Folk 587 Items

CD | 2011 | UK | Original (Cooking Vinyl)

Release: 2011 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Howling Bells

The Loudest Engine

3,99 €*

CD | 2011 | EU | Original (Verve Forecast)

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Teddy Thompson

Bella

3,99 €*

7" | 2011 | US | Original (Run For Cover)

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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The Tower And The Fool

XIII

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2011 | US | Original (Bathetic)

Wreathes

The Reigns / Full Turn

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Sallie Ford & The Sound Outside

Dirty Radio

CD | 2011 | FR | Original (Fargo)

CD | 2011 | EU | Original (Bella Union)

Release: 2011 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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The Low Anthem

Smart Flesh

Release: 2011 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Howe Gelb & A Band Of Gypsies

Alegrías

CD | 2011 | UK | Original (Fire)

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2011 | EU | Original (Rounder)

Nathaniel Rateliff

In Memory Of Loss

CD | 2011 | EU | Original (Saddle Creek)

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Bright Eyes

The People's Key

CD | 2011 | EU | Original (Anti-)

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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William Elliott Whitmore

Field Songs

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2011 | EU | Original (Project: Mooncircle / HHV)

The Other Side

6,99 €*

22 April: Vienna, Austria

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

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PJ Bond

Single Sided | 2011 | NL | Reissue (Shield)

7,99 €*

Release: 2011 / NL – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | US | Original (Feeding Tube)

Dan Melchior

CB Odyssey

CD | 2011 | EU | Original (Matador)

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam split.
Includes original insert.

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Kurt Vile

Smoke Ring For My Halo

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Impossible Song & Other Songs

Roddy Woomble

CD | 2011 | UK | Original (Greenvoe)

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Bill Fay / Mary Lattimore

Love Is The Tune

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

CD | 2011 | UK | Original (Honest Jon's)

Trembling Bells

The Constant Pageant

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2011 | EU | Original (Bella Union)

Laura Veirs

Tumble Bee

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2011 | EU | Original (Rough Trade)

The Decemberists

The King Is Dead

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Luke Schneider Presents... Imaginational Anthem Vol. XI: Chrome Universal - A Survey Of Modern Pedal Steel

V.A.

CD | 2022 | US | Original (Tompkins Square)

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 2011 | UK | Original (Decor)

Richmond Fontaine

The High Country

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

7" | 2022 | EU | Original (Zephyrus)

Gaisha

Ghalat

Angel Olsen / Karen Dalton

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 300 copies. Oriental Psychedelic Sounds and Funky Grooves. Gaïsha is a collaboration between the Belgian-Moroccan singer, Aicha Haskal, and Les Cerveaux Lents.

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Something In Your Mind

7" | 2022 | US | Original (Light In The Attic)

Que Pasa / Georgia On My Mind Red Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

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John 5 & The Creatures

7" | 2022 | US | Original (Big Machine)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Other Side HHV Bundle

CD | 2011 | EU | Original (Project: Mooncircle / HHV)

LP | 2022 | DE | Original (Bohemian Drips)

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Nabelóse

Omokentro

11,24 €* 14,99 € -25%

Release: 2022 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Bill Fay / Julia Jacklin

Just To Be A Part

Release: 2022 / US – Original

Genre: Rock & Indie

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Bear's Sonic Journals: The Foxhunt 1973

The Chieftains

LP | 2022 | EU | Original (Decca)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Evan Crankshaw & The Dead Mauriacs

Expedition

CD | 2022 | EU | Original (Akuphone)

11,99 €* 19,99 € -40%

Bill Fay / Mary Lattimore

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Expedition is a collaboration between sound artist The Dead Mauriacs (aka Olivier Prieur) and collage artist Evan Crankshaw, based on their mutual interest in treating exotica as both a subject and a material. Evan Crankshaw's 2015 collage book, also entitled Expedition, is assembled and collaged by hand from a vast archive of popular exoticist printed materials, and explores recurring motifs in expedition narratives, simultaneously evoking and alienating the exoticist fantasy.

