Funk | Soul Preorder 135 Items

Reissue of seminal HDH release from Detroit born vocalist Freda Payne Released in 1970 on the Motown break off label Holland Dozier Holland a partnership between former Motown songwriters Eddie and Brian Holland and Lamont Dozier Band of Gold was a huge commercial success for the label

Features the classic singles Unhooked Generation and Band of Gold a single that sold over 2 million copies and became a gold record

Textbook female vocal soul with a post Motown sound signature, the most commercially successful and widely recognised album that Freda Payne ever released

Repressed on 140 g Gold vinyl as part of the Demon Music Group HDH reissue series with an obi strip and a printed inner, featuring a new liner note from Soul Trilogy author Stewart Cosgrove

Newly remastered audio from Phil Kinrade at AIR studios

Reissued for the first time on limited gold vinyl

Ubiquity Review by Jason Ankeny. Roy Ayers' leap to the Polydor label inaugurates his music's evolution away from the more traditional jazz of his earlier Atlantic LPs toward the infectious, funk-inspired fusion that still divides critics and fans even decades after the fact. Although Ubiquity maintains one foot in Ayers' hard bop origins, the record favors soulful grooves and sun-kissed textures that flirt openly and unapologetically with commercial tastes. Several cuts feature the male/female vocals that would become a hallmark of subsequent Ubiquity efforts, while mid-tempo instrumentals like "Pretty Brown Skin" and "The Painted Desert" feature evocatively cinematic arrangements and intriguing solos that unfurl like psychedelic freak flags. The crack supporting cast including bassist John Williams, keyboardist Harry Whitaker, and drummer Alphonso Mouzon proves equally effective on high-energy numbers like "Can You Dig It" and the Nat Adderley-penned "Hummin' in the Sun" which point the way to the mind-expanding funk Ayers would perfect across the sessions to follow. An outstanding record.

Little is known about Norman Feels…but we do know that he was an underground soul sensation in the 1970s. He released two classic albums on Just Sunshine Records (the label that was also responsible for putting out milestone recordings by artists like Betty Davis, Karen Dalton and Arica). Over the years, Norman’s songs have been sampled by renowned acts from the likes of Ghostface Killah, Nas and Kanye West.

The sound his songs emit reminds of the classic soul coming out of New Jersey at the time, but it just has that extra thing going for it…something alternative and exceptional. This made for an excellent match with the ‘Just Sunshine’ label that released both of his albums. Just like his labelmate Betty Davis, Norman Feels was an artist that was hard to typecast and compare with his contemporaries/peers…this makes Norman’s work very interesting and worth every soul/funk connoisseur’s time.

In 1973 Norman Feels released his self-titled debut album which has become a much sought after funk/soul classic. Behind Norman’s floating (and extremely soulful) voice hides a dark and almost psychedelic instrumentation that makes this album particularly unique. The recordings have been beautifully arranged by David Van De Pitte (who is world-famous for the arrangements heard on Marvin Gaye’s ‘What’s Going On’) and topped off by Sal Scaltro’s slick production work.

Next to Norman Feels’ fascinating writing skills and trademark voice, on this album you’ll find complicated (and at times brooding) compositions that takes the listener on a dreamy musical journey filled with themes about struggle, relationships and social commentary. Love, beauty and sadness is lingering in every track on this album…all of this makes his self-titled debut a total ‘must-have’ album that begs for a special place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1973 on Just Sunshine Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies). This reissue comes packaged in a gatefold jacket complete with the original 1973 artwork, photographs and lyrics.

Limited Pressing of the1974 album. Includes an Insert with lyrics and photos. Features Swamp DOGG's original liner notes as well as brand new ones .

Gloria Scott’s ‘What Am I Gonna Do’ is considered by many as one of the greatest soul records of all time. A masterpiece produced by Barry White, that oozes class, lush instrumentation and the remarkle vocal talent and emotive delivery of Ms Scott.

From the impecable opener ‘What Am I Gonna Do’ through to the Modern Soul scenes favourite, ‘(A Case Of) Too Much Love Makin’, nearly every cut on the LP is a classic.

An extremely rare LP since it’s release in 1974, with original copies changing hands for over £100. Now 50 years on it has been officially licenced & lovingly reissued by the Selector Series label and arguably an LP every Soul fan needs in their collection.

Real people music recorded at aQuaker Boarding school in the mid-'70s. Mixing soft psych, vocal jazz, andsunshine soul, Shira Small and her highschool music teacher Lars Clutterhamcreated a peerless artifact of outsidermagic. Imagination, wonder, theexistential dread of Vietnam and mathclass and getting caught smoking weedin Nixon's America_ it's all here. Isyour life alright?

