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Truck Stop - Truck-Stop
Truck Stop
Truck-Stop
LP | 1973 | DE | Original (Telefunken)
4,99 €*
Release: 1973 / DE – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Graciela Susana - Adoro, La Reine De Saba
Graciela Susana
Adoro, La Reine De Saba
LP | 1973 | JP | Original (Express)
6,99 €*
Release: 1973 / JP – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
The Flying Burrito Bros - Live In Amsterdam
The Flying Burrito Bros
Live In Amsterdam
2LP | 1973 | NL | Original (Ariola)
17,99 €*
Release: 1973 / NL – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Mustafa Özkent - Genclik Ile Elele Black Vinyl Edition
Mustafa Özkent
Genclik Ile Elele Black Vinyl Edition
LP | 1973 | US | Reissue (Jackpot)
27,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Pete Seeger - America's Balladeer
Pete Seeger
America's Balladeer
LP | 1973 | US | Original (Olympic)
3,99 €*
Release: 1973 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Copy close to VG+
V.A. - The One That Got Away
V.A.
The One That Got Away
LP | 1973 | UK | Original (Elektra)
3,99 €*
Release: 1973 / UK – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Lindisfarne - Lindisfarne Live
Lindisfarne
Lindisfarne Live
LP | 1973 | DE | Original (Charisma)
4,99 €*
Release: 1973 / DE – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
The Wild Geese Folk Group - Songs For Tomorrow If Not Today
The Wild Geese Folk Group
Songs For Tomorrow If Not Today
LP | 1973 | UK | Original (Sweet Folk And Country)
14,99 €*
Release: 1973 / UK – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Willie Nelson - Shotgun Willie 50th Anniversary Deluxe Black Friday Record Store Day 2023 Vinyl Edition
Willie Nelson
Shotgun Willie 50th Anniversary Deluxe Black Friday Record Store Day 2023 Vinyl Edition
2LP | 1973 | Reissue (Rhino)
44,99 €*
Release: 1973 / Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Quantity: 5500
Release type: RSD Exclusive Release

2nd LP contains all of the session outtakes, included in the 2006 4CD box set The Complete Atlantic Sessions.
The Flying Burrito Bros - Live In Amsterdam
The Flying Burrito Bros
Live In Amsterdam
2LP | 1973 | NL | Original (Ariola)
25,99 €*
Release: 1973 / NL – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
John Prine - Sweet Revenge
John Prine
Sweet Revenge
LP | 1973 | US | Reissue (Atlantic)
24,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
Cover with promo sticker on the front and saw cut. Vinyl with scuffs and hairlines.
John Renbourn - So Clear (The John Renbourn Sampler Volume Two)
John Renbourn
So Clear (The John Renbourn Sampler Volume Two)
LP | 1973 | UK | Original (Transatlantic)
14,99 €*
Release: 1973 / UK – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
Nitty Gritty Dirt Band - Nitty Gritty Dirt Band Best 20
Nitty Gritty Dirt Band
Nitty Gritty Dirt Band Best 20
LP | 1973 | JP | Original (Liberty)
5,39 €* 5,99 € -10%
Release: 1973 / JP – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: G+, Cover: VG
Record has some hairlines and a few superficial scratches.
Yellowed cover, foxing inside gatefold.
OBI not included.
Graciela Susana - Adoro, La Reine De Saba
Graciela Susana
Adoro, La Reine De Saba
LP | 1973 | JP | Original (Express)
8,99 €* 11,99 € -25%
Release: 1973 / JP – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
1st Japanese Pressing.
OBI not included.
Includes original insert and large poster.
Graciela Susana - Adoro, La Reine De Saba
Graciela Susana
Adoro, La Reine De Saba
LP | 1973 | JP | Original (Express)
9,74 €* 12,99 € -25%
Release: 1973 / JP – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with obi.
Thijs Van Leer - Introspection
Thijs Van Leer
Introspection
LP | 1973 | US | Original (Columbia)
3,74 €* 4,99 € -25%
Release: 1973 / US – Original
Genre: Rock & Indie, Classical Music
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Used Vinyl
Medium: VG, Cover: VG
Bo Winberg & The Spotnicks - Today
Bo Winberg & The Spotnicks
Today
LP | 1973 | DE | Original (Polydor)
2,99 €* 3,99 € -25%
Release: 1973 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Tom Waits - Closing Time 2lp Half Speed Master 50th Anniversary Black Vinyl Edition
Tom Waits
Closing Time 2lp Half Speed Master 50th Anniversary Black Vinyl Edition
2LP | 1973 | EU | Reissue (Anti)
32,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.
