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** A true deep funk classic - now officially re-issued with the blessing of the band! **
"Break It Loose" has been a Rare Groove classic for decades. No wonder, as it is a stunning composition with fantastic arrangements.
As comped on "Movements Vol.12" (trcd/lp-9122)
Limited press run, so you'd better be quick.

The Voice of Love is a collection of British sophisti-pop and jazz-funk from the 1980s - ten songs ranging from unreleased demos to scarcely pressed 12”s attempt to define the scope of the British underground scene during that era.

The music presented on this release juxtaposes polished aesthetics with a punk ethos; while some bands sported sophisticated looks reminiscent of travel destinations and designer fashion, they also embraced gritty influences from iconic British acts like The Clash, Sex Pistols, and early Factory Records acts. This dynamic interplay between refinement and rebellion lies at the heart of the compilation. Artists like Jakatti, Berlin-Randazzo Band, and Xpertz offer a raw energy akin to Colourbox, Maximum Joy, and A Certain Ratio. Meanwhile, Inheritance, World Series, and Ocean evoke the sound of 52nd Street (Inheritance members went on to form that group) and Freeez (including After Eight’s notable "Southern Freeez" cover). The Goodbye Look and Sonjah & Ian introduce a smoother jazz-pop vibe, drawing inspiration from Sade and the sun-kissed allure of Ibiza.

Curated in collaboration with Michael Patricola, a pioneer in uncovering rare private pressings and obscure recordings, this project is a labor of love. This selection of long-elusive discoveries is a tender ode to the rainy melancholy of English adolescence.

Prepare to experience a true soul gem reimagined for the modern age with this special 7-inch reissue of Matt Covington’s classic, I'm So In Love With You. Originally released in 1983, this rare groove masterpiece captures the essence of early '80s R&B with its smooth, heartfelt vocals and lush instrumentation. Covington’s romantic delivery and the track's elegant arrangement have made it a coveted piece for collectors and soul aficionados alike, with the original pressing becoming increasingly hard to find over the years. For the first time ever, I’m So In Love With You is being reissued, allowing a new generation of listeners to discover its timeless charm. On the flip side, we’ve included Muhammad Ali, a standout cut from Covington’s self-titled album that resonates with soul, funk, and infectious energy. A favorite of acclaimed DJ Floating Points, Muhammad Ali pays tribute to the legendary boxer with a groove that’s as fierce as its namesake. Whether this has been sat in your wantlist for years or new to Matt Covington’s music, this 7-inch offers an essential addition to your collection. With its impeccable blend of silky soul and rhythmic punch, this reissue promises to become as cherished as the original release.

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Experience the funky gospel sounds of the Howard Lemon Singers with the reissue of their 1977 album, Seasons, originally released by TK Records' Gospel sub-label Gospel Roots. Now reissued on vinyl for the first time through Regrooved Records, this album masterfully blends traditional gospel with modern soul elements.

Slowly's latest release is a collaboration with Swish Jaguar, who burst onto the scene with their cover of "Morning Sunrise," and a lovers' cover of Ohio mellow soul treasure "You Can Fly On My Aeroplane" by Wee! This is a collaboration with Swish Jaguar (aka Sam Wish), who was involved in the production of many great songs as an original member of Tuxedo. Yusuke Hirado, who has a close relationship with Slowly, plays Fender Rhodes, and Cro-Magnon's Tsuyoshi Kosuga plays both guitar and bass. The perfect lineup of musicians made this vintage-inspired dreamy lovers' soul track with Swish Jaguar's talkbox dancing on top of it. The B-side contains instrumental version. Here is a great masterpiece that transcends genres!

Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk.

At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others.

Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.

Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue!

Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk.

At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others.

Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.

Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue!