In 2018, the book was interpreted for a live performance at Festival BBMix (Boulognes-Billancourt, France) in collaboration with The Dead Mauriacs, who created a complete exotica-concrète score accompanying projected images of the book & live narration. That collaboration can be heard on this album, an armchair-travel virtual-voyage to the heart of an imagined actual elsewhere, stitched from pieces of narcotizing fabulisms, disturbing actualities, and incomprehensibilities – an interior excursion into the exotic immensity.

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Love Is The Tune

LP | 2022 | US | Original (Double Double Whammy)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.

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Florist

LP | 2022 | EU | Reissue (Bonfire)

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG+

Deep Purple Vinyl Edition.
Records are slightly warped but still enjoyable.
Cover as new with faintly worn corners.
Includes original inner sleeves.

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The Free Design

Kites Are Fun

12"+Cassette | 2022 | DE | Original (Treibender Teppich)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG+

Limited Red Vinyl Edition
Still shrink wrapped but opened.
Record is slightly warped but still enjoyable.

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Marlais

Stream Of Forms

CD | 2022 | FR | Original (SouffleContinu Records)

Release: 2022 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. With insert. Tape is missing.

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Emmanuelle Parrenin

Pérélandra

Street Language & Diamonds And Dirt

Release: 2022 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

digipak. tiny wear

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Rodney Crowell

CD | 2011 | UK | Original (T-Bird Americana Records)

CD | 2022 | US | Original (Ropeadope)

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Dendê & Band

Agô

12,74 €* 16,99 € -25%

Pape Nziengui Et Son Groupe

Release: 2022 / US – Original

Genre: Rock & Indie

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Dendê Macêdo is a percussionist, singer, composer, bandleader, teacher, and multi-instrumentalist. He’s been a professional musician since the age of 14, when he appeared in the frontline of Timbalada, Carlinhos Brown’s superstar percussion ensemble. Since 2001, he’s been developing his solo career, splitting his time between the US and Bahia and working with his folkloric group Ologundê and his flagship band Dendê & Band. Now on their second album, Dendê & Band have cultivated a unique sound where Afro-Brazilian traditions like samba de roda and candomble have been seamlessly melded with world rhythms like rumba, afrobeat and mbalax. Dendê & Band have recently performed at venues such as the Glastonbury Festival in the UK, the Skirball Cultural Center in Los Angeles; the KW Latinfest in Canada; the Penang World Music Festival in Malaysia; Summerdance in Chicago and the Chile Pepper Fiesta at the Brooklyn Botanical Gardens.

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Kadi Yombo

Tape | 2022 | US | Original (Awesome Tapes From Africa)

Eritrea's Guitar Pioneer, 1970-73

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

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Tewolde Redda

Tape | 2022 | US | Original (Domino Sound)

Quero Ver Voce Sambar / Mas Nao Deixe De Ir

Release: 2022 / US – Original

Genre: Rock & Indie

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From Asmara, Eritrea (formerly Ethiopia) Tewolde Redda revolutionized the sounds of traditional Eritrean music by amplifying his kirar, playing his Eko electric guitar, and recording six singles in the first part of the 1970s. Including the first Eritrean songs to use a horn section, traditional songs reworked into his new sound, and originals influenced by radio broadcasts from the United States military base in Asmara, Kagnew Station, these ten songs originally released on the Philips, Amha, and Yared labels show off his talents with stringed instruments, a talented back up band, and often the hand clapped beat shifting into double time near the song’s end. Tewolde’s thick, deep voice sings songs of love over somber and joyous tunes. Comes in a tip-on sleeve with extensive liner notes, lyrical translations, and unpublished photos. A co-release with Mitmitta Musika of Addis Abeba, Ethiopia.