Jusao Terada - City After Rain
Jusao Terada
City After Rain
LP | 1973 | JP | Reissue (Universal Music Japan)
39,99 €*
Release: 1973 / JP – Reissue
Genre: Rock & Indie
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Nass El Ghiwane - Nass El Ghiwane
Nass El Ghiwane
Nass El Ghiwane
LP | 1973 | EU | Reissue (Sudiphone)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Figen Han - Pisi Pisi / Haydi Bastir
Figen Han
Pisi Pisi / Haydi Bastir
7" | 1973 | EU | Reissue (Arsivplak)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.
Spirogyra - Bells, Boots And Shambles Neon Green Vinyl Edition
Spirogyra
Bells, Boots And Shambles Neon Green Vinyl Edition
LP | 1973 | EU | Reissue (Klimt)
24,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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An essential dark progressive folk re-issue. Initially formed by duo Martin Cockerham and Mark Francis in Bolton in 1968, the band expanded when Cockerham was a student in Canterbury at the end of 1969. In 1973 the band recorded their third album, released on Polydor Records. By this time Spirogyra had become a core of Martin Cockerham (guitar, vocals) and Barbara Gaskin (lead vocals) with Steve Borrill (bass) and guest musicians Dave Mattacks (drums), Julian Cusack (violin, keyboards), Henry Lowther (trumpet), John Boyce (cello), Stan Sulzman (flute) and Steve Ashley (whistle).
Brigg - Brigg
Brigg
Brigg
LP | 1973 | EU | Reissue (Out-Sider)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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First ever legit vinyl reissue, sanctioned by the band members, of this collectable psych/folk/hard-rock album from 1973. Brigg were a rural Pennsylvania folk-tinged psychedelic band formed by three high school friends: Rob Morse, Jeff Willoughby and Rusty Foulke. In 1973, they borrowed the money to record their first album together. They called it Brigg after one member saw the name in a dream. It was recorded at a grocery store converted into a 4-track studio. The photos for the cover were taken in a purportedly haunted house in Danville. The band members pressed 1000 copies and sold some to their friends but never played a live show together. They divided the remaining copies between them and went their separate ways. Several decades later, the Brigg album became a collector’s item and was bootlegged all over the world.
Makoto Kubota & The Sunset Gang - Sunset Gang
Makoto Kubota & The Sunset Gang
Sunset Gang
LP | 1973 | EU | Reissue (Wewantsounds)
34,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.
Annette Peacock - X-Dreams
Annette Peacock
X-Dreams
LP | 1973 | EU | Reissue (Sundazed)
27,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Ithaca - A Game For All Who Know
Ithaca
A Game For All Who Know
LP | 1973 | EU (Trading Places)
20,99 €*
Release: 1973 / EU
Genre: Rock & Indie
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Chelique Sarabia - Revolucion Electronica En Musica Venezolana
Chelique Sarabia
Revolucion Electronica En Musica Venezolana
LP | 1973 | EU | Reissue (Pharaway Sounds)
21,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)
Bob Dylan - OST Pat Garrett & Billy The Kid
Bob Dylan
OST Pat Garrett & Billy The Kid
LP | 1973 | EU | Reissue (Legacy)
27,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Pat Garrett & Billy The Kid
Bob Dylan
Pat Garrett & Billy The Kid
LP | 1973 | US | Reissue (Sony Legacy)
28,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Leonard Cohen - Leonard Cohen: Live Songs
Leonard Cohen
Leonard Cohen: Live Songs
LP | 1973 | EU | Reissue (Columbia)
27,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Judee Sill - Heart Food
Judee Sill
Heart Food
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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The second album Judee Sill made, proved to be her last. Instead of using an outside arranger for the strings for her album Heart Food (as she did on her previous album Judee Sill [MOVLP1800]), Sill did all of the work herself.
Cem Karaca & Mogollar - Ankara 1973
Cem Karaca & Mogollar
Ankara 1973
LP | 1973 | TR | Reissue (Universal Music Taxim Edition)
26,99 €*
Release: 1973 / TR – Reissue
Genre: Rock & Indie
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2021 Reissue, recorded in 1973. studio live session, 180g black vinyl in gatefold cover with 6 posters describing each track.

