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49 Winchester - Fortune Favors The Bold
49 Winchester
Fortune Favors The Bold
LP | 2022 | US | Original (New West)
25,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A.R. Wilson - Old Gold
A.R. Wilson
Old Gold
LP | 2022 | EU | Original (Impatience)
17,39 €* 28,99 € -40%
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Melbourne auteur Andrew Wilson (Andras, A.R.T. Wilson, Wilson Tanner) soils the 'Australian songbook' with a collection of fragile, private and deranged songs of parrots, pancakes and gelignite amidst the Victorian Gold Rush of 1850s.

Old Gold is filled with fakes and fools, rumbling stomachs and acousmatic terrors - a lonely, self-pitying search evoked by faintly medieval folk music that sounds almost period-perfect but somehow, oddly, wonderfully spoiled.

Gut string guitars, water-logged mandolins, bar room banjos and no-fidelity piano all sound perfectly organic - except they're not. No acoustic instruments were handled in the making of the record, including environmental sounds which were generated during a residency at Melbourne Electronic Sound Studio. The reproduction of familiar sounds via inorganic means situates the record in a moonlit, melancholy hole of its own.

Old Gold was written, played and recorded by Andrew Wilson, and mastered by Mikey Young. Artwork is by Luca Schenardi.

Andrew Wilson has released records as Andras, A.R.T. Wilson, Berko and House Of Dad and he is one half of Wilson Tanner. His work has appeared on labels including Beats In Space, Efficient Space, Growing Bin Records, Public Possession, Dopeness Galore, Mexican Summer and his own Punp imprint.
A.R. Wilson - Old Gold
A.R. Wilson
Old Gold
LP | 2022 | EU | Original (Impatience)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
Abdou El Omari - Nuits D'Ete Avec Naima Samin
Abdou El Omari
Nuits D'Ete Avec Naima Samin
LP | 2017 | EU | Original (Radio Martiko)
16,99 €* 19,99 € -15%
Release: 2017 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Part 2 of the Abdoul El Omari trilogy. For the first time on vinyl.
Abdou El Omari - Nuits De Printemps
Abdou El Omari
Nuits De Printemps
LP | 2017 | EU | Original (Radio Martiko)
19,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Part 3 of the Abdoul El Omari trilogy. For the first time on vinyl.
Abdullah Miniawy x DJ Hvad - Notice A Tiny Scratch For The Blue Behind
Abdullah Miniawy x DJ Hvad
Notice A Tiny Scratch For The Blue Behind
LP | 2022 | DK | Original (Ulllu)
49,99 €*
Release: 2022 / DK – Original
Genre: Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs. Cover with light ring wear
Abigail Lapell - Stolen Time
Abigail Lapell
Stolen Time
LP | 2022 | EU (Outside Music)
28,99 €*
Release: 2022 / EU
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Adam Hood - Bad Days Better
Adam Hood
Bad Days Better
LP | 2022 | EU | Original (Southern Songs, Llc)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Ade & Connan Mockasin - It's Just Wind Record Store Day 2022 Vinyl Edition
Ade & Connan Mockasin
It's Just Wind Record Store Day 2022 Vinyl Edition
LP | 2022 | US | Original (Mexican Summer)
31,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Ahmed Malek & Flako - The Electronic Tapes
Ahmed Malek & Flako
The Electronic Tapes
LP | 2017 | EU | Reissue (Habibi Funk)
22,99 €*
Release: 2017 / EU – Reissue
Genre: Rock & Indie
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Unreleased early Algerian synth electronic by Ahmed Malek, compiled and co-produced by Flako

In the early 1980s, Ahmed Malek was already in his 50s , when he discovered synthesizers and electronic music for himself and started to experiment with sounds. The result was a mixture of ambient synth music, field recordings he made in Cuba and a wide variation of different sound experiments that he also presented as different avanguarde music festivals in Cuba and the US. None of it was ever released but we got a huge box of master tapes from his family and we're happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album though, Flako's aim was to create an album out of 2 hours of material that sounds like it might have if Mr. Malek would have finished it himself before of his death. Fully approved and licensed from the artists family.

