Folk 992 Items

A Long Way To The Beginning

Release: 2014 / EU – Original

Genre: Rock & Indie

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Contains 12 live recordings including tracks like "Das Neue", "Citylights Forever", "LikeLikeLike" and much more! This deluxe set comes in a gatefold sleeve plus CD added!

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Seun Kuti & Egypt 80

LP+CD | 2014 | EU | Original (Because)

20,99 €*

Menoko Purple Vinyl Edition

Release: 2014 / EU – Original

Genre: Rock & Indie

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After «Many Things», released in 2008, and «From Africa With Fury: Rise» in 2011, «A Long Way To The Beginning» is the third album by Seun Anikulapo Kuti with Egypt 80

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Barrio Lindo

2LP | 2014 | EU | Original (Project: Mooncircle / HHV)

Tape | 2014 | EU | Original (Project: Mooncircle / HHV)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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In the native tongue of the South American tribe Mapuche, there exists the word ‘MENOKO’. Deep within the Andean Forests there are sacred places, springs of purity known as Menokos. Hidden and untouched by man or animal, they are whispered, home of virgin water. Womb of the natural cycle from which plants and herbs of extraordinary medicinal abilities are nurtured.

Barrio Lindo feels a strong bond to the native tribes of his Argentinian home. Ancestral cultures are of great importance, providing a wealth of inspiration. An instrument maker by trade, using his bare hands he constructs many ethnical instruments like Andean flutes, African harps, string instruments from India and so on. This fascination with indigenous sounds is reflected within his music and themes with the use of samples and tribal instrumentation. While understanding his work is far from that of the native cultures, he finds ways to incorporate these influences through fusions of sounds. Drawing a parallel, worlds both old and new align.

‘Menoko’ comes on limited purple double vinyl (including download code).

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Barrio Lindo

Menoko Purple Tape

9,99 €*

Jerry Garcia & David Grisman

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2014 | US | Original (Mobile Fidelity)

73,99 €*

LP | 2014 | EU | Original (Columbia)

Release: 2014 / US – Original

Genre: Rock & Indie

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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Johnny Cash

Out Among The Stars

7" | 2014 | US | Original (Ramseur)

Release: 2014 / EU – Original

Genre: Rock & Indie

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12 recently discovered Johnny Cash studio recordings (not demos or out takes) produced by Billy Sherrill.

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Langhorne Slim & The Law

Animal / Space Girl

Nancy Dupree & The Ghetto Reality Youngsters

Release: 2014 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2014

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Ghetto Reality

LP | 2014 | EU | Original (Moi J'Connais)

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2014 | UK | Original (Discrepant)

Malayeen

LP | 2014 | US | Original (Pharaway Sounds)

Release: 2014 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Discrepant proudly presents the Vinyl edition of Lebanese trio Malayeen. Malayeen is the project of Lebanese musicians Raed Yassin (Keyboards, Turntables & Electronics), Charbel Haber (Electric Guitar & Electronics) and Khaled Yassine (Darbouka, Percussion). Born from Yassin and Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, Malayeen disassembles and re-configures the work and style of the iconic guitarist innovative take on Arabic music. The final result makes for an original and unique update of Khorshid & belly dancing inspired songs from the past.

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Edip Akbayram

FRKWYS Volume 11 - Contos De Lisboa

Release: 2014 / US – Original

Genre: Rock & Indie

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Edip Akbayram’s a frail guy who spent his childhood unable to walk, but once he grew up he was on Istanbul TV in a whitey-fro and knee length colored robes. Akbayram’s voice is big & open, and it took him all across Turkey at the height of Anatolian psychedelia. This 1st album collects precious singles from 1972-74, with dark melodies that descend in loose spirals, seemingly forever. Tunes taken from mystic Sufi poets who played the ba?lama, but retrofitted with hard plowing electric bass lines, funky drums, fuzz-wah guitars and keyboards. Remastered sound, insert / booklet with photos and liner notes by Angela Sawyer (Weirdo Records).

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Mike Cooper & Steve Gunn

LP | 2014 | US | Original (Rvng Intl.)

Blind Uncle Gaspard & Delma Lachney

Release: 2014 / US – Original

Genre: Rock & Indie

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For the the eleventh volume of FRKWYS, an unrestricted series pairing contemporary artists with their influential predecessors, gifted guitar squire Steve Gunn meets roving, radiating legend Mike Cooper in Lisbon, Portugal.

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On The Waters Edge

LP | 2014 | US | Original (Mississippi)

LP | 2014 | US | Original (Awesome Tapes From Africa)

Release: 2014 / US – Original

Genre: Rock & Indie

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12 great songs recorded by 2 of Cajun music's finest & most unusual artists. Originally released on 78 in the late 20s, these fragile & dignified
performances feature French vocals accompanied by guitar or fiddle (sometimes both). Impeccable ballads & breakdowns

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Aby Ngana Diop

Liital

2LP | 2014 | EU | Original (Heavenly Sweetness)

Release: 2014 / US – Original

Genre: Rock & Indie

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Aby Ngana Diop was the most famous taasukat in Dakar, Senegal in the 1980s and 1990s. Taasu is a Wolof-language poetic style, usually performed by women griots over frenetic drum patterns, with an aggressive verbal flow thought to presage rap. Her only album Liital was groundbreaking in the history of Senegalese music because it was the first commercial recording to feature a traditional female taasukat performing to the modern accompaniment of mbalax, Senegal’s quintessential pop genre.

After a few years of searching for Ms. Diop’s family members—she passed away from a heartattack in 1997—it took another year to get the release sorted it out but I’m happy to report this is all square with her family in Dakar (thanks to the help of a friendly professor from Boston who also contributed excellent liner notes).

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Kasa Tessema

Kassa Tessema

19,99 €*

La Onda De Elia Y Elizabeth

Release: 2014 / EU – Original

Genre: Rock & Indie

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Kassa belongs to the long tradition of melancholy raconteurs with a decided gift of gab. And the unique embrace of his deep voice heightens the emotion generated by the hum of his lyrics. For Ethiopians he is, along with the other great traditional voices of the post-war period such as Assèfa Abatè, Fréw Haylou, Asnaqètch Wèrqu or Kètèma Mèkonnen, a perfect example of the culture of the word: poetry and freedom of expression, with an impressive verve that hits the mark, quiet vehemence and merciless loquacity, lovelorn despair and self-deprecation. It must be underscored – to invoke some notion of a virtual scale of values – without exaggerating that there is a certain similarity between Ethiopians’ perception of Kassa Tèssèma’s “music” and the rapture Emahoy Tsegué-Maryam Guèbrou’s piano playing inspires in non-Ethiopian audiences. Each in his own way, both these artists are able to captivate their listeners. Music that demands to be listened to.

