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The Country Side Of Harmonica Sam - Back To The Blue Side
The Country Side Of Harmonica Sam
Back To The Blue Side
LP | 2023 | EU | Original (Sleazy)
22,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This album sound like a top of then line country music record for one reason only: The Countyry Side Of Harmonica Sam play their music that way. Harlan Howard famously stated that "all you need write a country song is three chords and the truth". Although he said that right, I believe that delivering the song also takes personality, musicanship, style, and other traits of that nature. In the case of these five Swedish honky-tonk heroes, they have it all. This band is bringing quality back in style, and I don't know about you, but I sure have missed it. Their work is characterized by the high standarts that used to be the very essence of recordings made for Decca Records in Nashville, or Capitol in California, but that somehow got more and more scarce as country music's path went on. I'm sure you will agree that these guys really have a way with a sad song. Their music rings with the sound of heartache, loneliness, and love. It is the kind of love that, whether it is faded, unrequited, or burning with desire, can make one lose his mind and stay out late wandering the streets after closing time. After listening to this record, you might catch youself thinking that being blue might be the most beautiful feeling in the world. Or at least it is when you have such a fine soundtrack to cry along to. Harmonica Sam and his team might be on the "Country Side", but they can't seem to shake off that lonesome feeling called the blues. Theo Lawrence
Toby Keith - 100% Songwriter
Toby Keith
100% Songwriter
LP | 2023 | Original (Show Dog Nashville)
36,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Willie Nelson - Rainbow Connection
Willie Nelson
Rainbow Connection
LP | 2001 | Reissue (Island)
41,99 €*
Release: 2001 / Reissue
Genre: Rock & Indie
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Shooter Jennings - Shooter Jennings And The Werewolves
Shooter Jennings
Shooter Jennings And The Werewolves
LP | 2023 | Original (Black Country)
38,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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The Unthanks - Last
The Unthanks
Last
2LP | 2023 | EU | Reissue (Rabble Rouser)
30,99 €*
Release: 2023 / EU – Reissue
Genre: Rock & Indie
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The Unthanks - Here's The Tender Coming
The Unthanks
Here's The Tender Coming
2LP | 2023 | EU | Reissue (Rabble Rouser)
30,99 €*
Release: 2023 / EU – Reissue
Genre: Rock & Indie
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Willie Nelson - Greatest Hits
Willie Nelson
Greatest Hits
2LP | 2023 | EU | Original (Sony Music Catalog)
32,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bring Me The Hearts - Bring Me The Hearts
Bring Me The Hearts
Bring Me The Hearts
LP | 2023 | UK | Original (Rodina Music)
21,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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"Cream of the crop" - BBC Introducing

Formed during lockdown in the beautiful Peak District near Manchester, with a shared love of close vocal harmonies and soulful acoustic grooves, Bring Me The Hearts release their eponymous debut album on October 27th on Vinyl / CD and online on Rodina Music.
'Cream of the Crop' - BBC Introducing
Aoife Hearty - vocals, Huw Jacob - Guitars and vocals, Matt Ryan - Drums and vocals and Joe Tatton - keys and vocals
Jonathan Jeremiah - Horsepower For The Streets
Jonathan Jeremiah
Horsepower For The Streets
LP | 2022 | EU | Original (Pias)
21,24 €* 24,99 € -15%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Harp - Albion
Harp
Albion
LP | 2023 | UK | Original (Bella Union)
28,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Angelo Kelly - Mixtape Live Volume 2 Colored Vinyl Edition
Angelo Kelly
Mixtape Live Volume 2 Colored Vinyl Edition
2LP | 2023 | EU | Original (Universal)
23,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Ane Brun - Rarities 2
Ane Brun
Rarities 2
LP | 2023 | EU | Original (Balloon Ranger)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Sweet Megg - My Window Faces The South
Sweet Megg
My Window Faces The South
LP | 2023 | Original (Turtle Bay)
35,09 €* 38,99 € -10%
Release: 2023 / Original
Genre: Rock & Indie
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Rosanne Cash - The Wheel 30th Anniversary Deluxe Edition
Rosanne Cash
The Wheel 30th Anniversary Deluxe Edition
2LP | 2023 | Original (Rumblestrip)
44,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Hjalte Ross - Waves Of Haste
Hjalte Ross
Waves Of Haste
LP | 2020 | EU | Reissue (Wouldn't Waste)
26,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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Hjalte Ross - Less
Hjalte Ross
Less
LP | 2023 | EU | Original (Wouldn't Waste)
29,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Harry Chapin - Live At The Capitol Theater Oct 21, 1978 Marble Vinyl Edition
Harry Chapin
Live At The Capitol Theater Oct 21, 1978 Marble Vinyl Edition
3LP | 2023 | EU | Original (Renaissance)
49,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Clear Marble Vinyl.Harold Forster Chapin was an American singer, songwriter, philanthropist, and hunger activist best known for his folk rock and pop rock songs. He achieved worldwide success in the 1970s. Chapin, a Grammy Award-winning artist and Grammy Hall of Fame inductee, has sold over 16 million records worldwide. This is an intimate concert with just Harry and his guitar.
