Funk | Soul Vinyl Sale 310 Items

Limited to 500 copies worldwide.

The solo project of Patrick Paige II, the bass player in the Grammy nominated band The Internet presents If I Fail Are We Still Cool? via Forward and Up Entertainment and Fat Possum.

Everybody with a deep knowledge in R&B is confident with the essence of live P-Funk: the costumes, the stagecraft, the dozen-plus musicians. Alongside Sun Ra Arkestra this was pure afro-futurism, longtime before it was of our current language. The so called coming of the Mothership took place in this 1977 live, during the life changing P.Funk Earth Tour. Anyone who’s seen footage of the band at their prime can’t overstate the greatness of their spectacle.

One of the most demanded vinyl from diggers, People's Pleasure "Do You Hear Me Talking To You?" is still shining brightly in the rare groove scene. Ap-vine is proudAof releasing the super killer track "World Full Of People" and the instrumental version of the same song that was not released at the time in the original LP as reissue 7inch for the first time in the world!!AIn addition, this ep includes a special download code for the bonus track that is sung by the producer Billy Brown with the same instrumental track!A

Limited to 300 units. Only at HHV.

Surrender Is The Debut Full Length From DJ, Producer, And Songwriter Endgame. Stepping Out For The First Time As A Vocalist, And Lyricist, Surrender Is His Most Ambitious And Vulnerable Work To Date; A Striking Statement Of Intent, With Moments Of Beauty And Brutality. Endgame Has Carved An Iconoclastic Niche In Club Culture. Breaking Into The Scene As Co-Founder Of The Legendary Collective Bala Club, And Resident Of The Radical Club-Night Endless. Whilst Continuing Almost A Decade Hosting His Infamous Nts Radio Show (And Now Label) Precious Metals, He Has Forged A Path Against The Tide Of Formulaic Club Music. A Visionary DJ And Producer, Surrender Sees Endgame Continue This Trajectory, With A Project That Both Amplifies The Ferocious Club Constructions He's Known For, Whilst Making Space To Open Up Wounded Memories And With Sombre Unfeigned Requiems. Having Previously Released Records On Hyperdub, Ptp, Golden Mist And Infinite Machine, Endgame's First Release On His Own Precious Metals Imprint, Is Him At His Most Reflective. Surrender Is A Deeply Personal Record, About Loss And Finding Meaning In Despair. Death Is A Prevailing Theme, With The Passing Of His Father A Totemic Subject. The Recollection Of His Father's Torturous Final Moments Leaves Him To Mournfully Contemplate Temporality. Using This Sense Of Anguish, He Blurs Reality-Creating A World Where Angels And Demons Are Among Us In A Decaying Cityscape; Akin To The Work Of Todd Mcfarlane. The Opener Faithless, Propels Us Into This World, With The Slow Build Of Industrial Precision Amidst The Sombre Build Of Harsh Melodic Synths. We Descend Deeper Into This Vision With Barbed Heart, Featuring A Defining Vocal From Scene Staple And Long Time Collaborator Yayoyanoh, As 808's And Skittering Hi Hats Ricochet Off One Another Beneath His Bass Driven Vocal. No Heroes Continues Our Journey Into The Unknown With A Chaotic Rush Of Acidic Riffs, Pounding Percussion, And A Reference To The Brutalist Anthem From Hardcore Punk Band Converge (Where The Track...

Available exclusively at HHV: The album in gold! Limited to 100 pieces.

Second album by Magic Island from Berlin-Neukölln. Co-produced by hiphop producer Phong. A fragmented, multimedia album about your neighborhood

Born into a musical family in Compton, Ca., Loren Oden grew up in the church. This served as an incredible training ground for Oden, where he not only studied gospel, but secular greats like Marvin Gaye and Sam Cooke. Being that those icons were bred in the church, Loren discovered sanctity in using his voice as a spiritual guide for love: a way to express his vulnerability, passion and struggles with handling reciprocal affection. These Instrumentals reflect all those influences and come together to show Oden at his best.

While the original record label says the song was written and produced by Diamond Jim & G.Current, Manuel Holcolm says that he had a little more creative input than the credited for. Diamond Jim ran the studio and was apparently a gentleman of questionable reputation. In fact he ended up getting himself shot in a Detroit nightclub (Watt’s Club Mozambique) in the early 1970s. Holcolm says the song, released in 1969, is about returning home from Vietnam and finding your lady couldn’t wait for you! It’s a rough tune for rough times, although Holcolm admits he has never been to Vietnam and the wayward woman was only in his imagination. In fact Holcolm began his music career in 1961 in the Motown Studios recording “Please Wear My Ring”, a song written for his future wife, whom he has been married to for over 40 years. All of his releases were on 7” and all recorded in MI.

