Folk 1035 Items

The Slam! Years (1983-1988)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Incredible 1954-1964 black pre-pop dance music. The Club Methusalem, Nomen est Omen, is musically dedicated entirely to the biblical times of modern popular music. In our definition it sounds like this: We are playing mid 1940s to early 60s rhythm´n blues, rumba, mambo, cha-cha-cha, rock´n roll, early soul, ska, jazz, schlager, doo wop, gospel, twist – vinyl only. Founded in summer 2016, the Methusalem DJ collective was the musical host in Vienna’s most beautiful urban garden location, the Volksgarten Pavilion, for three summers every thursday. Other locations followed. The Methusalem sound refers to the 500 year old African diaspora, which produced countless musical blossoms in the middle of the twentieth century (see definition). We also shed light on the shock waves of these then new styles on the European music market. Our goal is to show everyone when pop music was at its most beautiful: At the time it was created! Vinyl only is a matter of honor for us. The trend of rediscovering the old dances of the era before, such as Lindy Hop, Shag, Charleston etc., takes us further to the times when all these styles merged into one, the “Rockin an Rollin”, the harbingers of soul and funk, and thus modern pop music. Methusalem DJs: Mrs. Lovett, Don Arno, Turner T., Nikola, Bunani, Levi, Fernando Terror, Scott, Darking Max

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Hamid El Shaeri

CD | 2022 | US | Original (Habibi Funk)

15,99 €*

Persian Girl Yellow Vinyl Edtion

Release: 2022 / US – Original

Genre: Rock & Indie

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Full album dedicated to Hamid El Shaeri’s work on the Egyptian Slam! label. Hamid El Shaeri is the artist behind Habibi Funk’s most popular song to date, “Ayonha”, originally re-released in 2017 on the first Habibi Funk Compilation (habibi007). If you were to ask for a defining Habibi Funk track, there are a few that come to mind: from Fadoul’s “Sid Redad,” Dalton’s “Soul Brother” to Ahmed Malek’s “Omar Gatlato.” However, none are as widely connected with us at this point as Hamid Al Shaeri’s “Ayonha.” We heard the track for the first time when we were working on selecting tracks for your first compilation and we instantly loved it. We obviously had heard of Hamid El Shaeri’s music before, but only material from his Al Jeel phase when he was already the full-blown superstar he is now. Listening to his releases from the early 1980’s opened a whole new door for us. At the time, Hamid had just left Libya to pursue his career in Egypt via a detour in London, where he recorded his first album. Hamid’s distinct sound of the sound is quintessentially reliant on heavy synths and so it was particularly important to purchase these synths in a timely manner. “Whenever a new one [synthesizer] would come out, we would have to buy it immediately, otherwise someone else would get their hands on that sound.” London also played an important role for Hamid as a musical epicenter. He fondly reminisces about the many live shows he attended there, including some of the biggest international musicians like Freddie Mercury and Michael Jackson. After returning to Cairo where he also recorded his following albums, he connected with Slam! for the release of his debut, laying the foundation of a collaboration that lasted for 5 albums. Luckily, we were able to connect with Hamid through our friend Youssra El Hawary, whose extensive network has opened many doors for us within the Egyptian music scene. We met Hamid for the first time probably in 2016 at his office / rehearsal studio in the outskirts Cairo. We were expecting a larger-than-life character in-line with his status as a certified superstar, yet the actual person turned out to be very approachable and super easy to connect with. He liked the idea of an effort to amplify his early works again, which, when originally released, were far from an economic success. While he was down to assist with an interview and his blessing for the project he also told us that for any license we needed to speak with the original label Slam! who released these songs, still held the rights and also remained in business over the decades though they didn’t actively release any new music. Hany Sabet had started Slam! Records in the early 1980s and focused on cassette tape releases, the format that expedited the success of a new generation of record labels in Egypt. By the mid 1980’s, Slam! had become one of the most successful and economically dominant record labels in Egypt, with Hamid El Shaeri being just one of their key artists, alongside Mohamed Mounir, Hanan, Hakim, Mustafa Amar and many more. Luckily, Hany Sabet turned out to be a friend of our colleague Malak Makar’s father, which probably helped to warm him to the idea of licensing “Ayonha” to this - in the scale of his world - tiny label from Germany. Eventually “Ayonha” ended up b ecoming a widely successful release and either Hany or we brought up the idea of a full album dedicated to Hamid El Shaeri’s work on Slam!. "Maktoub Aleina” is the first single and will be released January 14th. Following the massive success of "Ayonha,” “Maktoub Aleina” is another mid-tempo groover with a beautiful, synth-forward melody, that brings together a lovely combination of soul, disco and Arabic pop music of the highest order, giving a taste of full album. The second single, “Yekfini Nesma Sotak” will be released January 28th and combines Hamid’s unique formula of soul and pop, held together by a catchy synth melody. “Yekfini Nesma Sotak” picks up the pace a bit, making the uplifting mood of the track even more powerful. Third single, arriving February 11th, is “Dari Demou’ek,” one of the stand out tracks of Hamid’s early recordings done for Slam! in the early 1980s. Dominated by a disco infused bassline, the track offers a lot of space of the funky production to shine while Hamid inserts his vocals at all the right moments. A masterpiece of disco touched by Arabic pop music. Full album arrives February 25th. This release is dedicated to Hany Sabet, the founder of Slam! and his wife Rosemary Jane Sabet (who took the photos we used for the cover and the booklet), who sadly passed away during the time it took us to prepare the release. As always both vinyl and CD come with an extensive booklet with an interview with Hamid as well as unseen photos.

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The Engineers

7" | 2022 | EU | Reissue (Juzz)

20,99 €*

Time-Lapse Nature Green & White Marbled Vinyl Edition

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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The Engineers, Abas Miraftab and Reza Agah, recorded and produced this 7’ "Persian Girl" sometime in the late 60s or early 70s. The first edition was independently pressed outside of Iran and only a few copies exist today. Little else is known about the band's music or history.

This stereo recording by far is the best & strongest rhythmic Persian music ever recorded the power burned in the grooves is immense. Turn the volume up, it will make you feel happy to listen & dance to.

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Diatom Deli

Time-Lapse Nature Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Diatom Deli's Time~Lapse Nature is a channel between cerebral ascension and somatic memory, tethered to the micro-present though humbled by a beyond. Dilated by celestial fluctuations and dynamic flutters, the reverberations from the Taos-based artist's new album culminate through airy tests of vocal layering, longing guitar laments, and discreetly sourced sound, compelling Deli's commitment to esoteric precision and impulse. Delisa Paloma-Sisk was born and raised in Clarksville, Tennessee, an hour north of Nashville and many more from Lares, Puerto Rico, where she spent extended time with her mother's side of the family while growing up. Deli recalls hearing her grandmother's neighbor playing classical guitar every night during one visit to Lares, the melodies lingering and resurfacing while she self-taught herself the instrument in her early teens and then formally studied it in college. Deli would gradually bring together the guitar, synthesizer, and her own voice, recording and releasing two albums, Feelsounds and TQM (Te Quiero Mucho), as Diatom Deli in 2015 and 2017. Written between 2016 and 2019, Time~Lapse Nature embodies Deli's generous, ongoing excavation of her inner emotive spectrum and offers listeners a lush, loving overgrowth; a hiding place for heart-centric radiation. After several synchronistic and collaborative encounters, the album was channeled with the help of Michael Hix (synthesizers, connective magic) and Bryan Talbot (engineering, soundscapes), Deli steadfast at the center, a transparent catalyst for the album's omniscient landscapes and fleeting tenor. Deli's affecting process is palpable throughout the eight songs of Time~Lapse Nature; moods move like planets in thick orbit, spinning forward like an anti-apology, embracing new feeling frequencies where vulnerability radiates tenderly in tonal embers, conveying an exalted melancholy that sticks the moment it lands. A clairsentient offering from Deli, where sound imparts knowing, and is felt more than heard, Time~Lapse Nature is a space to which listeners are invited to commune in a hymnal harmony, prismic beams stretching over sweet, nourishing water. Like a mist dissipating over open fields, Time~Lapse Nature incants a process of succulent renewal towards the mythic, eternal_summoning each listener to delight in the resounding stillness.