The album comes with an informative booklet with liner notes, an interview with Flako regarding his approach towards the production and unseen photos. We will also release a third album by Ahmed Malek which will be more in the vein again of the music he is known for and this album will also be previously unreleased.
Aidan Moffat & RM Hubbert - Here Lies The Body
Aidan Moffat & RM Hubbert
Here Lies The Body
LP | 2018 | UK | Original (Rock Action)
20,99 €*
Release: 2018 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Copy close to NM
Al Di Meola, John Mclaughlin, Paco De Lucia - Saturday Night In San Francisco
Al Di Meola, John Mclaughlin, Paco De Lucia
Saturday Night In San Francisco
LP | 2022 | EU | Original (Ear Music Classics)
36,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Clear vinyl. Still sealed with hype sticker.
Alasdair Roberts - A Wonder Working Stone
Alasdair Roberts
A Wonder Working Stone
CD | 2013 | US | Original (Drag City)
4,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
CD comes in a soft case, instead of the original crystal case.
All booklets included.
Alasdair Roberts , Amble Skuse & David McGuinness - What News
Alasdair Roberts , Amble Skuse & David McGuinness
What News
LP | 2018 | US | Original (Drag City)
9,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Original inner sleeve. close to NM
Alasdair Roberts - Pangs
Alasdair Roberts
Pangs
LP | 2017 | US | Original (Drag City)
22,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs
Alasdair Roberts & Robin Robertson - Hirta Songs
Alasdair Roberts & Robin Robertson
Hirta Songs
CD | 2013 | UK | Original (Stone Tape)
3,99 €*
Release: 2013 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
CD comes in a soft case, instead of the original crystal case.
All booklets included.
Aldous Harding - Party
Aldous Harding
Party
LP+7" | 2017 | EU | Original (4AD)
45,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
With bonus 7". Very close to NM. Original inner sleeve.
Picture
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Alela Diane
About Farewell
CD | 2013 | FR | Original (Rusted Blue)
9,99 €*
Release: 2013 / FR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Alela Diane - Cusp
Alela Diane
Cusp
LP | 2018 | EU | Original (Allpoints)
26,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Mint, Cover: Sealed
Alex Williams - Waging Peace Red Vinyl Edition
Alex Williams
Waging Peace Red Vinyl Edition
LP | 2022 | US | Original (Lightning Rod)
23,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Alexis Hk - Bobo Playground
Alexis Hk
Bobo Playground
LP | 2022 | EU | Original (La Familia)
20,39 €* 23,99 € -15%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Alhaji Waziri Oshomah - World Spirituality Classics 3: The Muslim Highlife
Alhaji Waziri Oshomah
World Spirituality Classics 3: The Muslim Highlife
2LP | 2022 | US | Original (Luaka Bop)
33,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Alhaji Waziri Oshomah begins his sermon before a dancing crowd. His lyrics warn about the vice of jealousy but the congregation is here to get down. We're in a small part of Edo State in southern Nigeria called Afenmailand, which is known for being a harmonious region where Muslims and Christians live and dance together. The atmosphere is one of enjoyment, excitement, and pleasure, because to see Waziri perform is to be addressed, body and soul. He's the creator of a unique dance music that's fused with local folk styles, highlife, and Western pop, and imbued with Islamic values - and he's the greatest entertainer in all of Edo State. They call him the Etsako Super Star.
Alison Cotton - The Portrait You Painted Of Me
Alison Cotton
The Portrait You Painted Of Me
LP | 2022 | UK | Original (Rocket)
33,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Alison Cotton presents The Portrait You Painted of Me, a new 6-track album - her first for Rocket Recordings (released on Feeding Tube in the USA). Like Alison's previous solo albums, the touchstones of her immersive sound are viola, harmonium and voice, merged together to create a rich suite of songs.'Mumurations Over the Moor' is a wordless piece of layered vocals, drifting like fog towards a sunset over the green undulations of North East England (from where she hails). 'The Last Wooden Ship' evokes the shipyards of Sunderland using droning harmonium and viola lines, laced with piano and percussion events, while her voice calls out like one of Tim Buckley's Sirens urging listeners to a rocky demise. 'I Buried the Candlesticks' has a haunted, traditional feel with its dolorously folky viola melody laid across a thick carpet harmonium, and small bursts of percussion that sound like cannonade heard through the thick cold walls of a castle in winter. 'That Tunnel Underground Seemed Neverending' is a musical vision of Northumberland's mining culture at the dawn of the 20th Century - labyrinthine, subterranean, dimmer than night. 'Violet May', the only traditional "song" on the album, was inspired by a trip to Vita Sackville-West's Sissinghurst Castle. Its plot deals with a reclusive artist who has forsaken all else for a life of solitary creation in her tower. The structure and sound reminiscent of a post-modern approach to lyrical concerns dealt with by folk singers of the British '60s, but the actual arrangement is closer to something John Cale might have done with Nico on The Marble Index. The closing track, '17th November 1962', inspired by nearly-forgotten memories of disaster with a fishing boat, a storm and an ill-fated rescue attempt. The song (and album) ends with what sounds like a forlorn foghorn cutting across waves of night with Alison's voice again evoking the Sirens.As with its predecessors, The Portrait You Painted of Me was recorded at home in London, beautifully produced by Alison's pa...
Alison Krauss & Union Station - Paper Airplane
