal. The B-side has become a theme for a whole new generation of sweet soul lovers.Featuring Y La Bomba, a latin indie alternative/experimental band led by singer-songwriter and guitarist Luz Elena Mendoza, this track is a homage to lowriderseverywhere. So we are proud to present this heater of a 45. Let's cruise....

Women In Revolt! is an exhibition of work by over 100 women artists working in the UK during the 1970s and 80s. It explores how women used radical ideas and rebellious methods to change the face of British culture. With music, painting, sculpture, photography, film, and performance, they forged a path for women’s liberation in the UK. To underline this trailblazing exhibition, a compilation has been dutifully curated to further reveal the music, sound art, and prominent musicians creating during this artistic and societal paradigm shift. The music that defines and defied this era, not only soundtracked but spurred on increasingly impassioned creative output and representation for women. Bands included on the compilation like X-Ray Spex and The Slits remain front of mind for band’s espousing this robust stance both sonically and politically, with equally impactful artists included like Ludus, whose lead singer Linder Sterling also impacted the genre.

Peering At The Saturated Colours Of The Cosmic Collage That Emblazons The Front Cover Of Dr. Joy's Self-Titled Debut, One Gets A Perceptual Preview (Or Perhaps Better Put: A Contact High) Of What Awaits The Listener. With The Group's Cited Influences Ranging From Cubism, Dadaism, Baltic Disco, Italian Soundtracks, And Babbling Brooks, The Lp's Cover Perfectly Reflects The Maximalist Music Assemblage Contained Within. Born Out Of Friendships First, The Collaboration Between Celebrated Songwriter/Cosmic Rider Of The Range Matthew 'Doc' Dunn And Toronto Based Psychedelic Savants Mr. Joy - Whose Membership Includes Songwriter/Visual Artist Blob, Harrison Forman, Steven Mcphail, And Producer Asher Gould-Murtagh, All Of Whom Are Deeply Talented Multi-Instrumentalists - Began As A Modern Day Parlour. Started As Deep Communal Conversations That Revolved Around Life Philosophies, Film, Art, And Obviously Music, The Quintet Soon Incorporated Instruments Into Their Congregations. A Few Sessions Later They Had The Bulk Of The Material Recorded For Their Eponymous Debut. A Wide Ranging Blend Of Instrumental And Vocal Led Songs, Dr. Joy Intros With Weeping Facade: A Dustbowl Ambient Composition Flecked With High Lonesome Harmonica That Jaunts To Destinations Unknown As Tradition Meets Futurism And Acts As An Modus Operandi For The Entirety Of The Album's Run. Without Delay The Band Jump Into No Deal, Their Most Traditional Offering And A Stunningly Melancholic Sing Along Not Unlike Doc's Recent Solo Work But Here, Filtered Through Joyous And Subtle Psych. As The Album Progresses The Full Gamut Of Instrumental Influences Appear. Wide Eyed's Reimagined Raga Gives Way To The Normals' Technicolour Soundtrack Style With Its Clockwork Beat Before Side A Concludes With The Fuzz Guitar Meets Dabke Disco Jammer Pale Satin, An Absolute Floor Filler Of The Highest Order. One Can Be Forgiven For Thinking That The Full Breadth Of Dr. Joy Has Been Presented On The Album's First Half, But All Bets Are Off As Side B Heads Into A A...

Dynamite Cuts & The George Semper Music Archives present you this third in a series of soulful dancers 'Do You Know' from Patti Williams! Her powerful, gospel inflected perfromance on the rare gem A, 'Do You Know' is an anthem of Women overcoming scorn. Written and Produced by George Semper, as part of her unreleased album, 'Do You Know' was recorded at Original Sound Record Hollywood in 1969. The master recording lay dromant in the vault until now!