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Diatom Deli

22,94 €* 26,99 € -15%

Out To Sea Sailed On Record Store Day 2022 Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Carlton Melton

2LP | 2022 | US | Original (Agitated)

34,99 €*

2LP | 2022 | US | Original (Kill Rock Stars)

Release: 2022 / US – Original

Genre: Rock & Indie

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Long out of print Melton classic from 2013.. Given deluxe repackage. New screen printed "dark Night" Sleeve. Silver ink on black card.. Numbered in silver. Includes print of original front cover.. White vinyl sides A/B // Blue VInyl Sides C/D Out to Sea sees Carlton Melton expand the psychedelia and free outrock sound of their previous output to its furthest horizons. Huge rhythms, outta space riffage, sparkling synths, pastoral passages, searing shards of molten guitar, smothered ambience and gentle guitar-picking all flow together into waves of sound to lap at the shores of your senses.

We’re gonna need a bigger boat.

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Horse Feathers

House With No Home

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Nie X Nine)

Whelligan

In The Mean Mean Time

21,24 €* 24,99 € -15%

2LP | 2022 | EU | Original (!K7)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Songwriter and singer Jamie Whelligan is a pop troubadour in the classic late 1960s mode. A busker on the London Underground, an actor in arthouse film. One of those ever present characters who seems weirdly displaced in the modern world. • Whelligan’s songs mine that vein of melodic, psychedelic guitar pop that a certain type of English band are famous for. With songs spinning effortlessly from one genre to another, fans of XTC, Syd Barrett, and even The Rutles won’t be disappointed. • Recent years have seen Whelligan focus on a project called ‘Annexe The Moon’. A modern-psyche collaboration with award winning BBC Sound Designer/Producer Phil Channell (#1 podcast Death In Ice Valley). Their single ‘Full Stop’ was a firm favourite on Bbc6 Music, with notable plays from Guy Garvey, Radcliffe and Maconie, Vic Galloway, Marc Riley and Steve Lamaqc. • 2021 saw the first of a new crop of Whelligan tunes, and his forthcoming album ‘In The Mean Meantime’ is lined up for release in April ‘22. Co-produced by long term collaborator Nick Frater (Big Stir Records/Great Sheiks) whose trademark sonic fairy-dust brings the magic of Whelligan’s tunes to your ears. • Sweet vocals harmonise over warm and wiry guitars, while inventive lyrics are matched with floating melodies. The album promises an enjoyable trip down a psyche-pop rabbit hole

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Wema

30,99 €*

LP | 2022 | UK | Original (Voices Of Wonder)

Release: 2022 / EU – Original

Genre: Rock & Indie

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For Wema, collaboration is a state of mind. The five-piece collective - consisting of Tanzanian multi-instrumentalist Msafiri Zawose, producer Photay and Penya members Magnus P.I, Lilli Elina and Jimmy le Messurier - is an artistic pursuit founded on community; a space in which to harness the transformative power of connection. Translated from Swahili, 'wema' means kindness and benevolence - virtues that lie at the core of the project, and are reflected in the group's world-embracing approach to music. "Wema is a state of gratitude and belief, without sorrow or grief. It's about giving your entire heart," Msafiri declares. Wema's beginnings, however, have a more cosmic origin. As the world ground to a halt in March 2020, Photay and Magnus were both feeling the strain of creative burnout. Both artists had been keen to collaborate for a while, but the stars never quite aligned - until an off-hand conversation about the pressures of losing yourself to a project sparked an unlikely moment of inspiration. The pair began exchanging their backlog of beats, home-spun demos and unfinished ideas. Before they knew it, their songs began to take real shape - and it was some of the most invigorating music they'd ever written.

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Minor Majority

Kiss Off

Resan White Vinyl Record Store Day 2022 Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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NEW Album From Minor Majority!!

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Urferd

LP | 2022 | EU | Original (Sound Pollution / Black Lodge)

LP | 2022 | US | Original (Feeding Tube)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2022.

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Dan Melchior

CB Odyssey

27,74 €* 36,99 € -25%

LP | 2022 | US | Original (Grapefruit)

Release: 2022 / US – Original

Genre: Rock & Indie

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"One of the great joys of the ever-evolving catalog of DAN Melchior is hearing where in the spectrum of styles that he has mastered each record falls. From studio recordings to lo-fidelity home experiments, full band rockers or plaintive solo excursions, fans never know what they are going to get until the needle drops. Those of us who have followed Dan on his prolific pathways are ready for anything but always assured that the spirit of the artist himself, one unique enough to be its own in any form, will deliver and somehow deal with the ramifications of an increasingly maddening world. Dan's first full length of 2021, CB Odyssey, (co-released by the Feeding Tube/Sophomore Lounge) continues in his fine tradition of excellence, this time finding the middle ground of his stylistic extremes. A master of modern song-craft, Melchior returns with CB Odyssey to deliver a further treatise on the agonizing futility of contemporary life. Neither pandering to sentimentality nor cultural trends, Melchior embraces the crass absurdity of modern existence, delivering a multi-faceted view of the everyday. These scenes offer illuminations into the hilarious, the macabre, the pointlessly hip, and most elegantly, the details of the normalcy that few writers of our time seem to be able to capture. The cast of characters on CB Odyssey range from middle-aged self-satisfied artists who have never courted popularity to woke millennials trying to teach mosquitos that it's not nice to bite. The listener is taken to vistas never before traveled such as encounters at the only Wendy's in North America that employs a real live sloth who can grow a beard while you wait for your fries. Melchior delivers these psychedelic visions, not ones of utopia or escapism but of a painfully blinding truth. And such is a truth that can only really be delivered in such a voice by Dan Melchior and CB Odyssey is among his finest examples of his craft. There will most assuredly be more. That is if the mosquitoes don't be the death of him."—Steve Lowenthal , 2022

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Caroline No

7" | 2022 | US | Original (Speakeasy Studios Sf)