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Homero Franca / Silvinha

7" | 2022 | EU | Reissue (Mr. Bongo)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Sucata Tapes)

Babau

Stock Fantasy Zone

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Organic Music Tapes Volume 1

Tiago Sousa

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Tape | 2022 | EU | Original (Kinship)

Marlais

Stream Of Forms

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Neil Young with Crazy Horse

Toast

CD | 2022 | Original (Reprise)

Release: 2022 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Dave Cousins and Brian Willoughby

Old School Songs

CD | 2011 | KR | Reissue (Media Arte)

Release: 2011 / KR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Bill Fay / Steve Gunn

Dust Filled Room

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (Black Sweat)

Everest Magma

Alto//Piano

13,19 €* 21,99 € -40%

Vom Bosphorus Bis Zum Rhein Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Everest Magma rediscovers the folk roots of his dreamy alter ego Woodcutter. Once again he appears as a minstrel crossing moonstruck woods inhabited by gnomes, butterflies and crawling creatures. Nature is sublimated into a personal alien vision in which a lysergic approach triumphs in the arrangement of sound material and immersive musique concrète. Pure acid-folk fingerpicking communicates directly with the forest’s humus, steeped in wild and ethereal moods. Between schizoid or more lyrical moments, a persistent taste for subtle subterranean noises, electric flashes, radio and ufological interferences, deviant scents and psychological drifts permeates the flow. The abstracting structure of voices and singing expresses the cyclical beingness of living, a decontextualizing dimension of space and time. It's the pantheistic feeling of a parallel naturalistic universe, which also takes cues from the psychedelic eccentricity of Claudio Rocchi’s ‘Suoni di Frontiera’, the Incredible String Band or Holy Modal Rounders. Co-produced with Maple Death Records

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Ozan Ata Canani & Karaba

7" | 2022 | EU | Original (Fun In The Church)

13,59 €* 15,99 € -15%

LP | 2022 | EU | Original (Via Parigi)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Limited to 100 copies-

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Catalina Matorral

13,74 €* 24,99 € -45%

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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12" | 2022 | EU | Original (Space Echo)

Randomized Coffee

Mariama Feat Kora Hero

13,99 €*

7" | 2022 | EU | Original (Kill Rock Stars)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The meeting of Alieu and Randomized Coffee gives light to this new project, in which the Roman duo tackles a production that skillfully links Mediterranean influence to ancestral Africa in a patchwork woven of typical African ethnic elements to those of house and electronica in a "groovy" body that enhances the classical side of the African country in a modern musical mood and rhythm. The story tells about the day before an arranged marriage ceremony. Masanneh is a handsome and well-known man in his village of the Mandinka Tribe, born and raised in the village of Kudang, near the river that flows through the entire country; the Gambia. Many in the village believe him to be charismatic and generous, others believe him to be a venal materialist devoted to money. Masanneh decides to consult Cherno Jallow, a wise Marabout, to figure out how to deal with his future. He therefore moves westward to the village of Bondali, in Foni, where before practicing his work as a skilled trader he talks to Landing Sawo, the district chief, from there he hears the sound of a Kora played by Jali, while across the road he sees a beautiful woman Mariama Gomez passing by.

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Roanoke

Selene / Juna

13,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Take Your Time / Marabi Blues

Makgona Tsohle Band

7" | 2022 | UK | Original (Umsakazo)

13,99 €*

LP | 2022 | NO | Original (Blue Mood)

Release: 2022 / UK – Original

Genre: Rock & Indie

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• Fully licensed and restored from the original master in the Gallo Record Company vault. • Featuring Teaspoon Ndelu, West Nkosi and Michael Xaba on saxophones and Marks Mankwane on lead guitar. • Includes new liner notes and full recording personnel on sleeve rear. • Strictly limited run of 500 copies!

'Umsakazo Records is proud to present the first in a series of limited-edition replica 45rpm records. This collection of ‘seven singles’ has been carefully curated from key holy-grail recordings made during the golden age of South African township jive. It is fitting that the first in this series comes from the band so closely identified with the genesis of the style – the Makgona Tsohle Band, the hardest working session team in apartheid-era South Africa.