Harry Chapin - Live At The Capitol Theater Oct 21, 1978 Clear Vinyl Edition
Harry Chapin
Live At The Capitol Theater Oct 21, 1978 Clear Vinyl Edition
3LP | 2023 | EU | Original (Renaissance)
43,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Natural Clear Vinyl.Harold Forster Chapin was an American singer, songwriter, philanthropist, and hunger activist best known for his folk rock and pop rock songs. He achieved worldwide success in the 1970s. Chapin, a Grammy Award-winning artist and Grammy Hall of Fame inductee, has sold over 16 million records worldwide. This is an intimate concert with just Harry and his guitar.
Dirty Dollhouse - Vinyl Child / Queen Coyote Turquoise Vinyl Edition
Dirty Dollhouse
Vinyl Child / Queen Coyote Turquoise Vinyl Edition
2LP | 2023 | EU | Original (Renaissance)
33,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Dirty Dollhouse is the multi-genre music of Philadelphia-based artist Chelsea Mitchell, a folk chanteuse with classical training and a retro-pop composer with a soft spot for country. After releasing her first lo-fi EP, Married in the Aviary, Mitchell received the Tri-State Indie Vocalist of the Year award and the lyrics to her song Nobody's Daughter were showcased in American Songwriter Magazine. Her follow-up EP, 25 Shades, saw a departure from traditional folk and embraced a Nashville vibe while 2017's full-length album Vinyl Child was a mixture of darkly contemplative pop songs and quiet, intimate confession. Drawing from many muses has produced a uniquely diverse catalogue, but it has also made it near-impossible to pin down who Mitchell sounds like. In sultry-toned moments you might hear Nicole Atkins, a soft bird-like peak could make you think of Kacey Musgraves, and a certain belt may summon Brandi Carlile. Though her vocals range from soft twang to unabashedly operatic, it would suffice to say that Mitchell's songs all fit under the same 'singer-songwriter' umbrella as her lyrics weave a diary page to life and her band expands on structural simplicity with subtle grace. As bassist Joshua Machiz, drummer Eric Lawry, and lead guitarist August John Lutz II are now full-time members, Dirty Dollhouse has found a new and exciting momentum, opening for rising stars like Nikki Lane and Amanda Shires and playing to a wider audience.
Dirty Dollhouse - Vinyl Child / Queen Coyote Turquiose Marble Vinyl Edition
Dirty Dollhouse
Vinyl Child / Queen Coyote Turquiose Marble Vinyl Edition
2LP | 2023 | EU | Original (Renaissance)
39,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Dirty Dollhouse is the multi-genre music of Philadelphia-based artist Chelsea Mitchell, a folk chanteuse with classical training and a retro-pop composer with a soft spot for country. After releasing her first lo-fi EP, Married in the Aviary, Mitchell received the Tri-State Indie Vocalist of the Year award and the lyrics to her song Nobody's Daughter were showcased in American Songwriter Magazine. Her follow-up EP, 25 Shades, saw a departure from traditional folk and embraced a Nashville vibe while 2017's full-length album Vinyl Child was a mixture of darkly contemplative pop songs and quiet, intimate confession. Drawing from many muses has produced a uniquely diverse catalogue, but it has also made it near-impossible to pin down who Mitchell sounds like. In sultry-toned moments you might hear Nicole Atkins, a soft bird-like peak could make you think of Kacey Musgraves, and a certain belt may summon Brandi Carlile. Though her vocals range from soft twang to unabashedly operatic, it would suffice to say that Mitchell's songs all fit under the same 'singer-songwriter' umbrella as her lyrics weave a diary page to life and her band expands on structural simplicity with subtle grace. As bassist Joshua Machiz, drummer Eric Lawry, and lead guitarist August John Lutz II are now full-time members, Dirty Dollhouse has found a new and exciting momentum, opening for rising stars like Nikki Lane and Amanda Shires and playing to a wider audience.
Borguefül - Horst
Borguefül
Horst
LP | 2022 | EU | Original (La République Des Granges)
18,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Borguefül is a double bass and voice solo, imagined and composed by Mélanie Loisel. Borguefül is sensations, mountains, stones, rain, faults, wind, fluids, monsters, nights. Lots of land. Lots of dust.

