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Daniel Johnston - The Story Of An Artist
Daniel Johnston
The Story Of An Artist
6LP+Box Set | 2010 | ES | Reissue (Munster)
279,99 €*
Release: 2010 / ES – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Limited Edition.

Small light scuff on side A1.
Includes booklet and innersleeve with seam splits.
Box with small damage at the lower bottom edge.
Sun Kil Moon - Admiral Fell Promises
Sun Kil Moon
Admiral Fell Promises
2LP | 2010 | US | Original (Vinyl Films)
139,99 €*
Release: 2010 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs. With original inner sleeves. Cover with slightly bumped corner. Beautiful copy, overall closer to NM.
Joni Mitchell - Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
Joni Mitchell
Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
4LP | 2024 | Original (Rhino)
124,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Kasey Chambers - Backbone
Kasey Chambers
Backbone
LP | 2024 | Original (Essence Music Group)
109,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
V.A. - To Scratch Your Heart: Early Recordings From Istanbul
V.A.
To Scratch Your Heart: Early Recordings From Istanbul
4LP+Box Set | 2010 | UK | Original (Honest Jon's)
99,99 €*
Release: 2010 / UK – Original
Genre: Rock & Indie, Classical Music
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Used Vinyl
Medium: VG+, Cover: VG
4 LP compilation of recordings made in Istanbul for Gramophone Company and His master's voice (HMV) during the first years of the 20th century.
Sound restoration at Abbey Road studios.
Hiss Golden Messenger - Bad Debt
Hiss Golden Messenger
Bad Debt
LP | 2011 | US | Original (Heaven & Earth Magic Recording Company)
99,99 €*
Release: 2011 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
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No. 39/100.
Label on side B is slightly bulging due to double labeling.
Includes booklet.
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Kim Churchill
Its Lovely To Have You Here
LP | 2024 | EU | Original (Kim Churchill)
96,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Slim Dusty
Gone Truckin
LP | 2024 | EU | Original (EMI)
92,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
V.A. - In The Beginning Was The Puls - 50 Years Of Passion
V.A.
In The Beginning Was The Puls - 50 Years Of Passion
3LP | 2024 | EU | Original (Kirkelig Kulturverksted)
91,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Jesse Ed Davis - Tomorrow May Not Be Your Day--The Unissued Atco Recordings 1970-1971 Black Friday Record Store Day 2024 Edition
Jesse Ed Davis
Tomorrow May Not Be Your Day--The Unissued Atco Recordings 1970-1971 Black Friday Record Store Day 2024 Edition
2LP | 2024 | Reissue (Real Gone Music)
79,99 €*
Release: 2024 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 1000

Native American guitarist Jesse Ed Davis was the “go-to” guy for a remarkable group of musicians. Starting in the mid-‘60s, he toured with Conway Twitty, then became a key part of Taj Mahal’s band, playing on several albums and tours including an appearance in The Rolling Stones Rock and Roll Circus, and, perhaps most famously, accompanied George Harrison during the Concert for Bangladesh, followed by work on various solo albums by John Lennon, Ringo Starr, Gene Clark, Leonard Cohen, and Jackson Browne (that’s Jesse taking the solo on his 1972 breakout hit “Doctor My Eyes”).
All this activity caught the eye of ATCO Records, who released his debut LP Jesse Davis in 1971. The album featured Leon Russell, Eric Clapton, Gram Parsons, Merry Clayton, Ben Sidran, John Simon (producer of The Band), Alan White (of Yes), and many others including Delaney Bramlett behind the mixing desk. A year later, Atco released Ululu containing some of the same all-stars, plus Duck Dunn, Jim Keltner, and Dr. John – and a version of George Harrison’s “Sue Me, Sue You Blues” before even George recorded it.
Of late, there’s been something of a Jesse Ed Davis revival. Besides Real Gone Records releases, Davis was a major figure in the documentary Rumble: The Indians Who Rocked the World…and now this fall comes a full-fledged biography, Washita Love Child: The Life and Times of Jesse Ed Davis, by Dr. Douglas Miller.