Release: 2022 / US – Original

Genre: Rock & Indie

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“Caroline No’s third album was built around a set of songs I was writing in the summer of 2019. I built the songs around real events, but looped these narratives into stories from song histories. The result is like an intersection of Brill Building characters such as Carole King and Neil Sedaka with the bedroom fanaticism of historical music projects like Virgin Insanity. After a year of playing the songs live in various formations, we aimed to record in the Australian summer. We knew Jim [White] (Dirty Three, Crime & The City Solution, Venom P. Stinger, etc) was going to be in Melbourne, and soon after he arrived in Australia, we met at Mick [Turner]’s (Dirty Three, Venom P. Stinger, etc) studio. Nick [Imfeld] and Mick engineered, with Ian [Wadley] (Small World Experience, Mad Nanna, etc) on bass, Jim on drums, Mick, Dee [Hannah] and me [Caroline Kennedy] on guitars, and Dee and me singing. The sense of intuitive knowledge and performance was exhilarating as we played. We spent two days in the studio, and when we listened back later, it seemed a compelling representation of what had happened, captured live. “The band on this album are artists I grew up with. We were friends first, and engaging with the material, there was no formal structure to follow. Our interpretive approach meant the songs grew from simple structural frames and narrative poetics into full sonic landscapes, engaging across pop, folk, psychedelia and improvisation. Caroline No became—for this iteration—a shifting sonic space tied to intimacy, musical conversation and relationship, expressed in an open improvisatory way. The sound of the record is the result of trust, responsiveness and mutual knowledge. “The name Caroline No was an imaginary character through much of the work, arising from the Beach Boys’ melancholic paen to encountering a past lover who has cut her hair off. My idea was for Caroline No to become the locus for an ongoing composition project where I would write back into songs’ history the perspective of patriarchal song’s subjects. “This is a recuperative project of easeful making; attempting reclamations of lost narratives, exploring love, loss and the psychedelic of the everyday.” —Caroline Kennedy

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Andres Miguel Cervantes

A Coal For Caring

14,99 €*

Mohammed After Hussain & Paq

Release: 2022 / US – Original

Genre: Rock & Indie

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The first single off of The Crossing album—“A Coal for Caring” and “The Barstow Street Blues (acoustic)”—features Andres Miguel Cervantes alone, singing and playing his acoustic guitar. They were recorded live using only one microphone during the album’s first “demo” recording sessions. Alos includes the instrumental, “The Tales You Tell,” with album musicians Jacob Aranda, Alicia Vanden Heuvel, James KIM and ED Ivey.

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Matir Gaan: Songs From The Earth

LP | 2022 | UK | Original (Hive Mind)

LP | 2022 | US | Original (Dead Oceans)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Matir Gaan is a collaboration between young Bengali migrant, Mohammed After Hussain and Italian electronic artist, Andrea Rusconi (aka Paq). The resulting album delightfully combines the ancient folk songs of Md After's homeland with Paq's cosmic synth exotica.

Mohammed After Hussain escaped Bangladesh in 2015 and arrived in Italy in 2017 after a long and dangerous journey across the Mediterranean from the violence he found in Libya. In Italy he found safety and hospitality as an asylum seeker in Rimini's Associazione Ardea, where Andrea is involved with 'Ardea Recordings' - a project aiming to create an archive of songs, stories and sounds by some of the people who spent some time with Ardea's refugee programme.

Md After was invited to sing and play the folk and village songs he knew on the harmonium and pakhawaj (two headed drum) while Andrea immersed himself in the songs providing a bed of warm Crumar synth and Veena drones to create a finished album of totally uniquela renditions of the mystic Baul folk songs known so well by people across the Bangla speaking regions of India.

The Bauls are a famous group of wandering minstrels from the region of Bengal whose culture is derived from the teachings of the early Sufi mystics and Hindu Fakhirs. The Baul devotees are considered to be mad, or possessed, with the love of God. While transcending religion the Baul compositions celebrate celestial and earthly love and expound the key philosophy of “Deha tatta” or truth in the body, epitomised by the aphorism “whatever is in the universe is in the body”. They reach for divinity here in this world and they seek to access it through music and dance. They seek spirituality in the music, they live fo r the music, wandering from village to village offering ecstatic sound waves in exchange for sustenance. Their presence remains an important part of village life in Bangladesh, and this is why Md After knows the songs despite the fact he would not consider himself part of the Baul ascetic tradition.

We hope you'll enjoy this wonderfully psychedelic album, with its unique interpretations of these ancient mystic songs from the earth.

Comes with a printed inner sleeve featuring sleeve notes and lyric translations by Brian P. Heilman

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Bill Fay

Still Some Light: Part 2

32,99 €*

Bill Fay / Mary Lattimore

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay has always sung about attempting to understand themost universal questions: those of nature, spirituality, humanity. His songs are "calming hymns for another chaotic time", he says. His influence can be traced through many artist's work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93), Still Some Light was released as a double CD, made up of 70's album demos (Disc One) and 2009 home recordings (Disc Two). This year, for the first time, this collection of recordings will be pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and...

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Love Is The Tune

7" | 2022 | US | Original (Dead Oceans)

11,99 €*

7" | 2022 | US | Original (Anti-Corp)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.

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Lost Dog Street Band

Glory

16,99 €*

Muslimgauze Vs The Rootsman

Release: 2022 / US – Original

Genre: Rock & Indie

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45rpm 7'' of the 2 namesake songs from the Lost Dog Street Band full length album 'glory'. 'Until I Recoup (Glory I)' recounts time wasted as a youth and the urge to reclaim one's path to righteousness, set to a heavy handed minor waltz. On the reverse side, 'I Believe (Glory Ii)' gives an optimistic nod towards a destiny attainable, backed with traditional style clawhammer banjo and bluegrass banjo.

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City Of DJinn

2LP | 2022 | EU | Original (Via Parigi)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2022 | EU | Original (Radicalis)

String Theory

Origin

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lil G.L.Presents: Jukebox Charley

Charley Crockett

LP | 2022 | EU | Original (Son Of Davy)

24,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Wagram)

Ella Fitzgerald

How High The Moon ?

Release: 2022 / EU – Original

Genre: Rock & Indie

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I'm The Sky: Studio And Demo Recordings, 1964-1971

Norma Tanega

2LP | 2022 | EU (Anthology)

38,99 €*

Release: 2022 / EU

Genre: Rock & Indie

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Embla And The Karidotters

Hello, I'm Embla

LP | 2022 | EU (Die With Your Boots On)

24,74 €* 32,99 € -25%

Release: 2022 / EU

Genre: Rock & Indie

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LP | 2020 | EU | Original (Sony)

Johnny Cash

Greatest Hits Volume 1

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Very Best Of Dolly Parton

Dolly Parton

2LP | 2020 | EU | Original (Sony)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Ride On White Record Store Day 2022 Vinyl Edition

Christy Moore

12" | 2022 | EU (Warner Music)

Release: 2022 / EU

Genre: Rock & Indie

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Jim Reeves / Floyd Cramer / Chet Atkins

In Suid-Afrika / Country Side Of Jim Reeves

LP | 2017 | EU | Original (Vinyl Passion)

13,49 €* 14,99 € -10%

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU (Outside Music)

Abigail Lapell

Stolen Time

Release: 2022 / EU

Genre: Rock & Indie

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10" | 2022 | EU | Original (Stag-O-Lee)

V.A.

Gunsmoke 08

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Psychic Hotline)

The Dead Tongues

Dust

American Foursquare Translucent Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Dust is the fifth album from The Dead Tongues, the folk project of the North Carolina-based songwriter and multi-instrumentalist Ryan Gustafson. Written in a near-fever dream of inspiration in a rural expanse of western North Carolina, Dust combines folk and jam-band spaciousness with overgrown nature imagery and ego death. It's an identity crisis caught on tape, an exploration of how turning away from your art can be the thing that ultimately leads you back. As Gustafson puts it best in the lyrics of Dust: Some stories have no endings, some things never die.