Under the guidance of talent scout and producer Rupert Bopape, the Makgona Tsohle Band (“The Band That Can Do Anything”) would underpin literally hundreds of recording sessions as the house band of Gallo Africa’s Mavuthela Music subsidiary from its launch in 1964 right through to 1977. This included all of the hit records made by Mahlathini and the Mahotella Queens, as well as classic hits from the Mthunzini Girls, Irene Mawela, Abafana Baseqhudeni, Lemmy ‘Special’ Mabaso, Reggie Msomi, Sipho Bhengu, Teaspoon Ndelu and so many more artists essential to the sound of urban jive music.

The Mavuthela operation formed the core of Gallo’s ‘black music’ production and, by the mid-1970s, accounted for as much as 20% of the organisation’s total income. Mavuthela’s market dominance was usually attributed to the resourcefulness of director Bopape, along with the well-oiled machine that was Gallo Africa. True enough, Mavuthela releases were of a high musical and technical quality and were always well publicised, be it through Gallo’s promotions department or the countless stage performances made by Mavuthela artists in South Africa and neighbouring countries.

But the Makgona Tsohle Band was the real secret to Mavuthela’s success. Its repertoire stretched from traditional sax and accordion jive right through to disco and ‘English pop’, and this 45rpm sees them effortlessly tackling the burgeoning 1970s Soweto soul-jazz sound. Ironically, the musical influence behind this recording was almost certainly Michael Xaba, the seasoned African jazz veteran who had scornfully referred to the newer strains of jive in the late 1950s as ‘mbaqanga’. As the Makgona Tsohle began making history as the country’s first all-electric ensemble, that epithet would resurface and was eventually ‘reclaimed’ as a term of endearment for the music they had largely created. By the 1970s, Xaba and a number of other longstanding jazzmen found themselves employed by Mavuthela as musical directors, under the initiative of Bopape who was not particularly musically inclined himself. The Makgona Tsohle Band members consequently gained a rich musical education and were fully equipped to move into arranging and producing roles when Bopape retired in 1977.

Issued only once on a 45rpm single in 1972 - and restored from the original master in Gallo’s Johannesburg tape vault - “Take Your Time” and “Marabi Blues” both offer new insight into the diverse catalogue of this greatest of all mbaqanga bands.'

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Trond Svendsen & Tuxedo

Dont Trust The Moon

14,99 €* 19,99 € -25%

Release: 2022 / NO – Original

Genre: Rock & Indie

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Vom Bosphorus Bis Zum Rhein Black Vinyl Edition

Ozan Ata Canani & Karaba

7" | 2022 | EU | Original (Fun In The Church)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Speakeasy Studios Sf)

Andres Miguel Cervantes

A Coal For Caring

CD | 2022 | FR | Reissue (SouffleContinu Records)

Release: 2022 / US – Original

Genre: Rock & Indie

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The first single off of The Crossing album—“A Coal for Caring” and “The Barstow Street Blues (acoustic)”—features Andres Miguel Cervantes alone, singing and playing his acoustic guitar. They were recorded live using only one microphone during the album’s first “demo” recording sessions. Alos includes the instrumental, “The Tales You Tell,” with album musicians Jacob Aranda, Alicia Vanden Heuvel, James KIM and ED Ivey.

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Emmanuelle Parrenin

Maison Rose

Down At The Field - The 1974 Broadcast

Release: 2022 / FR – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Ry Cooder

CD | 2011 | EU (Leftfield Media)

Release: 2011 / EU

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

1978 Live At Audimax Hamburg

John Fahey

DVD | 2011 | UK | Original (Blast First Petite)

Release: 2011 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Me Without You, The Spring Without You

Touraj

2LP | 2022 | EU | Original (Fun In The Church)

15,29 €* 17,99 € -15%

LP | 2022 | EU | Original (Discreet Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Purple Vinyl Edition. Still in shrink but opened with hype sticker. Gatefold cover has seam split.

