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Zia Mohiuddin Dagar & Zia Fariduddin Dagar - Raag Malkauns & Ragini Miyan Ki Todi
Zia Mohiuddin Dagar & Zia Fariduddin Dagar
Raag Malkauns & Ragini Miyan Ki Todi
3LP | 2024 | EU | Original (Black Sweat)
48,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
These recordings were made in Bombay in 1968 by Bengt Berger (Bitter Funeral Beer Band) during a stay with Ustad Zia Mohiuddin Dagar, who was primarily responsible for the revival of the Rudra Veena as a solo concert instrument. His home in the suburb of Chembur was at the time the magical haunt of a plethora of fantastic musicians, including Ritwik Sanyal and K. Sridhar, who took part in the session. In perfect and stern Duphrad vocal style, these two Raga lead us to different atmospheres and perceptions : Malkauns is the contemplative state of the evening, of the abandonment of the senses before the breaking of the silence in the night; Miyan Ki Todi is the first breath of the morning, the gentle awakening of the limbs before a puja. The two Dagar brothers, Mohiuddin on the Rudra and Fariduddin on the chant, complement each other, become ocean and fire, stillness and storm, in an intimate and tight dialogue of exploration and expressive subtlety, in which the purity of an Indian summer becomes the highest symbol of beauty and freedom of spirit. Originally released on CD by Country & Eastern.
Zeinab Shaath - Urgent Call Of Palestine
Zeinab Shaath
Urgent Call Of Palestine
7" | 2024 | EU | Original (Majazz Project / Discostan)
17,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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A Restored Piece of Palestinian Sonic History

More than 50 years ago, teenager Zeinab Shaath recorded a set of revolutionary folk music — the first English-language songs to lift up the Palestinian cause to the wider world. Inspired by Vietnam-era protest music from Bob Dylan and Joan Baez, “The Urgent Call of Palestine'' record was intended to share the stories and messages of Palestinian resistance to an international audience.

The first song Shaath composed in her parents home was the titular “Urgent Call of Palestine,” with lyrics from the Indian poet Lalita Panjabi. At just 16 years old, she began playing folk music on a guitar that her sister brought back from studies in the U.S. As young people across the West took to the streets to protest the American imperialist war, Shaath saw parallels in the fight for Palestinian liberation and set out to celebrate that struggle in her musical poetry.

Shaath’s stirring performances of “The Urgent Call of Palestine” song galvanized leading Palestinian artists, intellectuals and youth. In 1973, Shaath was immortalized in a starry film shot by exiled Palestinian artist Ismail Shammout in the mountains of Lebanon.

Shaath recorded three other songs that drew on the poetry of luminaries such as Mahmoud Darwish, Mueen Biseso and Abd El-Wahab Bayati. The resulting 7-inch album was designed to reach the global stage at a time when artists, writers and musicians across the Arab world created art highlighting the Palestinian struggle. Armed with a guitar and her dulcet voice, Shaath went on to perform across three continents, carrying her hopeful message to young people across the world.

Record labels Discostan and the Majazz Project are honored to reissue a lovingly remastered version of “The Urgent Call of Palestine,” bringing Shaath's songs of protest and solidarity to the ears of a new generation. Shaath’s place in a global history of anti-colonial protest music has until recently been overlooked.

As the world again turns to the liberation of the Palestinian people, we invite you to listen to an far-reaching voice for the humanity of a people long oppressed, until the Palestinian flag flies in Jerusalem again.

---

The album is licensed from artist Zeinab Shaath. Any profits from the sale of the record will be donated to the continuing efforts of Majazz to create an archive of Palestinian music as well as relief efforts for the Palestinian people.
Zaz - Zaz
Zaz
Zaz
LP | 2010 | EU | Reissue (Warner)
24,99 €*
Release: 2010 / EU – Reissue
Genre: Rock & Indie
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Zara McFarlane - Sweet Whispers: Celebrating Sarah Vaughan
Zara McFarlane
Sweet Whispers: Celebrating Sarah Vaughan
LP | 2024 | Original (Eternal Source Of Light)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Multi-award-winning singer-songwriter and leading UK jazz vocalist Zara McFarlane releases Sweet Whispers - Celebrating Sarah Vaughan. The album honours the jazz great who inspired her on her own artistic journey and whose centenary year is marked in 2024."Sweet Whispers" is more than a run-through of some of Vaughan"s most popular songs. It"s not hard to imagine the immense task in selecting those songs, after all, Vaughan"s recording career spanned 50 years notching up almost 60 albums (plus nearly 30 again in compilations and box sets). Through a thoughtfully chosen selection of songs, formed across months in collaboration with producer, and the album"s clarinettist and saxman, Giacomo Smith - Zara journeys through the musical life of Sarah Vaughan, from her first to last recording, bringing to life and breathing new life into some of her best and less familiar songs. But importantly, the songs that mean the most to Zara.
Zann - Strange Ways / Inside Jungle
Zann
Strange Ways / Inside Jungle
LP | 2019 | EU | Original (Isle Of Jura)
23,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Ltd to 500 copies, no repress.

The sought after LP from Zann ‘Strange Ways / Inside Jungle’ originally released as a private press in 1990 finally receives a full reissue.

