Folk 1140 Items

Release: 2020 / US – Original

Genre: Rock & Indie

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Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980

Joni Mitchell

4LP | 2024 | Original (Rhino)

124,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Essence Music Group)

Kasey Chambers

Backbone

109,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2016 | IC | Original (Record)

Junius Meyvant

Floating Harmonies

99,99 €*

Its Lovely To Have You Here

Release: 2016 / IC – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beautiful copy!

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Picture
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Kim Churchill

LP | 2024 | EU | Original (Kim Churchill)

96,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (EMI)

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Slim Dusty

Gone Truckin

92,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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In The Beginning Was The Puls - 50 Years Of Passion

3LP | 2024 | EU | Original (Kirkelig Kulturverksted)

91,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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4CD | 2020 | US | Original (Dust-to-Digital)

The Harry Smith B-Sides

89,99 €*

The Trials Of Van Occupanther

Release: 2020 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

four CDs with a full-color, 144-page, cork-cover book in a cigar-style box. Stuffed corners

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Midlake

LP+7"+All Media | 2016 | UK | Reissue (Bella Union)

84,99 €*

Tomorrow May Not Be Your Day--The Unissued Atco Recordings 1970-1971 Black Friday Record Store Day 2024 Edition

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Gold vinyl. Includes Bonus 7".

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Jesse Ed Davis

2LP | 2024 | Reissue (Real Gone Music)

79,99 €*

LP | 2016 | EU | Reissue (Source)

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 1000

Native American guitarist Jesse Ed Davis was the “go-to” guy for a remarkable group of musicians. Starting in the mid-‘60s, he toured with Conway Twitty, then became a key part of Taj Mahal’s band, playing on several albums and tours including an appearance in The Rolling Stones Rock and Roll Circus, and, perhaps most famously, accompanied George Harrison during the Concert for Bangladesh, followed by work on various solo albums by John Lennon, Ringo Starr, Gene Clark, Leonard Cohen, and Jackson Browne (that’s Jesse taking the solo on his 1972 breakout hit “Doctor My Eyes”).
All this activity caught the eye of ATCO Records, who released his debut LP Jesse Davis in 1971. The album featured Leon Russell, Eric Clapton, Gram Parsons, Merry Clayton, Ben Sidran, John Simon (producer of The Band), Alan White (of Yes), and many others including Delaney Bramlett behind the mixing desk. A year later, Atco released Ululu containing some of the same all-stars, plus Duck Dunn, Jim Keltner, and Dr. John – and a version of George Harrison’s “Sue Me, Sue You Blues” before even George recorded it.
Of late, there’s been something of a Jesse Ed Davis revival. Besides Real Gone Records releases, Davis was a major figure in the documentary Rumble: The Indians Who Rocked the World…and now this fall comes a full-fledged biography, Washita Love Child: The Life and Times of Jesse Ed Davis, by Dr. Douglas Miller.
To honor the man and the occasion of the book’s release (and to slake guitar-heads the world over thirsting for more tasty Jesse Ed licks), Real Gone Music releases Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971, a double-LP collection consisting of, as the title says, all unreleased recordings taken from Jesse’s sessions for his two Atco solo records. Along the way you’ll find completely unreleased songs (“Slinky Jam”), unexpected covers of “Ain’t No Beatle,” “Kansas City,” and “Tracks of My Tears,” unissued instrumentals (including a version of Dylan’s “Love Minus Zero/No Limit”), and an entire side featuring alternate versions of Jesse’s masterpiece, “Washita Love Child.”
Remastered by Mike Milchner at Sonic Vision, and featuring notes by Dr. Miller festooned by photos contributed by Jesse’s son William “Billy” Noriega, Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971 represents a major archival find from one of rock’s most intriguing characters, out on Cobalt “Blue Jean” vinyl limited to 1500 copies worldwide.