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Jon Collin

Bridge Variations

15,39 €* 21,99 € -30%

LP | 2022 | US | Original (Don Giovanni)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On Bridge Variations, the now Stockholm-based English guitarist Jon Collin changes his guitar for a keyed fiddle. Mostly recorded to tape under different bridges around Stockholm during 2021, partly for the sound but also because of their importance to the geographical make-up of the place, the album is like a modern take on traditional Swedish folk music made by an outsider looking in. The sound is pretty much a continuation of the palette explored on 'Dream Sequence, End Of Summer', Collin's contribution to the Contemporary Homemade Music compilation put out by Discreet Music last year. Slowly moving and drawn-out melodies evolve into immense droning beauty, rich of texture and with the environmental sounds from the sites becoming an integral part of the recording. Mastered by Giuseppe Ielasi and pressed in an edition of 1000 copies. Comes with a 12-page colour-coded booklet of photos of the recording locations.

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Up Around The Sun

Self Taught

15,39 €* 27,99 € -45%

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Rebel Up)

Deli Teli

Tsifteteli Club

15,74 €* 20,99 € -25%

Art Of Primitive Sound (W. Maioli)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bongos, bouzouki and Farfisa organ galore! The explosive cocktail of rock'n'roll and traditional Tsifteteli hailing from 1960's Greece is still alive thanks to Deli Teli: the Marseille-based quartet performs a string of forgotten hits that once set Athens on fire, with a contagious energy and a subtle dose of Mediterranean drama.

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Strumenti Musicali Della Preistoria: Il Paleolitico

LP | 2022 | EU | Original (Black Sweat)

15,99 €* 19,99 € -20%

Tape | 2022 | UK | Original (Kitchen Label)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Art Of Primitive Sound is a sensational journey to the origin of Music. In his crucial research chapter on the Paleolithic, Walter Maioli between 1986 and 1991 investigates the soundscape of different geographical, climatic and botanical environments, in which the mystery of the ancient human-nature relationship resides. What emerges is an expanded and unprecedented Paleorganology, with a range of acoustic and natural instruments from all over the World. Rubbing of fossils, animal artefacts, plant elements of all sorts, everything becomes sound and each object opens up forms of imaginary communication, psychic effect and unexplored languages. Whistles, flutes, leaf and shell rattles, rhombuses, horns, bone pipes, slate slabs, bamboo arches, stones, vertebrae, seeds, stalagtites etc...how great can be the Natural Orchestra inherent in the spirit of forests, rivers, caves, seas, swamps or Amazon jungles? Thanks to an interdisciplinary partnership (Anthropology, Archaeology, Botany, Ethnomusicology) of collaborating friends, Maioli directs an Opera of universal character inspired by the archaic essence of sound and infrasonic dimension.

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Aspidistrafly

Altar Of Dreams

LP | 2022 | EU | Original (Wagram)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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Amália Rodrigues

The Queen Of Fado

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Slam! Years (1983-1988)

Hamid El Shaeri

CD | 2022 | US | Original (Habibi Funk)