The deeply rooted funk spirit is alive and well in Canada's prolific funk-producing area, and The Sidewinders' most sought-after funk album, "Flatfoot Hustlin'," is making a long-awaited reissue with an obi. Apart from the fact that it was recorded in the same studio as Professor Lett AND STUDY's "love Serenade" at the time, the details of this album were shrouded in mystery. It gained attention among diggers when it adorned the cover of the rare groove/deep funk collector's bible, "Funky & Groovy Music Records Lexicon."

Featuring floor-pounding funky tunes like "I Like To Dance" and "Flat Foot Hustlin','' guaranteed to lift the dance floor, as well as a recommendable slow number for the sweet tea fans, "Time For Loving," and a heavy funk with a low center of gravity, "Gift to the Sun." Every track on this album is top-notch, making it a must-have for funk enthusiasts.

In the spring of 1977, Millie Jackson was down in Muscle Shoals, Alabama, laying down tracks for what became “Feelin’ Bitchy” with co-producer Brad Shapiro. Released in August 1977, the album reached #4 and #34 in America’s Billboard’s R&B and Hot 100, going gold with over 500,000 copies sold. Jackson’s cover of ‘If You’re Not Back In Love By Monday’ – already a hit for Merle Haggard in March 1977 – also reached #5 R&B and #43 in the Hot 100 in August. Although the album did not chart in the UK, “Feelin’ Bitchy” sold strongly to a dedicated fanbase who had voted her the #1 female singer in the Blues & Soul magazine annual poll. Jackson also performed much of the material on her sold-out UK dates in early 1978.

Former Mind & Matter bandmates James "Jimmy Jam" Harris and Michael Dixon teamed up for 1978's gospel-boogie banger "You're All I Need" b/w "You're Everything" on the private Mad label.

New 2024 reissue. From the LP 'Melody of Life' (Cat 2614).

Exactly the same as the original pressing but the cat on the label has yellow eyes as opposed to red.

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

A Detroit resident, William Odell Hughes is a much-loved street educated singer-songwriter and music composer. As a regular passenger riding to work on the Detroit East Side bus route in the early eighties, he met jazz pianist Pamela Wise who also rode the bus to work every day and who he noticed was always reading music. Pamela told him about saxophonist, clarinetist, and producer Wendell Harrison (founder of the legendary Tribe collective and a regular collaborator of Pamela Wise). She introduced Odell to Wendell, who was impressed with William’s compositions and felt that it would be a great project for release on his WenHa record label.

Hughes and Harrison began producing and recording the album to be called “Cruisin”featuring musical arrangements by both Wendell Harrison and Pamela Wise. This album (released in 1981) was the first recording for Hughes and the beginning of a long musical journey that continues to this day. Cruisin’ features an all-star line-up that includes Andrew Gibson (The Counts), Pamela Wise (Tribe) and award-winning Detroit Jazz icon Wendell Harrison...all doing their bit and making this a monster of an album!

William Odell Hughes’ debut album has all the best characteristics of an 80s album: it’s filled with funky playful beats and has excellent soulful honey-dipped vocals. On Cruisin’ the listener is treated to both mellow soul sounds and electrifying disco boogie (that’ll make even the shyest of club goers want to get up and dance) and Wendell Harrison’s instantly recognizable flute-playing and synth pads give the record a warm, relaxed groove. Prepare yourself for funky vibes, cool soothing feet-tapping rhythms, fantastic interplays on vocal tempos...all backed by a beautiful array of soulful synthesized and cosmic music.

References to universal awareness are plentiful throughout and the spirituality of The Tribe remains a constant undertone; a gentle reminder of WenHa’s roots. With a sound like this, it’s no wonder that this album has long been considered a grail for crate diggers around the world. All of the above makes this incredible record both timeless and as relevant today as it was back when it was initially released.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this rare funk & soul album (original copies go for large amounts on the second-hand market) originally released in 1981 on WenHa records. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip. This vinyl edition also features the original photography by acclaimed British photographer Brian Smith known for his work with artists such as Screamin’ Jay Hawkins, Howlin’ Wolf, Chuck Berry and John Lee Hooker.

Selector Series are back with more holy grail goodness, this time in the form of early 80’s boogie from Detroit.