What a fantastic recording from a man and his band which is a real gem, haunting your soul in the first seconds (especially first track of B side “Alageyik Destani”). Cem Karaca is one of the leading vocal man and songwriter of Anatolian Rock scene, Mogollar (founded in 1967) is the first band which is the inventor of Anatolian Rock in Turkish rock music history. It offers amazing musical taste inspired by the traditional folk heritage of Turkiye. Strictly recommended.
Омский Русский Народный Хор, Георгий Пантюков - Am Irtysch
Омский Русский Народный Хор, Георгий Пантюков
Am Irtysch
LP | 1972 | GDR | Original (Melodia Eterna)
5,99 €*
Release: 1972 / GDR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Simon & Garfunkel - Bridge Over Troubled Water
Simon & Garfunkel
Bridge Over Troubled Water
LP | 1972 | JP | Reissue (CBS/Sony)
14,99 €*
Release: 1972 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing, no Obi.
Dave Van Ronk - Folksinger Vinyl Me, Please Edition
Dave Van Ronk
Folksinger Vinyl Me, Please Edition
LP | 1972 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“Dave Van Ronk was bemused by the title of this album. He didn’t think of himself as a folksinger and had mixed feelings about what he wryly called ‘the Great Folk Scare’ of the 1960s. And yet, he was a central figure on that scene and this album was instrumental in shaping a new sense of what it meant to be a folk musician. A generation of guitarists took him as a model and honed their skills on his arrangements of ‘Come Back Baby’ and ‘Cocaine Blues,’ and his masterful reimagining of older traditions made him a defining voice of the folk-blues revival, showing that a young, urban performer could reshape songs from rural sources into modern, personal statements that were as rough and honest as anything from the hills or prairies.”
Simon & Garfunkel - Simon And Garfunkel's Greatest Hits
Simon & Garfunkel
Simon And Garfunkel's Greatest Hits
LP | 1972 | US | Reissue (Columbia)
18,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
1972 reissue. US Santa Maria pressing.
Gilbert O'Sullivan - Back To Front
Gilbert O'Sullivan
Back To Front
LP | 1972 | DE | Original (MAM)
4,99 €*
Release: 1972 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Close to VG+. With insert
Iain Matthews - Tigers Will Survive
Iain Matthews
Tigers Will Survive
LP | 1972 | UK | Original (Vertigo)
16,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
UK original.
Front cover with sticker rip off, edgewear.
D.R. Hooker - The Truth Black Vinyl Edition
D.R. Hooker
The Truth Black Vinyl Edition
LP | 1972 | US | Reissue (Numero Group)
29,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.
D.R. Hooker - The Truth Cobalt Vinyl Edition
D.R. Hooker
The Truth Cobalt Vinyl Edition
LP | 1972 | US | Reissue (Numero Group)
30,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Cobalt Vinyl. A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.
Osamu Okuno - Osamu Okuno
Osamu Okuno
Osamu Okuno
LP | 1972 | JP | Reissue (Super Fuji Discs)
35,99 €*
Release: 1972 / JP – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-13
Osamu Okuno's first album "Osamu Okuno", which was independently produced by Himico Record in 1972 in a limited edition of 100 copies, is now available on LP for the first time in 52 years, cut from 6mm open tapes owned by Mr.Okuno! This album vividly captures the impact of cutting-edge and unique alternative rock unique to Kyoto in the early 70's. It was released on CD in 2000, and was hailed around the world as a masterpiece of psychedelic folk music.
V.A. - W Frelimo
V.A.
W Frelimo
LP | 1972 | IT | Original (Not On Label)
22,99 €*
Release: 1972 / IT – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
James Taylor - One Man Dog
James Taylor
One Man Dog
LP | 1972 | JP | Original (Warner)
12,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without obi, includes insert | Faintest discoloration on front cover otherwise VG+
Carpenters - A Song For You
Carpenters
A Song For You
LP | 1972 | JP | Original (A&M)
6,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Simon & Garfunkel - Bridge Over Troubled Water
Simon & Garfunkel
Bridge Over Troubled Water
LP | 1972 | JP | Reissue (CBS/Sony)
9,99 €*
Release: 1972 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Neil Gardner - Said The Blackbird
Neil Gardner
Said The Blackbird
LP | 1972 | AU | Reissue (Half A Cow)
54,99 €*
Release: 1972 / AU – Reissue
Genre: Rock & Indie
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Mark Fry - Dreaming With Alice Purple Vinyl Edition
Mark Fry
Dreaming With Alice Purple Vinyl Edition
LP | 1972 | EU | Reissue (Guerssen)
26,34 €* 30,99 € -15%
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Recorded when he was just nineteen, “Dreaming With Alice” by British folk musician/artist Mark FRY was (barely) released only in Italy in 1972, making it one of the rarest and most desirable acid-folk / psychedelic albums ever. Tracks like “The Witch” or “Mandolin Man” are considered nowadays classics of the genre.