Release: 2022 / US – Original

Genre: Rock & Indie

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Full album dedicated to Hamid El Shaeri’s work on the Egyptian Slam! label. Hamid El Shaeri is the artist behind Habibi Funk’s most popular song to date, “Ayonha”, originally re-released in 2017 on the first Habibi Funk Compilation (habibi007). If you were to ask for a defining Habibi Funk track, there are a few that come to mind: from Fadoul’s “Sid Redad,” Dalton’s “Soul Brother” to Ahmed Malek’s “Omar Gatlato.” However, none are as widely connected with us at this point as Hamid Al Shaeri’s “Ayonha.” We heard the track for the first time when we were working on selecting tracks for your first compilation and we instantly loved it. We obviously had heard of Hamid El Shaeri’s music before, but only material from his Al Jeel phase when he was already the full-blown superstar he is now. Listening to his releases from the early 1980’s opened a whole new door for us. At the time, Hamid had just left Libya to pursue his career in Egypt via a detour in London, where he recorded his first album. Hamid’s distinct sound of the sound is quintessentially reliant on heavy synths and so it was particularly important to purchase these synths in a timely manner. “Whenever a new one [synthesizer] would come out, we would have to buy it immediately, otherwise someone else would get their hands on that sound.” London also played an important role for Hamid as a musical epicenter. He fondly reminisces about the many live shows he attended there, including some of the biggest international musicians like Freddie Mercury and Michael Jackson. After returning to Cairo where he also recorded his following albums, he connected with Slam! for the release of his debut, laying the foundation of a collaboration that lasted for 5 albums. Luckily, we were able to connect with Hamid through our friend Youssra El Hawary, whose extensive network has opened many doors for us within the Egyptian music scene. We met Hamid for the first time probably in 2016 at his office / rehearsal studio in the outskirts Cairo. We were expecting a larger-than-life character in-line with his status as a certified superstar, yet the actual person turned out to be very approachable and super easy to connect with. He liked the idea of an effort to amplify his early works again, which, when originally released, were far from an economic success. While he was down to assist with an interview and his blessing for the project he also told us that for any license we needed to speak with the original label Slam! who released these songs, still held the rights and also remained in business over the decades though they didn’t actively release any new music. Hany Sabet had started Slam! Records in the early 1980s and focused on cassette tape releases, the format that expedited the success of a new generation of record labels in Egypt. By the mid 1980’s, Slam! had become one of the most successful and economically dominant record labels in Egypt, with Hamid El Shaeri being just one of their key artists, alongside Mohamed Mounir, Hanan, Hakim, Mustafa Amar and many more. Luckily, Hany Sabet turned out to be a friend of our colleague Malak Makar’s father, which probably helped to warm him to the idea of licensing “Ayonha” to this - in the scale of his world - tiny label from Germany. Eventually “Ayonha” ended up b ecoming a widely successful release and either Hany or we brought up the idea of a full album dedicated to Hamid El Shaeri’s work on Slam!. "Maktoub Aleina” is the first single and will be released January 14th. Following the massive success of "Ayonha,” “Maktoub Aleina” is another mid-tempo groover with a beautiful, synth-forward melody, that brings together a lovely combination of soul, disco and Arabic pop music of the highest order, giving a taste of full album. The second single, “Yekfini Nesma Sotak” will be released January 28th and combines Hamid’s unique formula of soul and pop, held together by a catchy synth melody. “Yekfini Nesma Sotak” picks up the pace a bit, making the uplifting mood of the track even more powerful. Third single, arriving February 11th, is “Dari Demou’ek,” one of the stand out tracks of Hamid’s early recordings done for Slam! in the early 1980s. Dominated by a disco infused bassline, the track offers a lot of space of the funky production to shine while Hamid inserts his vocals at all the right moments. A masterpiece of disco touched by Arabic pop music. Full album arrives February 25th. This release is dedicated to Hany Sabet, the founder of Slam! and his wife Rosemary Jane Sabet (who took the photos we used for the cover and the booklet), who sadly passed away during the time it took us to prepare the release. As always both vinyl and CD come with an extensive booklet with an interview with Hamid as well as unseen photos.

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2LP | 2011 | EU | Original (Project: Mooncircle / HHV)

The Other Side

7" | 2022 | EU | Original (EM)

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Henry Kawahara

Minami-Kaze A Wave

7" | 2022 | US | Original (Anti-Corp)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Special! Limited** One-sided 7-inch. Cover art is printed on specialty paper with aluminum vapor deposition.

