Funk | Soul Used Vinyl 111 Items

Limited Edition for Record Store Day 2022.

Limited Edition. No. 1467/5764

Limited Edition. 180 gram vinyl.
Record is slightly warped but still enjoyable.
Cover with a beginning seam split at spine.
Includes OBI.

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Records are close to VG+

Limited Red Transparent Vinyl Edition.
Still shrink wrapped but opened.
Records are close to VG+

Black Vinyl Edition.
Record is slightly warped but still enjoyable.
Cover with a beginning seam split at the upper edge.

Still shrink wrapped but opened.
Cover with a seam split at the upper edge.

Small light scuff on side A.

Clear w/ Red [Blood] Splatter Vinyl.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Includes original inner sleeves with seam splits.

Still in shrink but opened.
Dogeared cover.
Includes original insert.
Record is close to NM.

Includes original inner sleeve with small seam splits.

Clear Vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes poster.

Cover with seam split.
Includes original inner sleeve.

Colored Vinyl with a couple of light scuffs. Cover signed by the band on the back. Copy n° 061/300

Note: INCOMPLETE!
Record 1: Side A is missing!

Includes original inner sleeves.
Records are close to VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.

Red / Black Vinyl.

Still in shrink but opened. Golden vinyl Limited edition.

Limited Edition.

Record is slightly warped but still enjoyable.

tiny wear. With insert.

Writing on white labels. Vinyl close to VG+

Vinyl close to VG+

Still sealed with hype sticker.

Limited Edition. Gold Vinyl.

Limited Edition.

Includes original inner sleeve with beginnig seam split.

Still sealed with hype sticker.

close to NM

hand stamped white label is close to NM

Cover and vinyl are close to NM Original inner sleeves. tiny wear.

Vinyl is close to NM. Original inner sleeves. tiny wear.

close to NM, tiny wear. With inserts

Limited Edition.
Black Vinyl Edition.

Cover as new with a dented corner.
Record is close to VG+.

Cover close to NM

Sticker residue on front.

Green vinyl

Vinyl with a couple of very small bumps, otherwise NM.

Slightly warped vinyl, but still enjoyable

Copy close to VG+

Slightly warped vinyl, but still enjoyable (looks almost unplayed). Still in shrink, but opened

Cover with beginning of seam split on top spine

close to NM

Creole poetry, folk mysticism and heavy-grooving cosmic synths combine on this unprecedented survey of spiritual Martinique polymath Gratien Midonet’s first four albums.



“I always broke free from the rules, from codes being too narrow,” says poet, musician and sonic shaman Gratien Midonet. “I have always had this sense of peaceful knowledge that there is no separation between genres, beings and universal things.”



For Midonet, pushing musical boundaries was less a choice than an extension of his spirit. A self-taught guitarist and composer,



drawing on his childhood memories of bélé and beguine rhythms, Midonet’s musical life developed in parallel to his academic and spiritual pursuits. Studying philosophy and psychopedagogy in France, it was his fascination with pan-Africanism and animism which fuelled the transcendent energy of his music. Although Midonet honed his sound in France, the four albums he released during the



late ‘70s and ‘80s were heavily inspired by diasporic nostalgia, or what he describes as the “smells and colours… subliminal noises… fruity notes, the memories of funeral wakes, the bombastic organ of the cathedral and the gasps of the drums” of his childhood home on the Caribbean island of Martinique.



Fittingly, it’s there that Midonet achieved cult status for the title track of his 1979 debut, Van An Lévè, which became a protest anthem for the island’s independence movement, and was briefly censored by the French authorities. Look no further than ‘Mari Rhont Ouve La Pot’, which opens this collection, to hear the propulsive mix of cosmic synths, acoustic folk, and Creole lyricism that became the essence of Midonet’s sound. Released on Martinique label Touloulou, Van An Lévè was followed in 1980 by L’inité, whose tropical acid folk (‘M’en ka Monté Mon’) and majestic, violin-led melodies (‘Kannaval Sakré Pou Tout Z’Heb Poussé’) confirmed Midonet’s unique and intuitive approach to composition.



Not content to skip effortlessly between genres and influences, Midonet also began pushing the boundaries of the album form itself. His third album, Bourg La Folie, released in 1984, was a soundtrack for a lost film about the mysticisms of carnival, while his fourth, Fô Ou Tchimbé, took the form of a ‘conte musical’ (a narrated story accompanied by music) presented at the Pompidou Centre, and spoke to Midonet’s literary prowess as a fierce proponent of the Creole language.

Still sealed with hype sticker. tiny wear

Still sealed. tiny wear

Still sealed with hype sticker.

Cover has a 1cm creasing upper seam

Cover with slightly bent corner and light creasing.