Zann started life as a 7-member live band in 1982. Founder member Udo Winkler had been a part of New Wave & Post Punk band Konec touring extensively and releasing one LP on Polydor titled ‘Schrille Blitze’. Zann was an outlet for more experimental works heavily influenced by Brian Eno's collaborations with David Byrne and Jon Hassell, German bands like Embryo and Dissidenten, David Sylvian and middle & far eastern music.

In 1988 Udo and Hjalmer Karthaus built a small basement studio with a 4 track tape machine and musical experiments began in earnest. After the limitations of playing live it was an acoustic wonderland and they gave themselves no musical boundaries. The unlimited studio time meant they could pick up ideas and develop pieces gradually, friends would come to the studio to play and songs evolved from extensive jamming sessions. The resulting LP has Middle Eastern instrumentation at its core, particularly wind & string instruments such as the Tabla and Gong, and is a melting pot of influences incorporating elements of Ambient, Jazz and Folk with strong synth programming on a number of tracks. The band pressed up a handful of copies and sold them exclusively at record fairs in Germany and in the intervening years the LP has become highly sought after with copies changing hands for 150 Euros.

The LP has been fully remastered from the original DAT tapes with new full sleeve artwork from Bradley Pinkerton and is pressed on 180 Gram Vinyl.
Zachary Lucky - Ballad Of Losing You
Zachary Lucky
Ballad Of Losing You
LP | 2019 | EU | Reissue (Sound Pollution)
26,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Zach Top - Cold Beer & Country Music
Zach Top
Cold Beer & Country Music
LP | 2024 | Original (Leo33)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Zach Bryan - The Great American Bar Scene
Zach Bryan
The Great American Bar Scene
2LP | 2024 | US | Original (Warner)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Yves Jarvis - The Same But By Different Means
Yves Jarvis
The Same But By Different Means
LP | 2019 | EU | Original (Anti)
14,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Younes Zarhoni - Younes Zarhoni
Younes Zarhoni
Younes Zarhoni
LP | 2024 | EU | Original (Kraak)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Classical Music
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Highly original material on a very limited EP... be quick!

Polyphonic Waves OF Soulful Madrigals

The power of duality is an inscrutable thing: we’re endlessly fascinated by the interplay between light and darkness, East and West, voice and silence, our senses tingling from the compelling synergies that thrive in perceived opposites. Drawing from an urbane Antwerpian upbringing and a Moroccan family lineage, the Brussels-based multidisciplinary artist Younes Zarhoni, embraces these very dualities in all of his projects, exploring those murky areas of contrast and bringing all their ambiguous energy to crystal clear focus.

A longtime staple of the local electronic music scene with his hypnotic techno outings as YZ, Zarhoni’s latest focus is on the compositional power of pure harmony and silence: namely, his polyphonic renditions of medieval mystical poetry, sung in multiple voices and left to solemnly radiate beyond their given spatial grounds. Stripped of all instrumental accompaniments, what you get is Gregorian chant meets Boyz 2 Men, articulated by the lyrical ineffability of Arabic tongues and finding their rhythm in the silences that act as the juncture between observation and anticipation.