For the past 20 years, NO FORMAT! has been cultivating the idea of an artisanal and homemade label, supporting artists who stand out with unexpected projects. Its motto, "You never know in advance what you"ll fall in love with", has guided its direction from the outset. Its high standards on the quality of the sound has become its trademark, while one of the mainstays of its work is the development of collaborations between artists from diverse backgrounds. For its 20th anniversary, a new guard of electronically-inspired artists takes over the NO FORMAT catalog for an original remix album, specially created for the occasion. 10 iconic tracks from the label are reimagined by 10 young, talented, emerging and/or established producers, carefully chosen on each track. While Pan-African trio Toto Bona Lokua"s music is reworked by British-Ghanaian afro-bass pioneer Hagan, South African vocal duo Msaki x Tubatsi is reimagined through a remix by amapiano heavy-weight Vigro Deep. Blick Bassy"s delicate Cameroon folk turns into an afro-club anthem produced by Moonshine collective leading figure Vanyfox ; Haitian-American neo-jazz artist Melanie Charles electrifies "Kouzen" by Haitian Canadian singer-songwriter Mélissa Laveaux ; renowned sound artist Sofie Birch transforms Koki Nakano"s delicate piano into an ambient soundscape. Japanese house pioneer Shinichiro Yokota gives a new spin on electro-jazz collective Asynchrone, which was inspired by Ryuichi Sakamoto"s work. "NO FORMAT! Remixed (2004-2024)" is both a celebration of 20 years of music and creation, bringing this beautiful and curated catalog into a vibrant and festive compilation, and a step towards the label"s next 20 years.

NYC multi-instrumentalist Darian Donovan Thomas releases his long awaited debut solo album following high profile guest appearances on records by Moses Sumney, Wild Up, So Percussion and many more.

Triple LP of more deep soul hits and obscurities. Powerful stuff! Full color 28 page 12 X 12” booklet included. Housed in a gold foil embossed cover.

Whatitdo Archive Group's 'Palace Of A Thousand Sounds' – Pop Matters' best library record of 2023 – gets a super limited edition reissue on clear yellow marble vinyl. 300 copies only, instant collector's item.

The "Piranha Gundan" was established in 1975 by Toei actors. The actors, who support the Toei production by playing roles in movies and TV dramas, naturally gathered for booze ups. Masaru Shiga, a member of the group, named them "Piranha Kai" with a dream to one day playing main roles in movies.

The gang benefited from the positive publicity generated by Takuzo Kawatani and Hideo Murota's appearance in the drama "Zenryaku Ofukuro-sama," broadcast from October 1975. This gradually brought the other corps members to the attention of the public. The release of "Violent Panic: The Big Crash" and "A Savage Beast Goes Mad" (both released in 1976), in which corps actors played major roles, contributed to the continued growth of the Piranha Gundan boom. In 1977, the movie "The Smart Aleck Ten" was released, starring all members.

This album was released in April 1977. Folk singer Kan Mikami, who was also active as an actor, conceived the idea of producing a Piranha Gundan record at a party with Tsunehiko Watase. With the exception of M-2 "Mura Uta ~Washashiranbushi~" and M-4 "Ore (Re-o)," 11 songs were written and composed by Kan Mikami. The album was arranged by Jun Sato and Ryuichi Sakamoto, who also played keyboards. Other musicians who contributed to the album include Shuichi Murakami, Tetsuro Kashibuchi, Tsugitoshi Goto, Nobu Saito, and others.