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Kings Of Convenience

Riot On An Empty Street

79,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

The End

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Tin Pan Alley

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Chu Kosaka & Four Joe Half

Motto Motto

LP | 2024 | JP | Original (Sony Music Direct)

72,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Reprise)

Billy Strings

Highway Prayers

70,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Diamonds And Rust In The Bullring 45rpm, 200g Vinyl Ediiton

Joan Baez

2LP | 2020 | US | Original (Analogue Productions)

69,99 €*

LP | 2024 | EU | Original (Copper Feast)

Release: 2020 / US – Original

Genre: Rock & Indie

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A very difficult-to-find LP, originally released on a small, independent label. Originally released on a very limited run of vinyl. The original LPs are demanding a nice price on the Asian market. A beautiful recording with absolutely fantastic sound. Includes a performance of her hit song "Diamonds and Rust" as well as the audiophile classic "Famous Blue Raincoat." This may be an under-the-radar title, but it's a can't miss for the discerning audiophile. The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection, side two of the LP, consists of songs sung in Spanish. Now we've upped the ante even more for true audiophile bliss — the 45 RPM 2LP version reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Natural tonalities, superb balances, pristine clarity and more are all revealed. »This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people of Bilbao, who came out between thunderstorms to see me perform. The song in Catalan "Txoria Txori" is about a sweet little bird ... I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully.« — Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa.

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Endless Valley

Kaskashir

68,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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88 Maestro Giora Feidman Blue Vinyl Edition

Giora Feidman

LP | 2024 | EU | Original (BuschFunk)

67,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Teles Music)

Guy Van Nueten

Decent Music

66,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Dancing With Bad Grammar: The Director's Cut

L.A. Salami

2LP | 2016 | UK | Original (Sunday Best)

66,99 €*

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | JP | Original (Cutting Edge)

X0o0x_

Ningyou

66,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Hummingbird Yellow Vinyl Edition

Carly Pearce

2LP | 2024 | US | Original (Big Machine)

64,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Loren Auerbach With Bert Jansch

Colours Are Fading Fast

| 2016 | US | Reissue (Earth)

64,99 €*

LP | 2024 | US | Original (Warner Music Nashville)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Only side C is VG, rest NM. The cover is close to NM, too.

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Cody Johnson

Leather Deluxe Edition

63,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Vere Music)

Hillbilly Thomists

Marigold

63,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | AU | Original (Mistletone)

Orbweavers

New Moon / Silver Moon

62,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Woodstock - Music From The Original Soundtrack And More

3LP | 2020 | EU | Reissue (Cotillion)

62,99 €*

Singlar Och Andra Sidor Clear Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beautiful vinyl housed in a Tri-Fold Jacket

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Agnetha Fältskog

LP | 2024 | EU | Original (Cupol)

62,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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So Much For Forever / The Gospel Sessions / Vol. 2

Authentic Unlimited

LP | 2024 | US | Original (New Day)

61,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Songwriter Clear With Black Splatter Vinyl Edition

Johnny Cash

LP | 2024 | Original (Universal)

LP | 2024 | EU | Original (Playing For Change)

Release: 2024 / Original

Genre: Rock & Indie

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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

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Playing For Change

Songs For Humanity

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | AU | Original (Ada Global)

Henry Wagons

Four Seasons

Release: 2024 / AU – Original

Genre: Rock & Indie

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We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins

LP | 2024 | EU | Original (Morningstar Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Emahoy Tsegue Maryam Guebrou

Spielt Eigene Kompositionen

LP | 2016 | US | Reissue (Mississippi/Change)

LP | 2016 | DE | Reissue (Kwaidan)

Release: 2016 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 2016. Black labels. Vinyl with a couple of light scuffs. Copy close to NM

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Nouvelle Vague

Bande À Part

Zhao Jiping, Jonathan Lee , Sandy Lam

Release: 2016 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Pink Transparent vinyl. Cover signed by the band on the back.

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霸王別姬電影原聲帶 = Farewell To My Concubine Original Motion Picture Soundtrack

LP | 2020 | TW | Original (Rock Records & Tapes)

2LP | 2024 | EU | Original (Everland)

Release: 2020 / TW – Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Generic

Original cover is missing!

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Boban Petrovic

Zur / Zora

Release: 2024 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

In A Lifetime Super Deluxe Bookpack Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Clannad

2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)

58,99 €*

2012 - Pink Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.