Gene Dunlap was born and raised in Detroit, Michigan. He began his music career at age four when his father taught him to play the drums, honing his craft at Detroit Mumford High School. He went onto perform with Roy Ayers before releasing two solo albums in 1981, It’s Just The Way I Feel & Party In Me.

After the success of the Joy compilation album, MTMU’s reissue imprint ‘Music Take Me Back’ now brings us the 12” version including a DJ friendly extended version of Gospel anthem 'The Time Is Right, pressed on a full side. The b-side holds the equally strong 'He’ll Make Everything Alright' as well as a beautiful ballad taken from Joy’s first album in 1979, previously not included in the compilation.

Freestyle Records drop a killer UK soul/early street soul reissue LP from 1988, in the form of Rick Clarke's hard to come by 'Time Keeps Moving On' album.

Following a big indemand of my productions 2010 on CD & 2016 on VINYL,
this lovely LP was repressed again with another cover. This unreleased album is a project by Henry Horne from archive tapes recorded during 1982+1984

140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.

Arp Frique returns with a brand new release on his imprint Colorful World Records in collaboration with Rush Hour. A compilation of 12 Cape Verdean gems assembled with the help and knowledge of Americo Brito, there is a very special story behind it. Americo Brito, who
features on Arp Frique’s original Nos Magia, is a proud and important member of the Cape Verdean community in Rotterdam. His story reveals the historical connections between radio, vinyl, Cabo Verde and Rotterdam’s international music scene in the 70s and 80s.

Cape Verdean insiders say “we export all they have to other countries, only to import it back again”. Cape Verdeans have migrated all over the world, mainly to cities with big harbours, like New York, Boston and Rotterdam (Holland). Rotterdam became one of the main destinations
(next to Portugal) on the European mainland. When Americo, like many of his friends and relatives moved to Rotterdam, he quickly became infected with the music virus. Surrounded on a daily basis by Cape Verdean music in Portuguese pensions and small hotels, this was where sailors ingested a dose of “sodade” through the interpretations of their beloved music by the local Cape Verdean artists. Americo took to the stage with his band Djarama in the 70s and 80s. The live music scene was buzzing and the Cape Verdean community had their own infrastructure for arranging shows, often in nightclubs where the band had to bring their own soundsystem. Interestingly, Americo didn’t stick to performing and recording music. He found another way to help spread the Cape Verdean magical secret of music across Rotterdam, Holland and beyond: “There was this spot in Rotterdam where all foreign radio stations were housed, all these different nationalities together, Surinam, Cape Verdean, Hindustani…Guy Ramos and some of my other friends made radio in the 80s there. I got involved in their radio activities. Later on I started to work as a technician and eventually as producer and radio DJ for “Radio Voz De Cabo Verde”. Radio became bigger and there were around 4 different Cape Verdean stations active at one point in Rotterdam. instrumental in the development of this was the attic of a Dutch friend, where “Radio Babalu” came to life. Radio has always held a special place in my heart.” Americo’s music collection stems from this era, also aided by his many travels across Europe to cities with Cape Verdean communities. Alongside Rotterdam local, Arp Frique, Americo unveils some of these songs: dancefloor hits and beloved radio gems known in the Cape Verdean scene by younger and older generations alike, and so far undiscovered by a “bigger” audience. The compilation showcases the worldly view of Cape Verdean music, incorporating knowledge from their travels in their compositions. It ranges from the obvious funana and coladeira, to the more unexpected influences of deep disco, new wave, uptempo reggae, jazz-funk and Brazilian pop music; demonstrating just the tip of the iceberg, but what an amazing t(r)ip it is!

Rose in the Dark 12" Deluxe Vinyl with artwork.

Previously unreleased soul nugget from the the 1970's Richmond VA scene, two very mellow tunes full of cosmic organ lines, floating choruses and gentle vocal harmonies. If it's on Plut, it ain't a boot!

Unearthed funk from Parliament drummer Jerome Bailey and his band Mutiny

In his teens and twenties, singer-songwriter Ron Aikens was a promising voice out of South Philadelphia. He had earned a spot in United Image, a Soul music group that eventually signed to Stax/Volt Records and was making waves. However, fate anchored Aikens' dreams just as things were taking off. "Right around that time that record was playing on the air and everything, I got snatched," he says. More than 50 years later, Ronald Aikens is still affected by the turn of events that landed him behind bars for much of the 1970s. The subject conjures palpable emotions for the singer in his pauses and silence. At Graterford, Ron eventually joined Power Of Attorney—a storied Polydor Records-backed band with ties to James Brown, Shep Gordon, and Stan Vincent. In this chapter, Ron appeared on television, met celebrities, shared stages with Stevie Wonder, and lived out some glory as he and his band-mates became a touring sensation all while incarcerated—even though the band consisted of 4 lifers. Upon his prison release, the talent made several attempts to rebuild his dream. However, bad timing and bad business dealings ultimately left him hapless and hopeless. Forty years ago, Ron hung up his microphone and accepted a long-time janitorial position at Philly's City Hall. A man moved on with life as the music business moved on without a talented artist. "I had nowhere to hide," declares Aikens, "so I had to just leave it all behind."