It's a voice that sings, whispers, rattles, shouts, in a distant language, a revisited patois. It is a double bass with a raw sound, developing small melodic and rhythmic fragments, variations of timbre, textures, dirty vibrations, repetitions and breaks in frank motifs, without too much fuss.

Hear the relief of the spaces by the sounds rolled in the mouth, the strangeness, the accents, the dissonances, the attacks, the roundness. And then breath and silence.

The language that unfolds there under the blows of the bows and the drones of the double bass, is that, harsh and persuasive, of a patois of Haute-Loire. The texts of these surly songs evoke sensations, mountains, rain, wind, faults, monsters. In this earthy landscape, powerful vibrations emerge, from which escape melodic fragments, rhythmic and percussive patterns.

Borguefül grabs and holds to the body. In these strange interstices between traditional song and contemporary music, Borguefül carries a raw and hoarse breath, marked by the exercise of free improvisation.
Zach Russell - Where The Flowers Meet The Dew
Zach Russell
Where The Flowers Meet The Dew
LP | 2023 | EU | Original (Carlboro)
27,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Todd Snider - Crank It, We're Doomed Orange Vinyl Edition
Todd Snider
Crank It, We're Doomed Orange Vinyl Edition
2LP | 2023 | EU | Original (Aimless)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Todd Snider - Crank It, We're Doomed Yellow Vinyl Edition
Todd Snider
Crank It, We're Doomed Yellow Vinyl Edition
2LP | 2023 | EU | Original (Aimless)
33,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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John Moreland - Live At Third Man Records
John Moreland
Live At Third Man Records
LP | 2023 | EU | Original (Third Man)
21,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Tenille Townes - Worktapes
Tenille Townes
Worktapes
LP | 2023 | Original (Sme Nashville)
30,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Billy Don Burns - I've Seen A Lot Of Highway
Billy Don Burns
I've Seen A Lot Of Highway
LP | 2023 | Original (Black Country)
29,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Mike Oldfield - Platinum
Mike Oldfield
Platinum
LP | 1982 | EU | Reissue (Virgin)
8,99 €*
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Original inner sleeve
Johnny Flynn - The Moon Also Rises Moon Colored Vinyl Edition
Johnny Flynn
The Moon Also Rises Moon Colored Vinyl Edition
LP | 2023 | EU | Original (Transgressive)
29,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Willie Nelson - Milk Cow Blues
Willie Nelson
Milk Cow Blues
2LP | 2000 | US | Reissue (Island)
49,99 €*
Release: 2000 / US – Reissue
Genre: Rock & Indie
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Milk Cow Blues is the 48th studio album, released in 2000, by American country music singer Willie Nelson. It contains several duets and musical collaborations with artists such as B. B. King and Dr. John. Available for the first time on vinyl. 180-gram 2 LP.

Tracklisting

Side A: 1. Milk Cow Blues 2. Outskirts Of Town 3. Black Night 4. Funny (How Times Slips Away) Side B: 5. Rainy Day Blues 6. Crazy 7. The Thrill Is Gone 8. Wake Me When It's Over Side C: 9. Kansas City 10. Fool's Paradise 11. Ain't Nobody's Business 12. Night Life Side D: 13. Sittin' On Top Of The World 14. Lonely Street 15. Texas Flood
Addisabababand - Addis Airlines
Addisabababand
Addis Airlines
LP | 2023 | EU | Original (Sounds Of Subterrania)
16,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Queen Ida And The Bon Temps Zydeco Band - Zydeco A La Mode
Queen Ida And The Bon Temps Zydeco Band
Zydeco A La Mode
LP | 1977 | US | Original (GNP Crescendo)
5,94 €* 6,99 € -15%
Release: 1977 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Green Leaf Rustlers - From Within Marin
Green Leaf Rustlers
From Within Marin
2LP | 2020 | US | Original (Silver Arrow)
23,79 €* 27,99 € -15%
Release: 2020 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
Still sealed with cracked corner.
Touraj - Me Without You, The Spring Without You
Touraj
Me Without You, The Spring Without You
2LP | 2022 | EU | Original (Fun In The Church)
16,99 €* 19,99 € -15%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
Purple Vinyl Edition. Still sealed with hype sticker. Gatefold cover has seam split and slight corner wear.