Alison Krauss & Union Station
Paper Airplane
LP | 2011 | US | Original (Rounder)
36,99 €*
Release: 2011 / US – Original
Genre: Rock & Indie
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Alison O'Donnell - Climb Sheer The Fields Of Peace
Alison O'Donnell
Climb Sheer The Fields Of Peace
LP | 2017 | UK | Original (Mega Dodo)
14,99 €*
Release: 2017 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG
Sealed copy with a bent corner!
Alvarius B - A Mark Twain August - With A Beaker … Volume 2
Alvarius B
A Mark Twain August - With A Beaker … Volume 2
LP | 2017 | US | Original (Abduction)
21,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Alvarius B - Heathen Folklore - With A Beaker … Volume 3
Alvarius B
Heathen Folklore - With A Beaker … Volume 3
LP | 2017 | US | Original (Abduction)
24,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Alvarius B - Natural Wonder - With A Beaker … Volume 1
Alvarius B
Natural Wonder - With A Beaker … Volume 1
LP | 2017 | US | Original (Abduction)
21,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Amália Rodrigues - The Queen Of Fado
Amália Rodrigues
The Queen Of Fado
LP | 2022 | EU | Original (Wagram)
15,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Amelia Cuni - Mumbai 04.02.1996
Amelia Cuni
Mumbai 04.02.1996
2LP | 2022 | EU | Original (Black Truffle)
32,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Following on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments. On the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.
American Aquarium - Chicamacomico
American Aquarium
Chicamacomico
LP | 2022 | EU | Original (Losing Side)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Amigo - And Friends
Amigo
And Friends
LP | 2018 | US | Original (Carlisle Beauregard)
14,29 €* 25,99 € -45%
Release: 2018 / US – Original
Genre: Rock & Indie
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"Charlotte's Amigo is unhinged, but I mean that in the nicest possible way. The cowpunk-tinged hardrockabilly trio is open-hearted, joyous and wickedly funny, yet its superbly crafted melodic rock 'n' roll rides a streak of giddy mania." Creative Loafing Amigo is a rock and roll band. This might sound quaint or even a little passé but its an entirely apt and appropriate description. Amigo is a guitar, a bass, a drum set and buckets full of songs and its members share a proud and unrepentant belief in rock & rolls divine promise and power to shake audience and band alike to their core. The Charlotte, NC-based trio, comprised of guitarist Slade Baird, bassist Thomas Alverson and drummer Adam Phillips, has been putting rubber to road in senses both theoretical and literal since their inception in 2012, developing their keen sense of harmony and interplay, honing their songwriting chops and developing an absolutely white-hot live show which has become the main vehicle for their brand of rock and roll evangelism.
Ana Moura - Guarda-me A Vida Na Mão
Ana Moura
Guarda-me A Vida Na Mão
LP | 2018 | PT | Reissue (Universal Music Portugal)
17,99 €*
Release: 2018 / PT – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
A6 has a small bump that causes several clicks, but does not skip. Rest is NM.
Andi Otto - VIA
Andi Otto
VIA
2LP | 2017 | DE | Original (Pingipung)
21,99 €*
Release: 2017 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM. Tiny wear.
Andres Miguel Cervantes - A Coal For Caring
Andres Miguel Cervantes
A Coal For Caring
7" | 2022 | US | Original (Speakeasy Studios Sf)
14,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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The first single off of The Crossing album—“A Coal for Caring” and “The Barstow Street Blues (acoustic)”—features Andres Miguel Cervantes alone, singing and playing his acoustic guitar. They were recorded live using only one microphone during the album’s first “demo” recording sessions. Alos includes the instrumental, “The Tales You Tell,” with album musicians Jacob Aranda, Alicia Vanden Heuvel, James KIM and ED Ivey.
Andrew Bird - Inside Problems
Andrew Bird
Inside Problems
LP | 2022 | EU | Original (Loma Vista)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover close to NM. Clear vinyl.
Ane Brun - It All Starts With One
Ane Brun
It All Starts With One
2LP | 2011 | EU | Reissue (Balloon Ranger)
23,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Ane Brun - Leave Me Breathless
Ane Brun
Leave Me Breathless
LP | 2017 | EU | Reissue (Balloon Ranger)
27,99 €*
Release: 2017 / EU – Reissue
Genre: Rock & Indie
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Ane Brun - Rarities
Ane Brun
Rarities
LP | 2013 | EU | Reissue (Balloon Ranger)
20,99 €*
Release: 2013 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
Angaleena Presley - Wrangled
Angaleena Presley
Wrangled
LP | 2017 | US | Original (Mining Light)
25,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Angel Olsen / Karen Dalton - Something In Your Mind
Angel Olsen / Karen Dalton
Something In Your Mind
7" | 2022 | US | Original (Light In The Attic)
10,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing
Anna & Elizabeth - The Invisible Comes To Us
Anna & Elizabeth
The Invisible Comes To Us
LP | 2018 | US | Original (Smithsonian Folkways)
21,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Anne Malin - Summer Angel
Anne Malin
Summer Angel
LP | 2022 | US | Original (Dear Life)
33,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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In poet and songwriter Anne Malin’s “Summer Angel,” tales of love and violence intersect in dreamlike soundscapes. Conceived in response to the poem “Summer Angel” by Alfred Starr Hamilton and Marianne Faithfull’s rendition of Morrissey’s “Dear God Please Help Me,” Anne Malin sings with childlike wonder and a sense of harrowing indictment, playing with the lyric as a multilayered tool for self-expression and self-protection alike.