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Elia Y Elizabeth

LP | 2014 | EU | Original (Vampisoul)

Piers Faccini & Vincent Segal

Release: 2014 / EU – Original

Genre: Rock & Indie

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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.

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Songs Of Time Lost

LP | 2014 | EU | Original (No Format)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Tape | 2014 | US | Original (Light In The Attic)

Jim Sullivan

U.F.O.

Release: 2014 / US – Original

Genre: Rock & Indie

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Kon Kee Lang Kwai (Man On A Water Buffalo)

Dao Bandon

LP | 2014 | JP | Original (EM)

LP | 2014 | UK | Reissue (Rhino)

Release: 2014 / JP – Original

Genre: Rock & Indie

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Full-color inner sleeve incl. liner notes, pics & lyrics.

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Joni Mitchell

Hejira

30,99 €*

Acid Pauli & G. Rag Und Die Landlergschwister

Release: 2014 / UK – Reissue

Genre: Rock & Indie

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Released in 1976 Hejira is the 8th studio album from legendary Canadian singer-songwriter Joni Mitchell. The title word hejira is a transliteration of the Arabic word ‘hijra’ meaning journey which was a big inspiration for the album, as Mitchell said “the whole 'Hejira' album was really inspired... I wrote the album while traveling cross-country by myself and there is this restless feeling throughout it... The sweet loneliness of solitary travel."
Although the album was not as commercially successful as its predecessors it has been widely critically acclaimed and recognized as one of the high water marks of Mitchell’s illustrious career, with special mention to the support of Jaco Pastorious’s distinctive fretless bass.

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Erdäpfelkaas

12" | 2014 | EU | Original (Gutfeeling)

16,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2014 | US | Original (Paradise Of Bachelors)

Steve Gunn

Way Out Weather

Release: 2014 / US – Original

Genre: Rock & Indie

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December Day Willie's Stash Volume 1 White Vinyl Edition

Willie Nelson & Bobbie

2LP | 2014 | EU | Reissue (Music On Vinyl)

22,39 €* 31,99 € -30%

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Talk about a talented family: Willie Nelson and his Sister Bobbie Nelson each achieved massive success in country music. Even in their late 80’s, the Nelsons continue to make music and their influence can be heard through many artists in the genre. December Day, Willie’s Stash Vol. 1 is a collaboration album between the two, and upon release in 2014 it was met with positive reviews from music critics. The album spawned three singles: “Who’ll Buy My Memories”, “Laws of Nature” and “Summer of Roses / December Day”. The liner notes were written by Willie’s frequent collaborator Mickey Raphael. This record comes as a limited edition on snowy white vinyl.

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Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985

2CD | 2014 | US | Reissue (Light In The Attic)

LP | 2014 | EU | Reissue (Emotional Rescue)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.

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Javier Bergia

Eclipse 2022 Repress

19,99 €* 24,99 € -20%

LP | 2014 | UK | Original ($Incere $Ounds)

Release: 2014 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Emotional Rescue celebrates its 10th Anniversary with a repress of one of its most cherished reissues, in the first ever collection of works from Spanish song writer Javier Bergia. As a member of Finas Africae his name is finally coming to prominence, now with this selection of his music from 1985 to today, the depths of his acoustic, folk and balearic writing can be heard. Born in Madrid to a family steeped in both classical and Spanish traditional music, Javier 's mastery of guitar, percussion, voice, poetry and composition is drawn from both this grounding and upon his lifelong musical inquisitiveness'. Since 1980 he has been an integral part of the ancient music group 'Atrium Musicae', while in 1984 he founded, with Juan Alberto Arteche and Luis Delgado, the groundbreaking group 'Finis Africae' as a sonic investigation into a fusion of diverse ethnic musical forms incorporating both indigenous instruments and electronic elements. As a solo artist, his career blossomed when, in 1985, he recorded his first LP, the acclaimed 'Recoletos' and with Luis Delgado he recorded the now classic album 'La Fl or De Piedra' under the name Ishinohana Erc025). Today Javier is active, participating in the Sephardic music groups 'Halilem' and 'Alquibla', as well as diverse alternative chamber music groups, as well as working around as composer, arranger and producer and appears regularly with Manolo HH on Radio Nacional de Espana.

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Wangford Hank

Save Me The Waltz

Release: 2014 / UK – Original

Genre: Rock & Indie

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2LP | 2014 | US | Original (Verve)

Blake Mills

Heigh Ho

43,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Discrepant)

Malayeen

Live From Cain's Ballroom

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Discrepant proudly re-presents the Vinyl edition of Lebanese trio Malayeen. Malayeen is the project of Lebanese musicians Raed Yassin (Keyboards, Turntables & Electronics), Charbel Haber (Electric Guitar & Electronics) and Khaled Yassine (Darbouka, Percussion). Born from Yassin and Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, Malayeen disassembles and re-configures the work and style of the iconic guitarist innovative take on Arabic music. The final result makes for an original and unique update of Khorshid & belly dancing inspired songs from the past. Over the course of 7 compositions, appropriately named after Khorshid and famous belly dancers from the Arabic diaspora, the three musicians' varied backgrounds and techniques collide and coalesce in an experimental yet magical fashion, not actually playing Khorshid's music, but inspiring themselves from the cult guitarist's genius to create something completely new, modern and unexpected. A unique LP featuring the combined talents by key players of the Lebanese avant-garde.

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Jessi Colter

LP | 2014 | EU | Original (Black Country)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Where It All Began 10th Anniversary Edition

Dan+Shay

LP | 2014 | Reissue (Warner)

41,99 €*

Release: 2014 / Reissue

Genre: Rock & Indie

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Razor Wire 10th Anniversary Red Vinyl Edition

Hannah Aldridge

LP | 2014 | US | Reissue (Icons Creating Evil Art)

28,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

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LP | 2014 | Reissue (Rhino)

Joni Mitchell

Hejira 2024 Remaster

Release: 2014 / Reissue

Genre: Rock & Indie

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Montevallo Vinyl Me, Please Edition

Sam Hunt

LP | 2014 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 2020 | EU | Original (Basin Rock)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Much of Montevallo was deceptive in its simplicity, hiding era-defining songwriting talent and a whole new mode of country crossover behind a seemingly easy-to-replicate formula of marrying traditional country instruments with programmed beats and slick, dynamic melodies. Its velvet revolution won Hunt years of radio dominance and anticipated a tidal wave of what’s been termed “boyfriend country” — legions of imitators who took the singer’s gently flirtatious tack and R&B influences to their cloying extremes. Plenty in Nashville didn’t see Montevallo as a changing of the guard, and even after he’d become a country megastar wrote him off as either a novelty, insufficiently capital-C Country, or both. When confronted with resistance about his own mode of widening country music’s lens Hunt has tended to return to the root of the issue, which runs much deeper than a simple disdain for pop music in country or concern about preserving some of its imagined “authentic” past.