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Denison Witmer

LP | 2022 | US | Original (Asthmatic Kitty)

LP | 2022 | EU | Original (Vacancy)

Release: 2022 / US – Original

Genre: Rock & Indie

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American Foursquare, Denison Witmer's 10th - and best - album finally receives its long-awaited physical release. Written after relocating his family to his hometown of Lancaster, PA, it's a response to these major life changes - a meditation on empathy, on love and on the meaning of home.The CD version includes a bonus disc of simplified arrangements and a brand new song, Lancaster County."An album of extraordinary beauty and emotional force_ His Songs are like exquisite miniatures" The Sunday Times"American Foursquare' is a breathtaking, humble outpouring of reflection capturing growth, change, longing, and contentment: In other words, it's the soundtrack to a life lived." Atwood Magazine

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Barrie-James

Strange Desire

Sergio Messina & The Four Twenties

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Sensual Musicology

LP | 2022 | UK | Original (Hell Yeah)

19,99 €*

It's Just Wind Record Store Day 2022 Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Legendary Italian musician Sergio Messina serves up his 13 track Sensual Musicology on Hell Yeah this March. It comes a couple of years after he first released on the label's Buena Onda compilation and takes in everything from demented waltz to grown-up jazz, groovy beach music to heart-aching melancholia with artwork by virtuoso Italian AD DeeMo. Now based in Lombardy, Sergio was there at the birth of pirate radio in the mid-seventies and eventually produced Radio art for national broadcaster Rai. At the same time, his DJ career took off and he helped establish Hip hop in Rome before taking his own live show to the stage with a mix of PCs, samplers and tape recorders as early as 1989. Frank Zappa declared himself a fan and in the years since Sergio has done everything from radio art to producing Neapolitan reggae and hip hop band 99 Posse, producing his own solo albums and writing for monthly music magazine Rumore.

On top of this, he has both written books about and delivered lectures on the digital porno revolution, as well as teaching History of Pop Culture at the Istituto Europeo di Design in Milan. All this makes him a truly original creative thinking who has long been immersed in many niche facets of popular culture. Sensual Musicology took several years and four different locations to happen. Its release has been delayed by the pandemic, during which Sergio lost many friends and relatives close to him. As a result, the album is dedicated to all of them. It is a record that addresses many topics from economic migration to jazz piano, 60s blues motifs to corruption, pollution and racism via Michael Jackson covers, odes to West Coast guitar albums and spaced-out pieces of electronica. Opening with the beautifully delicate Mingus melodies of 'Goodbye Porkpie Hat' the album roams through the bluesy Italo-American-Jamaican groove of 'Amara,' slow melancholy of 'Sometimes Remember' with classy vocals from chanteuse Valeria Rossi and 'The Way You Make Me Feel', an acoustic rebuild of Michael Jackson's hit song. Then comes the serenade that is 'Just Because You're Dead,' and ‘Sono Stufa di Tutto’ which is based around a protest speech recorded from the radio in the 1980s. Jon Hassell Beach Bar' is a musical hybridisation for dancing pleasure. The second half of the album takes in 'Ouana Di lambo' which is the Four Twenties taking you to a cocktail bar in the tropics, 'Benjamino Placido' which is a melody for a man who inspired Sergio to start writing his columns, and 'Nowhere Special' which is a tribute to West Coast guitar albums. Closer ‘Switchblade Bolero' has a Zappaesque theme. Sensual Musicology is a rich and diverse musical world that is as thought-provoking and deep as it is emotionally rewarding.

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Ade & Connan Mockasin

LP | 2022 | US | Original (Mexican Summer)

Release: 2022 / US – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Wiggy Thump)

Whiskey Myers

Tornillo

33,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Wiggy Thump)

Whiskey Myers

Tornillo

33,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The O-Zone Percussion Group

The Percussion Record

LP | 2022 | EU | Original (Clearaudio)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Label Bleu)

David Krakauer

Mazel Tov Cocktail Party

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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49 Winchester

Fortune Favors The Bold

Release: 2022 / US – Original

Genre: Rock & Indie

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This Is Cairo Not The Screamers

V.A.

LP | 2022 | EU | Original (Nashazphone)

24,99 €*

LP | 2022 | US | Original (Yep Roc)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7 intense Egyptian shaabi remixes by Cairo's finest: Zuli, 1127, 3Phaz, Abadir, Nadah El-Shazly, Kzlk & Youssef Abouzeid.

The adrenalised, electrification of Egyptian Shaabi music in recent years has produced absolutely scorching tracks, and Nashazphone’s This is Cairo Not The Screamers can certainly be added to those ranks. Shaabi translates directly as ‘of the people’. Here, it serves as a vehicle for the incendiary and propulsive. Raw power, Cairo-style, distorted variations on a theme.

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Grant-Lee Phillips

All That You Can Dream

Angel Olsen / Karen Dalton

Release: 2022 / US – Original

Genre: Rock & Indie

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Grant-Lee Phillips' new album, All That You Can Dream, is a turbulent and highly musical rumination that finds the veteran singer-songwriter addressing the strange fragility of life. The collection of songs bears the markings of his prolific output, a melodic prowess and an ear for lyric in everyday conversation. Comparable to the works Low or Duster, Phillips offers a salve to a wounded world, struggling to regain equilibrium. This is Grant-Lee Phillips at his most reflective, wrestling with the most pertinent of questions. Focusing on life in quarantine ("A Sudden Place," "Cruel Trick") and the ever-shifting political landscape ("Rats in a Barrel," "Cut to the Ending"), this collection shows that Phillips remains one of the finest singer-songwriters of our time. A limited edition art postcard featuring original artwork from Grant-Lee is included with this LP pressing.

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Something In Your Mind

7" | 2022 | US | Original (Light In The Attic)

10,99 €*

Die Neue Heiterkeit Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

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Sophia Blenda

LP | 2022 | EU | Original (PIAS Germany)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Die Neue Heiterkeit Black Vinyl Edition

Sophia Blenda

LP | 2022 | EU | Original (PIAS Germany)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Neon Blue Black Vinyl Edition

Joshua Hedley

Neon Blue Coke Bottle Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Joshua Hedley is 'a singing professor of country & western,' he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it's not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he's devoted his entire life to the study of this genre. His previous records have showcased his deep knowledge of country musics history, in particular the beery ballads of the 1950s and '60s. Neon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. Neon Blue asks, What if that fork had never happened? What if country kept on sounding like country?' Hedley finds something exciting in that old hat-act sound, and Neon Blue plays up the excitement of bigger-than-life choruses, the relatable emotions of those sad-eyed ballads, and the inventiveness of the lively production.

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Joshua Hedley

Blackberry Rose Blackberry Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Lavender Country

LP | 2022 | US | Original (Don Giovanni)

In February Pink Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Four decades after releasing the first openly gay country album, Patrick Haggerty & Friends are back with a fresh batch of songs as poignant as ever. Running the gamut from gut-wrenching ballads to rowdy marxist singalongs, Haggerty uses his knack for sharp storytelling to shine a light on institutionalized racism, sexism, classism, and homophobia. The current emergence of fascism and the deep political divisions in American culture are making Lavender Country a critical component of progressive and radical politics. 'Now 74 years old, Haggerty again respects no limits lyrically or musically. Where else can you hear a honky-tonk number about author and activist Clara Fraser, a socialist and radical feminist who died in 1998?' - Country Queer 'The band on the album is both cross-generational, cross-gender, and multi-racial, the kind of Lavender Country community described in the title track of the first album' - Adobe & Teardrops 'The new music blends a striking mix of radical queer and socialist politics, rural aesthetics, and classic country sound. Haggerty examines the risks intimacy, lust, and unconventional values pose to those seeking human connection and purpose in life' - Slate