“Summer Angel" wields prisms in the face of sexual abuse and its nonlinear aftermath, asking: what is healing, what is self-harm, and what might freedom look like? These songs, brought into full form with collaborators Will Ringwalt-Johnson, Trevor Nikrant, Jake Smith, DJ Young, and JayVe Montgomery, reveal Anne Malin’s fluid vocal range: capable of operatic force and cutting delivery, and confident in navigating the grey areas in between.

Echoing Henry Mancini and Songs: Ohia in equal measure, “Summer Angel” is Anne Malin’s most ambitious project yet. Produced by Andrija Tokic (Josephine Foster, Alabama Shakes) at the Bomb Shelter in Nashville, TN, Anne Malin and her collaborators worked with ease and humor, benefiting from Tokic’s vibrant conceptions of the songs. Tokic embraced an inappropriateness in production, collaging sounds—from saxophone, pedal steel, and orchestral percussion, to name a few—with agile nonchalance.

The band, chosen for their breadth of experience with song-form genres as well as fully improvised music, dynamically constructed sonic environments around the initial live tracking. Anne Malin, committed to one-take vocal delivery during the band’s live tracking, similarly embraced the possibilities of improvisation and the many shapes a song can take.
Anoushka Shankar & Metropole Orkest & Jules Buckley - Between Us... Feat. & Metropole Orkest & Jules Buckley Ansambl Mileta Petrovica - Veseli Romi
Ansambl Mileta Petrovica
Veseli Romi
LP | 2022 | EU | Original (Radio Martiko)
22,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Cosmic Gypsy Sounds!
Antti Kokkomäki & Tammikuun Lapset - II
Antti Kokkomäki & Tammikuun Lapset
II
LP | 2017 | FI | Original (Sulka)
29,99 €*
Release: 2017 / FI – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Antti Kokkomäki & Tammikuun Lapset - II
Antti Kokkomäki & Tammikuun Lapset
II
LP | 2017 | FI | Original (Sulka)
19,99 €*
Release: 2017 / FI – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Near Mint
Sealed copy.
Cover corners slightly dented.
Arif Sag - Electric Anatolia
Arif Sag
Electric Anatolia
LP | 2022 | TR | Original (Mega Plak)
25,99 €*
Release: 2022 / TR – Original
Genre: Rock & Indie
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Superb collection of the best tracks by Turkish electro-saz legend Arif Sag, some tracks with arrangements by Zafer Dilek. Killer Turkish psych-folk-funk grooves from the golden era of Anatolian Rock, all housed in such a beautiful cover design!!!
Arlo Mckinley - This Mess We're In
Arlo Mckinley
This Mess We're In
LP | 2022 | EU | Original (Oh Boy)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Arne Heesch - Demons Are Scared
Arne Heesch
Demons Are Scared
LP | 2022 | EU | Original (Exile On Mainstream)
17,99 €* 19,99 € -10%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Arrested Development - For The Fkn Love Black Vinyl Edition
Arrested Development
For The Fkn Love Black Vinyl Edition
2LP | 2022 | Original (Ruff Nation)
31,44 €* 36,99 € -15%
Release: 2022 / Original
Genre: Rock & Indie
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Art Of Primitive Sound (W. Maioli) - Strumenti Musicali Della Preistoria: Il Paleolitico
Art Of Primitive Sound (W. Maioli)
Strumenti Musicali Della Preistoria: Il Paleolitico
LP | 2022 | EU | Original (Black Sweat)
15,99 €* 19,99 € -20%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Art Of Primitive Sound is a sensational journey to the origin of Music. In his crucial research chapter on the Paleolithic, Walter Maioli between 1986 and 1991 investigates the soundscape of different geographical, climatic and botanical environments, in which the mystery of the ancient human-nature relationship resides. What emerges is an expanded and unprecedented Paleorganology, with a range of acoustic and natural instruments from all over the World. Rubbing of fossils, animal artefacts, plant elements of all sorts, everything becomes sound and each object opens up forms of imaginary communication, psychic effect and unexplored languages. Whistles, flutes, leaf and shell rattles, rhombuses, horns, bone pipes, slate slabs, bamboo arches, stones, vertebrae, seeds, stalagtites etc...how great can be the Natural Orchestra inherent in the spirit of forests, rivers, caves, seas, swamps or Amazon jungles? Thanks to an interdisciplinary partnership (Anthropology, Archaeology, Botany, Ethnomusicology) of collaborating friends, Maioli directs an Opera of universal character inspired by the archaic essence of sound and infrasonic dimension.
Ashley McBryde - Ashley Mcbryde Presents:Lindeville
Ashley McBryde
Ashley Mcbryde Presents:Lindeville
LP | 2022 | EU | Original (Warner)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Inspired by the writing methods of legendary Nashville songwriter Dennis Linde ("Goodbye Earl," "Burning Love," "Bubba Shot the Jukebox"), Ashley McBryde set out with a group of her favorite co-writers to work up a project they had no intention of ev-er recording or releasing. What came from that week-long exercise in a rural cabin outside Nashville is a distilled version of everything that listeners have come to appre-ciate from Ashley: Raw, honest, specific portraits of small town America and the many characters that you may encounter in any one of them. Produced by John Osborne, Ashley McBryde Presents: Lindeville includes performances from McBryde, Brothers Osborne, Brandy Clark, Aaron Raitiere, Pillbox Patti, Caylee Hammack and Benjy Davis.
Ashley McBryde - Girl Going Nowhere
Ashley McBryde
Girl Going Nowhere
LP | 2018 | EU | Original (Warner / WEA)
32,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Asleep At The Wheel - Havin' A Party Live
Asleep At The Wheel
Havin' A Party Live
LP | 2018 | EU | Original (Golde)
15,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Asleep At The Wheel - New Routes
Asleep At The Wheel
New Routes
LP | 2018 | EU | Original (Bismeaux)
21,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Asnake Gebreyes - Ethiopia Wedet Neshe
Asnake Gebreyes
Ethiopia Wedet Neshe
LP | 2022 | EU | Original (Compagnie 4000)
28,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Aspidistrafly - A Little Fable
Aspidistrafly
A Little Fable
LP | 2022 | UK | Original (Kitchen Label)
30,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.
Aspidistrafly - Altar Of Dreams
Aspidistrafly
Altar Of Dreams
Tape | 2022 | UK | Original (Kitchen Label)
15,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.
Aspidistrafly - Altar Of Dreams
Aspidistrafly
Altar Of Dreams
CD | 2022 | UK | Original (Kitchen Label)
25,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.
Aspidistrafly - Altar Of Dreams
Aspidistrafly
Altar Of Dreams
LP | 2022 | UK | Original (Kitchen Label)
30,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.
Astor Piazzolla - The American Clavé Recordings
Astor Piazzolla
The American Clavé Recordings
3LP | 2022 | EU | Original (Nonesuch)