A decade ago, Ron Aikens quietly began performing once more. In the 2010s, the singer would take the trolley from his West Philadelphia home and busk at 15th Street Station and the city's Market East. "I didn't think anybody would pay me any attention," the retiree recalls, astonished to see dollars in his bucket. On mild and warm days, Aikens sang songs by homegrown talent like The O'Jays, Hall & Oates, and Teddy Pendergrass, as well as Motown and others. But he did not perform his originals. "People want to hear songs that they built memories around; they don't want to hear me," he remembers thinking of his long-dismissed songwriting. That changed in 2020, when Max Ochester, owner of a local record store, Brewerytown Beats, stood before Aikens' amp on 12th & Market. "I went down specifically looking for Ron because I had unreleased Power Of Attorney stuff," says Max. He was looking for information.

In 2020, Max's label released two remastered 1972 Power Of Attorney recordings ("Changing Man" b/w "I'm Just Your Clown"). Those songs were cut before Ron Aikens joined the group in Graterford, but curiosity ignited a relationship. Aikens, who had released material as Galaxxy for Pop-Art Records, Doc, Aikens & Shields—a single by POA producer Stan Vincent (John Lennon, The Five Stairsteps, Connie Francis), as well as work with United Image and Power Of Attorney, proved his voice and showmanship were still strong. "He made me feel like he wanted to do something," Ron says of Max. "I don't have a drive like that anymore."

That drive has created momentum. In 2023, 74-year-old Ron Aikens returned to the studio for the first time in nearly 40 years. Max and Grammy Award-winning co-producer Aaron Levinson have highlighted Ronald Aikens' fantastic voice and story. The result is Ron & The Hip Tones.

"My whole thing is to do it how it would've been back in the '70s," Max explains. "I want to do the Philly sound, so I'm hiring arrangers, hiring songwriters—local guys. That process—a full production—has been thoughtful and curated, from the songwriting to horn sections, Gospel background arrangements, and a harp player. "This is a good team, man!" Ron says emphatically, recalling the days when sessions involved rooms of talented creators.

On May 5, the Brewerytown label will release a digital version of the single of Ron Aikens' first music in over 40 years to be followed by a 45rpm record: “Do What I Wanna Do” b/w” Baby Are You Ready.” It was recorded at the famed Elm Street Studio owned by Rob Hyman of The Hooters. In addition to Max and Aaron, personnel includes songwriters David Cope and Fred Berman—who also plays drums on the record, Adam Faulk on keys, guitarist Doug O'Donnell and bassist Brendan McGeehan. Waverly Austin hired and arranged the background vocals, and Bill Jolly provided horn arrangements. The release will also be available on special picture cover 45.

“Do What I Wanna Do” was an existing song brought to Ron and Max, who infused their own heart and soul into the composition. Ron is at a stage in his life where he does what he wants to, says what he wants, and be who he’s gonna be. The message is unapologetic and free.

“Baby Are You Ready” nods to the slow-burning ballads of the ‘70s. Honoring that true “Philly Sound,” the song is enhanced with a harp player, Elizabeth Cohen AKA Lizzie Harp.

Upcoming songs touch upon Ron’s troubled past head-on and express in song how he’s been feeling all these years. Others channel lowrider oldies, with splashes of West Coast Soul.

The music is alive and very symbolic of Ron Aikens' life, evolution, and perspective. He decided busking was unsafe after the pandemic, and his newfound interest in his own music perhaps encouraged him to make one more swing at a dream that goes back nearly three-quarters of a century. "I'm here. I'm breathing," he says in a West Philly coffee shop with a smile and wide eyes. "I ain't gone yet. If I'm gonna breathe, I need to sing!"