These sparse stanzas tread under an elusive referential threshold, conjuring visions of architecture and archaism, madrigals and MTV, the sacred and the profane ~ ostensibly disparate elements that seamlessly fold themselves into the radicality of the compositions. In these 20 minutes of verse, Zarhoni oversteps the margins of categorization to deliver an immersive story of song, flowing freely and sustaining the arc of the narrative long after it has ebbed into silence.
Yonder Mountain String Band - Nowhere Next
Yonder Mountain String Band
Nowhere Next
CD | 2024 | Original (Frog Pad - Thirty Tige)
15,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Yonder Mountain String Band - Nowhere Next
Yonder Mountain String Band
Nowhere Next
LP | 2024 | Original (Frog Pad - Thirty Tige)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Yoko Maeno - Twilight Record Store Day 2024 Edition
Yoko Maeno
Twilight Record Store Day 2024 Edition
LP | 2024 | JP | Original (Nippon Columbia)
37,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Yin Yin - Mount Matsu Black Vinyl Edition
Yin Yin
Mount Matsu Black Vinyl Edition
LP | 2024 | EU | Original (Glitterbeat)
27,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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YĪN YĪN, the highly touted Dutch quartet from Maastricht, returns with a sonically expansive third album Mount Matsu. Recorded collectively in their own studio in the Belgian countryside, the album is a kaleidoscope of sounds and influences, occupying a no man's land between Khruangbin and Kraftwerk, surf music and Southeast Asian psychedelia, Stax soul and mutant 80s disco, City pop and Japanese instrumental folk (sōkyoku). Mount Matsu sees YĪN YĪN at their most mature and adventurous stage yet. Infectious pentatonic melodicism calling for multiple rewinds.
Yasmin Williams - Acadia
Yasmin Williams
Acadia
LP | 2024 | Original (Nonesuch)
33,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Yaseen & Party - Yaseen & Party
Yaseen & Party
Yaseen & Party
LP | 2019 | EU | Original (Afro7)
20,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves, Rock & Indie
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A collection of 12 fantastic taarab songs from Yaseen Mohammed (Mac & Party) rich in exotic tone colour, full of swing and groove, compiled from the elusive Mzuri catalogue, Mombasa, Kenya 1960’s. Comes with with a large 4 page fold-out insert with extensive background story and never-before-seen pictures.
X0o0x_ - Ningyou
X0o0x_
Ningyou
LP | 2024 | JP | Original (Cutting Edge)
66,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Wynonna - Wynonna Colored Vinyl Edition
Wynonna
Wynonna Colored Vinyl Edition
LP | 2024 | US | Original (Curb)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Wyndham Baird - After The Morning
Wyndham Baird
After The Morning
LP | 2024 | WW | Original (Jalopy)
25,99 €*
Release: 2024 / WW – Original
Genre: Rock & Indie
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Wyatt Flores - Half Life
Wyatt Flores
Half Life
LP | 2024 | Original (Island)
35,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Vinyl LP pressing. 2024 EP release from the country singer-songwriter.
Woods - I Was Gone
Woods
I Was Gone
7" | 2010 | US | Original (Woodsist)
5,99 €*
Release: 2010 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
close to NM. Limited edition
Witch - Lukombo Vibes
Witch
Lukombo Vibes
LP | 2013 | US | Reissue (Now-Again)
25,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Archival reissue of the Afro-prog-psych Zamrock masterpiece Presented For The First Time Ever In An Aged Copper Green Pressing The entirety of WITCH’s fourth album, restored and remastered from master tapes, and presented as an archival reissue in an aged copper green vinyl pressing. WITCH’s musical arc is contained to a five year span and, in retrospect, it is a logical one. The band’s fourth album - recorded after the band toured with Osibisa - makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. It is the most "afro-rock" of WITCH’s oeuvre.
Willie Watson - Willie Watson
Willie Watson
Willie Watson
LP | 2024 | Original (Little Operation)
27,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Willie Watson - Folk Singer Vol. 1
Willie Watson
Folk Singer Vol. 1
CD | 2014 | US | Original (Acony)
5,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
CD comes in a soft case, instead of the original crystal case. All booklets included.
Willie Nelson - Willie Nelson And Family Vinyl Me, Please Edition
Willie Nelson
Willie Nelson And Family Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Sound-wise, 1971’s Willie Nelson & Family is no different than the 11 studio albums that precede it: They are awash in the Countrypolitan sound, with strings, horns and backing singers. But the version of ‘’Sunday Mornin,'' complete with its guitar solo — one of the first on Nelson’s legendary Trigger guitar — feels like the first act of defiance and a statement of intent. ‘’If Kris Kristofferson can do this, I can do it too,'' Nelson seemed to be saying. Within 18 months, he’d be in New York making Shotgun Willie, free to follow his muse wherever he went, cementing Kristofferson’s outlaw country jumpoff point. And that’s why Willie Nelson & Family is such an interesting artifact: It’s the last album Willie made in his ‘’Before'' timeline; it’s the point where he started putting it all together and asserting his creative ideas in tangible ways.
Willie Nelson - Willie And The Wheel
Willie Nelson
Willie And The Wheel
LP | 2010 | EU | Reissue (Bismeaux)
26,99 €*
Release: 2010 / EU – Reissue
Genre: Rock & Indie
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Willie Nelson - Texas Willie
Willie Nelson
Texas Willie
LP | 2024 | Original (Sunset Blvd)
33,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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2CD Set / 40 songs - Contains 20 Tracks not available on CD or Streaming. The breadth and scope of Willie Nelson’s career is staggering.
He first established himself as part of a new generation of progressive country songwriters in the early ‘60s. Here are the obscure and rarely heard demo recordings he made prior to signing to Liberty and before RCA. All of these recordings are both musically and historically significant. Includes "Man With The Blues," "Misery," "Undo The Right," "One Step Beyond," "Any Old Arms Won't Do," "Blame It On The Times," "The End Of Understanding," "Slow Down Old World," "A New Way To Die," "Home Motel," "Right From Wrong," "Slow Down Old World," "Happiness Lives Next Door," "I Feel Sorry For Him," "Where My House Lives," and more.
Willie Nelson - Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl Volume 2 Record Store Day 2024 Vinyl Edition
Willie Nelson
Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl Volume 2 Record Store Day 2024 Vinyl Edition
2LP | 2024 | EU | Original (Sony Music Catalog)
35,14 €* 36,99 € -5%
Release: 2024 / EU – Original
Genre: Rock & Indie
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Quantity: 4500
Release type: RSD Exclusive Release