81,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Augenwasser - The Big Swim
Augenwasser
The Big Swim
LP | 2022 | EU | Original (Les Disques Bongo Joe)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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With his third album, The Big Swim, due out in December 2022 on Bongo Joe records, Augenwasser ventures once again into the paths of synth wave exploration with a pop feel. Still laced with the folk textures of his early days, he nevertheless develops a dance approach that can at times be akin to melancholic drone. His music takes you to an imaginary, dark club, lulled by a haunting rhythm, surrounded by the fumes of the night, where it is possible to indulge in that quiet voice that has already confessed that it is too late but will never stop repeating its soft, cold poetry:
Austin Lucas - Immortal Americans
Austin Lucas
Immortal Americans
LP | 2018 | DE | Original (Hometown Caravan)
18,99 €*
Release: 2018 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
Babau - Stock Fantasy Zone
Babau
Stock Fantasy Zone
Tape | 2022 | EU | Original (Sucata Tapes)
12,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Baligh Hamdi & Magid Khan - Indo-Arabic Variations
Baligh Hamdi & Magid Khan
Indo-Arabic Variations
LP | 2022 | EU | Original (Altercat)
22,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Unique fusion of the Indian and Egyptian music cultures devised by Baligh Hamdi, the most prominent of all modern composers in the Arab-speaking world. Hamdi, who penned dozens of hit compositions for Umm Kulthum, Abdel Halim Hafez, Warda and Sabah amongst others, also shaped the future of Arabic music in a way that's difficult to overestimate. Directed by Hamdi, the renowned Indian sitar player Magid Khan joins the Egyptian musicians of Abdel Halim Hafez's orchestra in re-reading some of Hamdi's compositions from a new perspective – here sitar and tabla dance together with arghoul, ney and other Arabic instruments. An east-meets-east masterpiece in which Hamdi once again pushed the boundaries of Arabic music in his tireless quest for a broader, more global reach.
Balka Sound - Son Du Balka
Balka Sound
Son Du Balka
2LP | 2022 | EU | Original (Strut)
30,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Strut present the first ever compilation of Balka Sound, bringing together their influential 1980s recordings. Hailing from Congo-Brazzaville and led by revered vocalist and ngonfi player, Nkibi "Lusialala" Albert, Balka Sound created their own unique musical world, re imagining traditional Congolese Balka rhythms with electric guitars, electric bass and drums, alongside the traditional 5-string ngonfi.
Banda Monte Cara - Re: Imaginar EP
Banda Monte Cara
Re: Imaginar EP
LP | 2022 | EU | Original (Lusofonia Record Club)
21,74 €* 28,99 € -25%
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Barbara Dane - And The Chambers Brothers
Barbara Dane
And The Chambers Brothers
LP | 2018 | EU | Original (Smithsonian Folkways)
29,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Barbara - Premiers Micros
Barbara
Premiers Micros
LP | 2022 | EU | Original (Diggers Factory / Inasound)
23,24 €* 30,99 € -25%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bareto - El Amor No Es Para Los Debiles
Bareto
El Amor No Es Para Los Debiles
LP | 2022 | EU | Original (Agogo)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Praised as heirs of amazonic psychedelia and chicha traditions, as well as sound innovators, peruvian band Bareto mixes exciting versions of cumbia classics with their own, unique compositions, in concerts that should be promoted as dance parties. Performers at Womex 2016, have toured Europe and North America, including Roskilde Festival 2015 and Montreal Jazz Festival 2017, among others.
Baris Manco - Mega Manco
Baris Manco
Mega Manco
LP | 2017 | EU | Original (Türküola)
21,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Mega Manço is Barış Manço’s third album which was recorded without Kurtalan Ekspres. The arrangements are by Garo Mafyan the veteran keyboardist of “Turkish Chicago” called İstanbul Gelişim. The album is first time on vinyl. While some songs reflect the modern synthe pop age of Manço, some songs have strong references from his Anatolian rock group music period. Süleyman reflects his singles period with Moğollar such as İşte Hendek İşte Deve. Diral Dedenin Düdüğü reminds us of 1981-83 era of Manço which reflects an Anatolian Rock attitude with Arabic influences. Hemşerim Memleket Nire has also important references to the legendary 2023 album, as the song is based on the critical bass lines of the electronic music hit, 2023. The album also contains an instrumental track called Rüya which is a composition of Manço in a Yanni style new age based on piano and strings. In the album you can also hear a significant electro pop hit of Manço named Ayı which had a great popularity among children at that time period when Manço was a fabulous figure for children because of his TV shows. Türküola is once again in place to make such an important album available on vinyl for the first time.
Baris Manco - Sakla Samani Gelir Zamani Picture Disc Vinyl Edition
Baris Manco
Sakla Samani Gelir Zamani Picture Disc Vinyl Edition
LP | 2018 | EU | Reissue (Guerssen)
25,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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In 1976, Baris released his third album which was actually also a compilation of songs previously released in 45s, as happened with his debut. For this LP release, and basically because of contractual reasons, we are presenting you this compilation with a few changes: two of the original songs are not there, and we added four new ones. So, what we get here is a scorchin’ collection of funky psychedelics Turkish way in a cool picture disc that will knock you out.
Barrie-James - Strange Desire
Barrie-James
Strange Desire
LP | 2022 | EU | Original (Vacancy)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.
Barrio Lindo - Espuma De Mar
Barrio Lindo
Espuma De Mar
LP | 2022 | AR | Original (Shika Shika)
17,99 €*
Release: 2022 / AR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
White vinyl. Original inner sleeve
Basco - Interesting Times
Basco
Interesting Times
LP | 2018 | Original (Go Danish Folk Music)
25,99 €*
Release: 2018 / Original
Genre: Rock & Indie
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Basia Bulat - The Garden
Basia Bulat
The Garden
2LP | 2022 | EU | Original (Secret City)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bazooka - Kapou Allou (Somewhere Elsewhere)
Bazooka
Kapou Allou (Somewhere Elsewhere)
LP | 2022 | EU | Original (Inner Ear)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The world is falling apart but Bazooka are here with their fourth album. They take us by the hand on a journey to a world above the earth, a world somewhere else.