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Aoife Nessa Frances

Land Of No Junction

LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / EU – Original

Genre: Rock & Indie

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On the eponymously titled final song of her debut album Land Of No Junction, Irish songwriter Aoife Nessa Frances sings “Take me to the land of no junction / Before it fades away / Where the roads can never cross / But go their own way.” This search, indeed the heart of the album, recalls journeys towards an ever shifting centre—a centre that cannot hold—with maps that are constantly being rewritten.

She writes: “The album title is a result of a mishearing. Cian Nugent (Aoife’s musical collaborator and co-producer) was telling me about childhood trips he made to Llandudno in Wales, passing through a station called Llandudno Junction… Land Of No Junction later became a place in itself. A liminal space—a dark vast landscape to visit in dreams… A place of waiting where I could sit with uncertainty and accept it. Rejecting the distinct and welcoming the uncertain and the unknown.”

The album is shot through with this sense of mystery—an ambiguity and disorientation that illuminates songs with smokey luminescence. Yet, through the haze, everything comes down to what, where and who one is. With Land Of No Junction, she has built a universe full of intimacy and depth, with lyrics written through a process of free thought writing. It lends the record fluidity, each song in dialogue with the next not only through language, but the way each musical choice complements or threads into another: “I would write without putting pressure on taking the song in any particular direction. It all carried itself naturally and instinctively with melody coming first and then structure later.” Written over several years, the songs traverse and inhabit this indeterminate landscape: the beginnings of love, moments of loss, discovery, fragility and strength, all intermingle and interact. Some songs—like lead single “Blow Up”—date back to university days, where Frances studied film. Borrowing its title from the 1966 Antonioni picture of the same name, it indirectly provided the catalyst for Frances’s broader considerations about being a woman and self-determination—”Blow Up” and “Less Is More” were written before the abortion referendum was passed in Ireland in 2018—during time when women were forced to travel abroad during crisis pregnancies. They are both songs about being a woman and finding strength in a forever changing world.

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Bill Fay

Countless Branches

Release: 2020 / US – Original

Genre: Rock & Indie

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Countless Branches Deluxe Edition

Bill Fay

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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Terry Allen & The Panhandle Mystery Band

Just Like Moby Dick

2LP | 2020 | US | Original (Paradise Of Bachelors)

27,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Tautumeitas

LP | 2020 (Cpl Music)

Release: 2020

Genre: Rock & Indie

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I Can Go With You / I Am No Moon

Sam Burton

7" | 2020 | EU | Original (Tompkins Square)

Amazones Power Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sam Burton is a singer/songwriter from Salt Lake City, now based in Los Angeles. After several years circulating homemade cassettes on labels like Chthonic and embraced by blogs like Cassette Gods, Sam has recorded his first proper debut album with producer Jarvis Taveniere (Purple Mountains). Due in mid-2020, Sam's debut LP will be preceded by two limited edition 45s, one which will be available exclusively for Record Store Day in the UK. Sam is slated to tour the UK and Europe in 2020 with fellow Tompkins Square artist Gwenifer Raymond.

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Les Amazones D'Afrique

2LP | 2020 | US | Original (New West)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Honey Jar)

The Wood Brothers

Kingdom In My Mind

Release: 2020 / EU – Original

Genre: Rock & Indie

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Monstruos Y Duendes Volume 1: Myfyrio

Myrddin

LP | 2020 | EU | Original (Zephyrus)

20,99 €*

LP | 2020 | EU | Original (Constellation)

Release: 2020 / EU – Original

Genre: Rock & Indie

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This is a 180 gram pressing.

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Foon, Rebecca

Waxing Moon

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 (Keeping It Country)

Merle Nelson

South Of The Border

17,09 €* 18,99 € -10%

Release: 2020

Genre: Rock & Indie

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3LP | 2020 | EU | Original (BMG)

Hank Williams

Only Mother's Best

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Nozzle)

Robert Cray Band

That's What I Heard

Release: 2020 / EU – Original

Genre: Rock & Indie

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Backyard Folk Club

Daydream

LP | 2020 | EU (#14)

18,69 €* 21,99 € -15%

Release: 2020 / EU

Genre: Rock & Indie

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In A Lifetime Super Deluxe Bookpack Edition

Clannad

2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)

58,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.

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CD | 2020 | EU | Original (Uzelli)

Uzelli Elektro Saz

2LP | 2020 | EU | Original (Gated)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home. Not counting the handful of 8-track tapes and 14 LPs released in the early days, the catalog consisted entirely of cassettes.
When they opened their Istanbul office in 1977, Uzelli moved beyond production and became successful in the areas of reproduction, distribution and marketing. Taking the catalogs of other production companies under its umbrella, it continued its rapid growth.
The 90s became the CD decade, and because Uzelli Kaset had not released its catalog in CD format, hundreds of albums remained unavailable to an entire new generation. Because the albums had not been released in LP form either, musical explorers ran into the same problem. Remaining active and serving in various areas of the music industry, Uzelli carefully preserved its visual, audio and document archives, ensuring their survival to the present day.
After an immense amount of work, this catalog, which had long awaited discovery by new generations, was finally released in digital format. For record collectors seeking the spirit of those times, we also began offering this special selection of compilation albums in vinyl format. As we created this series, our goal was to guide listeners toward new discoveries, and open new pages for music lovers to explore. Leaving our rich, multifaceted catalog to genuine musicians, curators and artists, our desire became to approach the recordings of that period from a different perspective.
We are overjoyed to know that our continuing meticulous work will bear fruits whose taste and aroma have been long forgotten.
Uzelli

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Sol Seppy

I.A.A.Y.A Part One

19,94 €* 20,99 € -5%

LP | 2020 | EU | Original (Black Sweat)

Release: 2020 / EU – Original

Genre: Rock & Indie

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What Sophie Michalitsianos has created, using barely more than her voice, piano, and cello, is magical, defying labels. Originally released as a private-press CD for her fans, I.A.A.Y.A, or I Am As You Are, is sublime, intimate, weightless, and comforting. The album takes its time yet feels urgent, like you need this music, this moment. This is the first time it's been available on vinyl. If the name Sol Seppy sounds familiar, it's because Michalitsianos had one groundbreaking album in 2006, The Bells of 1 2, which for those that heard it became one of the most important albums of the 00s. From it came the track Enter One, which has been used on numerous high-profile TV shows and has a silly number of views on YouTube. Most of I.A.A.Y.A was recorded and mixed in Knoxville, United States. Now, though, Michalitsianos lives in a small Greek village, hoping to make it her home while she works on the next two records. Yes, this is just the first part of a trilogy. In Sophie's own words: "Deep within these songs is a meeting place. It's an old home of everyone's and I hope for it to be an anchor whilst we bob up and down in chop." This is rare, this is real, this is true.