Ravi Shankar - Shankar Family & Friends
Ravi Shankar
Shankar Family & Friends
LP | 2023 | EU | Original (BMG Rights Management)
30,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Clint Eastwood - Rawhide's Clint Eastwood Sings Cowboy Favorites
Clint Eastwood
Rawhide's Clint Eastwood Sings Cowboy Favorites
LP | EU | Reissue (Universal)
39,99 €*
Release: EU – Reissue
Genre: Rock & Indie
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Sweet Honey In The Rock - We All...Everyone Of Us
Sweet Honey In The Rock
We All...Everyone Of Us
LP | 1983 | US | Original (Flying Fish)
3,39 €* 3,99 € -15%
Release: 1983 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Darius Rucker - Carolyn's Boy
Darius Rucker
Carolyn's Boy
LP | 2023 | CZ | Original (Capitol)
22,99 €*
Release: 2023 / CZ – Original
Genre: Rock & Indie
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Vinicio Capossela - Tredici Canzoni Urgenti Orange Vinyl Edtion
Vinicio Capossela
Tredici Canzoni Urgenti Orange Vinyl Edtion
2LP | 2023 | EU | Original (La Cupa Srl)
49,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Vinicio Capossela - Tredici Canzoni Urgenti Black Vinyl Edition
Vinicio Capossela
Tredici Canzoni Urgenti Black Vinyl Edition
2LP | 2023 | EU | Original (La Cupa Srl)
38,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Gino Paoli - Ha Tutte Le Carte In Regola White Vinyl Edition
Gino Paoli
Ha Tutte Le Carte In Regola White Vinyl Edition
LP | 1980 | EU | Reissue (The Saifam Group)
34,99 €*
Release: 1980 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Inti-Illimani - Agua Blue Transparent Vinyl Edition
Inti-Illimani
Agua Blue Transparent Vinyl Edition
LP | 2023 | EU | Original (The Saifam Group)
30,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Gigi D'alessio - Quando La Mia Vita' Cambiera Orange Vinyl Edtion
Gigi D'alessio
Quando La Mia Vita' Cambiera Orange Vinyl Edtion
LP | 2000 | EU | Reissue (The Saifam Group)
23,99 €*
Release: 2000 / EU – Reissue
Genre: Rock & Indie, Pop
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Edoardo Bennato - Io Che Non Sono L'imperatore Blue Vinyl Edtion
Edoardo Bennato
Io Che Non Sono L'imperatore Blue Vinyl Edtion
LP | 1975 | EU | Reissue (RCA)
31,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Claudia Buzzetti And The Hootananny - 7 Years Crying
Claudia Buzzetti And The Hootananny
7 Years Crying
LP | 2023 | EU | Original (Edone' Dischi)
32,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Street Clerks - Everything Is Like It's Meant To Be Black Vinyl Edition
Street Clerks
Everything Is Like It's Meant To Be Black Vinyl Edition
LP | 2023 | EU | Original (Duduc)
34,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Crimi - Scuru Cauru
Crimi
Scuru Cauru
LP | 2023 | EU | Original (L'autre)
42,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Big Boss Man - Do The Backstroke / Mother's Earth
Big Boss Man
Do The Backstroke / Mother's Earth
7" (Spinout Nuggets)
18,99 €*
Genre: Rock & Indie
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Hand-Numbered, Limited to 500. Big Boss Man have produced a hip-Hammond hybrid of 60's R'n'b, Latin, Soul, Bongo-Fuzz and Funk since 1998. As well as playing hundreds of concerts and festivals across the UK, Europe and even Russia, Big Boss Man's music may sound familiar to you, being regularly played on film and television, including Come Dine With Me, Strictly Come Dancing and I Used To Be Famous, and broadcast on BBC Radio, by presenters including Gideon Coe, Cerys Matthews and Craig Charles. Their track 'Party 7' was featured in the international Nike World Football '06 Campaign advert featuring Thierry Henry and Eric Cantana. The entire soundtrack to The Mighty Boosh's Bafta nominated short film "Sweet" was provided from tracks taken from the Big Boss Man's "Humanize" album. The band have performed live on national Spanish television and had tracks included on XFM London Radio and "Later" magazine compilation albums (100,000 plus copies). Big Boss Man's official remix of Modfather Paul Weller's single "The Bottle" went straight in to the UK Top 20, and fast became a collector's item. Know enough yet? Well you'll need to see them live too! Big Boss Man's explosive live shows are legendary. They've been blasting stages since their earlier days in The Loafers, Skooby and Espadrille, amongst a few others. Big Boss Man have released four studio albums, and six 7" singles, and have appeared on countless compilations. This twin-spin 7" single has two new dance floor fillers from Big Boss Man's most recent recordings, and are sure to pack out dance floors across the globe, and further.