Not much is known about this early 1970's psychedelic soul group from the Germantown section of Philadelphia. But we do know this record was recorded in 1969 released in 1970 - and one of two records on Michael Nise's (Nise Productions Inc) Philadelphia Round Records (see More Below) Brewerytown Records Label & Insert design by Jeremy Zombie 1984 consists of band members - Gerald Foster, Ronald Hynson, Andrea Johnson, Harold Johnson, Arthur "sly" RAY, Stanley Vurton - From Nise Productions INC: Circa 1970 Audio Magazine, a nationally respected magazine and audio authority, recognizes Nise Productions, Inc. in a special campaign. The promotional director for North American Publishing Company initiates this promotional campaign that utilizes the extended relationship between Frank and Michael Nise with Audio Magazine through the years. "Nise Productions, Inc. is a successful sound production company." Audio Magazin In conjunction with sports announcer Gene Kelly (Cincinnati Reds and Philadelphia Phillies), Nise Productions, Inc. produces a commemorative audio record highlighting the 20th Anniversary of the 1950 Phillies pennant-winning home run. Wpbs-fm markets and advertises the product. Nise Productions, Inc. moves into corporate audio-visual and multi-track studio production. They establish an entertainment management, publishing and production entity. They sign The Ghetto Children and later, individually, Joy Stamford, who began with The Ghetto Children. Frank and Michael acquire a Sony Superscope dealership and build a two-track audio recording studio, a graphics department and a record mastering facility. They do this while also producing albums for schools and churches on location and produce over 40 albums. The Nise's initiate their first record label, Philadelphia Round Records, with two groups: American Asphalt and 1984.

Not much is known about this early 1970's psychedelic soul group from the Germantown section of Philadelphia. But we do know this record was recorded in 1969 released in 1970 - and one of two records on Michael Nise's (Nise Productions Inc) Philadelphia Round Records (see More Below) Brewerytown Records Label & Insert design by Jeremy Zombie 1984 consists of band members - Gerald Foster, Ronald Hynson, Andrea Johnson, Harold Johnson, Arthur "sly" RAY, Stanley Vurton - From Nise Productions INC: Circa 1970 Audio Magazine, a nationally respected magazine and audio authority, recognizes Nise Productions, Inc. in a special campaign. The promotional director for North American Publishing Company initiates this promotional campaign that utilizes the extended relationship between Frank and Michael Nise with Audio Magazine through the years. "Nise Productions, Inc. is a successful sound production company." Audio Magazin In conjunction with sports announcer Gene Kelly (Cincinnati Reds and Philadelphia Phillies), Nise Productions, Inc. produces a commemorative audio record highlighting the 20th Anniversary of the 1950 Phillies pennant-winning home run. Wpbs-fm markets and advertises the product. Nise Productions, Inc. moves into corporate audio-visual and multi-track studio production. They establish an entertainment management, publishing and production entity. They sign The Ghetto Children and later, individually, Joy Stamford, who began with The Ghetto Children. Frank and Michael acquire a Sony Superscope dealership and build a two-track audio recording studio, a graphics department and a record mastering facility. They do this while also producing albums for schools and churches on location and produce over 40 albums. The Nise's initiate their first record label, Philadelphia Round Records, with two groups: American Asphalt and 1984.

Arp Frique returns with a brand new release on his imprint Colorful World Records in collaboration with Rush Hour. A compilation of 12 Cape Verdean gems assembled with the help and knowledge of Americo Brito, there is a very special story behind it. Americo Brito, who
features on Arp Frique’s original Nos Magia, is a proud and important member of the Cape Verdean community in Rotterdam. His story reveals the historical connections between radio, vinyl, Cabo Verde and Rotterdam’s international music scene in the 70s and 80s.