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Agostino Nirodh Fortini

Suoni Immaginari

19,99 €*

LP | 2020 | EU | Original (Trimeter)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters. “Suoni Immaginari”, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary odysseys as a complex of harmonic devices, nebula storms, glassy explosions and gravity-free falls. His operational horizon reflects further cultural ideas and suggestions; not only the artifice between natural sounds and the programmed machine but also the intrusion of arabesque dreams and jungles contaminated by invading insects and mad pipers. These are spectral symphonies which can have analogies with the fourth world of Hassell and Eno.

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Haden Triplets

Family Songbook

27,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Rock Bottom Rhapsody Black Vinyl Edition

Pokey LaFarge

LP | 2020 | US | Original (New West)

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Chapter Two)

Zoufris Maracas

Blue De Lune

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bela Fleck & Toumani Diabate

Ripple Effect

LP | 2020 | EU | Original (Craft)

48,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Arts & Crafts)

Frazey Ford

U Kin B The Sun

35,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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The Mystery Of The Bulgarian Voices

Shandai Ya / Stanka Black Vinyl Edition

LP | 2020 | EU | Original (Prophecy)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Ayrilik Günümüz / Gilgamis

Cem Karaca & Apaslar

7" | 2020 | EU | Original (Türküola)

14,99 €*

Country Hits ... Feelin' Blue

Release: 2020 / EU – Original

Genre: Rock & Indie

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Türküola releases maybe the most outstanding piece of Cem Karaca & Apaşlar in their adventure in Germany. Cem Karaca was a new born Anatolian Pop star from rock’n’roll roots and Apaşlar was a surf band when they united in 1967. In the end of 1967 they toured Germany and began to record with Ferdy Klein Orchestra (which was a version of Werner Müller Orchestra) between 1968-1969. “Gılgamış-Ayrılık Günümüz” is one of the singles recorded as a cooperation between the band and the “big band” . Therefore the A side of the single “Ayrılık Günümüz” (Our Day of Departi reflect this cooperation between Werner Müller Orchestra and CK & Apaşlar with a feeling of mod scene, a rock ballad with polyphonic arrangements. On the other hand the flip side of the single gives out the band’s own groove and performance with the instrumental psychedelic rock peace “Gılgamış” (Gilgamesh). Gılgamış is inspired by the Epic of Gılgamesh and the band plays a powerful groove with a Mesopotamian mood and riffs. The Apaşlar line-up playing in this piece was Mehmet Soyarslan (electric guitar), Seyhan Karabay (bass), and Leon Habib (drums). Beginning with Seyhan Karabay’s solid bass riffs which is followed by drums of Leon Habib serving an energetic groove; Soyarslan plays his Epiphone guitar with psychedelic effects which sometimes take the main theme to a micro tonal scale. Today we have the opportunity to hold this unique piece in compliance with the authentic cover coated with gelatine and its vinyl produced from the master tapes. Thanks to Türküola for this generous reissue for the collectors of Turkish psychedelia.

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Tennesse Ernie Ford

LP | 2020 | US | Original (Analogue Productions)

46,99 €*

LP | 2020 | EU | Original (Innovative Leisure)

Release: 2020 / US – Original

Genre: Rock & Indie

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"Country Hits...Feelin' Blue", released by Tennessee Ernie Ford in 1964, is a throwback — or as the liner notes to this country classic (perhaps Ford's best) say, »You don't hear much singing like this nowadays — just a voice with easy guitar and bass accompaniment«. But oh, what a voice. Ford's resonant-voiced baritone might be best known for his 1955 cover of Merle Travis' grim coal-mining song "Sixteen Tons“, with sales topping 4 million copies. The hit cemented Ford's place as one of America's top entertainers — a singer and TV host who enjoyed success during the 1950s, '60s and '70s in multiple musical genres — country, pop, and gospel.
He first guested on the Grand Ole Opry in 1950, and in 1953 he became the first country singer to appear at London's prestigious Palladium. Soon NBC hired him to emcee the television game show "Kollege of Musical Knowledge", and also to host his own weekday program. His subsequent prime-time network variety programs made »Bless your little pea-pickin' hearts« a household catch phrase and provided wide exposure for his musical renditions of great country and gospel favorites.
The songs chosen by Ford for "Country Hits...Feelin' Blue" are all favorites, some of the best tunes from the inspired pens of such country composers as Hank Williams, Fred Rose, Jenny Lou Carson, Willie Nelson, and Don Gibson. The album (one of Ford's favorite LPs) was recorded with backup provided by just two musicians; guitarist Billy Strange and bassist John Mosher.
Some of these songs go back to the start of Ford's career when he and Strange were working together as cast members of Los Angeles's "Hometown Jamboree" country music radio show. Mosher was a member of Ford's TV show band since its inception. Strange created the musical arrangements for "Country Hits...Feelin' Blue" — a quiet, simple get-together with the songs they had been playing and singing down through the years. That's why it's more than just another album. You can hear the affection and understanding coming through.
For this Analogue Productions reissue we turned to the experts who once again bring their stellar craftsmanship to the creation of a phenomenal-sounding release. Lacquers were cut by Kevin Gray at Cohearent Audio who mastered the LP from the original tape. Plating and 200-gram pressing was by our own Quality Record Pressings, makers of the world's finest-sounding LPs noted for their superior sonics and silent backgrounds. And nothing less than a Stoughton Printing old-style tip-on jacket would suit such a great LP.
Albums have been made with lots more people and lots more sound. But quantity never did mean quality. This is just a simple, great album. Great voice, great guitar and bass, and great songs — the best of each.