With 10 songs and their stories captured via the album artwork designed by Australian artist Montero, they transport us to the dreams and nightmares of modern life.

”Kapou Allou (Somewhere Elsewhere)” is clearly the band’s most entertaining and versatile album, their own truth. Bazooka’s craziness and instinctive energy of Bazooka are still there, but accompanied by a great appetite for experimentation and situations that lead the band to an absolute letting go without any restrictions. The final result is the closest that a studio album can get to the band’s live performing sound and that’s what makes this arguably their best album to date.

Recorded and mixed at Arkadikon Studios by Theodoros and Aggelos Bournas.
Beach Fossils - What A Pleasure
Beach Fossils
What A Pleasure
12" | 2011 | US | Original (Captured Tracks)
54,99 €*
Release: 2011 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover with very slightly bumped corner. Red vinyl. Copy closer to NM
Beautify Junkyards - The Invisible World Of Beautify Junkyards
Beautify Junkyards
The Invisible World Of Beautify Junkyards
LP | 2018 | UK | Original (Ghost Box)
18,99 €*
Release: 2018 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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The Invisible World Of Beautify Junkyards is Lisbon band Beautify Junkyards’s third album and effortlessly blend their love of English Acid Folk and Brazilian Tropicalia. In a collection of songs that conjure up a warm and verdant faerie world, delicate acoustic guitars evoke an autumnal England suffused with Iberian heat by other- worldly voices; the ethereal lilt of João Branco Kyron and the warm languor of Rita Vian (a voice redolent of Gal Costa or Os Mutantes’ Rita Lee.)

The production is tempered with a haunted electronic palette that anchors the band squarely in the world of Ghost Box. But more than this, Beautify Junkyards’ sheer song writing talent, production skill and performance virtuosity grant them a place amongst the great outside-of-time bands like Broadcast or The High Llamas.

In 2012, the band’s eponymous first album set out their stall, with a collection of cover versions; mainly of classics of the British Acid-Folk period, but also taking in Tropicalia and German Kosmiche. The album was a hit in Portugal and picked up for airplay in the UK on BBC Radio 2 & 6 Music. Their version of Kraftwerk’s Radioactivity was included on DJ Food’s Krafwerk Kover Kollection.

Their second album in 2015, The Beast Shouted Love, carried their influences forward with original songs and cemented a style that is at once traditional, experimental and exotic. In 2016 the band debuted on Ghost Box with a single as part of the label's Other Voices Series.