To honor the man and the occasion of the book’s release (and to slake guitar-heads the world over thirsting for more tasty Jesse Ed licks), Real Gone Music releases Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971, a double-LP collection consisting of, as the title says, all unreleased recordings taken from Jesse’s sessions for his two Atco solo records. Along the way you’ll find completely unreleased songs (“Slinky Jam”), unexpected covers of “Ain’t No Beatle,” “Kansas City,” and “Tracks of My Tears,” unissued instrumentals (including a version of Dylan’s “Love Minus Zero/No Limit”), and an entire side featuring alternate versions of Jesse’s masterpiece, “Washita Love Child.”
Remastered by Mike Milchner at Sonic Vision, and featuring notes by Dr. Miller festooned by photos contributed by Jesse’s son William “Billy” Noriega, Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971 represents a major archival find from one of rock’s most intriguing characters, out on Cobalt “Blue Jean” vinyl limited to 1500 copies worldwide.
Kegawa No Maries - The End
Kegawa No Maries
The End
LP | 2024 | JP | Original (Nippon Columbia)
73,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Kegawa No Maries - Tin Pan Alley
Kegawa No Maries
Tin Pan Alley
LP | 2024 | JP | Original (Nippon Columbia)
73,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Kegawa No Maries - Kegawa No Maries
Kegawa No Maries
Kegawa No Maries
LP | 2024 | JP | Original (Nippon Columbia)
73,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Chu Kosaka & Four Joe Half - Motto Motto
Chu Kosaka & Four Joe Half
Motto Motto
LP | 2024 | JP | Original (Sony Music Direct)
72,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Billy Strings - Highway Prayers
Billy Strings
Highway Prayers
2LP | 2024 | Original (Reprise)
70,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Endless Valley - Kaskashir
Endless Valley
Kaskashir
LP | 2024 | EU | Original (Copper Feast)
68,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
Voodoo Jürgens - 'S Klane Glücksspiel
Voodoo Jürgens
'S Klane Glücksspiel
LP | 2019 | AT | Original (Lotterlabel)
68,99 €*
Release: 2019 / AT – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
Tiny corner wear. With insert.
Giora Feidman - 88 Maestro Giora Feidman Blue Vinyl Edition
Giora Feidman
88 Maestro Giora Feidman Blue Vinyl Edition
LP | 2024 | EU | Original (BuschFunk)
67,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Guy Van Nueten - Decent Music
Guy Van Nueten
Decent Music
LP | 2024 | EU | Original (Teles Music)
66,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
X0o0x_ - Ningyou
X0o0x_
Ningyou
LP | 2024 | JP | Original (Cutting Edge)
66,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Alexander ''Skip'' Spence - Andoaragain Record Store Day 2019 Edition
Alexander ''Skip'' Spence
Andoaragain Record Store Day 2019 Edition
3LP | 2019 | US | Original (Modern Harmonic)
64,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.
Carly Pearce - Hummingbird Yellow Vinyl Edition
Carly Pearce
Hummingbird Yellow Vinyl Edition
2LP | 2024 | US | Original (Big Machine)
64,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Cody Johnson - Leather Deluxe Edition
Cody Johnson
Leather Deluxe Edition
LP | 2024 | US | Original (Warner Music Nashville)
63,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Hillbilly Thomists - Marigold
Hillbilly Thomists
Marigold
LP | 2024 | Original (Vere Music)
63,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Orbweavers - New Moon / Silver Moon
Orbweavers
New Moon / Silver Moon
LP | 2024 | AU | Original (Mistletone)
62,99 €*
Release: 2024 / AU – Original
Genre: Rock & Indie
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Agnetha Fältskog - Singlar Och Andra Sidor Clear Vinyl Edition
Agnetha Fältskog
Singlar Och Andra Sidor Clear Vinyl Edition
LP | 2024 | EU | Original (Cupol)
62,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Wilco - The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
Wilco
The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
3LP | 2011 | EU | Reissue (Sony Music Catalog)
62,89 €* 73,99 € -15%
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box
Authentic Unlimited - So Much For Forever / The Gospel Sessions / Vol. 2
Authentic Unlimited
So Much For Forever / The Gospel Sessions / Vol. 2
LP | 2024 | US | Original (New Day)
61,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
60,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
Playing For Change - Songs For Humanity
Playing For Change
Songs For Humanity
LP | 2024 | EU | Original (Playing For Change)
60,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Henry Wagons - Four Seasons
Henry Wagons
Four Seasons
LP | 2024 | AU | Original (Ada Global)
60,99 €*
Release: 2024 / AU – Original
Genre: Rock & Indie
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Better Oblivion Community Center - Better Oblivion Community Center
Better Oblivion Community Center
Better Oblivion Community Center
LP | 2019 | US | Original (Dead Oceans)
60,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Orange vinyl. Still in shrink but opened with hype sticker. Tiny wear. Limited edition.