Grupo Celeste - El Fabuloso
Grupo Celeste
El Fabuloso
LP | 1975 | US | Reissue (Discos Fantastico)
33,99 €*
Release: 1975 / US – Reissue
Genre: Rock & Indie
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V.A. - More Than A Whisper: Celebrating The Music Of Nanci Griffith
V.A.
More Than A Whisper: Celebrating The Music Of Nanci Griffith
LP | 2023 | US | Original (Rounder)
30,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Sarah Jarosz - Polaroid Lovers
Sarah Jarosz
Polaroid Lovers
LP | 2023 | US | Original (Rounder)
30,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Sweet Honey In The Rock - Good News
Sweet Honey In The Rock
Good News
LP | 1981 | US | Original (Flying Fish)
3,99 €* 4,99 € -20%
Release: 1981 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Hailu Mergia - Pioneer Woks Swing (Live)
Hailu Mergia
Pioneer Woks Swing (Live)
Tape | 2023 | US | Original (Awesome Tapes From Africa)
13,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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It's been a little over ten years since Hailu Mergia reemerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival. Finally, we have a recorded document of the keyboard player's powerful DC-based trio _ which practices each weekend in his basement _ featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA's expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities. Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like "Tizita" or "Anchihoye Lene") upside down and inside out until they emerge as molten new works, often spontaneously. Mergia's original compositions (like "Yegle Nesh") shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments _ often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age. "Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents. Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he's been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.
Hailu Mergia - Pioneer Works Swing (Live)
Hailu Mergia
Pioneer Works Swing (Live)
LP | 2023 | CZ | Original (Awesome Tapes From Africa)
26,99 €*
Release: 2023 / CZ – Original
Genre: Rock & Indie
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It's been a little over ten years since Hailu Mergia reemerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival. Finally, we have a recorded document of the keyboard player's powerful DC-based trio _ which practices each weekend in his basement _ featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA's expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities. Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like "Tizita" or "Anchihoye Lene") upside down and inside out until they emerge as molten new works, often spontaneously. Mergia's original compositions (like "Yegle Nesh") shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments _ often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age. "Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents. Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he's been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.
Khalab - Layers
Khalab
Layers
LP | 2023 | EU | Original (Hyperjazz)
20,69 €* 22,99 € -10%
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch
Tejon Street Corner Thieves - Juxtaposition
Tejon Street Corner Thieves
Juxtaposition
LP | 2023 | EU | Original (Liars Club)
32,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Baklava - From Skopje With Love Yellow Vinyl
Baklava
From Skopje With Love Yellow Vinyl
LP | 2023 | EU | Original (Cpl Music)
30,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Makushin - Move Into The Luminous
Makushin
Move Into The Luminous
LP | 2023 | UK | Original (Blackford Hill)
20,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Move into the Luminous is the debut album by the trio Makushin.
Double bassist Jon Thorne (Lamb, Yorkston Thorne Khan), guitarist Peter Philipson (Jane Weaver, Fenella) and singer Nancy Elizabeth (Leaf Label, James Yorkston) lead this inspiring collective whose work explores the intersection between folk, jazz and ambient music.
The album also features contributions from Andrew Wasylyk, Raz Ullah, David A Jaycock and more.
Nancy Elizabeth is a singer and multi-instrumentalist who has released three chamber folk albums under her own name on the Leaf Label. She has also previously played with James Yorkston and recorded with the late ambient composer Susumu Yokota.
Jon Thorne is a double bassist best known as a member of the pioneering electronic band Lamb and, more recently, Yorkston Thorne Khan. He has worked with many other musicians, including Jon Hopkins, Robert Fripp and his mentor Danny Thompson, as well as releasing his own music.
Peter Philipson is a guitarist who has previously performed with Jane Weaver as her guitarist for a decade and has collaborated with her and Raz Ullah on two ambient albums under the artist name of Fenella. He has also released a number of instrumental guitar albums under his PJ Philipson guise.
Ron Sexsmith - Time Being
Ron Sexsmith
Time Being
CD | 2006 | EU | Original (V2)
4,99 €*
Release: 2006 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Includes booklet.
Charlie Parker - Archetypes
Charlie Parker
Archetypes
LP | 1974 | US | Original (MGM)
11,99 €*
Release: 1974 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
US original.