"Minami-kaze α Wave (Southerly wind alpha wave)“ is a very rare ‘vocal piece’ that Henry Kawahara has produced, and released under the name HMD (H Music Deperception) in 1993. The song is a vocal version of the cyber-occult exotic instrumental piece "Nanpu“ included in the compilation “Cybernetic Defiance and Orgasm: The Essential Henry Kawahara” [em1197tcd/dlp]. This track is a rare example that proves he had also a genius for producing ‘pops’ in the general sense of the word, and which seems to have challenged head-on the pop songs produced by Haruomi Hosono or Tetsuya Komuro in the 80s-90s.

The Henry Kawahara project on EM Records was developed only with the enthusiasm of proving Kawahara's existence if he is to be erased as nothing in the current art context, and we have confirmed that there are a lot of supporters all over the world for our opinion when we released "Cybernetic Defiance and Orgasm" (several articles and interviews have been given). This single is a 'prescription' for the sequel, tentatively titled "Cybernetic Defiance and Orgasm 2: Other Sides of Henry Kawahara," which is currently in the process of being prepared.

This 7” is a limited one-off release, not included in the full compilation released in 2021

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Lost Dog Street Band

Glory

Release: 2022 / US – Original

Genre: Rock & Indie

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45rpm 7'' of the 2 namesake songs from the Lost Dog Street Band full length album 'glory'. 'Until I Recoup (Glory I)' recounts time wasted as a youth and the urge to reclaim one's path to righteousness, set to a heavy handed minor waltz. On the reverse side, 'I Believe (Glory Ii)' gives an optimistic nod towards a destiny attainable, backed with traditional style clawhammer banjo and bluegrass banjo.

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Bill Fay / Kevin Morby

I Hear You Calling

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Bill Fay / Steve Gunn

Dust Filled Room

LP | 2022 | UK | Original (Fire)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Bill Fay's music was a revelation to me when I first discovered it: the commanding power of his words; the modest, universal language of his sorrow. And listening to his music still makes me feel as if an old friend had been lingering in the shadows, emerging at just the right time. It was a real honor to record one of my favorites of his, "Dust Filled Room". - Steve Gunn, Brooklyn, NY Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Josephine Foster

Godmother

Release: 2022 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Me Without You, The Spring Without You

Touraj

2LP | 2022 | EU | Original (Fun In The Church)

16,99 €* 19,99 € -15%

King Wasiu Ayinde Marshal I

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Purple Vinyl Edition. Still sealed with hype sticker. Gatefold cover has seam split and slight corner wear.

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Talazo Fuji Music Party!

LP | 2022 | EU | Original (Decca)

17,24 €* 22,99 € -25%

LP | 2022 | EU | Original (Impatience)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Back in Nigeria in 1995 everybody knew King Wasiu Ayinde Marshal I. Just
about every house party and club floor, every shop front and car window,
pulsed to such megahits as ‘Talazo’ and ‘Consolidation’; to the percussion-rich
polyrhythms and Yoruba chants typical of Fuji music, a genre this one-time
roadie (for Fuji music icon Ayinde Barrister) had customised by adding more
percussion – congas, the sakara frame drum – and an attitude straight off the
street.
Wasiu Ayinde had nearly twenty years’ worth of national fame under his floor
length robes (and occasional zebra-striped jumpsuits) when he played his first
ever WOMAD Festival that same year. Booked in for a session at Real World
Recording Week shortly afterwards, the artist and his 16-piece band were
inadvertently delayed and pulled in to Real World Studios in Box, Wiltshire eight
hours late. The recording went ahead regardless. Against the clock. On-thefly. With a small live audience in party mode and microphones placed about
the floor, Wasiu Ayinde and his crew rode the adrenalin, summoning a set that
moved from trance-like call-and-response and vibrant Afropop ballads to those
aforementioned megahits, all of it soaked in groove and feeling. A kingly feat,
that seems even more majestic now.