Exclusively to RSD retailers, is the 2nd vinyl volume of highlights from these legendary shows with 19 performances. Feat: The Avett Brothers, Edie Brickell, R. Cash, Sheryl Crow, Emmylou Harris, Warren Haynes, Daniel Lanois, Lyle Lovett,Booker T. Jones, Kris Kristofferson, Margo Price, N. Rateliff,Keith Richards, Charlie Sexton, Snoop Dogg, George Strait, Billy Strings ect
Willie Nelson - Last Leaf On The Tree Colored Vinyl Edition
Willie Nelson
Last Leaf On The Tree Colored Vinyl Edition
2LP | 2024 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Willie Nelson - Last Leaf On The Tree
Willie Nelson
Last Leaf On The Tree
CD | 2024 | EU | Original (Sony Music Catalog)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Willie Nelson & Bobbie - December Day Willie's Stash Volume 1 White Vinyl Edition
Willie Nelson & Bobbie
December Day Willie's Stash Volume 1 White Vinyl Edition
2LP | 2014 | EU | Reissue (Music On Vinyl)
22,39 €* 31,99 € -30%
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Talk about a talented family: Willie Nelson and his Sister Bobbie Nelson each achieved massive success in country music. Even in their late 80’s, the Nelsons continue to make music and their influence can be heard through many artists in the genre. December Day, Willie’s Stash Vol. 1 is a collaboration album between the two, and upon release in 2014 it was met with positive reviews from music critics. The album spawned three singles: “Who’ll Buy My Memories”, “Laws of Nature” and “Summer of Roses / December Day”. The liner notes were written by Willie’s frequent collaborator Mickey Raphael. This record comes as a limited edition on snowy white vinyl.
William Tyler - Future Myths
William Tyler
Future Myths
LP | 2024 | EU | Original (Watusi)
23,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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William Tyler is a Nashville guitarist and composer. He spent years woodshedding and touring with Nashville groups like Lambchop and Silver Jews before breaking away to focus on his own version of instrumental guitar music. In the summer of 2022 he was fortunate to have an artist residency at Epicenter in Green River, Utah, a tiny high desert town three hours from anything, One of the other non-profit friends of Epicenter was The Tank is Rangely, Colorado. The Tank itself is a giant and tall disused water tower from the high days of train travel and used to store water to cool train engines and such. Empty for decades, it is now an internationally recognized destination for sound art and almost unparalleled echo/acoustics. William Tyler decided to book recording time there and chose to re-interpret all of the songs of hie 2019 album "Goes West" in a sparse yet cavernous solo acoustic setting: "Something about the frailty and space I wanted the songs to imply was lost in the over-production of the studio record, This felt like a reclamation of the songs and also a symbolic tribute to the stunning, haunted and vast possibilities of the American West, especially at the twilight of American Empire.’
William Loveday Intention - Secret Intention
William Loveday Intention
Secret Intention
LP | 2024 | US | Original (Spinout Nuggets)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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William Fitzsimmons - The Sparrow And The Crow + Derivatives Record Store Day 2024 Edition
William Fitzsimmons
The Sparrow And The Crow + Derivatives Record Store Day 2024 Edition
2LP | 2024 | EU | Original (Grönland)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Willi Carlisle - Critterland
Willi Carlisle
Critterland
LP | 2024 | US | Original (Signature Sounds)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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For folksinger Willi Carlisle, singing is healing. And by singing together, he believes we can begin to reckon with the inevitability of human suffering and grow in love. On Critterland, Carlisle invites audiences to join him: “If we allow ourselves to sing together, there's a release of sadness, maybe even a communal one. And so for me personally, singing, like the literal act of thinking through suffering, is really freeing,” he says. Rooted in the eclectic world of his live shows, Carlisle’s third album was produced by Grammy Award-nominated Darrell Scott. Critterland is a wild romp through the backwaters of his mind and America, lingering in the odd corners of human nature to visit obscure oddballs, dark secrets and complicated truths about the beauty and pain of life and love. Paste Magazine recently raved, “Carlisle has quickly established himself as one of country music’s most important and unmistakable voices.”
Wick Bambix - When Things Grow Teeth Orange Vinyl Edition
Wick Bambix
When Things Grow Teeth Orange Vinyl Edition
LP | 2024 | EU | Original (Rookie)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
Wick Bambix - When Things Grow Teeth
Wick Bambix
When Things Grow Teeth
LP | 2024 | EU | Original (Rookie)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Whiskey Myers - Whiskey Myers
Whiskey Myers
Whiskey Myers
LP | 2019 | EU | Original (Wiggy Thump)
31,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Wet Hair / Peaking Lights - Bored Fortress
Wet Hair / Peaking Lights
Bored Fortress
7" | 2010 | US | Original (Not Not Fun)
8,99 €*
Release: 2010 / US – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Near Mint
West Of Roan - Queen Of Eyes
West Of Roan
Queen Of Eyes
Tape | 2024 | EU | Original (Spinster)
14,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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To write the songs on their second album, Annie Schermer and Channing Showalter, who record together under the name West of Roan (members of Doran), spent time in collective imagination, journeying to their respective inner worlds and under worlds. As they simultaneously discovered and created a psychic landscape of story, song, archetype, and image, a figure emerged: The Queen of Eyes.