The first single cut from "We Are King" which is the 1st album of soul group "King", which was generously praised by famous big-name artists such as Prince, Kendrick Lamar, Robert Glasper, Erykah Badu…

Dynamite cuts 45s series is proud to release two Jazz gems by the wonderful Nanette Natal – she ain’t shy! What a voice!

“It’s Over” b/w “Love Signs both taken from the mega rare private press and incredibly hard to find LP “My song of something”. Both were part of the original Jazz dance vibe in the 90s.

This release will be in two parts; black vinyl x400 and a limited x100 numbered Red vinyl

A – “It’s Over’” starting off mellow, with her sillky smooth voice which segways into a beautiful up-tempo vocal jazz groove, with driving bass and drums. Nanette’s vocals are so pure and fresh; easily unleashing superb vocal power. If you like vocal Jazz this is a must-have; first time on 7” for the collection.

B – “Love signs” – Is another vocal Jazz dance classic. You can’t not tap those feet…Both massive 90s Jazz club tracks. which show the smooth, dynamic vocal power that Nanette has.

Vinyl: Heavy Sleeves + Black Polylined Inner Sleeves, 180g Vinyl, Free Download Code.Prairie Is The Project Of Multi-Instrumentalist And Producer Marc Jacobs, Hailing From Brussels With Roots In The Netherlands. On Stage, Prairie Plays With Two Or Three Musicians And Together They Re-Create A Free Association Of Musical Ideas And Atmospheres. Prairie Has Played In Selected Venues And Festivals Across Europe And For Instance Toured With Apparat."And The Bird Said: Cut Me Open And Sing Me" Is The Second Full Length Album On Denovali Records.This Album Was Inspired By The Silence Of The Birds, By The Tone Between A Mother And Her Daughter, By The Sandsnipe Twins, By Constant Wailing Sirens, By The Memory Of A Vangelis Track. Composed In The City, In His Studio Les Lacs And In The Mountains Of The French Cévennes, Jacobs Integrates His Various Recording Locations Into His Magnificent Sound Design. By Using Various Recording Techniques, Analog Gear, Guitar Pedals, Synths, Amps And Human Voices, "And The Bird Said: Cut Me Open And Sing Me" Creates A Fountain Of Sound Layers Which Coalesce To Synthetic And Noise Infused Manipulations, Dramatic Crescendos And Subtle Field Recordings.Jacobs Focuses On Melodies, Sometimes Hidden Melodies, Or Straight Out Melodies That Took Him Back To Various Musical Influences, Current Ones But Also From His Past, Lurking Into Pop And Loving Imperfection. The Lyrics Of ""Cut Me Open"" Are The Spine Of The Record, The Scenario Where Various Species Of Birds Lead The Way, And Where Each Track Is A Short Chapter Of The Flight.Jacobs Once Again Showcases A Deep Sensitivity To Narrative And Rich Cinematic Textures By Creating A Technicolor Soundtrack.Some Words About Prairie: ""... His Cosmos Is Located Somewhere Between Bohren & Der Club Of Gore And Sunn O))), Ambient Is As Familiar To Him As Brachial Sounds, And He Is As Much Acquainted With Guitars As With Synths And Modern Technology"" (Groove)""... Sounds Like A Requiem For This Broken World."" (Spex)""... Like Ben Frost, (Prairie)...

Limited to 250 copies.

Fully remastered reissue with replica artwork, for the first time since it's original release, one the rarest TX funk 45's. Black 7" dinked centre hole vinyl.

A collaboration made to shock the system, progressive modern funk masters Brian Ellis and Sven Atterton linked up to create two immensely relevant and atypical club anthems: “Life Sentence” to highlight and protest police brutality in the United States, and “Driftin’ Off” to address the prominence of Depression/mental illness and the reaction to coping with it. Songs like these will always be topical in this world, as long as forces like the police and our government disproportionately treat people of color and those classified as “low-income” as 2nd class citizens and criminals, and our health care system denies/prevents affordable access to mental health services. This is a traditional DJ 12” that features full instrumentals of each song, with the music composed by Sven Atterton, lyrics/vocals by Brian Ellis, artwork by Primo Pitino (San Francisco, CA) and layout by Alaia Manley. Brian Ellis of Escondido, CA is currently a keyboardist and collaborator with The Egyptian Lover, has worked with artists like Newcleus and Juan Atkins, performed in bands like Astra, Reflection, Chrome Canyon, as well as released multiple solo LPs under his own name, and under many monikers. Sven Atterton resides in Cornwall, UK, and can be found playing original music under his full name. He’s released the heavily applauded and progressive modern funk masterpiece LP “The Cove” on Omega Supreme Records and “The Cape” on Cruise Club.

Optimal pressing.
The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors.