This EP is the first release to mark the start of a new adventure, illustrating Rude Jude's commitment to a smooth and melodic vintage sound. Featuring 3 original songs, a cover and an epilogue, it is deeply inspired by the legends of Adult Oriented Rock and a mix of 70s/80s Soft Rock, Jazz and Pop. The contribution of the talented vocalist, songwriter and violin player, Jon GK can't be understated in creating and interpreting these songs. All the parts are played by musicians and the production is made through as much analog gear from that era as possible. It is not just a tribute but an attempt to carry the torch and bring something new to the current music landscape

Diamonds & Freaks is the second studio album from producer/artist/visionary, BLK Odyssy. Following up the critically acclaimed debut album, BLK Vintage, Diamonds & Freaks is a concept album that tells the story of a man enslaved by his lustful addictions. The record is presented as an erotic novel by Keisha Plum with narration by Bootsy Collins, both of whom offer a stark contradiction to the vivid and edgy content of the songs. The record contains elements of soul, hip-hop, and pop—seamlessly blended to create a fresh and distinct sound true to BLK Odyssy. Diamonds & Freaks showcases BLK Odyssy’S talent for crafting colorful characters and vivid scenes to tell stories through music. The 15 track masterpiece features appearances by Cory Henry, Bootsy Collins, Kirby, Rapsody, Eimaral Sol, Grace Sorensen, Stout, & The Alchemist. Pressed on Amber vinyl, housed in a Diecut Gatefold Jacket and includes a 32pg Booklet, 2 Double-sided 12x12 Inserts, Postcard, Marketing Sticker & Black Polylined Sleeves.

180g 1LP 45rpm

Renowned Berlin-based music discovery platform ColorsxSTUDIOS will release their new vinyl compilation album, ‘MOVE:FEEL1’, just in time for the holidays.

The limited-edition double disc gatefold vinyl will feature 16 beloved A Colors Show tracks, both recent and from the archive, including London-based rapper Kwengface’s ‘Freedom’ that was released earlier this year, critically-acclaimed Malian artist Fatoumata Diawara’s ‘Nterini’ from 2019, and Dominican-Italian star YEИDRY’s breakout 2020 hit ‘Nena’.

The album is truly international—it will feature songs sung in six different languages (including English, Swedish, German, Bambara, French, Vietnamese, and Spanish) and represent artists from 15 different countries across the world.

‘MOVE:FEEL1’ reflects and celebrates the launch of Colors’ new ‘move’ and ‘feel’ playlists that are now available across all DSPs. Updated monthly, these playlists will curate Colors’ genre fluid output into cohesive listening experiences that cater for varying emotional states.

The songs on the ‘move’ playlist—and hence on the ‘move’ sides of the vinyl—are uptempo, bold, sexy and energetic, and aim to set the tone for daring and unapologetic enjoyment. In contrast, the tracks on the ‘feel’ playlist and discs are downtempo and emotive. They are for relaxation, and to help listeners contemplate their internal and external environments

Designed by Colors’ in-house creative team, the vinyl cover is mirrored, meaning its appearance adapts depending on the light and colors it reflects. This was an important decision to ensure the cover represents all of the featured artists, who all performed their A Colors ShowS against different colored backdrops. The mirrored material also enables the audience to literally (and hopefully metaphorically) see themselves in the album.

Each side of the mirrored cover is adorned differently: while the “move” side features embossed lines, stripes and slashes indicative of motion, the more introverted “feel” side is debossed with goosebump-like grooves. Even with their eyes closed, people will be able to feel which side of the album is which, adding an extra sensory layer to the listening experience. MOVE:FEEL1’s design also prioritizes sustainability, using no single-use plastics for its packaging.

* First time pressed on vinyl * Comes with Japanese obi-strip * Pressed on Black Vinyl / This is a great, and beloved modern soul work released by Ron Henderson and his group Choice of Color in 1976. the edition reissued by P Vine in 2020 sold out quickly and is now fetching high prices on the used market, so we We have decided to reissue this wonderful album once again in a new version. For vinyl lovers and collectors, the obi will have a new design different from the 1st edition and the vinyl will be updated to 180g weight vinyl!

Best tracks from legndary tax scum records "tsg Records" are compiled into the LP!

Maurice White, the founder and leader of Earth, Wind & Fire and an undisputed soul legend, left us in 2016, leaving behind a treasure trove of unreleased recordings. Teaming up with producer and singer-songwriter Preston Glass, Maurice White's hidden gems come to light in the form of the collection "Manifestation." Although he only officially released one solo album during his lifetime, it turns out that he had recorded numerous wonderful tracks. This collection is like a set of precious demo tracks, akin to uncut diamonds waiting to be polished. If Maurice were still with us, it's undeniable that several hit songs and classics would have been born from these recordings. Filled with catchy melodies showcasing Maurice's genius musical sense, "Manifestation" is a testament to his enduring legacy, reminding us of the many chart-topping songs he brought into the world.