Packaging: The lavish packaging on all formats is designed by Julian House with artwork that attempts to capture the band’s love of the Czech New-Wave and the twilight worlds of WB Yeats. The heavyweight vinyl LP includes a free download card.
Ben Woods - Dispeller
Ben Woods
Dispeller
LP | 2022 | US | Original (Shrimper)
28,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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On Dispeller, Ben Woods’s beguiling new album, his intimate experiments in rock paint a vivid portrait. Here, the New Zealand artist leans comfortably into intuition and abstraction. Expansive arrangements are anchored by heavy-lidded prose, while carrying the air of the portside shack it was made in. Dispeller was recorded throughout a year in Woods’s hometown, Lyttelton, with Ben Edwards (Aldous Harding, Marlon Williams, Julia Jacklin) at the helm of the mixing console and co-producing. Utterings, footsteps, and the rattles of the room linger beneath the album’s dense instrumentation, alluding to the familiar space the songs were captured in. Here, Woods’s songs breathe and flourish into their own worlds. “I found my voice in trying to make atonality croon,” he says. “With Dispeller it was less about harmony—the blend was capturing the songs very honestly in the room, and still making each of them to transport you somewhere different.” Even beside Woods’s acclaimed debut, PUT (2019), which saw him sharing stages with Aldous Harding, No Age, Julia Jacklin and Steve Gunn, Dispeller enchants. The songs here are stronger, the instrumentation stranger. With chopped and screwed vocal contributions from underground hero Alastair Galbraith, “Speaking Belt” snaps and pulses with the sordid clatter of a lost Xpressway single. Charlotte Forrester from Womb (Flying Nun) adds their diaphanous voice to “The Strip And Punishing Type”. On fragile duet “Wearing Divine”, Lucy Hunter (Opposite Sex / Wet Specimen) threatens to steal the limelight, before a full hive of Marlon Williams’s honeyed vibrato comes spluttering out of what sounds like a rusted can. Woods’s melodies bring to mind Scott Walker’s dramatic tunefulness, while his voice holds something of Gordon Gano’s waver, pushed through New Zealand vowel mangling. Dispeller’s arrangements hit at the subtle, reactive instrumentation of late-era Fugazi, the glowing murk of Grouper, the Antipodean-gothic drudge of Tall Dwarfs, and the mechanical outer crust of Sparklehorse. However, while Woods experiments with the disparate and the disharmonious, it is the open heart which elevates Dispeller. His voice holds the physical and spiritual middle; flirting with, but never succumbing to the splendour and turmoil which surround it.
Benítez & Valencia - Impossible Love Songs From Sixties Quito
Benítez & Valencia
Impossible Love Songs From Sixties Quito
2LP | 2022 | UK | Original (Honest Jon's)
27,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Gonzalo Benitez and Luis Alberto Valencia were kingpins of the musica nacional movement in Ecuador. Check them out on the cover, on a rooftop in Quito’s Old Town, surveying their dominion. In 1970, when Valencia collapsed onstage during a performance of the yaravi Desesperacion — ‘My heart is already in ashes’ — and died four days later, aged 52, his coffin was carried through those city streets on the shoulders of his fans.

They began singing as a duo in their mid-teens. During twenty-eight years together they recorded more than six hundred songs, for Discos Ecuador, Nacional, Granja, Ortiz, Rondador, Onix, Fuente, Real, Tropical, Fadisa, RCA Victor — and of course Caife.

Their exquisitely romantic harmonising is a sublime blend of collected forbearance and abject self-annihilation, underpinned and elaborated by the heart-piercing, improvisatory guitar-playing of Bolivar Ortiz. Effectively the third member of the group. ‘El Pollo’ sets the tone and intensity for everything that follows: listen to his soloing at the start of our opener, Lamparilla.

Musically a pasillo — a cross between a Viennese waltz and the indigenous yaravi rhythm — Lamparilla draws its verses from a poem by Luz Martinez from Riobamba, written in 1918 when she was 15, under the influence of Baudelaire and Mallarme. Another pasillo here, Sombras is one of the best-loved songs in the musica nacional canon, setting lines about undercover sex and loss by the Mexican poet Maria Pren, which were considered pornographic on publication in 1911.

And Benitez & Valencia looked back still further, to the indigenous roots of Ecuadorian music, as the key to its future. Carnaval de Guaranda is their take on a song dating back to the era of the Mitimaes, a broad group of Bolivian tribes conquered by the Incas and displaced to Ecuador. ‘Impossible love of mine / I love you for being impossible / Who loves what is impossible / Is the truest lover.’