Limited to 250 copies

The concept behind ‘Cowboys & Africans’ is that all humans originate from Africa (at one point in history) so as laymen, we are all ‘Africans’. The ‘Cowboys’ reference is to the people in positions of power, who take advantage of the everyday person (or those they have power over). The songs challenge how we see ourselves in today’s society. The message is quite simple – be proud of who you are, your friends, family and fellow humans. Stand up for what you believe in and have the con dence not to be bullied by peer pressure or general opinion

Funky Music Part One' has been our most requested song from the Sons Of Slum 'Music Is the Message' album from 2019 so we've released it on 7". The song is an infectious horn led proto disco dancer that brings joy upon the horns first opening up. The 'Part Two' version sees the group getting down deep and funky as the song takes a change in tempo and direction.

Nat Turner Rebellion, the Philadelphia soul-music group release their long-awaited debut album, originally signed to local label Philly Groove Records, the group is made up of Joe Jefferson (who sadly passed away in July 2020), Major Harris, Ron Harper, and Bill Spratley - pioneers of the Philly Soul and protest music movements. For their debut track, 'Tribute To A Slave', NTR channeled the revolutionary spirit of the infamous 1831 uprising, after which the group derived their name. Starting in 1969, NTR wrote and recorded dozens of tracks with only a handful of singles released. Tensions with then-Philly Groove Records label head Stan Watson sidelined the project and the tapes went unheard for decades. Then, in 2012 when Reservoir Media acquired Philly Groove Records, they discovered the tapes in Sigma Sound Studios archive. Jefferson, lone-surviving NTR member, gave his blessing for the 14-track collection, Laugh To Keep From Crying, which made it's only US debut last year with a limited vinyl-only run via Vinyl Me Please. The themes they wrote about are still as relevant today as they were in 1969. Chrysalis Records are now proud to partner with Reservoir Media to do a full Worldwide release of the album, with a bonus track, new artwork and sleeve notes. There will also be a debut CD of the album. The vinyl has been newly mastered and cut by Alchemy in London. The packaging is a standard 3" spine sleeve with a 12" insert and the vinyl housed in a poly-lined sleeve.

Limited to 250 copies.

Year Of The Witch was born in transit. In the interest of self-sufficiency, HXXS - aka Jeannie Colleene and Gavin Neves - initially recorded their debut album during a six month tour spent living out of their van. When inspiration struck (and it did so often), they'd record in parking lots, hotel rooms, laundromats - anywhere they happened to pull over. What emerged from these pit stops, strangely enough, was an album about moving forward. As with much of the art created in the wake of the 2016 presidential election, Year Of The Witch sizzles with the fresh sting of political anguish. Instead of firing off platitudes about a nation divided, however, Neves and Colleene choose to look inward at how this divide affects familial relationships. On "Hard To Tell," the duo sing, `it runs in the family, and they spread it all over, like forest to fire'. Like the California wildfires that were a fixture of their childhood - Neves is from San Jose and Colleene hails from Bakersfield - beliefs are inherited passively, and have equal capacity for destruction. And while the political climate of the time is a palpable force, the album remains anchored, always, in the personal. "I'm not asking for sympathy," they sing - with the help of TV On The Radio's Kyp Malone - "cut loose these ties." Year Of The Witch finds HXXS rifling through the ashes, working to salvage the roots.The concept of rebirth isn't just a theme on the album, however, it's also part of the process that created it. Back in 2017, after their initial roadside recordings were complete, the hard drive containing them was stolen. HXXS were forced to re-record the entire LP on a time crunch, largely from memory. But necessity bred invention, and this loss created a sense of sonic urgency that only strengthens the tracks. The result is a sonic roadmap to resilience: electronic noise punk for the fake news generation. Built on haunting loops and frantic, insistent vocals, YOTW navigates uneasiness with razor-sharp precision. There is anger, to be sure, bu...

Legendary songwriter, producer and remixer Dee Majek (aka KEJAM) in collaboration with IZIPHO SOUL are proud to present a magical collection of songs!
Packaged in two volumes entitled ‘Creating Majek’. The first offering is a double 45 pack containing the cream of Kejam’s earlier work, whilst ‘Creating Majek 2’ brings us bang up to date with two 2019 U.K Soul Chart hits.

On Cleveland’s late ‘60s gospel scene, the BOS label was the refined, professional ying to Boddie’s lo-fi yang, galloping to the fore bearing a torch for Curtis Mayfield’s robe-wearing roots. Founded by gospel impresario James Bullard, BOS is the first chapter in story that includes stints producing major spiritual albums for the Birthright, Roadshow, and Word labels. BOS got its start inside Lester Johnson and Bill Branch’s Way Out concern, running the devotional wing of Cleveland’s largest black-owned record company, and picking up a ton of Way Out’s soulful flavor in the process. Compiled here are BOS’s less traditional moments—12 bridges between FM R&B and AM sermons from a time when those worlds were splitting apart.