This is a collection of recordings by Geoff Bastow, English composer active in the 1970s to 1980s, preserved on the prestigious German library label "SONOTON." The opening resonates with dazzling synthesizer phrases, and the dynamic sound created by the incorporated drum machine in an inorganic manner can be considered the very essence of synth-wave or perhaps futuristic funk.

** Unreleased Dyke & THE Blazers-cover Funk Bomb **
Taken from the forthcoming "Movements Vol.12" compilation album, "Funky Broadway" by The Villagers has never been released - until now. The B-side features the Garage-Rock cut "You're My Baby (Don't You Forget It)" from 1966, the same year as Dyke & The Blazers recorded the original version of "Funky Broadway".

Relaxin & dubby and super comfortable! This is a great acoustic cover of Minnie Riperton's classic song.

Minnie Riperton is a singer/songwriter with a laid-back sound and a "neo-surf music" theme. The cover of "Lovin You" was released on 7" in December 2023. The coupling includes an instrumental version that has never been distributed!

Saint Louis based Piscean Group return with a 45 showcasing their future funk jazz sound

Led and produced as always by Osunlade (Yoruba Records), this ever evolving group provide two new tracks; the first “Finger It Out” a driving groove punctuated by explosive horns and an irresistible drop, backed with “Kushti”, a beautiful downtempo meditative jam with loping beat and spaced out guitar licks that transports you to a new time and space.

Limited to 200 copies.

Kon AKA King of Nothing, mastermind behind many brilliant multitrack edits unleashes 2 brilliant mashup gems. 'Soul Bright' featuring Madonna’s beaming Lucky Star vocals blended over Saucy Lady’s 'Soul Amplified' instrumentation pulled from her 2021 Delirious EP, and 'Watchin’', Rockwell meets Saucy Lady mashup.

The Rockwell vocals adds to that intoxicating Mtume- like harmonies originally set by producer Yuki 'u-key' Kanesaka on The Garden, a track that was also released off of Saucy Lady's Delirious record that just got a tasty rework. Already dance floor tested and audience- approved with guaranteed dippin' quality.

The much-talked-about cover of Yoshitaka Minami's "Yakanhikou" is now available on 7inch release! From Yoshitaka Minami's 70's urban pop sound masterpiece album "south OF THE Border", for which Ryuichi Sakamoto wrote all the songs, Halfby has produced a superb cover of the famous song "Yakanhikou", which has a brilliant Brazilian essence of samba and bossa nova, with Keiichi Sokabe on guest vocals.

Long-awaited 7" release of the 4th collaboration work between Lagheads and Himi, "Dance feat. Himi"! The B-side features a remix version by Hikaru Arata of Wonk! A four-member super Jam/pop band, each member of which is also active in live performances and recordings for many artists. The long-awaited 7" release of mellow & groovy city soul featuring falsetto voice, which allows you to fully enjoy Himi's world view.

The long-awaited analog 7-inch release of "Trapped," a chill R&B classic by singer/songwriter "rung HYANG," known for his collaborations with Tendre, Sirup, and Taichi Mukai, among others! The B-side features a brand new remix by Kan Sano, a producer that Tom Misch has been paying attention to, and you can only hear it here! While respecting the world of the original song, the remix is updated to be groovier and features Kan Sano's whispering voice and jazzy piano, making it resonate with the current neo-soul of the 2010s and beyond.

Introducing X-Ray Ted's debut album 'Moving On', a testament to years spent honing his craft and refining his signature sound. Seamlessly blending Funk, Soul, Hip Hop, Beats and Breaks, X-Ray Ted delivers a collection that encapsulates his diverse influences as both a producer and turntablist who is endlessly crate digging for hidden gems. From the infectious opening guitar riff to the final beat, it is clear that 'Moving On' promises an experience that is as engaging as it is dancefloor focused. Each track showcases X-Ray Ted's innate ability to re-interpret vintage sounds from decades past, offering listeners something that is both alluringly familiar and refreshingly new.

X-Ray Ted is not alone in creating his musical vision. He is joined by Hip Hop royalty in the form Jungle Brother's Afrika Baby Bam, Jurassic 5's Fullee Love (aka Soup), and UK MCs Dr Syntax and Professor Elemental. Adding soulful depth and irresistible hooks to the mix are the vocals from fellow Bristolian Carys Abigail. Together, they effortlessly bridge the gap between retro 60's vibes and contemporary beats, creating something that is truly timeless, celebrating the past while embracing the future.