Lovingly presented in a gatefold sleeve with spot-gloss, and printed inners, with stunning photos and expert notes. Excellent sound, drawn from original tapes, by way of Abbey Road, D&M and Pallas.
Benjamin Tod of Lost Dog Street Band - Songs I Swore I'd Never Sing
Benjamin Tod of Lost Dog Street Band
Songs I Swore I'd Never Sing
LP | 2022 | US | Original (Anti-Corp)
27,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Third solo album from the frontman of critically acclaimed dark country trio, Lost Dog Street Band. 10 songs dealing with the pain of loss, and the struggle of maintaining balance in a life fraught with hardship and uncertainty. The stripped down presentation of this collection bares all to the listener and delivers an intimacy that can not be attained with a full band arrangement. Recorded in October of 2021 at Black Matter Mastering And Recording by Benjamin Tod and Dan Emery, using only 2 microphones.
Bennett Wilson Poole - Bennett Wilson Poole
Bennett Wilson Poole
Bennett Wilson Poole
LP | 2018 | UK | Original (Aurora)
21,99 €*
Release: 2018 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Still in shrink, but opened, with hype sticker
Benyamin S. - Funky Kromong Volume 1
Benyamin S.
Funky Kromong Volume 1
LP | 2022 | EU (La Munai)
20,99 €*
Release: 2022 / EU
Genre: Rock & Indie, Pop
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Funky Kromong is a compilation from the multitalented Legendary Betawi artist Benyamin Suaeb. Consisting of 10 tracks from the 70s, this compilation is rich with Benyamin Suaeb’s eccentric vocals with tongue-in-cheek lyrics and walled with funk and psychedelic and traditional sounds. He made is own humorous style of psychedelic music that everyone could relate. We really hope you enjoy this record with beautiful nostalgia in mind. Don’t miss it.
Bert Jansch - At The BBC
Bert Jansch
At The BBC
4LP | 2022 | US | Original (Earth)
93,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
Still sealed. Tear in cardboard covers back spine. Limited edition.
Bert Jansch - Bert At The Bbc
Bert Jansch
Bert At The Bbc
4xLP | 2022 | US | Original (Earth)
116,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Bert At the BBC is a comprehensive collection of Jansch's appearances at the BBC, featuring over eight hours (CD box set & vinyl bonus download) of rare and unreleased recordings, including live-on-air spots, studio sessions and full concerts straight from the BBC vaults, delving further into this legendary performer's canon. Bert Jansch was the very essence of folk music, providing inspiration for everyone from Paul Simon and Neil Young to Led Zeppelin and countless folk revivalists. This unparalleled limited-edition compendium is available as a 4xLP and 8xCD set, housed in a coffee-table book set with a lavish 40-page book tracing the recordings from Bert's earliest moments at the BBC. It includes interviews and insights from Lauren Laverne, Jools Holland, Johnny Marr, Jacqui McShee, Bob Harris, Bernard Butler, Mark Radcliffe and many more. Twenty broadcasters, producers and collaborators contribute at length to the booklet, with great affection for this gentle, maverick genius. Bert's BBC legacy remains the most significant and exciting untapped reservoir of his music. The undeniable advantage of recordings made for broadcast is that they were, by their nature, created for public consumption and, barring live-on-air appearances - which might go well or go badly, but were going out either way - were explicitly signed-off by the artist as representations of his art that were good enough to be heard. The set is compiled by Colin Harper, author of Dazzling Stranger: Bert Jansch and the British folk and blues revival (Bloomsbury, 2000), who contributes detailed liner notes to the package. The release is mastered by IFTA award-winning engineer Cormac O'Kane. The vinyl release features 48 tracks on LP and is accompanied by a download card with over six hours of extras spanning 1966-2009, including BBC4's St Luke's concert (2003), and a complete Queen's Hall, Edinburgh concert (2004) for BBC Radio Scotland. It is also available as a special 8xCD set containing all 147 tracks and encased within a coffee-tab...
Beverley Martyn - Where The Good Times Are (the lost 1967 album)
Beverley Martyn
Where The Good Times Are (the lost 1967 album)
LP | 2018 | US | Original (Fly)
29,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Limited edition for Record Store Day 2018 on clear vinyl!
Beverly Glenn-Copeland - Beverly Copeland
Beverly Glenn-Copeland
Beverly Copeland
LP | 2018 | CA | Reissue (Return To Analog)
48,99 €*
Release: 2018 / CA – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Limited edition numbered reissue from 2018. Tiny wear.
Beyaz Kelebekler - Köln Session 1976
Beyaz Kelebekler
Köln Session 1976
LP | 2018 | EU | Original (Pharaway Sounds)
21,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.
Bibio - BIB10
Bibio
BIB10
LP | 2022 | EU | Original (Warp)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Mint, Cover: Sealed
Bibio - BIB10
Bibio
BIB10
LP | 2022 | JP | Original (Warp)
29,99 €*
Release: 2022 / JP – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Mint, Cover: Sealed
Big Thief - Capacity
Big Thief
Capacity
LP | 2017 | EU | Original (Saddle Creek)
21,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.
Bill Fay / Julia Jacklin - Just To Be A Part
Bill Fay / Julia Jacklin
Just To Be A Part
7" | 2022 | US | Original (Dead Oceans)
11,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Bill Fay / Kevin Morby - I Hear You Calling
Bill Fay / Kevin Morby
I Hear You Calling
7" | 2022 | US | Original (Dead Oceans)
16,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.
Bill Fay / Mary Lattimore - Love Is The Tune
Bill Fay / Mary Lattimore
Love Is The Tune
7" | 2022 | US | Original (Dead Oceans)
11,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.
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