V.A. - We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
V.A.
We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
LP | 2024 | EU | Original (Morningstar Music)
60,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Boban Petrovic - Zur / Zora
Boban Petrovic
Zur / Zora
2LP | 2024 | EU | Original (Everland)
59,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
B.J. Ward - Vocal Ease
B.J. Ward
Vocal Ease
LP | 2019 | JP | Original (Universal Japan / Dessinee)
57,99 €*
Release: 2019 / JP – Original
Genre: Rock & Indie
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Japanese import
Mukimukimanmansu - 2012 - Pink Vinyl Edition
Mukimukimanmansu
2012 - Pink Vinyl Edition
LP | 2024 | US | Original (Beatball)
56,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Gleeman - Something To Say
Gleeman
Something To Say
LP | 2024 | US | Original (Mean Dorris Music)
56,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Christoph Bouet - Groeninger Bad 23
Christoph Bouet
Groeninger Bad 23
LP | 2024 | EU | Original (1301 Media)
56,69 €* 62,99 € -10%
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Jennifer Warnes - Another Time, Another Place
Jennifer Warnes
Another Time, Another Place
LP | 2019 | UK (Impex)
55,99 €*
Release: 2019 / UK
Genre: Rock & Indie
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Dolly Parton & Family - Smoky Mountain Dna: Family / Faith & Fables
Dolly Parton & Family
Smoky Mountain Dna: Family / Faith & Fables
LP | 2024 | US | Original (Owepar)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Never Young Beach - Yashinoki House
Never Young Beach
Yashinoki House
LP | 2024 | US | Original (Roman Label / Bayon)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Never Young Beach - Fam Fam
Never Young Beach
Fam Fam
LP | 2024 | US | Original (Roman Label / Bayon)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Beach Fossils - What A Pleasure
Beach Fossils
What A Pleasure
12" | 2011 | US | Original (Captured Tracks)
54,99 €*
Release: 2011 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover with very slightly bumped corner. Red vinyl. Copy closer to NM
Orville Peck - Stampede Bone Colored Vinyl Edition
Orville Peck
Stampede Bone Colored Vinyl Edition
2LP | 2024 | US | Original (Warner)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Hannes Aitman - Weak Point White Vinyl Edition
Hannes Aitman
Weak Point White Vinyl Edition
LP | 2024 | EU | Original (Freebird Entertainment)
53,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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75 Dollar Bill - I Was Real
75 Dollar Bill
I Was Real
2LP | 2019 | US | Reissue (Thin Wrist)
51,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of CHE CHEN's microtonal electric guitar and Rick BROWN's odd metered percussion their long-form sound is unmistakable and compelling. On their third album I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and entrancing new textures. The album is 75 Dollar Bill's third, featuring new directions accompanying the band's previously established interest in sprawling, unusual grooves and microtonal melodies. The record is enhanced by the presence of eight additional players in various combinations over its nine tracks—but also shows off the duo's strength when stripped down to the core. Requiring a variety of approaches, the album was recorded over a four-year period, in four different studios, with the band's closest associates and collaborators in a range of different ensemble configurations. The album also features several "studio as instrument" constructions that harken back to the collage-experiments of the band's early cassette tapes, while at the same time pointing to territories altogether new.
Atarashii Gakko! - Ma Ningen Purple Vinyl Edition
Atarashii Gakko!
Ma Ningen Purple Vinyl Edition
12" | 2024 | JP | Original (Atarashii Gakko!)
51,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Mac Powell - I Love Jesus
Mac Powell
I Love Jesus
LP | 2024 | US | Original (Sparrow)
50,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Travis Tritt - Proud Of The Country
Travis Tritt
Proud Of The Country
LP | 2024 | EU | Original (Painted Desert)
50,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Morita Douji - Sapporo Kyoikubunkakaikan 1980
Morita Douji
Sapporo Kyoikubunkakaikan 1980
2LP | 2024 | JP | Original (P-Vine)
50,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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The only officially released live recordings of Doji Morita have been "Tokyo Cathedral Saint Mary Live" and "FM Tokyo Pioneer Sound Approach Live Recording", both recorded in 1978. This album contains live recordings in 1980, and this is the first time ever that recordings from this period have been released.