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Mukimukimanmansu

LP | 2024 | US | Original (Beatball)

56,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Mean Dorris Music)

Gleeman

Something To Say

56,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (1301 Media)

Christoph Bouet

Groeninger Bad 23

56,69 €* 62,99 € -10%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Phil Ochs

2LP | 2020 | UK | Reissue (Liberation Hall)

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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Smoky Mountain Dna: Family / Faith & Fables

Dolly Parton & Family

LP | 2024 | US | Original (Owepar)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP+10" | 2016 | US | Original (Domino)

Night Moves

Pennied Days

Iain Matthews & The Salmon Smokers

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP and 10" are close to NM. Original inner sleeves. Limited edition.

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Fake Tan

LP | 2020 | NO | Original (New Noise)

LP | 2024 | US | Original (Roman Label / Bayon)

Release: 2020 / NO – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.
Clear Vinyl.
Record is close to NM.
Includes original inner sleeve.

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Never Young Beach

Yashinoki House

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Roman Label / Bayon)

Never Young Beach

Fam Fam

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Stampede Bone Colored Vinyl Edition

Orville Peck

2LP | 2024 | US | Original (Warner)

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Weak Point White Vinyl Edition

Hannes Aitman

LP | 2024 | EU | Original (Freebird Entertainment)

53,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cowboy In Sweden Deluxe Edition

Lee Hazlewood

2LP | 2016 | US | Reissue (Light In The Attic)

51,99 €*

Ma Ningen Purple Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Double LP expanded edition includes outtakes, demos and instrumentals, including 10 previously unreleased recordings 26 total tracks Album remastered from pristine LHI master tapes by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Torbjörn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine and Shel Talmy Rare film production photos from the Torbjörn Axelman archive Double LP housed in a gatefold jacket By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

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Atarashii Gakko!

12" | 2024 | JP | Original (Atarashii Gakko!)

51,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sparrow)

Mac Powell

I Love Jesus

50,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Painted Desert)

Travis Tritt

Proud Of The Country

50,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sapporo Kyoikubunkakaikan 1980

Morita Douji

2LP | 2024 | JP | Original (P-Vine)

50,99 €*

Lifa Iotungard Clear Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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The only officially released live recordings of Doji Morita have been "Tokyo Cathedral Saint Mary Live" and "FM Tokyo Pioneer Sound Approach Live Recording", both recorded in 1978. This album contains live recordings in 1980, and this is the first time ever that recordings from this period have been released.

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Heilung

2LP | 2024 | EU | Original (Season Of Mist)

LP | 2024 | US | Original (Beatball)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)

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Mukimukimanmansu

2012 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Real Gone Music)

Mary Chapin Carpenter

Stones In The Road

Release: 2024 / Original

Genre: Rock & Indie

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Kanazoe / Clotilde Rullaud / Abdoulaye Traore / Boubacar DJiga & Achille Nacoulma

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Kananaye

LP | 2024 | EU | Original (Tzigart)

Release: 2024 / EU – Original

Genre: Rock & Indie

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3LP | 2020 | IE | Original (Tara)

Christy Moore

The Early Years 1969-81

Zia Mohiuddin Dagar & Zia Fariduddin Dagar

Release: 2020 / IE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl.

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Raag Malkauns & Ragini Miyan Ki Todi

3LP | 2024 | EU | Original (Black Sweat)

48,99 €*

Bela Fleck & Toumani Diabate

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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These recordings were made in Bombay in 1968 by Bengt Berger (Bitter Funeral Beer Band) during a stay with Ustad Zia Mohiuddin Dagar, who was primarily responsible for the revival of the Rudra Veena as a solo concert instrument. His home in the suburb of Chembur was at the time the magical haunt of a plethora of fantastic musicians, including Ritwik Sanyal and K. Sridhar, who took part in the session. In perfect and stern Duphrad vocal style, these two Raga lead us to different atmospheres and perceptions : Malkauns is the contemplative state of the evening, of the abandonment of the senses before the breaking of the silence in the night; Miyan Ki Todi is the first breath of the morning, the gentle awakening of the limbs before a puja. The two Dagar brothers, Mohiuddin on the Rudra and Fariduddin on the chant, complement each other, become ocean and fire, stillness and storm, in an intimate and tight dialogue of exploration and expressive subtlety, in which the purity of an Indian summer becomes the highest symbol of beauty and freedom of spirit. Originally released on CD by Country & Eastern.