Schermer and Showalter recorded Queen of Eyes themselves, in a small one-room, off-grid cabin on Waldron Island off the coast of Washington State. They ran their ear trumpet condenser microphone off an extension cord connected to the main source of solar power. This recording session—with one microphone, one computer, one cord, and one bench the two sat on—captures the emotional intimacy of their music, along with occasional pops from the fire that heated the cabin, instrument creaks, and breathing sounds. This feels especially fitting for West of Roan’s approach; when you hear them sing you get the sense that they are first singing for and to each other, and emboldened by each other’s presence, together they make their offering to you, the listener.
Дос-Мукасан - Свадебная Песня = Wedding Song
Дос-Мукасан
Свадебная Песня = Wedding Song
7" | 2019 | RU | Reissue (Soviet Grail)
17,99 €*
Release: 2019 / RU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
We Are Muffy - Lost Things Returning
We Are Muffy
Lost Things Returning
LP | 2024 | US | Original (Last Night Glasgow)
35,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Watchhouse - This Side Of Jordan Gold Vinyl Edition
Watchhouse
This Side Of Jordan Gold Vinyl Edition
LP | 2024 | US | Original (Yep Roc)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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At it’s core, Watchhouse (formerly known as Mandolin Orange) is a duo - Andrew Marlin and Emily Frantz - from Chapel Hill, NC. Their harmonies are ethereal, their chemistry vibrant, bringing to mind the atmosphere invoked by classic duos such as Emmylou Harris and Gram Parsons, or Gillian Welch and David Rawlings. Andrew and Emily provide the foundation of the group's timeless Americana sound, while enlisting a full band to flesh out their dynamics. This Side of Jordan is the group's 3rd full length album and debut release on Yep Roc Records. Since signing to the label and releasing This Side of Jordan in 2013, the band has made quite a bit of noise on the folk/Americana circuit. They’ve received critical acclaim from NPR Music, Rolling Stone, The Wall Street Journal, Garden & Gun, No Depression and more. Their catalog has surpassed over 500 million streams and they’ve sold out worldwide tours. They have headlined Red Rocks and have graced the stage of the Ryman, Bonnaroo, and Newport Folk Festival.
Wangford Hank - Save Me The Waltz
Wangford Hank
Save Me The Waltz
LP | 2014 | UK | Original ($Incere $Ounds)
26,99 €*
Release: 2014 / UK – Original
Genre: Rock & Indie
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W.A.T. - A Letter To My Love
W.A.T.
A Letter To My Love
7" | 2024 | EU | Original (Stroom)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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It's never too late to celebrate love.

"I could climb every mountain. Cross the mighty sea. Refuse water from the fountain. To have you here with me. And I know I'll endure it. I'll be waiting at your gate." A liminal love message between Ad & Frankie from W.A.T.. Both folk country'ish songs made in the mid 80's"
Voodoo Jürgens - 'S Klane Glücksspiel
Voodoo Jürgens
'S Klane Glücksspiel
LP | 2019 | AT | Original (Lotterlabel)
68,99 €*
Release: 2019 / AT – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
Tiny corner wear. With insert.
Vincenzo Della Ratta - Gongs Of The Bahnar: A Buffalo Sacrifice Ceremony
Vincenzo Della Ratta
Gongs Of The Bahnar: A Buffalo Sacrifice Ceremony
LP | 2024 | EU | Original (Akuphone)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Buffalo sacrifice is a significant ritual among the Bahnar people, an ethnic group residing in the Central Highlands of Vietnam. It symbolizes a connection to ancestral spirits and the natural world. Prior to the sacrifice, the community gathers to prepare offerings and adorn the buffalo with symbolic decorations. The ceremony typically involves prayers, chants, and dances led by village elders. The sacrifice is performed with reverence and gratitude, honoring the buffalo's sacrifice for the well-being of the community. It's believed to ensure fertility, protection, and prosperity for the village. The ritual underscores the Bahnar people's deep-rooted spiritual beliefs and their harmonious relationship with nature. After the sacrifice, the buffalo's meat is shared among the villagers in a communal feast, fostering unity and solidarity within the community. This tradition serves as a cultural cornerstone, preserving the Bahnar's heritage and spiritual practices for generations. Recorded in the village of Plei Hven (Vietnam) in 2019 by Vincenzo Della Ratta, this unique album offers a deep immersion in this ancestral ceremony.