Heilung - Lifa Iotungard Clear Vinyl Edition
Heilung
Lifa Iotungard Clear Vinyl Edition
2LP | 2024 | EU | Original (Season Of Mist)
49,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)
Mukimukimanmansu - 2012 Black Vinyl Edition
Mukimukimanmansu
2012 Black Vinyl Edition
LP | 2024 | US | Original (Beatball)
49,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Mary Chapin Carpenter - Stones In The Road
Mary Chapin Carpenter
Stones In The Road
2LP | 2024 | Original (Real Gone Music)
49,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Picture
Coming Soon
Kanazoe / Clotilde Rullaud / Abdoulaye Traore / Boubacar DJiga & Achille Nacoulma
Kananaye
LP | 2024 | EU | Original (Tzigart)
49,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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James Yorkston - I Was A Cat From A Book
James Yorkston
I Was A Cat From A Book
2x10"+CD | 2012 | UK | Original (Domino)
49,99 €*
Release: 2012 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
2x10" + 2CD + DVD
Zia Mohiuddin Dagar & Zia Fariduddin Dagar - Raag Malkauns & Ragini Miyan Ki Todi
Zia Mohiuddin Dagar & Zia Fariduddin Dagar
Raag Malkauns & Ragini Miyan Ki Todi
3LP | 2024 | EU | Original (Black Sweat)
48,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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These recordings were made in Bombay in 1968 by Bengt Berger (Bitter Funeral Beer Band) during a stay with Ustad Zia Mohiuddin Dagar, who was primarily responsible for the revival of the Rudra Veena as a solo concert instrument. His home in the suburb of Chembur was at the time the magical haunt of a plethora of fantastic musicians, including Ritwik Sanyal and K. Sridhar, who took part in the session. In perfect and stern Duphrad vocal style, these two Raga lead us to different atmospheres and perceptions : Malkauns is the contemplative state of the evening, of the abandonment of the senses before the breaking of the silence in the night; Miyan Ki Todi is the first breath of the morning, the gentle awakening of the limbs before a puja. The two Dagar brothers, Mohiuddin on the Rudra and Fariduddin on the chant, complement each other, become ocean and fire, stillness and storm, in an intimate and tight dialogue of exploration and expressive subtlety, in which the purity of an Indian summer becomes the highest symbol of beauty and freedom of spirit. Originally released on CD by Country & Eastern.
Arthur Russell - Iowa Dream
Arthur Russell
Iowa Dream
2LP | 2019 | US | Original (Audika)
48,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.
Eden & Johns East River String Band - Drunken Barrel House Blues
Eden & Johns East River String Band
Drunken Barrel House Blues
LP | 2011 | CZ | Original (East River)
48,99 €*
Release: 2011 / CZ – Original
Genre: Rock & Indie
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Mitchell Tenpenny - 3rd Sea Glass Vinyl Edition
Mitchell Tenpenny
3rd Sea Glass Vinyl Edition
LP | 2024 | US | Original (Sony Music Nashville)
48,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Sun Kil Moon - Third And Seneca
Sun Kil Moon
Third And Seneca
10" | 2010 | US | Reissue (Vinyl Films)
48,99 €*
Release: 2010 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Golden vinyl has a few scuffs. Still in shrink but opened. Limited edition 2014 reissue.
Fink - Hard Believer 10 Year Anniversary Edition
Fink
Hard Believer 10 Year Anniversary Edition
LP | 2024 | Original (R'COUP'D)
47,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The 3LP reissue includes session & live versions of album tracks available on vinyl for the very first time. It also includes an expanded booklet featuring additional photos & "writing off” extract about the album.
Asuka Kuroiwa - Kaibutsu
Asuka Kuroiwa
Kaibutsu
LP | 2024 | JP | Original (Tuff Beats)
47,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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V.A. - Psych! British Prog. Rock. Folk. And Blues 1966-1973
V.A.