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Isik Kural

In February Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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On in february, Isik Kural works like a photographer of sound, documenting the passing and returning of time as if material snapshots of life's temporality. Across the album's twelve songs, each composed from chance loops and cocooned within the soft container of Isik's memorable voice and melody play, time is held on to hopefully, impossibly, eternally.Born in Istanbul, Isik studied music engineering at the University of Miami, alighted in New York City, and eventually settled in Glasgow, immersing in a sound design masters and audiovisual practice. While these paths guided him between different projects and cities, a voice was simultaneously growing inside the artist, informed by a vision of the world in its everyday luminosity. This voice was expressed in the lyrical and instrumental waves of 2019's As Flurries, a cassette collection for Italian label Almost Halloween Records.It was during a brief trip home to Istanbul in 2019 that the invisible details of in february were first exposed. While assisting on a session at his old haunt Babajim Recording Studios, Isik happened upon a beautiful piano, the kind "in which you hear a melody with the touch of a single note." A looped segment from a recording of improvised tinkering on the instrument formed the basis "pillow of a thought," which christens Isik's new album. A bed for a passing notion, image, moment.Adopting this novel way of working, Isik produced another twelve passages made from loops of unexpected recordings, nothing over three minutes. Eschewing both compositional plans and live performance proclivities, which had informed previous creative explorations, Isik sought a more instantaneous effect. Minute nylon string refrains, lilting synthesizer hums, and a scrap of a chamber recital are collaged with sympathetic verse and synesthetic details captured around Glasgow and activated at Green Door Studios.Literary images also accompany the sensory of in february, weaving wanderlust symbolism through these spiraling studio and field documents. At...

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Isik Kural

CD | 2020 | UK | Original (Lewis)

Release: 2022 / US – Original

Genre: Rock & Indie

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Skinshape

Umoja

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Mais Um Discos)

Jucara Marcal

Delta Estacio Blues

Take Your Time / Marabi Blues

Release: 2022 / EU – Original

Genre: Rock & Indie

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On Delta Estácio Blues, Sao-Paulo-based singer, composer and actor, Juçara Marçal delivers an electric, unflinching take on contemporary Brazil where samba, tropicalia and maracatu are reimagined via hip-hop production techniques. Created under an oppressive political climate as Brazil suffered from the pandemic, pain, anguish, chaos and anger run through Delta Estácio Blues. Co-produced by Marçal with fellow Metá Metá founder Kiko Dinucci the album was partly inspired by Danny Brown's 201 7leftfield rap masterwork 'Atrocity Exhibition'.

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Makgona Tsohle Band

7" | 2022 | UK | Original (Umsakazo)

13,99 €*

Impossible Love Songs From Sixties Quito

Release: 2022 / UK – Original

Genre: Rock & Indie

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• Fully licensed and restored from the original master in the Gallo Record Company vault. • Featuring Teaspoon Ndelu, West Nkosi and Michael Xaba on saxophones and Marks Mankwane on lead guitar. • Includes new liner notes and full recording personnel on sleeve rear. • Strictly limited run of 500 copies!

'Umsakazo Records is proud to present the first in a series of limited-edition replica 45rpm records. This collection of ‘seven singles’ has been carefully curated from key holy-grail recordings made during the golden age of South African township jive. It is fitting that the first in this series comes from the band so closely identified with the genesis of the style – the Makgona Tsohle Band, the hardest working session team in apartheid-era South Africa.

Under the guidance of talent scout and producer Rupert Bopape, the Makgona Tsohle Band (“The Band That Can Do Anything”) would underpin literally hundreds of recording sessions as the house band of Gallo Africa’s Mavuthela Music subsidiary from its launch in 1964 right through to 1977. This included all of the hit records made by Mahlathini and the Mahotella Queens, as well as classic hits from the Mthunzini Girls, Irene Mawela, Abafana Baseqhudeni, Lemmy ‘Special’ Mabaso, Reggie Msomi, Sipho Bhengu, Teaspoon Ndelu and so many more artists essential to the sound of urban jive music.

The Mavuthela operation formed the core of Gallo’s ‘black music’ production and, by the mid-1970s, accounted for as much as 20% of the organisation’s total income. Mavuthela’s market dominance was usually attributed to the resourcefulness of director Bopape, along with the well-oiled machine that was Gallo Africa. True enough, Mavuthela releases were of a high musical and technical quality and were always well publicised, be it through Gallo’s promotions department or the countless stage performances made by Mavuthela artists in South Africa and neighbouring countries.

But the Makgona Tsohle Band was the real secret to Mavuthela’s success. Its repertoire stretched from traditional sax and accordion jive right through to disco and ‘English pop’, and this 45rpm sees them effortlessly tackling the burgeoning 1970s Soweto soul-jazz sound. Ironically, the musical influence behind this recording was almost certainly Michael Xaba, the seasoned African jazz veteran who had scornfully referred to the newer strains of jive in the late 1950s as ‘mbaqanga’. As the Makgona Tsohle began making history as the country’s first all-electric ensemble, that epithet would resurface and was eventually ‘reclaimed’ as a term of endearment for the music they had largely created. By the 1970s, Xaba and a number of other longstanding jazzmen found themselves employed by Mavuthela as musical directors, under the initiative of Bopape who was not particularly musically inclined himself. The Makgona Tsohle Band members consequently gained a rich musical education and were fully equipped to move into arranging and producing roles when Bopape retired in 1977.

Issued only once on a 45rpm single in 1972 - and restored from the original master in Gallo’s Johannesburg tape vault - “Take Your Time” and “Marabi Blues” both offer new insight into the diverse catalogue of this greatest of all mbaqanga bands.'

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Benítez & Valencia

2LP | 2022 | UK | Original (Honest Jon's)

Songs My Friends Wrote Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Gonzalo Benitez and Luis Alberto Valencia were kingpins of the musica nacional movement in Ecuador. Check them out on the cover, on a rooftop in Quito’s Old Town, surveying their dominion. In 1970, when Valencia collapsed onstage during a performance of the yaravi Desesperacion — ‘My heart is already in ashes’ — and died four days later, aged 52, his coffin was carried through those city streets on the shoulders of his fans.

They began singing as a duo in their mid-teens. During twenty-eight years together they recorded more than six hundred songs, for Discos Ecuador, Nacional, Granja, Ortiz, Rondador, Onix, Fuente, Real, Tropical, Fadisa, RCA Victor — and of course Caife.

Their exquisitely romantic harmonising is a sublime blend of collected forbearance and abject self-annihilation, underpinned and elaborated by the heart-piercing, improvisatory guitar-playing of Bolivar Ortiz. Effectively the third member of the group. ‘El Pollo’ sets the tone and intensity for everything that follows: listen to his soloing at the start of our opener, Lamparilla.

Musically a pasillo — a cross between a Viennese waltz and the indigenous yaravi rhythm — Lamparilla draws its verses from a poem by Luz Martinez from Riobamba, written in 1918 when she was 15, under the influence of Baudelaire and Mallarme. Another pasillo here, Sombras is one of the best-loved songs in the musica nacional canon, setting lines about undercover sex and loss by the Mexican poet Maria Pren, which were considered pornographic on publication in 1911.

And Benitez & Valencia looked back still further, to the indigenous roots of Ecuadorian music, as the key to its future. Carnaval de Guaranda is their take on a song dating back to the era of the Mitimaes, a broad group of Bolivian tribes conquered by the Incas and displaced to Ecuador. ‘Impossible love of mine / I love you for being impossible / Who loves what is impossible / Is the truest lover.’