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Ripple Effect

LP | 2020 | EU | Original (Craft)

48,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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3rd Sea Glass Vinyl Edition

Mitchell Tenpenny

LP | 2024 | US | Original (Sony Music Nashville)

48,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Hard Believer 10 Year Anniversary Edition

Fink

LP | 2024 | Original (R'COUP'D)

47,99 €*

LP | 2024 | JP | Original (Tuff Beats)

Release: 2024 / Original

Genre: Rock & Indie

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The 3LP reissue includes session & live versions of album tracks available on vinyl for the very first time. It also includes an expanded booklet featuring additional photos & "writing off” extract about the album.

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Asuka Kuroiwa

Kaibutsu

47,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Psych! British Prog. Rock. Folk. And Blues 1966-1973

LP | 2024 | Original (UMC)

47,99 €*

Release: 2024 / Original

Genre: Rock & Indie, Pop

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2LP | 2024 | EU | Original (Season Of Mist)

Heilung

Lifa Iotungard

Country Hits ... Feelin' Blue

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tennesse Ernie Ford

LP | 2020 | US | Original (Analogue Productions)

LP+LP | 2016 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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"Country Hits...Feelin' Blue", released by Tennessee Ernie Ford in 1964, is a throwback — or as the liner notes to this country classic (perhaps Ford's best) say, »You don't hear much singing like this nowadays — just a voice with easy guitar and bass accompaniment«. But oh, what a voice. Ford's resonant-voiced baritone might be best known for his 1955 cover of Merle Travis' grim coal-mining song "Sixteen Tons“, with sales topping 4 million copies. The hit cemented Ford's place as one of America's top entertainers — a singer and TV host who enjoyed success during the 1950s, '60s and '70s in multiple musical genres — country, pop, and gospel.
He first guested on the Grand Ole Opry in 1950, and in 1953 he became the first country singer to appear at London's prestigious Palladium. Soon NBC hired him to emcee the television game show "Kollege of Musical Knowledge", and also to host his own weekday program. His subsequent prime-time network variety programs made »Bless your little pea-pickin' hearts« a household catch phrase and provided wide exposure for his musical renditions of great country and gospel favorites.
The songs chosen by Ford for "Country Hits...Feelin' Blue" are all favorites, some of the best tunes from the inspired pens of such country composers as Hank Williams, Fred Rose, Jenny Lou Carson, Willie Nelson, and Don Gibson. The album (one of Ford's favorite LPs) was recorded with backup provided by just two musicians; guitarist Billy Strange and bassist John Mosher.
Some of these songs go back to the start of Ford's career when he and Strange were working together as cast members of Los Angeles's "Hometown Jamboree" country music radio show. Mosher was a member of Ford's TV show band since its inception. Strange created the musical arrangements for "Country Hits...Feelin' Blue" — a quiet, simple get-together with the songs they had been playing and singing down through the years. That's why it's more than just another album. You can hear the affection and understanding coming through.
For this Analogue Productions reissue we turned to the experts who once again bring their stellar craftsmanship to the creation of a phenomenal-sounding release. Lacquers were cut by Kevin Gray at Cohearent Audio who mastered the LP from the original tape. Plating and 200-gram pressing was by our own Quality Record Pressings, makers of the world's finest-sounding LPs noted for their superior sonics and silent backgrounds. And nothing less than a Stoughton Printing old-style tip-on jacket would suit such a great LP.
Albums have been made with lots more people and lots more sound. But quantity never did mean quality. This is just a simple, great album. Great voice, great guitar and bass, and great songs — the best of each.

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Hiss Golden Messenger

Heart Like A Levee

LP | 2024 | US | Original (Sony Music Nashville)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original inner sleeve and poster. Limited edition.