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Hanni El Khatib

Flight

Enter The Mirage Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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In the life of any interesting artist, there is the perpetual war between the
simplicity of public perception and the complexities of reality. Consider Hanni
El Khatib, a definitive purveyor of visceral, blues-wracked, punk-spiked,
soul-warped, knife fight rock n’ roll over the last decade. You may be familiar
with him through any one of his four acclaimed solo albums on Innovative
Leisure, his work with Dan Auerbach of the Black Keys, or as one of the rare
polymaths able to artfully blend serrated guitars and hardcore rap on collaborations with GZA and Freddie Gibbs. And while these are all real things that
could accurately yield a sketch of the multi-dimensional Los Angeles-based
artist, they amount to little more than a black and white pencil sketch.
From 2010 until 2017, there was the usual cycle that consumes most working
21st musicians: make an album, and tour it for the next 18 months. Return
home, rinse and repeat. And with it came the predictable pitfalls that ensnare
too many artists whose professional obligations require high-octane performances before 1,000 or more strangers every night. It is a dream until that
one night when it isn’t any longer, and despite his gratitude for his fans and
station in life, El Khatib found himself wracked by depression and anxiety.
What had once been joyous creative outlet felt like a job. In the wake of the
release of 2017’s Savage Times, it became readily apparent that if El Khatib
didn’t make drastic changes to his lifestyle, there might not be a life to speak
of. So he quit drinking, stopped touring, and took an indefinite hiatus from the
studio. But eventually, the desire to create songs slowly returned.
What would eventually become El Khatib’s fifth studio album, the virtuosic
but characteristically raw FLIGHT began as spontaneous experimentation.
Over the last several years, El Khatib had become close friends with Leon
Michels, best known as the mastermind of the soul controllers, the El Michels
Affair, but who has also quietly racked up producer credits for the likes of pop
juggernauts like Lana Del Rey, Rick Ross, Travis Scott, A$AP Rocky, and
Eminem -- as well as frequently working in sessions with Grammy-winning
super-producer Mark Ronson. The finished result is a rollicking sampledelic
opus that recalls the beautiful chaos that the Dust Brothers created on Paul’s
Boutique and Odelay. It’s the type of thing that Dilla and Madlib would’ve
created if they had come up on The Cramps.
The irony, of course, is that for a record that sounds like little else El Khatib
has ever done, it’s the most complete embodiment of who he is as an artist.
It’s a record both dense and intricate yet direct and spontaneous. It is garage
rock, it is hip-hop, it is soul, it is blues, it is psychedelic, but more than
anything, it’s a brilliant Hanni El Khatib record -- one that taps into the adolescent spirit of creation that first stirred him to make songs in the first place.
Here he is on his fifth album, back for the first time.

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Sonic Dawn

LP | 2020 | EU | Original (Heavy Psych Sounds)

29,99 €*

Enter The Mirage Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Enter the Mirage is arguably the most blazing and powerful album yet by The Sonic Dawn. It has an unusual live feel for a studio album, packing much of the raw energy and electricity that has made The Sonic Dawn’s psychedelic concerts famous in the rock underground. Enter the Mirage’s overall theme is freedom. It is about visions that may seem too distant to be real, but only those who take the trip will ever really find out. Frontman, Emil Bureau, explains about the album’s inception: “First I lost my father, then I lost my job and finally I lost my will to be a servant of anything that isn’t peace, love and freedom. It should be simple, but in this world it isn’t. Instead of getting back on the so-called career path, which is generally a dead end, I took a leap of faith, with the band’s support.” Bureau spent half a year in a songwriting frenzy, spawning not only Enter the Mirage by The Sonic Dawn, but also a solo album in the folk genre (available via Heavy Psych Sounds). To give form to these song ideas, the Danish trio rented a space in the gloomiest part of Copenhagen, set up a studio there and rocked out for two months. You hear that roughness, present as a determined attitude from a tightly knit band. With three past albums and some 200 shows under their belt, The Sonic Dawn is a psychedelic group to be reckoned with. However, at the end of their long and laborious creative process, the band was completely broke. Fortunately, friend and former producer, Thomas Vang, allowed them to mix the album in The Village Recording at night, after his own sessions. Thanks to this, and a skillful mastering by Hans Olsson Brookes (Graveyard et al.) Enter the Mirage puts the HIGH back in high fidelity. Turn up the volume and experience The Sonic Dawn.

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Sonic Dawn

LP | 2020 | EU | Original (Heavy Psych Sounds)

The Black Spider / Det Kollektive Selvmord Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Emile

LP | 2020 | EU | Original (Heavy Psych Sounds)

LP | 2020 | EU | Original (Teranga Beat)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Melancholic and mysterious, but at the same time strangely familiar. Combining surreal soundscapes with a distinct sixties-style songwriting, Emile’s psychedelic loner folk debut comes together like a weird dream. A dream that shows a side of reality, too strange to observe in any other way. Driven by acoustic guitar and haunting arrangements, the frontman of The Sonic Dawn presents a unique backdrop, on which songs about death, life, loss and fear of growing old melt together with a dystopian look into the near future of our civilization.

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Evritiki Zygia

Ormenion

Ever-Roving Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Teranga Beat proudly presents Ormenion, a record by the group Evritiki Zygia. Ormenion is a historical region that dates back to the Byzantine Empire. It is the northernmost inhabited region of Greece, where the last railway station of the country is located. During the 1920's it was inhabited by refugees coming from the North and Eastern Thrace. Immigration is central to the history of the region of Thrace, where many songs refer to refugees and moving populations. The name of this particular place
was selected as the album title due to its delicate cultural and geographic status: Ormenion coincides with the borders of three different countries (Greece, Bulgaria and Turkey) and its history counts several waves of immigration that gave way to cultural and even linguistic exchange -elements that obviously left their mark on the group.
The group Evritiki Zygia was founded in 2007 by five musicians who played mostly in local festivals, their main concern being the preservation and evolution of the Thracian musical tradition. The collaboration with Teranga Beat helped this project evolve even further. Forms of arrangement different than the ones used in local feasts and festivals, were introduced giving more space to the dynamics of the instruments and allowing musicians to show both their improvisational and compositional skills. The distinctively psychedelic element of Thracian music was enhanced with the introduction of the CRB-Diamond 800 organ and the Moog, giving the whole project a hybrid sound with a unique identity. The album contains both covers of traditional songs and original
compositions.
The band's highest point was their appearance at the Womex Festival in 2018, where their music was presented for the first time in front of an international audience. This was an extremely important achievement for us, given that up until then this type of music
remained unknown even to Greek audiences. But it was also a great and very creative experience for the band, as it broadened up its musical horizons.The album was recorded on an analog 24-track tape Otari MX 80 in two sessions that took place on May 18 and 19 2019. It is a live recording that captures the energy of the group’s live performances. The LP version of the album is a Deluxe Edition and comes with a high gloss laminated gatefold cover, a printed insert and a digital download code. The CD packaging is Digipak with Slipcase, including a booklet with photos and liner notes outlining the story of the band.