Lovingly presented in a gatefold sleeve with spot-gloss, and printed inners, with stunning photos and expert notes. Excellent sound, drawn from original tapes, by way of Abbey Road, D&M and Pallas.

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Corb Lund

21,69 €* 30,99 € -30%

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Latent)

Jerry Leger

Nothing Pressing

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (World Circuit)

Oumou Sangare

Timbuktu

30,99 €*

LP | 2022 | US | Original (Yep Roc)

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Grammy award-winning Malian global superstar Oumou Sangaré has returned with her most ambitious work to date. Sangaré is renowned worldwide for her vibrant and powerful music, which often features revolutionary messages about women’s rights, tradition and poverty. In her 30 year career she has won numerous awards, counts among her many notable fans Alicia Keys and Beyoncé (who sampled the classic ‘Diaraby Nene’ for her 2019 Lion King release), and, for her tireless work on social progress and cultural development holds the prestigious titles of Goodwill Ambassador to the UN’s Food & Agriculture organisation, Commander of the National Order of Mali and Chevalier of Culture in France. ‘Timbuktu’ is a stunning collection of songs, fusing her distinctive Malian sound and voice with elements of blues, folk and rock – resulting in a timeless body of work, free from borders and genres. Written and recorded in the US during coronavirus lockdowns, the album is the latest chapter in an unparalleled musical epic which has seen an artist born in the poorest districts of Bamako, Mali, become the greatest and most influential African singer alive, as well as a powerful feminist icon. Between the hometown pride exhibited in ‘Wassulu Don’, the quiet introspection of ‘Degui N’Kelena’, the amorous languor expressed on ‘Kanou’, the compassion in ‘Demissimw’ and the sadness and frustration in ‘Kêlê Magni’, many emotions nourish this record, with common threads of courage and optimism woven throughout. With ‘Timbuktu’, Oumou Sangaré demonstrates her endless talent, her passion and her wisdom, shining a light and leading the way for the world, through pain and strife, towards resilience, positivity and hope.

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Eli Paperboy Reed

Down Every Road

For You Who Are The Wronged Flesh Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Eli 'Paperboy' Reed pays homage to country legend Merle Haggard by putting a soulful spin on some classic tunes. Recorded in Brooklyn with longtime collaborator Vince Chiarito (Black Pumas, Charles Bradley), Reed taps into all the heartache of Haggard's iconic catalog and channels it into explosive, high-octane performances that blur the lines of genre, geography, and race to reveal the common, distinctly American threads tying them all together.

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Kathryn Joseph

LP | 2022 | UK | Original (Rock Action)

The 'Imâra (The Dance Of The Stars)

Release: 2022 / UK – Original

Genre: Rock & Indie

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for you who are the wronged is the much anticipated follow-up to 2018’s from when i wake the want is, and her 2014 debut bones you have thrown me and blood i’ve spilled, which won 2015’s Scottish Album of the Year award. If from when i wake… was written for love to return, this is where she fights tooth and claw to protect it.

Written and co-produced by Kathryn Joseph, it was recorded at The Lengths Studio in Fort William, with producer Lomond Campbell (also a recording artist for Heavenly Records and has previously produced King Creosote). Kathryn is signed to fellow Scottish musicians, Mogwai‘s Rock Action Records. It will appeal to those that have bought Kathryn’s earlier albums plus fans of Lana Del Ray, Laura Marling, Kate Bush, Aidan Moffat, and Erland Cooper.

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Tariqua 'Alawiya

LP | 2022 | EU | Original (Via Parigi)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2022 | EU | Original (Via Parigi)

Catalina Matorral

13,74 €* 24,99 € -45%

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2x10" | 2022 | EU | Original (Okraïna)

Maher Shalal Hash Baz

Je Est Un Autre

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Het Vlier, Een Hommel Op Aarde

Linus Vandewolken

2x10" | 2022 | EU | Original (Okraïna)

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Me Without You, The Spring Without You Purple Vinyl Edition

Touraj

2LP | 2022 | EU | Original (Fun In The Church)

21,59 €* 26,99 € -20%

Me Without You, The Spring Without You Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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One of the most proliftic and influential works within Iranian pop music. "Me without you, the spring without you" is a collection that is a refined and remastered version of Touraj's songs performed between 1973 and 1978. All songs were arranged and orchestrated by Eric Arconte.

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Touraj

LP | 2022 | EU | Original (Fun In The Church)

LP | 2022 | EU | Original (Natural)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lia Ices

Family Album

23,99 €* 31,99 € -25%

LP | 2022 | EU | Original (Low Company)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lia Ices was pregnant with her first child when she started writing her forthcoming record, Family Album, a stunning collection of psychedelic-tinged Americana. It's been a long personal journey to get to Family Album, which she's putting out on her own label, Natural Music. The first song Ices wrote for Family Album was "Young on the Mountain," a breezy folk-rock track about life and death and freedom that's the album's highest energy. "The more real life gets, the more mystical it feels," she explains. This idea reaches throughout the album, like on "Anywhere At All," which is essentially an ode to "how psychedelic it is to be a first time mother," Creating a life and creating this record at the same time is only part of the story. Those two acts also brought Ices closer to who she really is, and to the music she's supposed to make. There's a holistic energy around Family Album, epitomized by the opening track, "Earthy," a gorgeous, dynamic song that begins with Ices solo on the piano, and midway through becomes a total psych-Americana jam. Though it starts the album off, even by the end it's clear this is the record's centerpiece, both its introduction and its heart; she sings about the Muse, about life and death, about both being here and giving herself away in order to find herself. She worked with producer JR White (Girls) all over California: three studios in LA, one in Stinson Beach, and one in San Francisco. Ices describes White as a "Brian Wilson type" with a singular mastery over gear; she says even just the way he rigged the mic while she was singing allowed her to get some of her best-ever vocal performances. There's a "universal timing" to this record that it's had since its beginning, with Ices' ripening. "It keeps being a teacher to me, it has its own energy field around it."

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The Doozer

Convalescence

LP | 2022 | EU | Original (Nonesuch)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Just another album by The Doozer. One concerned with illness (no, not that one) and recovery. Inside to outside. Darkness into light. A way through the woods. The Doozer aka Simon Loynes is now seven LPs into a subterranean solo voyage begun in 2007, and to those of us who have followed it, the songs that make up Convalescence could be seen to embody a kind of late style - ultra-lucid, pared-down, precise; seemingly simple in form, richly complex in effect. Where The Doozer's last outing, 2018's Figurines (FTR360), showcased his songs at their most propulsive and and electrified, Convalescence is a more hushed, hermitic, even claustrophobic affair - dispensing with percussion almost entirely, the focus is tight on Loynes' voice and plangent acoustic guitar, with occasional daubings and interludes of wheezing keyboard, all recorded to Tascam 246 4-track cassette in Edinburgh, Summer 2019. For a considerable chunk of time, health issues had left Loynes unable to sing. On this record you can hear him rediscovering his voice: its unique grain, its responsiveness, its capacity for creating and sustaining emotional ambiguity, for oscillating elegantly between whimsy and woundedness. As with previous Doozer albums, there's an arcadian impulse at the heart of Convalescence: a sense of exile, or withdrawal, from 'The Garden' - and the need to return. The idea that, in your lowest ebb, you might recover your sense of self somewhere in the pastoral landscape of your memories. We're told the shadow of Malcolm Lowry looms large over the record - Lowry the void-chaser, the great misadventurer. Does Convalescence report from the abyss? If so then it's with a coolness and control, a lightness of touch, that conceals as much as it reveals. But beyond the neurosis, the ironic deflections, the flashes of matter-of-fact bleakness ("there isn't time / there isn't love"), there lies a deep, Lowry-ish romanticism, and a rejection of pessimism: even at its lowest ebb, Convalescence gestures towards an immense and lovin...