Cape Verdean insiders say “we export all they have to other countries, only to import it back again”. Cape Verdeans have migrated all over the world, mainly to cities with big harbours, like New York, Boston and Rotterdam (Holland). Rotterdam became one of the main destinations
(next to Portugal) on the European mainland. When Americo, like many of his friends and relatives moved to Rotterdam, he quickly became infected with the music virus. Surrounded on a daily basis by Cape Verdean music in Portuguese pensions and small hotels, this was where sailors ingested a dose of “sodade” through the interpretations of their beloved music by the local Cape Verdean artists. Americo took to the stage with his band Djarama in the 70s and 80s. The live music scene was buzzing and the Cape Verdean community had their own infrastructure for arranging shows, often in nightclubs where the band had to bring their own soundsystem. Interestingly, Americo didn’t stick to performing and recording music. He found another way to help spread the Cape Verdean magical secret of music across Rotterdam, Holland and beyond: “There was this spot in Rotterdam where all foreign radio stations were housed, all these different nationalities together, Surinam, Cape Verdean, Hindustani…Guy Ramos and some of my other friends made radio in the 80s there. I got involved in their radio activities. Later on I started to work as a technician and eventually as producer and radio DJ for “Radio Voz De Cabo Verde”. Radio became bigger and there were around 4 different Cape Verdean stations active at one point in Rotterdam. instrumental in the development of this was the attic of a Dutch friend, where “Radio Babalu” came to life. Radio has always held a special place in my heart.” Americo’s music collection stems from this era, also aided by his many travels across Europe to cities with Cape Verdean communities. Alongside Rotterdam local, Arp Frique, Americo unveils some of these songs: dancefloor hits and beloved radio gems known in the Cape Verdean scene by younger and older generations alike, and so far undiscovered by a “bigger” audience. The compilation showcases the worldly view of Cape Verdean music, incorporating knowledge from their travels in their compositions. It ranges from the obvious funana and coladeira, to the more unexpected influences of deep disco, new wave, uptempo reggae, jazz-funk and Brazilian pop music; demonstrating just the tip of the iceberg, but what an amazing t(r)ip it is!

R&B singer Yazmin had two albums to her credit in the 90s, released the lost album "A Scent Of Flowers" in 1993 but it's hard to find because it was released scandinavian edition vinyl only at that time, and P-vine has taken the opportunity to reissue it in analogue form for the first time. The album features 13 tracks, including Roy Ayers' 'Everybody Loves The Sunshine' which was well received when released as a single in 2021, a cover of The Emotions' "Best Of My Love', , and the club classic Ray Charles' remake of 'Let Me Take Over'.

Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

After the success of the Joy compilation album, MTMU’s reissue imprint ‘Music Take Me Back’ now brings us the 12” version including a DJ friendly extended version of Gospel anthem 'The Time Is Right, pressed on a full side. The b-side holds the equally strong 'He’ll Make Everything Alright' as well as a beautiful ballad taken from Joy’s first album in 1979, previously not included in the compilation.

The Leonhart Brass Band was conceived during the 2020 Covid-19 quarantine when trumpeter/composer/producer Michael Leonhart was unable to perform with his 18-piece orchestra at NYC's famous Jazz Standard. Leonhart began composing music for a small brass band that would be capable of playing outdoors without amplification. Building on the foundation of the classic brass bands (Dirty Dozen Brass and Rebirth Brass Band), Leonhart has infused elements of hip-hop and funk to create his own sound. The Leonhart Brass Band features members of Antibalas, the Dap-Kings & Red Baraat. "Jabbar" – Dedicated to and inspired by hooping legend Kareem Abdul Jabbar (aka Lew Alcindor), whose father was a transit police officer/jazz musician and whose mother worked as a department store price checker. In addition to Jabbar's storied career on the hardcourt, Jabbar grew up surrounded by jazz and has been a die-hard music fan his entire life, tragically losing his vast record collection in a 1983 fire that destroyed his LA home. Leonhart's tribute centers around an infectious bass riff in C minor, punctuated by brass stabs and solos by Leonhart on trumpet and Jason Marshall on the seldom-heard bass saxophone. "The Iceman" – The title is taken from basketball great George Gervin's famous nickname given to him during his years playing in both the ABA (American Basketball Association) and the NBA (National Basketball Association) for teams such as the Virginia Squires, San Antonio Spurs and Chicago Bulls. Legend has it the name came from Gervin's cool temperament on the court and his rare ability to play incredibly hard without breaking a sweat. "The Iceman" sees the Leonhart Brass Band horn section dividing into two groups as they play counterpoint melodies against one another. The tape echo effected bari sax solo is performed by Stuart Bogie.