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Elkington, James

LP | 2020 | EU | Original (Paradise Of Bachelors)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Chaotic Good Transculent Red Vinyl Edition

Johanna Warren

LP | 2020 | EU | Original (Wax Nine)

2LP | 2020 | EU | Original (I-Fire Empire)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Chaotic Good is J. Warren’s fifth full-length album and first for Wax Nine/Carpark Records. It represents a moment of rupture in the singer-songwriter’s career as she transitions away from the quiet, folk-adjacent work that defined her early solo albums with a bold statement piece that demonstrates the breadth of her ambition.

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I-Fire

Spiel Mit Dem Feuer

27,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Les Disques Du Festival Permanent)

Marion Cousin & Kaumwald

Tu Rabo Par'abanico

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Türküola)

Cem Karaca

Laila´s Dream

29,99 €*

LP | 2020 | EU | Original (37d03d)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Türküola proudly presents a brand new Cem Karaca album where most of the songs made their premieres inside this release. From the original masters of Türküola, we will be hearing Apaşlar, Ferdy Klein and even Dervişan era of Cem Karaca with English lyrics. As the opening track, we hear “Mutlaka Yavrum” which he recorded with Dervişan in 1975 which is really a political piece also with English lyrics. Karaca tells the stories of the children in refugee camps because of the Palestine and Israel conflict. The English versions of “Kendim Ettim Kendim Buldum”, “Emmioğlu”, “Muhtar” and “Baba” have the same playback with their Turkish versions but this time directly and faithfully transferred from their original masters. These tracks were recorded with Ferdy Klein Orchestra in 1970. The Turkish versions of these songs were previously released but the English ones were in the treasure box till now. “Tears”(Resimdeki Gözyaşları), “No No No” (Emrah 1970), “Why” (Oy Babo) and “Istanbul” (Istanbul’u Dinliyorum) are the recordings of Apaşlar with the support of Ferdy Klein Orchestra dated 1968 and the English versions were also released in the same era as two separate singles. In this album, we also hear instrumental tracks played by Apaşlar with the support of Ferdy Klein Orchestra namely “Memories of Marmara” (Emrah 1970) where vocal parts are replaced with strings, “Laila’s Dream” (Resimdeki Gözyaşalrı-Tears) where vocal parts are given with brass and solo sax, “Oy Bana Bana” where vocal parts are replaced with electric guitar and sax. These three songs were previously released in the LP of The Bosporus Sound Orchestra named “Laila’s Dream” which had been released by United Artists, Liberty, and Türkofon before. The Bosporus Sound Orchestra was, of course, Ferdy Klein’s pseudonym for his orchestra. Thanks to Türküola for making these legendary recordings meet its collectors and Anatolian Pop fans via faithfully transferred master recordings.

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Eve Owen

Don't Let The Ink Dry

18,69 €* 21,99 € -15%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Anti)

Christian Lee Hutson

Beginners

Release: 2020 / US – Original

Genre: Rock & Indie

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Bob Stanley & Pete Wiggs Present Occasional Rain

2LP | 2020 | UK | Original (Ace)

31,99 €*

LP | 2020 | EU | Original (This Is Meru)

Release: 2020 / UK – Original

Genre: Rock & Indie

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It’s the day after the 60s. You turn on the radio and there is news about John leaving the Beatles – or will Paul be the first to jump? There is insecurity and uncertainty. The rain filters into the post-psychedelic, pre-progressive sound; in times of upheaval, you always notice bad weather.

“Occasional Rain” is the sequel to Bob Stanley and Pete Wiggs’ highly successful “English Weather” collection (“Really compelling and immersive: it’s a pleasure to lose yourself in it” - Alexis Petridis, the Guardian). This is the sound of young bands experimenting in a period of flux, feeling for a new direction, exploring jazz and folk – as many songs are led by mellotron, piano and flute as they are by guitar. Lyrically, there are two themes that crop up regularly: the search for a home that isn’t there anymore – the certainties of the optimistic 60s, the physical reality of terraced streets – and the rain. For the former, there’s Cressida’s gentle, keening ‘Home And Where I Long To Be’, while Duncan Browne’s shape-shifting ‘Ragged Rain Life’ feels like a decent summary of Britain in both 1970 and 2020.

“Occasional Rain” puts the era’s bigger names (Traffic, Yes, Moody Blues) and the lesser known (Mandy More, Shape Of The Rain, Tonton Macoute) side by side. Like its predecessor “English Weather”, it evokes the turn of the new decade, a beautiful state of fuzzy confusion, and the feel of a wet Saturday afternoon at the dawn of the 70s spent flicking through the racks, wondering whether to buy the new Tull album or maybe take a chance on that Christine Harwood album in the bargain bin (go on, you won’t regret it).

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Emily Wells

In The Dark Moving

LP | 2020 | EU | Original (Reprise)

Release: 2020 / EU – Original

Genre: Rock & Indie

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180g Vinyl.Continuing the work begun on her acclaimed 2019 albumThis World is Too _____ For You, Emily Wells' newest releaseIn The Dark Moving reimagines the original tracks hailed byNPR as "visionary" and "mind-blowing." Initiallycommissioned by Saint Paul Chamber Orchestra's LiquidMusic Series and Metropolis Ensemble, this latest recordingoffers a thoughtful, minimal companion piece to theoriginal music in the form of Wells, her guitars, and nothingelse. Recorded solely by Wells in her Harlem studio duringthe summer of 2019, she reflects, "I'm interested in gettinganother look at a song, both in performance and recording.It keeps the song a living thing. I began working on theserecordings out of curiosity. I wanted them to be the sort ofthing a person could put on quietly at the end of the day ona little speaker and watch the light drain."

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Neil Young

Homegrown (1975)

Guts Presents Bande-Gamboa

Release: 2020 / EU – Original

Genre: Rock & Indie

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Neil Young finally releases his 1975 album "Homegrown" which was shelved back then due to him feeling uncomfortable with it being to personal.

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Horizonte-Revamping Rare Gems From...