Vince Freeman - Scars, Ghosts & Glory White Vinyl Edition
Vince Freeman
Scars, Ghosts & Glory White Vinyl Edition
LP | 2024 | EU | Original (Kinetic)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Vince Freeman - Scars, Ghosts & Glory Black Vinyl Edition
Vince Freeman
Scars, Ghosts & Glory Black Vinyl Edition
LP | 2024 | EU | Original (Kinetic)
28,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Vidar Busk & Daniel Eriksen & Stig - Hustle & Flow
Vidar Busk & Daniel Eriksen & Stig
Hustle & Flow
LP | 2019 | NO | Original (Blue Mood)
19,99 €*
Release: 2019 / NO – Original
Genre: Rock & Indie
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Victoria Liedtke And Jason Ringenberg - More Than Words Can Tell
Victoria Liedtke And Jason Ringenberg
More Than Words Can Tell
LP | 2024 | UK | Original (Judee Bop / Tmr)
26,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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More Than Words Can Tell is the new duets album from Victoria Liedtke and Jason Ringenberg. The project sees the duo deep dive into the early songwriting partnership of Dolly Parton and Porter Wagoner, cherry-picking musical gems and little heard tracks from their expansive back catalogue. Coined the “Godfather of Americana” by Mojo magazine, the former Jason and The Scorchers frontman Jason Ringenberg was awarded a ‘Lifetime Achievement Award for Performance’ by the Americana Music Association in 2009 and was intrigued when Liedtke approached him with the project idea. As Ringenberg states, “When Victoria contacted me about being the ‘Porter’ in this project, I was super excited. The Dolly-Porter duets are some of the finest duets ever recorded in country music history. I am a huge fan of them. Once we dove into the project, I was supremely impressed by the production ethic and creative ambition that Victoria brought to the table. She didn’t slavishly copy the originals. In fact, she and her team created entirely new interpretations of those classic songs.” Victoria and Jason recorded the album at Vale Studios in Worcester, UK in the Summer of 2022 with a predominantly UK based band. The band features CJ Hillman on electric guitar and slide guitar (Billy Bragg/Yola), John Parker on double bass (Nizlopi), Lewis ‘Burner’ Pugh on acoustic guitar and Tim Protey-Jones on drums (First Time Flyers) as well as a plethora of guest musicians throughout. Originally from Oklahoma, Victoria moved to the UK eight years ago and now resides in the Yorkshire Dales. “What made this project so fun was being able to bring together these incredible UK musicians that come from the worlds of Americana, Country, Folk and Pop and inject these 50 year old classic American country songs into this musical melting pot.” Liedtke continues "Both Jason and I don’t traditionally sit in that world either, so all of that combined has resulted in a colourful and beautiful collection of songs.” The album was produced By Victoria Liedtke, co-produced by Elliot Vaughan and mixed by Liedtke & Vaughan. More Than Words Can Tell is due for release on April 5th.
Vic Mars - Inner Roads And Outer Paths Green Vinyl Edition
Vic Mars
Inner Roads And Outer Paths Green Vinyl Edition
LP | 2019 | UK | Reissue (Clay Pipe Music)
25,99 €*
Release: 2019 / UK – Reissue
Genre: Rock & Indie
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Vera Sola - Peacemaker
Vera Sola
Peacemaker
LP | 2024 | EU | Original (Spectraphonic)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Venla Ilona Blom - Nevrak
Venla Ilona Blom
Nevrak
LP | 2024 | EU | Original (Nordic Notes)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Vanishing Twin - Tell Me Not Here Clear Vinyl Edition
Vanishing Twin
Tell Me Not Here Clear Vinyl Edition
12" | 2024 | UK | Original (The state51 Conspiracy)
27,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Vanishing Twin’s expansive and magical psychedelic epic with lyrics adapted from A.E. Housman’s 1922 poem, ‘Tell Me Not Here, It Needs Not Saying’ was initially commissioned by The Quietus for Sound + Vision subscribers before being released as part of state51's ongoing Singularity series. Here it's presented in transparent vinyl, over two sides.