Onegram, who sold out their cover of KIRINJI's classic song "Aliens" immediately, released a new song! The song "Samidare No Ato Ni (After the long rain)" on Side-A is a straight and mellow lovers' rock song with their unique arrangement and sound. The B-side features a Funky Disco Reggae cover of "it's Just Begun" by Jimmy Castor Bunch, a classic that appeared on the previous "Random Access Music" album and has been long awaited as a single.

Mazz Swift (they/them), the composer, conductor, bandleader, educator, singer, and Juilliard-trained violinist who weaves classic African-American musics, electronica, and mindfulness into their music, releases "No More" from their upcoming debut solo album The 10000 Things: PRAISE SONGS for the iRiligious via New Amsterdam Records.

"Love Can't Be Borrowed" by The Sextones produced by Kelly Finnigan - one of the soul albums of 2023 - gets a reissue on limited edition clear vinyl. 500 copies only, instant collector's item.

Late night `60s R&B caught on tape at JimKirchstein's jack-of-all genres Cuca studio.Re- leased on minuscule pressings into theWiscon- sin wilderness, these 26 sasquatchraretracks uncover the soulful paths betweenthe Chicago, Milw aukee, Rockford, andRockford scenes. Featuring Harvey Scales,Step By Step, Betty Moorer, Seven Sounds,Twiliters, Birdlegs & Pauline, Esquires, Artie& The Pharaohs, and Fantastic Six, this 2xlptell s an alternate his- tory of soul music thatcould only happen in the Hinterl ands onHighway 12.

Late night `60s R&B caught on tape at JimKirchstein's jack-of-all genres Cuca studio.Re- leased on minuscule pressings into theWiscon- sin wilderness, these 26 sasquatchraretracks uncover the soulful paths betweenthe Chicago, Milw aukee, Rockford, andRockford scenes. Featuring Harvey Scales,Step By Step, Betty Moorer, Seven Sounds,Twiliters, Birdlegs & Pauline, Esquires, Artie& The Pharaohs, and Fantastic Six, this 2xlptell s an alternate his- tory of soul music thatcould only happen in the Hinterl ands onHighway 12.

Delights imprint returns after a long break with a special new treat from the label's head confectioner - Markey Funk!

On his first solo 7'' in four years, Markey blends cinematic funk, baroque psych and ghostly electronica to craft two cuts of quintessential Delights sound: sinister floor-killer "Barrier" and the haunting chase theme "Chronoscope" on the flip.

Deniece Williams' refreshingly cool cover is reissued in Japan in a delusional jacket!

Side A is a refreshing cover of the mellow soul classic “Free” by Deniece Williams, and side B is a bold cover of the soul classic “Wishing On A star” by Rose Royse. The B-side is also a bold cover of the soul classic Rose Royse's “Wishing On A star.” The beat is fast and furious, and the melody is mysterious. Both sides of this single can be used.

After more than a decade of honing their prodigious improv chops, the Seattle trio enters the musical underground with their magnum opus, poised to be heard by true heads worldwide. Longtime Afrocop fans know, they are inveterate sonic chameleons. They’ve been fine tuning their chops for over a decade on the live circuit, playing everything from corporate gigs to psychedelic-music festivals to residencies at classy Italian restaurants and wine bars, and in many spaces in-between. No matter the setting in which they flex their dynamic creativity, keyboardist Noel Brass Jr., drummer Andy Sells, and bassist Carlos Tulloss flaunt an uncanny versatility: they can beautify the background like ambient masters, get up with it à la Miles Davis’ filthiest electric-era band, or fling you into deepest, fusionoid space on a nanosecond’s notice.