2LP | 2020 | EU | Original (Pura Vida Sounds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (Buenritmo)

Los Locos Del Oeste

Y Su Loco Country Jazz

Early Years, Madagascar Cassette Archives

Release: 2020 / EU – Original

Genre: Rock & Indie

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As if they had been playing for the past 40 years in small road clubs and dusty honky tonks in the United States, Los Locos Del Oeste transport us to a time on which rock’n’roll was yet to be invented and the Hawaiian sounds and melodies from jazz mixed creating new sonic paradises. From western swing to the purest country, along with other popular melodies that dominated the airwaves between 1930 and 1960, the four piece formed by Mario Cobo (guitar and vocals), El Lega (guitar and vocals), Javier R. Cortés (double bass) and Blas Picón (drums) moves seamlessly within these styles they love and known so well. George Barnes, Jimmie Rivers, Speedy West, Jerry Bird, Chet Atkins, Charlie Christian and Bob Willis are some of the references that their elegant sound bring back.

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Damily

LP | 2020 | EU | Original (Les Disques Bongo Joe)

17,24 €* 22,99 € -25%

Chouk Bwa & The Angstromers

Release: 2020 / EU – Original

Genre: Rock & Indie

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Damily was born in 1968 in Tongobory, a village surrounded by the great Malagasy river Onilahy. His career as a professional Tsapiky musician began in 1986; he settled in France in 2003, and since then has been developing his international career with his Malagasy musicians. This album is a compilation of his cassettes recorded in Madagascar between 1995 and 2002.

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Vodou Ale

LP | 2020 | EU | Original (Les Disques Bongo Joe)

Easy Rider: The Best Of The Mercury Records Years

Release: 2020 / EU – Original

Genre: Rock & Indie

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In 2016, haitian voodoo band Chouk Bwa and electronic production duo The Angströmers united to form Chouk Bwa & The Angströmers.

Chouk Bwa play traditional Haitian music; they would fit in the “Mizik Rasin” genre, alongside bands like Boukman Eksperyans, Boukan Ginen or Rasin Mapou from Azor. However, until their decisive encounter with The Angströmers, their most characteristic feature was their loyalty to the essential elements of Voodoo – therefore without any instrumental addition.

Chouk Bwa was born in 2012 in the Gonaïves under the impulsion of singer and Samba (keeper of the tradition and moral figure in the voodoo culture) Jean Claude “Sambaton” Dorvil.

Initially the band’s full name was Chouk Bwa Libète, which can be translated by “Liberty’s roots”, a reference to the famous shout uttered by Toussaint Louverture, an artisan of the Haitian revolution, who died in captivity at Fort de Doubs in 1803: “By overturning me, only the trunk of the tree of liberty fell in Santo Domingo, but it will grow again for its roots are deep and numerous”.

Following their meeting with Belgian musician Michel Wolteche in 2012, the band starts an international career that leads them to a selection for a showcase at the WOMEX 2015 and that will make them tour in more than 10 european countries (playing shows notably at the WOMAD Charlton Park, Roskilde Festival, Førde Festivalen), as well as in Malaysia (Rainforest World Music Festival), Canada (Sunfest, Vancouver Folk Festival, Calgary Folk Festival) and the USA (Savannah Music Festival). In 2015, their first album, Se nou ki la!, is released on Buda Musique.

Chouk Bwa’s music combines multiple characteristic Voodoo elements: rhythms, dances and chants. These are the roots, removed from Africa and secretly replanted in a new earth. The percussionists, going from one rhythm (and therefore one cultural reference) to another, act as collective memory smugglers, and their instruments are the material demonstration of this diversity. The dance is neither aesthetic nor premeditated, it is real; it is not about a “show” or a “choregraphy” but rather about a connexion with the drums’ spirits. On top of this, the singer’s voice ascends effortlessly above the instrumentation, which also includes bamboos and lanbi.

The setlist during a show is made up of original compositions by Sambaton as well as traditional songs rearranged by the band. As a fervent homage to the Lwa pantheon, the entire repertoire is sustained by the voodoo mystic, and throughout a song, it is sometimes the Haitian farmers’ voices, in their daily struggle for survival, that express themselves by narrating scenes of life, sometimes with the impatience of a political speech.

The singularity of this music lies in the fact that it offers a “material” very close to ceremonial music (without any significant addition) and organizes it and, in a way, concentrates it in a shape that gives it an powerful impact, accessible to a large public, however without ever distorting nor polishing it.
The Angströmers, an electronic music duo consisting of Nicolas Esterle and Frédéric Alstadt, constitute one of the artistic emanations of the label The Angströmers.

Founded in Toulouse in 1998, the label organizes events, co-produces cine-concerts with the Toulouse film library and produces one or two albums per year. In 2007 the structure is refounded in Belgium, and starts concentrating its activity on the mastering studio and the

label. Following the premature death of one of the founding members near the end of 2008, the label is put on standby, and only a few albums continue to get released episodically. The studio becomes a well-known actor of the alternative Belgian scene, specialized in vinyl mastering.

As musicians, certainly fed by their engagement in the label and the mastering, The Angströmers spread their music full of bass and echos, influenced by dub and drone music, all over the underground European stages. All along their encounter with the voodoo culture, they learn to expand their sound by immersing themselves into complex polyrhythms. They develop an electronic psychedelic music, free of all the codes of binary, 4/4 standards that dominate the club world.

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Johnny Cash

2LP | 2020 | EU | Original (Mercury)

38,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Sony)

Lennon Stella

Three Two One

38,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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I'm Burning, I'm Burning Songs From The Greek Underground 1925-1940

LP | 2020 | EU | Original (Take It Acid Is)

14,99 €*

LP | 2020 | EU (Fantome Phonographique)

Release: 2020 / EU – Original

Genre: Rock & Indie

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This compilation features some great examples of rebetika songs from the 20's and 30's including some well known artists like Rosa Eskenazi, Markos Vamvakaris, Anestis Delias, Rita Abadzi and others. An excellent overview of the phenomenon for anyone interested in southern European folk music history.

