Funk | Soul Used Vinyl 104 Items

Black Vinyl Edition.
Includes original inner sleeve.

Clear/Blue Marble with Red Splatter Vinyl Edition.
Still shrink wrapped but opened.
Includes original inner sleeve.

Still shrink wrapped but opened.
Cover with a seam split at the upper edge.

Clear w/ Red [Blood] Splatter Vinyl.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Includes original inner sleeves with seam splits.

Record with just a few paper scuffs.
Includes original inner sleeve.

Light scuff on side B.

Green Vinyl Edition.
Includes original inner sleeve.

Record is close to NM.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to NM.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.

Exclusive Silver Vinyl Edition.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record is close to VG+.
Includes original inner sleeve.

Blue Vinyl Edition.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

Clear Vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes poster.

Cover with seam split.
Includes original inner sleeve.

Still shrink wrapped but opened.
Cover with a seam split at the upper edge.
Includes original inner sleeves with seam splits.
Records are close to VG+

Clear Vinyl Edition.

Still shrink wrapped but opened.
Records are close to VG+

Vinyl with a couple of light scuffs. 180 gram reissue

Cover with bumped corners.
Still sealed.

Cover with seam split.
Includes original insert.

Note: INCOMPLETE!
Record 1: Side A is missing!

Cover with seam split.
Records are slightly warped but still enjoyable.

Still shrink wrapped but opened.
Small light scuff on side D.

60th Anniversary Edition, 180g Vinyl.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.

Record is close to VG+.

Note: INCOMPLETE!
Side A &B only.
Side C & D is missing.

Limited Edition. Red & Black Splattered Vinyl.
Cover as new with slightly worn corners.
Record is close to VG+.

tiny wear. With insert.

Writing on white labels. Vinyl close to VG+

Vinyl close to VG+

Vinyl with scuffs and hairlines. Still in shrink, but opened, with hype sticker

Still sealed with hype sticker.

close to NM

hand stamped white label is close to NM

Cover and vinyl are close to NM Original inner sleeves. tiny wear.

Vinyl is close to NM. Original inner sleeves. tiny wear.

Vinyl with a couple of light scuffs. Cover close to NM. With photo.

Numbered copy still sealed

Vinyl is close to NM. tiny wear

Copy close to NM

Limited Edition.
Black Vinyl Edition.

Cover as new with a dented corner.
Record is close to VG+.

Sticker residue on front.

Vinyl with a couple of light scuffs

Slightly warped vinyl, but still enjoyable (looks almost unplayed). Still in shrink, but opened

Creole poetry, folk mysticism and heavy-grooving cosmic synths combine on this unprecedented survey of spiritual Martinique polymath Gratien Midonet’s first four albums.



“I always broke free from the rules, from codes being too narrow,” says poet, musician and sonic shaman Gratien Midonet. “I have always had this sense of peaceful knowledge that there is no separation between genres, beings and universal things.”



For Midonet, pushing musical boundaries was less a choice than an extension of his spirit. A self-taught guitarist and composer,



drawing on his childhood memories of bélé and beguine rhythms, Midonet’s musical life developed in parallel to his academic and spiritual pursuits. Studying philosophy and psychopedagogy in France, it was his fascination with pan-Africanism and animism which fuelled the transcendent energy of his music. Although Midonet honed his sound in France, the four albums he released during the



late ‘70s and ‘80s were heavily inspired by diasporic nostalgia, or what he describes as the “smells and colours… subliminal noises… fruity notes, the memories of funeral wakes, the bombastic organ of the cathedral and the gasps of the drums” of his childhood home on the Caribbean island of Martinique.



Fittingly, it’s there that Midonet achieved cult status for the title track of his 1979 debut, Van An Lévè, which became a protest anthem for the island’s independence movement, and was briefly censored by the French authorities. Look no further than ‘Mari Rhont Ouve La Pot’, which opens this collection, to hear the propulsive mix of cosmic synths, acoustic folk, and Creole lyricism that became the essence of Midonet’s sound. Released on Martinique label Touloulou, Van An Lévè was followed in 1980 by L’inité, whose tropical acid folk (‘M’en ka Monté Mon’) and majestic, violin-led melodies (‘Kannaval Sakré Pou Tout Z’Heb Poussé’) confirmed Midonet’s unique and intuitive approach to composition.



Not content to skip effortlessly between genres and influences, Midonet also began pushing the boundaries of the album form itself. His third album, Bourg La Folie, released in 1984, was a soundtrack for a lost film about the mysticisms of carnival, while his fourth, Fô Ou Tchimbé, took the form of a ‘conte musical’ (a narrated story accompanied by music) presented at the Pompidou Centre, and spoke to Midonet’s literary prowess as a fierce proponent of the Creole language.

Cover with slightly bent corner and light creasing.

Still sealed.

Red Transparent Vinyl

Still sealed. Trifold cover with braille.

Clear vinyl. Cover with hype sticker