Not much is known about this early 1970's psychedelic soul group from the Germantown section of Philadelphia. But we do know this record was recorded in 1969 released in 1970 - and one of two records on Michael Nise's (Nise Productions Inc) Philadelphia Round Records (see More Below) Brewerytown Records Label & Insert design by Jeremy Zombie 1984 consists of band members - Gerald Foster, Ronald Hynson, Andrea Johnson, Harold Johnson, Arthur "sly" RAY, Stanley Vurton - From Nise Productions INC: Circa 1970 Audio Magazine, a nationally respected magazine and audio authority, recognizes Nise Productions, Inc. in a special campaign. The promotional director for North American Publishing Company initiates this promotional campaign that utilizes the extended relationship between Frank and Michael Nise with Audio Magazine through the years. "Nise Productions, Inc. is a successful sound production company." Audio Magazin In conjunction with sports announcer Gene Kelly (Cincinnati Reds and Philadelphia Phillies), Nise Productions, Inc. produces a commemorative audio record highlighting the 20th Anniversary of the 1950 Phillies pennant-winning home run. Wpbs-fm markets and advertises the product. Nise Productions, Inc. moves into corporate audio-visual and multi-track studio production. They establish an entertainment management, publishing and production entity. They sign The Ghetto Children and later, individually, Joy Stamford, who began with The Ghetto Children. Frank and Michael acquire a Sony Superscope dealership and build a two-track audio recording studio, a graphics department and a record mastering facility. They do this while also producing albums for schools and churches on location and produce over 40 albums. The Nise's initiate their first record label, Philadelphia Round Records, with two groups: American Asphalt and 1984.

Not much is known about this early 1970's psychedelic soul group from the Germantown section of Philadelphia. But we do know this record was recorded in 1969 released in 1970 - and one of two records on Michael Nise's (Nise Productions Inc) Philadelphia Round Records (see More Below) Brewerytown Records Label & Insert design by Jeremy Zombie 1984 consists of band members - Gerald Foster, Ronald Hynson, Andrea Johnson, Harold Johnson, Arthur "sly" RAY, Stanley Vurton - From Nise Productions INC: Circa 1970 Audio Magazine, a nationally respected magazine and audio authority, recognizes Nise Productions, Inc. in a special campaign. The promotional director for North American Publishing Company initiates this promotional campaign that utilizes the extended relationship between Frank and Michael Nise with Audio Magazine through the years. "Nise Productions, Inc. is a successful sound production company." Audio Magazin In conjunction with sports announcer Gene Kelly (Cincinnati Reds and Philadelphia Phillies), Nise Productions, Inc. produces a commemorative audio record highlighting the 20th Anniversary of the 1950 Phillies pennant-winning home run. Wpbs-fm markets and advertises the product. Nise Productions, Inc. moves into corporate audio-visual and multi-track studio production. They establish an entertainment management, publishing and production entity. They sign The Ghetto Children and later, individually, Joy Stamford, who began with The Ghetto Children. Frank and Michael acquire a Sony Superscope dealership and build a two-track audio recording studio, a graphics department and a record mastering facility. They do this while also producing albums for schools and churches on location and produce over 40 albums. The Nise's initiate their first record label, Philadelphia Round Records, with two groups: American Asphalt and 1984.

Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colerine Records! You could say that Parlor Greens are greater than the sum of their parts.. however, the individual parts are simply stellar on their own. Tim Carman (ga-20) on drums, Jimmy James (True Loves, formerly Delvon Lamar Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he'd love to have an organ trio be the first project at the label's new studio, Portage Lounge, located in Loveland, Ohio, So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer's row arrived they hit the ground running. It was instant chemistry, Within the first ten minutes of everyone plugging in, a song was written and recorded, "West Memphis". And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven outs. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 3BB tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, in Green / We Dream.

Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colerine Records! You could say that Parlor Greens are greater than the sum of their parts.. however, the individual parts are simply stellar on their own. Tim Carman (ga-20) on drums, Jimmy James (True Loves, formerly Delvon Lamar Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he'd love to have an organ trio be the first project at the label's new studio, Portage Lounge, located in Loveland, Ohio, So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer's row arrived they hit the ground running. It was instant chemistry, Within the first ten minutes of everyone plugging in, a song was written and recorded, "West Memphis". And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven outs. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 3BB tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, in Green / We Dream.

Perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colerine Records! You could say that Parlor Greens are greater than the sum of their parts.. however, the individual parts are simply stellar on their own. Tim Carman (ga-20) on drums, Jimmy James (True Loves, formerly Delvon Lamar Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Parlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he'd love to have an organ trio be the first project at the label's new studio, Portage Lounge, located in Loveland, Ohio, So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer's row arrived they hit the ground running. It was instant chemistry, Within the first ten minutes of everyone plugging in, a song was written and recorded, "West Memphis". And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic. So this is the result of that session. Eleven outs. Ten originals. Two sides. All killer, no filler. Straight to the old reliable Tascam 3BB tape machine, mixed up nice and dirty for your enjoyment. Parlor Greens are proud to present their debut long player, in Green / We Dream.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.