When growing up as a young teenager many dream of hitting the recording studio and getting that record deal.
The sheer musical drive inside you to lay down those raw and emotional feelings.
The chances of going to high end studios were slim and expensive. Opportunities were sparse to say the least.
So the next best thing was to go into one of the ever growing number of home studios that were popping up in the 1980's
Studios in peoples garages or in the spare bedroom.
And so we bring you to a small group of teenagers called Klimate.
They ventured into a un-named 8 track studio in Walsall around 1981 to record a series of 2 tracks.
There is little remembered about the group of lads from member Harbans Srih who played drums on both tracks and was in charge of writing duties. Harbans Srih was also the man behind sde 42 Sticks & Co "Jazz Dancin"/"Jazz funkin" .
The 5 piece band was very multicultural that really represented music in britain at the time. 3 of the players were of Afro-Caribbean decent giving us lead vocals, guitar, bass and keyboard. The 4th member was only known as a ginger haired youth (we like him!!) who was on saxophone duities.
shortly after these recordings tragedy struck Klimate and the bass player was killed in a car accident whilst on vacation in Italy.
fast forward 37 years and Harbans Srih discovers just a single D.A.T from that 1981 session.
We did our utmost to sonically get the recordings up to our very high standards at Super Disco Edits. Whilst we feel it perhaps just falls short, we couldn't ignore these recordings that optimises British youth culture and the heritage of Brit funk .
We hope you enjoy them.

AS PRELUDE TO THE UPCOMING EDDIE MURPHY-STARRING NETFLIX FILM DOLEMITE IS MY NAME, THE EPONYMOUS DOLEMITE RECORDS PRESENTS THIS RECORD STORE DAY-EXCLUSIVE VINYL REISSUE FROM CULT COMEDIAN RUDY RAY MOORE

Despite never achieving major mainstream success in his career, the scope of influence from cult comedian Rudy Ray Moore is palpable and far-reaching. A consummate performer and raconteur, Moore's comedy emphasized raw and explicit story-telling and wisecracking, often told in rhyme, and featuring a backing band; a style of performance that inadvertedly set a blueprint for early hip-hop music. Following in the footsteps of comic legends Redd Foxx and Moms Mabley, his stage presence would inspire the likes of Katt Williams and Snoop Dogg, find widespread underground success among inner cities in the 1970s, and would lead him to collaborate with a wide swath of artists into his later years, from Big Daddy Kane to Insane Clown Posse. His various bits and sketches would even become sampling fodder in tracks by Madlib, A Tribe Called Quest, DJ Shadow, 2 Live Crew, and innumerable others. Above all else, Rudy Ray Moore's best known and most beloved claim to fame is his tales of the legend of Dolemite the pimp. Derived from various obscene stories he overheard while working in a record store, Moore's most famous routine saw him take on the role of Dolemite, and recount humorous stories and anecdotes which framed the hustler as something of a ghetto folk hero. These anecdotes proved to be incredibly popular in urban clubs and parties, and would later be adapted into the hit 1975 blaxploitation film Dolemite, of which Moore would produce and star. In celebration of Rudy Ray Moore's extensive works, as well as the upcoming Eddie Murphy-starring Netflix biopic featuring him, Dolemite Records proudly presents this vinyl reissue of one of his 1975 release, The Return Of Dolemite. Coming just on the cusp of the feature film's release, Return sees Moore at the top of his game, spinning anecdotal yarns about sexual conquests, hustling stories, and in his own parlance: “F*ckin' up motherf*ckas!” Exclusive to Record Store Day 2019, this deluxe reissue comes decades after its initial release, and the first time pressed on vinyl in over 40 years.

The Diamond Street Players, Atlanta, GA's modern equivalent of Stax, Motown, or Fame Studio's legendary in-house studio bands, follow up last year's mesmerizing "Living In Harmony" with two distinctive 7" sides, melding two different vibes of this versatile group of true soul/funk purveyors. Led by organist, writer and producer, Spencer Garn, The Diamond Street Players focus first on laying down gritty soul, funk and R&B tracks that more than hold their own instrumentally. Occasionally a track works out well for a lead vocalist, as is the case with the A-Side Million Miles, a smooth and soulful mid-tempo love-soul bender that brings forth remeniscenses of Al Green and Shuggie Otis. This cut features a collaboration with Amanda Joy, whos love for soul and gospel began at age 5 singing in church. A top graduate of the performing arts school she attended, she brings a powerfully soulful voice to the Diamond Street funk.The B-Side is quite another side, indeed, displaying one of those aforementioned "other vibes" of The Diamond Street Players. This edgy, raw and funky "Murky Retrograde" has already received dance floor approval from b-boys and b-girls nationwide--with early floor-filling spins from ATL to Portland, Oregon. But don't worry, it's not just this one side.