The Ancient Cosmonauts are a collective formed by the Munich trumpet player Michael Treetop Voss (Feed LA, Poets Of Rhythm). The band explores the spaces opening in a harmonically undefined cosmos of singular voices structured by the beat of drums. With lyrics based on the fundamental experience of human life, the Ancient Cosmonauts connect with their listeners using the language of soul, the energy of funk and the freedom of jazz. “Free as I Wanna Be” was initially written and performed as a solo piece for trumpet. It is centered around ideas of self-determination and empowerment, which are prerequisites for both individual and collective freedom. The arrangement begins with an up-tempo conga and hi-hat pulse as the listener is immersed in the emerging elegiac horn melody. Driving collective rhythmic parts and the duet of lead singer Cris Soaz and Treetop add contrast and context to fully reflect the joys of freedom. The flip side “Intergalactical Travel” is a musical meditation on the idea of the Voyager probes (first launched back in 1975) as they continue on their trajectories into infinite space and their frail and fading connections to their terrestrial birthplace.

Not much is known about this early 1970s psychedelic soul group from the Germantown section of Philadelphia. But we do know this record was recorded in 1969 and released in 1970 - and is one of two records on Michael Nise's (Nise Productions Inc) Round Records from Philadelphia. Remastered from a pristine copy of the original vinyl, in conjunction with Nise Productions, this is the first official reissue of this release.

Introducing a new addition to Touching Bass" 12" dancefloor series. The series highlights mostly new artists who showcase the sounds of the Touching Bass dancefloor; packaged in their house sleeve." Shine" is an innovative case-in-point ofmachine funk turned soulful. Across six tracks, D"Monk - the London-based multi-instrumentalist, producer and selector - makes a strong claim for debut EP of the year, falling somewhere between warm-n-fuzzy electro, LDN broken beat, beatdown and the drunken, undefinable soul-dance of Detroit.

For the first time since the release of their 2022 debut album 'Drift,'the Winston Brothers are back with two new original tunes pressedonto one perfect 45.The A-side, 'Straight Shooter' is none other than that. A rolling funkescapade, the track gears you up for a b-boy battle with its funkyguitars, horns, and drum breaks. The energy is high, edgy, and of-therail and was recorded all analog via a Fostex 8 Track.The B-side, 'Island Travel,' is a dramatic and cinematic escape. Thischilled out afro-beat jam will have your head bobbing along to itshypnotic groove. Infused with elements of ethno-funk and spiritualjazz, 'Island Travel' features a dreamy flute solo from Kimo Eiserbeckand provides the perfect contrast from 'Straight Shooter'.

For the first time since the release of their 2022 debut album 'Drift,'the Winston Brothers are back with two new original tunes pressedonto one perfect 45.The A-side, 'Straight Shooter' is none other than that. A rolling funkescapade, the track gears you up for a b-boy battle with its funkyguitars, horns, and drum breaks. The energy is high, edgy, and of-therail and was recorded all analog via a Fostex 8 Track.The B-side, 'Island Travel,' is a dramatic and cinematic escape. Thischilled out afro-beat jam will have your head bobbing along to itshypnotic groove. Infused with elements of ethno-funk and spiritualjazz, 'Island Travel' features a dreamy flute solo from Kimo Eiserbeckand provides the perfect contrast from 'Straight Shooter'.

8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release. The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors. The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.

Why you'll love it...
“There’s always a risk you run, when championing a record like Talking to the People, of overstating your case. There’s generally an easy-to-grapple-with reason why something that the vast majority of the listening public hasn’t listened to hasn’t been heard. Poor distribution, something slightly missing in the singles, critical misunderstanding, bad timing; all those things have coalesced to make many deserving records lose out on their just desserts.

But pressing play on Talking to the People really does feel like something revelatory, something transcendent. It’s like if the Bar-Kays of the early ’70s had a woman on the mic, or if Funkadelic leaned more into rock, or if Sly Stone had half the budget. It’s an album that feels contemporary — it almost predicts Black genre experimentalists like SAULT — but also fits so neatly in with everything happening in Detroit and Memphis funk in 1973. It failed to find an audience because the audience it predicts — the musical omnivore who could see the strands between everything — hardly existed in earnest by then.

But listening today, it’s almost too easy to find something to love.”