Vanishing Twin fly deeper into their sonic universe, blending elements from an improvisational session, raw recordings of the natural world, and early 20th century poetry to create sublime, cosmic pop.

This twenty-minute piece has embellishments of sparkling synth and lyrical vignettes that are reminiscent of English folk melodies.
Vandoliers - Forever
Vandoliers
Forever
LP | 2019 | US | Reissue (Bloodshot)
29,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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Van Morrison - Moondance
Van Morrison
Moondance
4CD+DVD | 2013 | EU | Reissue (Warner)
72,99 €*
Release: 2013 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Box is close to NM.
V.A. - We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
V.A.
We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
LP | 2024 | EU | Original (Morningstar Music)
60,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Türk Pop Müzik Tarihi Lp1
V.A.
Türk Pop Müzik Tarihi Lp1
LP | 2024 | WW | Original (Yapi Kredi Kültür Sanat Yayincilik)
25,99 €*
Release: 2024 / WW – Original
Genre: Rock & Indie
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V.A. - Tres Chic! More French Girl Singers Of The 1960s
V.A.
Tres Chic! More French Girl Singers Of The 1960s
LP | 2013 | UK | Original (Ace)
24,99 €*
Release: 2013 / UK – Original
Genre: Organic Grooves, Rock & Indie, Pop
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180g Colored Vinyl! Hand-picked titles by Françoise Hardy, France Gall. Annie Philippe, Elsa, Violaine, Pussy Cat, Brigitte Bardot, Delphine and Liz Brady!
V.A. - To Scratch Your Heart: Early Recordings From Istanbul
V.A.
To Scratch Your Heart: Early Recordings From Istanbul
4LP+Box Set | 2010 | UK | Original (Honest Jon's)
99,99 €*
Release: 2010 / UK – Original
Genre: Rock & Indie, Classical Music
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Used Vinyl
Medium: VG+, Cover: VG
4 LP compilation of recordings made in Istanbul for Gramophone Company and His master's voice (HMV) during the first years of the 20th century.
Sound restoration at Abbey Road studios.
V.A. - The Time For Peace Is Now
V.A.
The Time For Peace Is Now
LP | 2019 | EU | Original (Luaka Bop)
26,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Time For Peace Is Now compiles fourteen songs that, while recorded over four decades ago, speak now more than ever. These are undeniably soulful, passionate, and urgent songs from obscure 45s, dug up from a long dormancy in attics, sheds and rated across the American south. Compiled by Gospel guru Greg Belson. The second volume in Luaka Bop's World Spiritual Classics Series.
V.A. - The Many Faces Of Bob Dylan Colored Vinyl Edition
V.A.
The Many Faces Of Bob Dylan Colored Vinyl Edition
2LP | 2019 | EU | Original (Music Brokers)
13,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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V.A. - The History Of American Folk (Songs Of Hope And Struggle)
V.A.
The History Of American Folk (Songs Of Hope And Struggle)
3CD | 2010 | UK | Original (Not Now Music)
6,99 €*
Release: 2010 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Picture
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V.A.
The Best Of Country
2LP | 2024 | Original (Not Now)
36,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
V.A. - That's Why We Stand
V.A.
That's Why We Stand
LP | 2024 | Original (New Folk)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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V.A. - Strut My Stuff Green Vinyl Edition
V.A.
Strut My Stuff Green Vinyl Edition
LP | 2019 | US | Original (Modern Harmonic)
37,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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V.A. - Someone Like Me
V.A.
Someone Like Me
2LP | 2024 | EU | Original (Efficient Space)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.
V.A. - Someone Like Me
V.A.
Someone Like Me
CD | 2024 | EU | Original (Efficient Space)
17,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.
V.A. - So Frenchy!
V.A.
So Frenchy!
LP | 2019 | EU | Original (Wagram)
15,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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V.A. - Silver Bullet Bluegrass
V.A.
Silver Bullet Bluegrass
LP | 2024 | US | Original (Lonesome Day)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - Seito: In The Beginning, Woman Was The Sun
V.A.
Seito: In The Beginning, Woman Was The Sun
LP | 2019 | EU | Original (Akuphone)
31,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
V.A. - Scottish Highland Music
V.A.
Scottish Highland Music
LP | 2019 | EU | Original (ZYX)
17,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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V.A. - Psych! British Prog. Rock. Folk. And Blues 1966-1973
V.A.
Psych! British Prog. Rock. Folk. And Blues 1966-1973
LP | 2024 | Original (UMC)
47,99 €*
Release: 2024 / Original
Genre: Rock & Indie, Pop
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V.A. - Petty Country: A Country Music Celeb. Of Tom Petty
V.A.
Petty Country: A Country Music Celeb. Of Tom Petty
2LP | 2024 | Original (Universal)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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V.A. - Paris Toujours
V.A.
Paris Toujours
LP | 2019 | EU | Original (Wagram)
15,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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V.A. - Paris In Love
V.A.
Paris In Love
LP | 2019 | EU | Original (Wagram)
15,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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V.A. - OST Quentin Tarantino's Once Upon A Time In Hollywood
V.A.
OST Quentin Tarantino's Once Upon A Time In Hollywood
2LP | 2019 | EU | Original (Columbia)
33,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie, Pop, Soundtracks
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The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.
V.A. - Now Country Classics 70s
V.A.
Now Country Classics 70s
LP | 2024 | US | Original (Now Hits Collections)
35,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - Nippon Acid Folk 1970-1980
V.A.
Nippon Acid Folk 1970-1980
LP | 2024 | UK | Original (Time Capsule)
28,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.

Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.

At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.

Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.

Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.

Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.

Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.
V.A. - Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985
V.A.
Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985
2CD | 2014 | US | Reissue (Light In The Attic)
23,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie
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2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.
V.A. - Mr Devil: Apocalyptic Gospel And Rapture Rockabilly From Private Press Prophets (1964-1984) Random Colored Vinyl Edition
V.A.
Mr Devil: Apocalyptic Gospel And Rapture Rockabilly From Private Press Prophets (1964-1984) Random Colored Vinyl Edition
LP | 2024 | US | Reissue (Iron Mountain Analogue Research)
37,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Years in the making – ‘Hey, Mr. Devil' presents a Raucous Revival Tent of Fallen Rockabilly Icons, Public Access Evangelists and Hellfire Puppeteers. Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2024 remasters!
V.A. - Malam Minggu: A Saturday Night In Sunda
V.A.
Malam Minggu: A Saturday Night In Sunda
LP | 2019 | EU | Original (Akuphone)
21,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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V.A. - Long Distance Love - A Sweet Relief Tribute To Lowell George
V.A.
Long Distance Love - A Sweet Relief Tribute To Lowell George
LP | 2024 | EU | Original (Flatiron)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
V.A. - Italian Rare Groove
V.A.
Italian Rare Groove
LP | 2024 | EU | Original (Wagram)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries.With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...
V.A. - Incense Music For Bed Room
V.A.
Incense Music For Bed Room
LP | 2024 | JP | Original (Insense Music Works)
31,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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V.A. - In The Beginning Was The Puls - 50 Years Of Passion
V.A.
In The Beginning Was The Puls - 50 Years Of Passion
3LP | 2024 | EU | Original (Kirkelig Kulturverksted)
91,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Imaginational Anthem XiII: Songs Of Bruce Cockburn
V.A.
Imaginational Anthem XiII: Songs Of Bruce Cockburn
LP | 2024 | US | Original (Tompkins Square)
22,49 €* 29,99 € -25%
Release: 2024 / US – Original
Genre: Rock & Indie
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The thirteen edition in the Imaginational Anthem series features renditions of Bruce Cockburn tunes by James Toth (Wooden Wand), Kyle Hammett Duo (ft. Luke Schneider), Wet Tuna (Matt Valentine), Jerry DeCicca (ft Bill Callahan), and others.
V.A. - Imaginational Anthem Vol. 6
V.A.
Imaginational Anthem Vol. 6
CD | 2013 | US | Original (Tompkins Square)
11,99 €*
Release: 2013 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
V.A. - I Won't Need A Wheelchair In Glory: Songs Of The Triumph Of The Human Spirit (1964-1984)
V.A.
I Won't Need A Wheelchair In Glory: Songs Of The Triumph Of The Human Spirit (1964-1984)
LP | 2024 | US | Original (Iron Mountain Analogue Research)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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From the makers of Hillbillies In Hell...A Celebration of Spiritual Triumph over Terrestrial Adversity. Originally cut on Homespun, Private-Press and Vanity labels across the 1960s, 1970s and early 1980s, this collection features voices almost never heard in the professional entertainment industry. The Dis-abled, the Less-abled, the Blind, Cancer survivors, those confined to a Wheelchair, those born with Dwarfism, those born without Limbs and some with many other challenges. Here, they shine and inspire with their Talents, Strength and unique moments of astounding individual Beauty. Often cut with direct involvement from their Families and Churches, these Country, Gospel and Folk songs tell of Struggle, Questions, Doubt, Faith and Joy. Each side representative of the Power of the Human Spirit to overcome Adversity: thankful to be part of the Great Mysterious Gift of Life. Hear the Divine Spark of the Human Spirit transform Disease, Blindness, Mental Disability and Physical Affliction into Faith and Gratitude. These are stories of Hope and Spiritual Fortitude. Not Cloistered nor Ashamed, this Righteous Collection of Subterranean Cuts shines with an uncommon Vitality and beautiful Nobility. All sides are incredibly rare and are reissued here for the very first time. The Human Spirit in all its Strength, Vulnerability and Light....
V.A. - Hillbillies In Hell: Whiskey Is The Devil The Demon Drink: Bikers, Boozy Ballads, Moonshine Minstrels And Skid Row Joes (1962-1972) Black Vinyl Record Store Day 2024 Edition
V.A.
Hillbillies In Hell: Whiskey Is The Devil The Demon Drink: Bikers, Boozy Ballads, Moonshine Minstrels And Skid Row Joes (1962-1972) Black Vinyl Record Store Day 2024 Edition
LP | 2024 | US | Reissue (Iron Mountain Analog Research)
18,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia Full dynamic range 2024 remasters direct from the firstgeneration analogue master tapes Original Cover Art by Eric Adrian Lee Limited Edition 666 copies 333 (randomly inserted) 'Hooch Hellscape' Splatter LPs / 333 (randomly inserted) 'Binge Blackout' Black LPs Beelzebub loves Booze...

The Demon Drink. That necrotic amber liquid that drives the Innocent to Sin and the Fallen into Depravity...

Presented here for the very first time are 16 Timeless Tribulations and Pickled Revelations: Lustful Odes to Drunken Vice, Beersoaked Homicides and the Eternal Unpaid Price.

Years in the making – ‘Hillbillies In Hell: Whiskey Is The Devil' presents a dank barroom of battered Hayseed Inebriates, Bizarre Bottlefed Hallucinations, Slithering Saucedup Serpents, Righteous Hellfire Prophets and the Endless Infinite Liquid Battle between the Dark and the Light.

Moments of true Beauty amidst moments of Terror, Torment and Trial.

A musty backwoods shack of forgotten 45s: Phantastic Moonshine Visitations, Delusional Rotgut Initiations, Autocidal Confrontations, Guiltridden Graveside Lamentations and Redemptive Revival Remonstrations most of these sides are impossibly rare and are reissued here for the very first time.

Fill your glass and feel the infernal heat...

SEE Larry Doig suffer Alcoholic Hallcinations! Hear the Dan Sheaffer 3 ask HOW FAR IS IT TO Hell?! Witness Stonewall Jackson's pain from Drinking AND Driving!
V.A. - Forever Gamblin' On You HHV Exclusive Orange Vinyl Edition
V.A.
Forever Gamblin' On You HHV Exclusive Orange Vinyl Edition
LP | 2024 | EU | Original (Forager)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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HHV Exclusive edition on orange wax, limited to 200 copies worldwide.

A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.
V.A. - Forever Gamblin' On You Black Vinyl Edition
V.A.
Forever Gamblin' On You Black Vinyl Edition
LP | 2024 | EU | Original (Forager)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Dengue Fever presents Electric Cambodia
V.A.
Dengue Fever presents Electric Cambodia
LP | 2010 | US | Reissue (Minky)
26,99 €*
Release: 2010 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This music was recorded in the 1960s and early '70s soon after Cambodia became an independent nation. It was a period of rapid modernization that not only influenced music, but also architecture, sculpture, painting, dance and cinema. For many, it was Cambodia's own artistic renaissance, a time pointing to a hopeful future. This golden era came to a sudden end when the Khmer Rouge took control of the country in 1975 and brutally attempted to destroy any trace of modern society. Sadly, while many of the recordings of modern Cambodian rock and roll survived, most of the artists who created it did not. Over the last decade Dengue Fever has culled this compilation of their favorite Cambodian rock and roll from many different cassette tapes. The great music you'll find here is a testament to the spirit of a modern Cambodia that existed not so long ago, and should be remembered today.
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