Kari Bremnes - Lösrivelse Tekster Av Edvard Munch Edition
Kari Bremnes
Lösrivelse Tekster Av Edvard Munch Edition
LP | 2023 | EU | Original (Kirkelig Kulturverksted)
37,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Jerry Joseph - Baby, You're The Man Who Would Be King
Jerry Joseph
Baby, You're The Man Who Would Be King
LP | 2023 | EU | Original (Cosmo Sex School)
33,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Portland"s Jerry Joseph is a bonafide "triple-threat", a prolific and accomplished songwriter, a powerful singer and a memorable performer. In his four-decade career; as a solo artist, with the Jackmormons, supergroup Stockholm Syndrome, his two-piece The Denmark Veseys, his beloved 80s cult band, Little Women, or most recently with Drive-by Truckers backing him; he has continuously toured the world, including such unlikely locales as Lebanon, Israel, Kurdish Iraq, India, Cambodia and Afghanistan, and released a steady stream of albums.Baby, You"re The Man Who Would Be King was recorded in NYC and produced by Eric "Roscoe" Ambel, and features a band made up of some of New York"s best players.
Francesco De Gregori - Niente Da Capire Black Vinyl Edition
Francesco De Gregori
Niente Da Capire Black Vinyl Edition
LP | 1974 | EU | Reissue (The Saifam Group)
21,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Francesco De Gregori - Il Fischio Del Vapore Black Vinyl Edition
Francesco De Gregori
Il Fischio Del Vapore Black Vinyl Edition
LP | 2002 | EU | Reissue (The Saifam Group)
21,99 €*
Release: 2002 / EU – Reissue
Genre: Rock & Indie, Pop
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Francesco De Gregori - Per Brevita Chiamato Artista Black Vinyl Edition
Francesco De Gregori
Per Brevita Chiamato Artista Black Vinyl Edition
LP | 2008 | EU | Reissue (The Saifam Group)
21,99 €*
Release: 2008 / EU – Reissue
Genre: Rock & Indie, Pop
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James Senese - Stiamo Cercando Il Mondo
James Senese
Stiamo Cercando Il Mondo
LP | 2023 | EU | Original (Believe)
28,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Lucio Dalla / Francesco De Gregori - Banana Republic
Lucio Dalla / Francesco De Gregori
Banana Republic
12" | 1979 | EU | Reissue (RCA)
31,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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Rachel Unthank & The Winterset - The Bairns
Rachel Unthank & The Winterset
The Bairns
2LP | 2023 | EU | Original (Rabble Rouser)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Cem Adrian - Gökyüzümün Yidizlari
Cem Adrian
Gökyüzümün Yidizlari
LP | 2022 | EU | Original (Pasaj / Garaj Müzik)
25,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie, Pop
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Janis Ian - Best Of Janis Ian
Janis Ian
Best Of Janis Ian
LP | 1977 | JP | Original (CBS/Sony)
5,24 €* 6,99 € -25%
Release: 1977 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Japanese pressing with obi and insert. Side B is VG+.
Simon & Garfunkel - Bridge Over Troubled Water
Simon & Garfunkel
Bridge Over Troubled Water
LP | 1972 | JP | Reissue (CBS/Sony)
9,99 €*
Release: 1972 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Janis Ian - Gold Disc
Janis Ian
Gold Disc
LP | 1978 | JP | Original (CBS/Sony)
5,24 €* 6,99 € -25%
Release: 1978 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Sylvia - Just Sylvia
Sylvia
Just Sylvia
LP | 1982 | JP | Original (RCA)
7,49 €* 9,99 € -25%
Release: 1982 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Carole King - Simple Things
Carole King
Simple Things
LP | 1977 | JP | Original (Capitol)
6,99 €*
Release: 1977 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Olivia Newton-John - Crystal Lady
Olivia Newton-John
Crystal Lady
2LP | 1976 | JP | Original (EMI)
8,99 €*
Release: 1976 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without OBI! Cover is clsoe to VG+!
Simon & Garfunkel - Greatest Hits 2 Gold Disc
Simon & Garfunkel
Greatest Hits 2 Gold Disc
LP | 1974 | JP | Original (CBS/Sony)
5,99 €*
Release: 1974 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
Japanese pressing, no Obi.
Gombloh - Live Gila
Gombloh
Live Gila
LP | 2023 | EU | Original (Elevation)
25,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Most of Gen X-ers who grew up in the mid-1980s Indonesia must have seen Soedjarwoto Soemarsono, known with his nom de guerre “Gombloh” performing on a state-run television station, playing some of his biggest hits from that era, pop gems like “Kugadaikan Cintaku (I Pawn Off My Love)”, “Setengah Gila (Half-Crazy).”

But of course, it is not fair to judge Gombloh only from these hits. Dig deeper and you will find buried treasure in his early stuff from Indra Records, and there are many of them.