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Roza Eskenazi

Rembetissa

14,99 €*

LP | 2020 | EU | Original (ZYX)

Release: 2020 / EU

Genre: Rock & Indie

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Roza Eskenazi was a giant of rembetika, the urban Greek music of Ottoman origin associated with the poor underclass. Eskenazi’s life was extraordinary: born Sarah Spinazi to a poor Sephardic Jewish family in Constantinople, probably in the mid-1890s, after an itinerant childhood, she began dancing at the Grand Hotel Theatre in Thessaloniki. She eloped with the wealthy Yiannis Zardinidis around 1913, with whom she bore a son, but after his untimely death in 1917, she placed the son in the care of an orphanage and moved to Athens, where she danced with Armenian cabaret artists. Eventually, the composer Panagiotis Toundas discovered her singing and arranged her first recordings for Columbia Records in 1929, which catapulted her to fame. Cutting over 500 songs in the 1930s, she became the leading exponent of the Smyrna school of rembetika. Running a nightclub in Athens during the German occupation of World War II, she hid resistance fighters and British spies and helped many Jewish families flee the country. She finally toured the USA in the 1950s, and though her career subsequently waned, a 1970s revival led to further work. The longevity of her output is such that her song Misirlu was included on the soundtrack of Pulp Fiction; the 21 gems collected here were recorded between 1931 and 1947.

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Amália Rodrigues

Fado Milagroso

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Les Disques Bongo Joe)

Rüstem Quliyev

Azerbaijani Gitara

28,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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That's How Rumors Get Started

Margo Price

LP | 2020 | US | Original (Loma Vista)

30,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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The King Of Sudanese Jazz

Sharhabil Ahmed

LP | 2020 | EU | Original (Habibi Funk)

LP | 2020 | EU | Original (Fat Possum)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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We're super happy to announce our 13th release by Sharhabil Ahmed, the actual King of Sudanese Jazz (he actually won that title in a competition in the early 1970s). Sonically it sounds very different from what Jazz is understood to sound like outside of Sudan. It’s an incredible unique mix of rock’n’roll, funk, surf, traditional sudanese music and influences from Congolese sounds. Original copies of Sharhabil recordings are often hard to find, so we’re happy they will now be widely available. “Argos Farfish” which was featured on our last comp amassed close to 400.000 plays already.

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Country Westerns

30,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Chrysalis)

Laura Marling

Song For Our Daughter

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Real World)

Bab L' Bluz

Nayda Blue Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Heart's Ease Black Vinyl Edition

Shirley Collins

LP | 2020 | UK | Original (Domino)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Old Flowers Black Vinyl Edition

Marie Courtney Andrews

LP | 2020 | US | Original (Fat Possum)

35,99 €*

Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy

Release: 2020 / US – Original

Genre: Rock & Indie

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The latest from COURTNEY MARIE ANDREWS. Produced by ANDREW SARLO (Big Thief) and featuring BIG THIEF drummer JAMES KRIVCHENIA, along with Big Thief collaborator and TWAIN member MATTHEW DAVIDSON. “Old Flowers is about heartbreak. There are a million records and songs about that, but I did not lie when writing these songs. This album is about loving and caring for the person you know you can’t be with. It’s about being afraid to be vulnerable after you’ve been hurt. It’s about a woman who is alone, but okay with that, if it means truth. This was my truth this year—my nine-year relationship ended and I’m a woman alone in the world, but happy to know herself.”—Courtney Marie Andrews.

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Hello Sorrow / Hello Joy

2LP | 2020 | EU | Original (Textile)

31,99 €*

LP | 2020 | EU | Original (Cn - Thirty Tigers)

Release: 2020 / EU – Original

Genre: Rock & Indie

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"Three Queens in Mourning first gathered in summit to sing celebration of the publication of Will Oldham’s book of collected lyrics, Songs of Love and Horror. Alasdair Roberts (Appendix Out) , Jill O’ Sullivan (Jill Lorean), and Alex Neilson (Trembling Bells, Alex Rex) each arrived provisioned with a small armful of selections nearest and dearest from Bonnie Prince Oldham’s far-reaching catalogue. On this back to back records, The Bonnie ‘Prince’ Billy LP is a collection of three cover versions from Ali, Jill and Alex directory and one original track." (label info)

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Lori Mckenna

Balladeer

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Unseen Worlds)

Silvia Tarozzi

Mi Specchio E Rifletto

34,99 €*

LP | 2020 | EU | Original (Mapache)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Inspired by the poetry of Alda Merini and her studieswith composer Garret List, Italian violinist-composerSilvia Tarozzi turned to the song form after beinginvolved for many years in contemporary music andfree improvisation. Over the course of nearly adecade, Tarozzi practiced setting the poetry of AldaMerini to music and then replacing it with her own toreflect her own life experiences. As a result, Mispecchio e rifletto is a wondrous combination ofbaroque folk, avant-garde, and progressive musicart-song that feels both poetic and earnestlyautobiographical. Echoes of past masterpiecesreverberate throughout: the gentle chamberexplorations of Penguin Cafe Orchestra, the sciencefiction of Franco Battiato's 'Fetus', the abstract freejazz flourishes of Maria Monti's 'Il Bestiario', thesweetness of Caterina Casseli's 'Primavera'.As a solo performer, Tarozzi is a long timecollaborator with composers Eliane Radigue, PascaleCriton, Cassandra Miller and Martin Arnold. In duowith Deborah Walker, and as a member of EnsembleDedalus, she has worked with Christian Wolff, JürgFrey, Michael Pisaro, Catherine Lamb, SébastienRoux, and many others. She previously releasedPhilip Corner 'Extreemizms: early & late' on UnseenWorlds in 2018.

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Jack Nitzsche

LP | 2020 | EU | Original (Concord)

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Lost 1974 Reprise Album: A Forgotten Masterpiece First ever vinyl release. Includes 4 page insert with notes by Bryan Thomas, and many rare pictures and graphics

Best known as the right-hand-man and arranger of producer Phil Spector and for his work with the Rolling Stones or Neil Young, among many others, Bernard Alfred “Jack” Nitzsche also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo's Nest (in 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong"). As a solo artist, he scored one of Reprise label’s first pop hits with his instrumental “The Lonely Surfer” in 1963.

Between January 14-23, 1974, Jack Nitzsche recorded a self-titled album at Cinderella Studios in Madison, Tennessee, and a release date was set for April 26, before it was pulled from the label's schedule by Warner Bros. label chief Morris "Mo" Ostin. The project was a collaboration between Nitzsche and underground filmmaker Robert Downey.

The album remained unreleased, abandoned in a North Hollywood storage facility that Warner employees call "the Vault," until Rhino Handmade included all eleven tracks in their Jack Nitzsche collection Three Piece Suit: The Reprise Recordings 1971-1974, a long out of print internet-only CD issued to great critical acclaim in 2001. This Hanky Panky / Mapache LP release marks the first time it has been made available on vinyl, as originally intended.

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Ruston Kelly

Shape & Destroy

28,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Pete Krebs & The Gossamer Wings

All My Friends Are Ghosts Record Store Day 2020 Edition

LP | 2020 | US | Original (Cavity Search)

29,99 €*