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A.R. Wilson

Old Gold

17,39 €* 28,99 € -40%

LP | 2022 | EU | Original (Svart)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Melbourne auteur Andrew Wilson (Andras, A.R.T. Wilson, Wilson Tanner) soils the 'Australian songbook' with a collection of fragile, private and deranged songs of parrots, pancakes and gelignite amidst the Victorian Gold Rush of 1850s.

Old Gold is filled with fakes and fools, rumbling stomachs and acousmatic terrors - a lonely, self-pitying search evoked by faintly medieval folk music that sounds almost period-perfect but somehow, oddly, wonderfully spoiled.

Gut string guitars, water-logged mandolins, bar room banjos and no-fidelity piano all sound perfectly organic - except they're not. No acoustic instruments were handled in the making of the record, including environmental sounds which were generated during a residency at Melbourne Electronic Sound Studio. The reproduction of familiar sounds via inorganic means situates the record in a moonlit, melancholy hole of its own.

Old Gold was written, played and recorded by Andrew Wilson, and mastered by Mikey Young. Artwork is by Luca Schenardi.

Andrew Wilson has released records as Andras, A.R.T. Wilson, Berko and House Of Dad and he is one half of Wilson Tanner. His work has appeared on labels including Beats In Space, Efficient Space, Growing Bin Records, Public Possession, Dopeness Galore, Mexican Summer and his own Punp imprint.

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Lasten Hautausmaa

Kevät Green Vinyl Editon

17,54 €* 26,99 € -35%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (Vampisoul)

Wganda Kenya

Africa 5000

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitto)

Nyamakye Junction

Dasein

LP | 2022 | UK | Original (Ici D'Ailleurs)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Born of chance meetings in Accra, the band brings together a Burundian producer and vocalist, Betina Quest; with a Ghanaian singer-songwriter, Eli A Free; and a German percussionist and multi instrumentalist, Ma.ttic. Nyamekye Junction take their name from a bustling junction in the Ghanaian capital, where a number of major roads merge, embodying the musical approach of the band: a singular sound at the junction of their cultural heritages.

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Yann Tiersen

Avant La Chute

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Curb)

Judds

Love Can Build A Bridge

17,99 €* 23,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Resan White Vinyl Record Store Day 2022 Vinyl Edition

Urferd

LP | 2022 | EU | Original (Sound Pollution / Black Lodge)

LP | 2022 | EU | Original (Radicalis)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2022.

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String Theory

Origin

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Wagram)

Ella Fitzgerald

How High The Moon ?

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Exile On Mainstream)

Arne Heesch

Demons Are Scared

17,99 €* 19,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Corduroy Punk)

Josienne Clarke

I Promised You Light

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | AR | Original (Shika Shika)

Barrio Lindo

Espuma De Mar

LP | 2022 | US | Original (Run For Cover)

Release: 2022 / AR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl. Original inner sleeve

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Healing Potpourri

Paradise

LP | 2022 | EU | Original (ZYX)

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited Edition, Yellow Vinyl

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V.A.

Famous Shanties

Release: 2022 / EU – Original

Genre: Rock & Indie

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Elephantine Orange Vinyl Edition

Maurice Louca

LP | 2022 | EU | Original (Sub Rosa)

LP | 2011 | UK | Original (Discrepant)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On »Elephantine«, Cairo-based Maurice Louca guides a 12-piece ensemble through a 38-minute work that might best be described as panoramic. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

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Kink Gong

Xinjiang

Release: 2011 / UK – Original

Genre: Rock & Indie

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The Other Side HHV Bundle

LP | 2011 | EU | Original (Project: Mooncircle / HHV)

LP | 2011 | SE | Original (Flesh Boat Recordings)

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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NICOLAI DUNGER

Ballads Of This Land

CD | 2022 | UK | Original (Rabble Rouser)

Release: 2011 / SE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve.

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The Unthanks

Sorrows Away

LP | 2022 | EU | Original (La République Des Granges)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition book with CD. no signature

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Borguefül

Horst