Psych! British Prog. Rock. Folk. And Blues 1966-1973
LP | 2024 | Original (UMC)
47,99 €*
Release: 2024 / Original
Genre: Rock & Indie, Pop
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Heilung - Lifa Iotungard
Heilung
Lifa Iotungard
2LP | 2024 | EU | Original (Season Of Mist)
46,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)
Nate Smith - California Gold
Nate Smith
California Gold
LP | 2024 | US | Original (Sony Music Nashville)
46,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Lauren Watkins - Heartbroken Record
Lauren Watkins
Heartbroken Record
2LP | 2024 | US | Original (Big Loud Llc)
46,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Lauren Watkins - "The Heartbroken Record" / Drenched in authenticity and rife with barstool charm, with an addictive, Tennessee limestone gravel in her voice, Nashville-born and bred songbird Lauren Watkins writes, breathes and lives country music. The 24-year-old original grew up on the outskirts of Guitar Town, mesmerized by a jukebox rotation of country music, from outlaws like Willie Nelson and Sheryl Crow to chart-toppers Eric Church, Miranda Lambert and Chris Stapleton. Moving back after four years at Ole Miss, Watkins' unyielding, turn-on-a-dime lyricism quickly caught the attention of GRAMMY-nominated multi-hyphenate Nicolle Galyon, who signed her to publishing and recording contracts with Songs & Daughters/Big Loud Records. Honing in on a sound that's both reverent of the genre's roots and in lockstep with where it's headed next, she presents her highly anticipated full-length debut, The Heartbroken Record.
Heilung - Futha Yellow / Blue Marbled Vinyl Edition
Heilung
Futha Yellow / Blue Marbled Vinyl Edition
LP | 2024 | EU | Original (Season Of Mist)
46,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Cukor Bila Smert' - Cukor Bila Smert'
Cukor Bila Smert'
Cukor Bila Smert'
2LP | 2024 | EU | Original (Shukai)
46,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.
Lovelytheband - Lovelytheband Red Vinyl Edition
Lovelytheband
Lovelytheband Red Vinyl Edition
LP | 2024 | EU | Original (Happy Accident)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Crowder - Milk & Cookies: A Merry Crowder Christmas
Crowder
Milk & Cookies: A Merry Crowder Christmas
LP | 2024 | EU | Original (Sixstepsrecords)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Brooks & Dunn - Reboot II
Brooks & Dunn
Reboot II
LP | 2024 | US | Original (Sony Music Nashville)
45,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Catbug - Musjemeesje
Catbug
Musjemeesje
LP | 2024 | JP | Original (Cassetron)
45,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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The long-awaited third album by Paulien Rondou, aka Catbug, a “farmer-songwriter” who weaves songs while running a small farm, is now available on analog LP!! The music is a legitimate successor to Judee Sill, Linda Perhacs, Vashti Bunyan, and other non-major singer-songwriter icons whose names are deeply etched in the history of music. It has been almost three years since her last album, “slapen onder een hunebed,” which captivated many listeners with its elegantly simple Dutch songs rooted in her life on the farm she runs. The album was produced and mixed by Aiko Devriendt, as was the previous album. Recording took place in a studio owned by pianist Guy Van Nuyten.
Billy Strings - Billy Strings Live Vol.1
Billy Strings
Billy Strings Live Vol.1
2LP | 2024 | Original (Reprise)
45,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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José Afonso - Ao Vivo No Coliseu Triple
José Afonso
Ao Vivo No Coliseu Triple
3LP | 2024 | EU | Original (Mais 5)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Cisco E La Casa Del Vento - 900 Orange Vinyl Edition
Cisco E La Casa Del Vento
900 Orange Vinyl Edition
LP | 2024 | EU | Original (The Saifam Group)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Anne Wilson - Rebel Tangerine Vinyl Edition
Anne Wilson
Rebel Tangerine Vinyl Edition
LP | 2024 | EU | Original (Emi Nashville / Sparrow)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Antologia Della Canzone Napoletana
V.A.
Antologia Della Canzone Napoletana
LP | 2024 | EU | Original (La Canzonetta)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Rheingans Sisters - Start Close In
Rheingans Sisters
Start Close In
LP | 2024 | UK | Original (Rheingans Sisters)
44,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Burton Cummings - Few Good Moments Colored Vinyl Edition
Burton Cummings
Few Good Moments Colored Vinyl Edition
LP | 2024 | US | Original (Jojo Productions)
44,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Darin & Brooke Aldridge - Talk Of The Town Yellow Vinyl Edition
Darin & Brooke Aldridge
Talk Of The Town Yellow Vinyl Edition
LP | 2024 | US | Original (New Day)
44,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Mairearad Green & Rachel Newton - Anna Bhan
Mairearad Green & Rachel Newton
Anna Bhan
LP | 2024 | UK | Original (Shadowside)
44,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Sixto Rodriguez - Coming From Reality
Sixto Rodriguez
Coming From Reality
LP | 2012 | US | Reissue (Light In The Attic)
44,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover is close to NM.