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Taj Mahal & Ry Cooder

Get On Board

LP | 2022 | EU | Original (Dixie Frog)

Release: 2022 / EU – Original

Genre: Rock & Indie

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“They were so solid. They meant what they said, they did what they did… here’s two guys, a guitar player and a harmonica player, and they could make it sound like a whole orchestra.” – Taj Mahal

“It was perfect. What else can you say?” – Ry Cooder

Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE, on Nonesuch Records.

With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo – joined by Joachim Cooder on drums and bass – the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.

Explaining where Terry and McGhee took him musically, Cooder says, “Down the road, away from Santa Monica. Where everything was good. ‘I have got to get out of here,’ was all I could think. What do you do, fourteen, eighteen years old? I was trapped. But that first record, Get on Board, the 10” on Folkways, was so wonderful, I could understand the guitar playing.”

Taj Mahal adds, “I started hearing them when I was about nineteen, and I wanted to go to these coffee houses, ‘cause I heard that these old guys were playing. I knew that there was a river out there somewhere that I could get into, and once I got in it, I’d be all right. They brought the whole package for me.”

Taj Mahal and Ry Cooder originally joined forces in 1965, forming The Rising Sons when Cooder was just seventeen. The band was signed to Columbia Records but an album was not released and the group disbanded a year later. The 1960s recording sessions, widely bootlegged, were finally issued officially in 1992. GET ON BOARD is Taj Mahal and Ry Cooder’s first recording together since then.

Harmonica player Sonny Terry and guitarist Brownie McGhee, both originally from the southeastern United States, had active solo careers as well as collaborating with some of the most celebrated musicians of their time. But they were best known for their forty-five-year partnership, which began in 1939 and included mesmerising live performances around the world and numerous acclaimed recordings.

Their Piedmont blues style became popular during the folk music revival of the 1940s and ’50s, centered in New York City’s flourishing club scene for jazz, boogie-woogie, blues and folk music. Terry and McGhee traveled in the same circles as Woody Guthrie, Pete Seeger, Leadbelly, and Josh White, among others in a rich mix of writers, actors and musicians. As a new generation emerging in the 1960’s drew inspiration from folk and blues, Terry and McGhee toured the world as the foremost exponents of the acoustic music of the Piedmont. They were named National Heritage Fellows in 1982 in recognition of their distinctive musical contributions and accomplishments.

“You got the south on steroids, when you got the music of the south, the culture of the south, the beauty of the south, through Brownie and Sonny,” Taj Mahal says. He describes McGhee as a “solid rhythm player. To really play behind the harp like that. He would set stuff up. He wasn’t making many notes. Sonny had all the notes, running around. But Brownie, he laid it down.” Cooder adds: “This thing of squeezing the thumb and first finger and a little bit of the second finger, which I still do. I’d forgotten where it came from. That’s what Brownie did. I saw him do that and said, ‘I think I can do that.’”

Taj Mahal calls Terry “a wizard harmonica player”. Cooder says, “Sonny had incredible rhythm for one thing. Making sounds with his voice and the harmonica so you couldn’t tell quite which was which. He was good at that.”

“We’ve been doing this a while,” Cooder says. “Perhaps we’ve earned the right to bring it back. Taj Mahal concludes. “We’re now the guys that we aspired toward when we were starting out. Here we are now… old timers. What a great opportunity, to really come full circle.”

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Fred Chapellier

Straight To The Point

Release: 2022 / EU – Original

Genre: Rock & Indie

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How Is It That I Should Look At The Stars

Weather Station

LP | 2022 | US | Original (Fat Possum)

Lady For Sale Green Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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One year after the release of Ignorance, The Weather Station returns with How Is It That I Should Look At The Stars. The album is intended to be heard as a companion piece to Ignorance; songs written at the same time that connect thematically and emotionally, songs that reveal the vulnerability at the heart of the body of work. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.

How Is It That I Should Look At The Stars was written in the same fruitful winter of songwriting that gave rise to Ignorance, but were songs that Lindeman felt were too internal, too soft to fit on the album she had envisioned.

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else.

On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. Lyrically, many of the songs return to what has often been a hallmark of Lindeman’s writing; a description of a single moment and all the meaning it might encompass. And this dilation of the moment occurs musically too; as the band moves through music so ephemeral it often incorporates stretches of near silence, and breaths, single notes, and brief solos take on greater importance in the absence of other sound. Whereas the recordings on Ignorance leaned towards ambition and grandeur, here the band reaches towards a different goal; grace perhaps.

How Is It That I Should Look At The Stars was recorded from March 10 - 12, 2020. When the band entered the studio, Covid-19 was a news item, not front of mind, but by the time they left, just three days later, everything had changed. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

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Lola Kirke

LP | 2022 | US | Original (Third Man)

Release: 2022 / US – Original

Genre: Rock & Indie

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Lady For Sale Black Vinyl Edition

Lola Kirke

LP | 2022 | US | Original (Third Man)

20,39 €* 23,99 € -15%

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Strut)

Nashenas

Life Is A Heavy Burden

2LP | 2017 | DE | Original (Pingipung)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Nashenas first made his move towards music aged 16 in 1951 when he approached Afghanistan's national radio station, Radio Kabul, with an idea for a broadcast and, impressed with his language skills, they offered him a permanent job. "I was inclose contact with some of the big names in Afghan music like Jalil Zaland," Nashenas explains. "My father had a gramophone and we listened to other singers like Ustad Qasim Khan and Kundan Lal Saigal." After unsuccessful initial forays into singing sessions for the station, he honed his skills as a writer,singer and musician, playing the harmonium. Inspired by a movie he had seen at the cinema, Nashenas wrote a new poemand sang on air again after the evening news, using the name 'Nashenas' (meaning 'unknown') for the first time. Following a wave of positive feedback from the public, he was given a new weekend slot and built his reputation through film song interpretations, famous poems set to music and his own compositions sung in Dari and Pashto.

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Andi Otto

VIA

21,99 €*

LP | 2022 | EU | Original (Secret City)

Release: 2017 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear.

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Gus Englehorn

Dungeon Master

Release: 2022 / EU – Original

Genre: Rock & Indie

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Rushing EP Expanded Edition

Lucy Gooch

LP | 2022 | UK | Original (Fire)

LP | 2022 | EU | Original (Exile On Mainstream)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Black Vinyl, DL Card. Following Lucy Gooch's acclaimed 'Rain's Break', her first release on Fire Records earlier this year, the artist's acclaimed debut EP 'Rushing' is revisited with new artwork and a brand new track, 'Orthione'. "Lucy's sound marries the etheral qualities of ambient music with buoyant, effortless pop" Crack 'Rushing' in its original shorter five-track incarnation was heralded as a touchstone beneath the cascading torrent of modern times and an oasis for turbulent times. An intimate collection of songs built around Lucy's emotive vocals and unique ambient dream pop, the newly added stand-out track 'Orthione' trips into the esoteric world of Laurie Anderson and Philip Glass; here her voice is the grounding force that travels to a space that heals and grows. "For an artist whose favourite trick is the seemingly infinite crescendo, she clearly knows the value of restraint" Pitchfork // "Expansive, upfront, spectral pop" KEXP // "The pastoral element of the music resonates more as you tune in to Lucy's unique vocal." Loud And Quiet //

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Arne Heesch

Demons Are Scared

17,99 €* 19,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pape Nziengui Et Son Groupe

Kadi Yombo

2LP | 2022 | US | Original (Awesome Tapes From Africa)

30,99 €*

2LP | 2022 | EU | Original (Secret City)

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

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Basia Bulat

The Garden

Release: 2022 / EU – Original

Genre: Rock & Indie

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El Amor No Es Para Los Debiles

Bareto

LP | 2022 | EU | Original (Agogo)

24,99 €*

LP | 2022 | EU | Original (Strut)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Praised as heirs of amazonic psychedelia and chicha traditions, as well as sound innovators, peruvian band Bareto mixes exciting versions of cumbia classics with their own, unique compositions, in concerts that should be promoted as dance parties. Performers at Womex 2016, have toured Europe and North America, including Roskilde Festival 2015 and Montreal Jazz Festival 2017, among others.