His album with the band Lemon Tree’s Anno ‘69 (yes, that’s the name of the band) is all remarkable, but what he did for Chandra Records was no less spectacular. How can you go wrong with songs like “Kebyar-Kebyar”, the unofficial national anthem for Indonesia, dan “Berita Cuaca” one of the better epic songs in a catalogue full of epochal songs? These were all long out of print and in our journey to source the original master for these albums we met Bob Djumara of Nirwana Records, the Surabaya, East Java-based label which broke Gombloh into the mainstream in the mid-1980s. Almost all albums Gombloh recorded for his early labels, Indra Records and Chandra Records were critically acclaimed, but commercially they bombed, big time. Nirwana Records came up with an ingenious plan. What if they recorded Gombloh performing live and release it as is. After all, the first song in Gombloh debut record Nadia & Atmospheer is him strumming on his guitar backed by the cheering of a crowd, who could be heard going wild when he hurled that epithet “bastard” at the end of the song

The end result is a brilliant recording which despite being recorded live the sound quality so pristine leading many to doubt the claim of being live. Regardless, Nirwana shipped a decent number of units and Gombloh could buy his first car, a Katana Jeep, with money from the royalty.

One of the best things about Live Gila is its perfect sequencing, beginning with Gombloh’s social commentary on the rich’s debauched lifestyle of preying on young boys and girls, one of the most popular subjects allowed by the censoring machine of the New Order authoritarian government. The second song “Untuk Persada” is a soaring ode to the nation. For this song, Gombloh could be heard drawing his inspiration from The Police, which was undoubtedly popular in the early 1980s, even in a faraway port city like Surabaya.

Listening to this record as a whole (we omitted the last song from the original master tape “Bagimu Negeri” which sounds too jingoistic), we could not help but point to some of similarities it has with Bob Dylan’s Blood on the Tracks. Not a single composition in this record sound indigenous (the Malay-influenced rock of Panbers or Koes Plus come to mind); they all sound modern and effortlessly catchy, and had it not been for the language, this album could be mistaken for a musical output from someone growing up in Laurel Canyon or Southern France.

There are only limited copies of vinyl records in the second-hand market today available for Gombloh music, if at all. For his ardent fans, they have to scavenge for old cassettes to continue to be able to enjoy his music and have to pay top dollar for that. In Indonesia, where he was a superstar in the early 1980s, Gombloh was largely forgotten. With this project, we can only hope that the time is ripe for Gombloh to reemerge and now, more than ever, his music could speak to a bigger audience.
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 8-Track Cartridge
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 8-Track Cartridge
8Track | 2023 | US | Original (Light In The Attic)
34,09 €* 61,99 € -45%
Release: 2023 / US – Original
Genre: Rock & Indie
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8-Track available on Pink, Yellow, Blue or White (Randomly selected). Due to limited capacity the full track-list is not included on the 8-Track Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
51,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
Alabama - Alabama Greatest Hits
Alabama
Alabama Greatest Hits
LP | 1986 | JP | Original (RCA)
8,99 €* 11,99 € -25%
Release: 1986 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
With OBI and insert
Peter, Paul & Mary - Peter, Paul And Mary: The Best Collection
Peter, Paul & Mary
Peter, Paul And Mary: The Best Collection
LP | 1983 | JP | Original (Warner)
6,99 €*
Release: 1983 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Japanese pressing without OBI, with insert. Vinyl with foxing and marks. Cover close to VG+
John Denver - Gold Deluxe
John Denver
Gold Deluxe
2LP | 1974 | JP | Original (RCA)
11,99 €*
Release: 1974 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing without obi.
Janis Ian - Best Of Janis Ian
Janis Ian
Best Of Janis Ian
LP | 1977 | JP | Original (CBS/Sony)
9,99 €*
Release: 1977 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with obi.
Sally Anne Morgan - Carrying
Sally Anne Morgan
Carrying
LP | 2023 | US | Original (Thrill Jockey)
31,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Multi-instrumentalist Sally Anne Morgan, known for her work as part of The Black Twig Pickers, and half of House and Land (with Sarah Louise), cultivates seeds sown by folk musics and psychedelia. Carrying tills the rich soil of Appalachian traditions and her rural North Carolina surroundings into warm, reflective songs about the weight people carry with them, as well as Morgan"s own pregnancy and the birth of her first child. Bridging the more freeform, expansive leanings of 2021"s Cups and the lucid beauty of her acclaimed 2020 debut Thread, Carrying finds Morgan imbuing her masterfully crafted songs with more subtle and intricate arrangements. The album"s exploratory nature is anchored by a full band comprised of some of the most thoughtful players in the psychedelic folk and "cosmic country" spheres, including a guest appearance by Ripley Johnson (Rose City Band, Wooden Shjips, Moon Duo), and the foundational rhythm section of fellow The Black Twig Pickers collaborators: drummer Nathan Bowles (Steve Gunn Band, Pelt), guitarist Andrew Zinn, and bassist/engineer Joe Dejarnette. Morgan finds unity in the burdens and joys, tensions, and releases of modern living as a common thread that people bear in their day-to-day lives. "So much of what we accumulate and carry around with us burdens us, but we also can"t or don"t know how to let go," says Morgan. The profoundness and mundanity of that weight ran parallel for Morgan as she literally carried her child to term: the utter commonality of enduring what billions of parents before her had, and the awesome power of the human body and spirit, the complicated and unpredictable wash of emotions that come with nurturing and nourishing another life.