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Nate Smith

California Gold

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Big Loud Llc)

Lauren Watkins

Heartbroken Record

Futha Yellow / Blue Marbled Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Lauren Watkins - "The Heartbroken Record" / Drenched in authenticity and rife with barstool charm, with an addictive, Tennessee limestone gravel in her voice, Nashville-born and bred songbird Lauren Watkins writes, breathes and lives country music. The 24-year-old original grew up on the outskirts of Guitar Town, mesmerized by a jukebox rotation of country music, from outlaws like Willie Nelson and Sheryl Crow to chart-toppers Eric Church, Miranda Lambert and Chris Stapleton. Moving back after four years at Ole Miss, Watkins' unyielding, turn-on-a-dime lyricism quickly caught the attention of GRAMMY-nominated multi-hyphenate Nicolle Galyon, who signed her to publishing and recording contracts with Songs & Daughters/Big Loud Records. Honing in on a sound that's both reverent of the genre's roots and in lockstep with where it's headed next, she presents her highly anticipated full-length debut, The Heartbroken Record.

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Heilung

LP | 2024 | EU | Original (Season Of Mist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Shukai)

Cukor Bila Smert'

The Butterfield Blues Band

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

Lovelytheband Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

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Lovelytheband

LP | 2024 | EU | Original (Happy Accident)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Milk & Cookies: A Merry Crowder Christmas

Crowder

LP | 2024 | EU | Original (Sixstepsrecords)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sony Music Nashville)

Brooks & Dunn

Reboot II

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Cassetron)

Catbug

Musjemeesje

2LP | 2024 | Original (Reprise)

Release: 2024 / JP – Original

Genre: Rock & Indie

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The long-awaited third album by Paulien Rondou, aka Catbug, a “farmer-songwriter” who weaves songs while running a small farm, is now available on analog LP!! The music is a legitimate successor to Judee Sill, Linda Perhacs, Vashti Bunyan, and other non-major singer-songwriter icons whose names are deeply etched in the history of music. It has been almost three years since her last album, “slapen onder een hunebed,” which captivated many listeners with its elegantly simple Dutch songs rooted in her life on the farm she runs. The album was produced and mixed by Aiko Devriendt, as was the previous album. Recording took place in a studio owned by pianist Guy Van Nuyten.

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Billy Strings

Billy Strings Live Vol.1

Release: 2024 / Original

Genre: Rock & Indie

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Ao Vivo No Coliseu Triple

José Afonso

3LP | 2024 | EU | Original (Mais 5)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cisco E La Casa Del Vento

900 Orange Vinyl Edition

LP | 2024 | EU | Original (The Saifam Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rebel Tangerine Vinyl Edition

Anne Wilson

LP | 2024 | EU | Original (Emi Nashville / Sparrow)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Antologia Della Canzone Napoletana

LP | 2024 | EU | Original (La Canzonetta)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Rheingans Sisters)

Rheingans Sisters

Start Close In

Release: 2024 / UK – Original

Genre: Rock & Indie

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Few Good Moments Colored Vinyl Edition

Burton Cummings

LP | 2024 | US | Original (Jojo Productions)

Release: 2024 / US – Original

Genre: Rock & Indie

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Talk Of The Town Yellow Vinyl Edition

Darin & Brooke Aldridge

LP | 2024 | US | Original (New Day)

Release: 2024 / US – Original

Genre: Rock & Indie

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Mairearad Green & Rachel Newton

Anna Bhan

LP | 2024 | UK | Original (Shadowside)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Gilded Wings)

Blair Dunlop

Out Of The Rain

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2020 | SE | Original (Teg Publishing)

I.B. Sundström

Antropofagernas rike I

Me Veo Pink Vinyl Edition

Release: 2020 / SE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Inserts included. Numbered 127/200. Vinyl with a couple of light scuffs

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Brie Stoner

2LP | 2024 | EU | Original (Flat Iron)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Paul Butterfield Blues Band

Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

15 Exitos 15 Vinyl Me, Please Edition

Chalino Sanchez

2LP | 2024 | US | Reissue (Vinyl Me, Please)

43,99 €*