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Juanita Euka

Mabanzo

LP | 2022 | TR | Original (Mega Plak)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Strut present Mabanzo - the debut solo album by Congolesevocalist, Juanita Euka. A familiar face to many from London's vibrant live music scene over the last decade, Juanita has fronted London Afrobeat Collective's dynamic live shows, the fusions and cross-pollinations of Animanz and maverick Cuban collective Wara. As a solo artist, she broke through in early 2020, performing her single 'Alma Seca' in season 3 of blockbuster series Killing Eve. On Mabanzo (meaning 'Thoughts'), Juanita brings her many and varied musical influences into play and pulls no lyrical punches. Killer dancefloor single 'Na Lingi Mobali Te' is pure contemporary Congolese guitar gold, 'Mboka Moka' channels '80s boogie and Quincy horn stylings on an anthem for personal struggle and 'Baño de Oro' brings a heavy Afro-Cuban workout. Elsewhere, the epic ballad 'Sueños de Libertad' is an impassioned call for freedom and the lilting 'For All It's Worth' champions love overmaterialism.

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Arif Sag

Electric Anatolia

Kensuke Ide with His Mothership

Release: 2022 / TR – Original

Genre: Rock & Indie

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Superb collection of the best tracks by Turkish electro-saz legend Arif Sag, some tracks with arrangements by Zafer Dilek. Killer Turkish psych-folk-funk grooves from the golden era of Anatolian Rock, all housed in such a beautiful cover design!!!

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Madam The Whisper / Landline Boogie

7" | 2022 | JP | Original (P-Vine)

19,99 €*

Femmes De Paris White Vinyl Edition

Release: 2022 / JP – Original

Genre: Rock & Indie

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“Madam the Whisper” is the lead single lifted from Ide Kensuke’s second album Contact From Exne Kedy And The Poltergeists. It is paired with “Landline Boogie” on this new limited edition 7” inch release on P-vine records.

Fans of the melody-driven snarl of Shintaro Sakamoto records and the Japanese folk-rock traditions of Happy End will surely find much to like in the crunching leads of “Madam the Whisper”. Always shape-shifting to avoid being boxed into a sound, the opposing tension in the guitars of “Landline Boogie” finds Ide’s reaching for the falsetto, and his catchy multi-layered vocals draw pleasing comparisons to of Montreal and Ezra Furman.

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The French Mademoiselles

LP | 2022 | EU | Original (Diggers Factory / Fgl Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Love Orange Vinyl Edition

Lars Bygden

LP | 2022 | EU | Original (Massproduktion)

22,94 €* 26,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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One Last Time for Love. A magnificent follow up to the 2018 masterpiece Dark Companion which told the dark tale of his wife's sickness and death in the most astonishing musical way. Lars about the album:"The album picks up where my previous album 'Dark Companion' left off. After the funeral of my wife. When relatives and friends finally have returned to their normal lives after joining forces around my and my children's grief. When you sit there alone on the sofa and try to understand what happened."

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Tony Rice

California Autumn

LP | 2022 | EU (Rebel)

Release: 2022 / EU

Genre: Rock & Indie

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LP | 2022 | EU | Original (Danger Collective)

Emily Yacina

Remember The Silver

LP | 2014 | EU | Reissue (Emotional Rescue)

Release: 2022 / EU – Original

Genre: Rock & Indie

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'Remember the Silver' is the debut studio album by New York by-way-of Pennsylvania musician Emily Yacina. Written over the span of two years and recorded in New York City with co-producer with Eric Littmann (Julie Byrne, GABI, Yohuna).Across it's 12 songs 'Silver' weaves an intimate and prismatic picture of the spark of new love, the way grief clings to the spirit and the small moments where magical things still feel possible. Gone is the lo-fi home-recorded feel that long-typified Yacina's previous work, confidently making way for a welcomed clarity that allows every corner of her first-rate songwriting to shine through.The title 'Remember the Silver' is lifted from a book by Dana Redfield about alien abduction where the subject uses the line as a private mantra to remind herself of how her experiences are real, despite the disbelievers around her. Similarly the songs on 'Silver' exist as reminders of experiences throughout a life cloaked in the kind of emotional subjectivity that, when looking back, can feel almost unreal in their beauty or loneliness. They're monuments to the complexity and the realness of love, and the beauty or isolation that can be amplified.

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Javier Bergia

Eclipse 2022 Repress

19,99 €* 24,99 € -20%

Solely Black Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Emotional Rescue celebrates its 10th Anniversary with a repress of one of its most cherished reissues, in the first ever collection of works from Spanish song writer Javier Bergia. As a member of Finas Africae his name is finally coming to prominence, now with this selection of his music from 1985 to today, the depths of his acoustic, folk and balearic writing can be heard. Born in Madrid to a family steeped in both classical and Spanish traditional music, Javier 's mastery of guitar, percussion, voice, poetry and composition is drawn from both this grounding and upon his lifelong musical inquisitiveness'. Since 1980 he has been an integral part of the ancient music group 'Atrium Musicae', while in 1984 he founded, with Juan Alberto Arteche and Luis Delgado, the groundbreaking group 'Finis Africae' as a sonic investigation into a fusion of diverse ethnic musical forms incorporating both indigenous instruments and electronic elements. As a solo artist, his career blossomed when, in 1985, he recorded his first LP, the acclaimed 'Recoletos' and with Luis Delgado he recorded the now classic album 'La Fl or De Piedra' under the name Ishinohana Erc025). Today Javier is active, participating in the Sephardic music groups 'Halilem' and 'Alquibla', as well as diverse alternative chamber music groups, as well as working around as composer, arranger and producer and appears regularly with Manolo HH on Radio Nacional de Espana.

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Natalie Jane Hill

LP | 2022 | EU | Original (Dear Life)

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Goldenlane)

Dolly Parton

Early Dolly

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Don Giovanni)

Up Around The Sun

Self Taught

15,39 €* 27,99 € -45%

Release: 2022 / US – Original

Genre: Rock & Indie

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A Very Lonely Solstice Clear Vinyl Edition

Fleet Foxes

LP | 2022 | EU | Original (Anti)

25,64 €* 26,99 € -5%

LP | 2022 | EU | Original (Svart)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ A Very Lonely Solstice, a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.
A Very Lonely Solstice captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year… honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.

Much of A Very Lonely Solstice showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest GRAMMY nominated release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”

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Lasten Hautausmaa

Kevät Green Vinyl Editon

17,54 €* 26,99 € -35%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Svart)

Lasten Hautausmaa

Kevät Black Vinyl Editon

23,39 €* 25,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Svart)

Tal

Sapiduz