Blair Dunlop - Out Of The Rain
Blair Dunlop
Out Of The Rain
2LP | 2024 | Original (Gilded Wings)
44,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Brie Stoner - Me Veo Pink Vinyl Edition
Brie Stoner
Me Veo Pink Vinyl Edition
2LP | 2024 | EU | Original (Flat Iron)
44,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Chalino Sanchez - 15 Exitos 15 Vinyl Me, Please Edition
Chalino Sanchez
15 Exitos 15 Vinyl Me, Please Edition
2LP | 2024 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
15 Éxitos 15 came out three years after the last show he’d play (Chalino was shot and killed the day of the concert in 1992). It collects “Nieves De Enero,” and 14 other songs Chalino performed throughout his life: “Los Chismes,” an ode to gossip and its impact on a relationship. “A Todo Sinaloa,” a heartfelt song about his homeland. And “Cuatro Espadas,” a song that equates heartbreak to being stabbed in the chest. Chalino didn’t get to see his fame in his life, but his legend lives on, through this album, and his songs.
Leif Vollebekk - Revelation
Leif Vollebekk
Revelation
2LP | 2024 | EU | Original (Secret City)
43,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Anna Tivel - Question
Anna Tivel
Question
2LP | 2024 | US | Original (Missing Piece)
43,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Big & Rich - Greatest Hits
Big & Rich
Greatest Hits
LP | 2024 | US | Original (Friday Music)
43,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Limited turquoise and blue colored vinyl LP pressing.
Pickin On - Pickin On Green Day: Bluegrass & Broken Dreams Green Vinyl Edition
Pickin On
Pickin On Green Day: Bluegrass & Broken Dreams Green Vinyl Edition
LP | 2024 | EU | Original (Pickin On)
43,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Tir Na Nog - Transmissions
Tir Na Nog
Transmissions
LP | 2024 | Original (Code 7)
43,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Bill Callahan - Resuscitate!
Bill Callahan
Resuscitate!
2LP | 2024 | US | Original (Drag City)
42,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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This is a live album that was taken from the tour for Ytilaer. Songs tend to mutate after they"ve been recorded. These songs were mutating faster than usual. Like whatever happened to Bruce Banner in the lab - I knew these songs were about to get superpowers. As far as I was concerned, this change needed to be documented. The best thing about documenting something is that it gives the creator permission to move on should they wish to move on. I usually prefer to move on. These songs were recorded in Chicago, America"s heart. And at one of the best clubs in the country - I try to only work with venues that are not entangled with LiveNation/Ticketmaster. Thalia Hall, baby. Stay free. The date was mid-point in the tour, so I knew we"d be as hot as we were going to get. Not too green, not too brown. There was the thought, "let"s take this op to make it something special." So we took advantage of Chicago"s easily accessible players - we got Nick Mazzarella to add alto sax to one song, and from the opening band, Pascal Kerong"A to sing on a song, and Nathaniel Ballinger on piano on one song - and I couldn"t pass up the opportunity to invite Joshua Abrams and Lisa Alvarado to play on "Natural Information." The hardest part of making the record was cutting songs out - it could have been a triple album. But I don"t know, maybe the show should have been this short?" - Bill Callahan
Sylvia Telles - Princess Of Bossa Nova! Deluxe Record Store Day 2024 Edition
Sylvia Telles
Princess Of Bossa Nova! Deluxe Record Store Day 2024 Edition
2LP | 2024 | EU | Original (Poppydisc)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Peter Alexander Jobson - Burn The Ration Books Of Love Fire Marble Effect Vinyl Edition
Peter Alexander Jobson
Burn The Ration Books Of Love Fire Marble Effect Vinyl Edition
LP | 2024 | EU | Original (Alexander Song Limited)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Jamey Johnson - Living For A Song: Tribute To Hank Cochran
Jamey Johnson
Living For A Song: Tribute To Hank Cochran
2LP | 2012 | US | Original (Mercury)
42,99 €*
Release: 2012 / US – Original
Genre: Rock & Indie
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