Citizen Tim - Protect Your Golden Heart Golden Vinyl Edition
Citizen Tim
Protect Your Golden Heart Golden Vinyl Edition
LP | 2023 | EU | Original (Barhill)
21,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Simon & Garfunkel - Greatest Hits 2 Gold Disc
Simon & Garfunkel
Greatest Hits 2 Gold Disc
LP | 1974 | JP | Original (CBS/Sony)
9,99 €*
Release: 1974 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Without OBI.
Ray Price - Ray Price's Greatest Hits
Ray Price
Ray Price's Greatest Hits
LP | JP | Original (CBS)
11,99 €* 15,99 € -25%
Release: JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing with OBI and insert
The Greenbriar Boys - Ragged But Right!
The Greenbriar Boys
Ragged But Right!
LP | 1970 | JP | Original (Vanguard)
17,24 €* 22,99 € -25%
Release: 1970 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
OBI not included.
Includes original insert,
Graciela Susana - Adoro, La Reine De Saba
Graciela Susana
Adoro, La Reine De Saba
LP | 1973 | JP | Original (Express)
8,99 €* 11,99 € -25%
Release: 1973 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
1st Japanese Pressing.
OBI not included.
Includes original insert and large poster.
Gonubie - Signals At Both Ears
Gonubie
Signals At Both Ears
Tape | 2023 | UK | Original (Mètron / Small Measures)
15,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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Born and based in Cape Town, South Africa, Gonubie is an interdisciplinary artist with a background in fine art, landscape architecture and urban design. A classically trained musician and flautist, her debut album, Signals at Both Ears, acts as a personal sonic exploration of the notion of space and ideas surrounding the making of home. On Signals at Both Ears, sonic elements are combined organically through a process akin to painting. Incorporating the movement of synthesisers and percussive drumming with expansive chords, the compositions aim to immerse the listener in a world where sound is the primary tool for navigation and finding refuge. Profits from physical album sales will be donated to Bridges for Music, South Africa, a non profit organisation focused on empowering young talent from under-served communities. Recently highlighted in DJ magazine (djmag.com)
Graciela Susana - Adoro, La Reine De Saba
Graciela Susana
Adoro, La Reine De Saba
LP | 1973 | JP | Original (Express)
6,99 €*
Release: 1973 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Andy Williams - De Luxe
Andy Williams
De Luxe
LP | 1966 | JP | Original (CBS)
11,99 €*
Release: 1966 / JP – Original
Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG+
With OBI.
Josh Ritter - Beast In Its Tracks Purple Vinyl Edition
Josh Ritter
Beast In Its Tracks Purple Vinyl Edition
LP | 2013 | US | Reissue (Pytheas)
44,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Joni Mitchell - Miles Of Aisles 2022 Remaster
Joni Mitchell
Miles Of Aisles 2022 Remaster
2LP | 2023 | US | Original (Elektra)
41,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Joni Mitchell - Hissing Of Summer Lawns
Joni Mitchell
Hissing Of Summer Lawns
LP | 2023 | US | Original (Elektra)
35,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Dustin Lynch - Killed The Cowboy
Dustin Lynch
Killed The Cowboy
LP | 2023 | CA | Original (Broken Bow)
23,24 €* 30,99 € -25%
Release: 2023 / CA – Original
Genre: Rock & Indie
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Finbar Furey - Moments In Time
Finbar Furey
Moments In Time
LP | 2023 | US | Original (Absolute Label Service)
49,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Willie Nelson - And Then I Wrote
Willie Nelson
And Then I Wrote
LP | 2023 | EU | Original (Pan Am)
16,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Roe Kapara - I Hope Hell Isn't Real Splatter Coloured Edition
Roe Kapara
I Hope Hell Isn't Real Splatter Coloured Edition
LP | 2023 | EU | Original (Epitaph Europe)
27,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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