Mark Fry - Dreaming With Alice Black Vinyl Edition
Mark Fry
Dreaming With Alice Black Vinyl Edition
LP | 1972 | EU | Reissue (Guerssen)
26,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Recorded when he was just nineteen, “Dreaming With Alice” by British folk musician/artist Mark FRY was (barely) released only in Italy in 1972, making it one of the rarest and most desirable acid-folk / psychedelic albums ever. Tracks like “The Witch” or “Mandolin Man” are considered nowadays classics of the genre.
Rodriguez - Sugar Man
Rodriguez
Sugar Man
7" | 1972 | UK | Reissue (Dynamite Cuts)
16,99 €*
Release: 1972 / UK – Reissue
Genre: Rock & Indie
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Just had to do it, this timeless classic "Sugar man" by Sixto Rodriguez. An immense tune. OG released on the funk and soul label; Sussex records. With a top line up of musicains - Bob Babbitt on bass and Dennis coffey on Guitar; Gordon Staples did the stunning Strings arrangment and Mike Theodore producer... This was previously issued as a 7" in the 70s, but sell for well over £100.00. We have used the OG White colour sleeve design instead of the South African issue with a black sleeve, in keeping with format styles. On the flip we have take another track from the LP "Only good for conversation" Heavy groove with nice bass drum loop, it has a Eugene McDaniels vibes. x500 copies Don;t miss out!!! credits releases June 21, 2024

Sixto Rodriguez Vocals, Acoustic Guitar Bob Babbitt Bass Andrerw Smith Drums Dennis Coffey Electric Guitar Gordon Staples Leader [Strings] Mike Theodore Arranged By , Keyboards Carl Reatz Baritone Saxophone, Leader, Trombone Bob Pangborn Percussion Theo-Coff Productions Producer Dennis Coffey & Mike Theodore Producer, Arranged By Detroit Symphony* Strings
Gilbert O'Sullivan - Back To Front
Gilbert O'Sullivan
Back To Front
LP | 1972 | JP | Original (MAM)
4,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
T. Rex - Bolan Boogie-Perfect
T. Rex
Bolan Boogie-Perfect
LP | 1972 | JP | Original (Cube)
45,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. OBI is missing.
Simon & Garfunkel - Simon And Garfunkel's Greatest Hits
Simon & Garfunkel
Simon And Garfunkel's Greatest Hits
LP | 1972 | JP | Original (CBS/Sony)
6,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
No Obi, with insert. Cover has small seam split.
Bee Gees - My World / The Bee Gees Best Collections = マイ・ワールド / ビー・ジーズ ベスト・コレクションズ
Bee Gees
My World / The Bee Gees Best Collections = マイ・ワールド / ビー・ジーズ ベスト・コレクションズ
2LP | 1972 | JP | Original (Polydor)
12,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
No Obi, with inserts.
Amália Rodrigues - Amalia Canta Portugal
Amália Rodrigues
Amalia Canta Portugal
LP | 1972 | JP | Original (Odeon)
14,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. OBI is missing.
Earl Scruggs And The Earl Scruggs Revue - Live At Kansas State
Earl Scruggs And The Earl Scruggs Revue
Live At Kansas State
LP | 1972 | JP | Original (CBS/Sony)
9,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Japanese pressing. With OBI.
Simon & Garfunkel - Simon & Garfunkel's Greatest Hits II
Simon & Garfunkel
Simon & Garfunkel's Greatest Hits II
LP | 1972 | JP | Original (CBS/Sony)
7,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing without OBI, but with insert. close to NM
Simon & Garfunkel - Simon & Garfunkel's Greatest Hits II
Simon & Garfunkel
Simon & Garfunkel's Greatest Hits II
LP | 1972 | JP | Original (CBS/Sony)
7,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. OBI is missing. With insert. Slightly stained.
Leo Kottke - Greenhouse
Leo Kottke
Greenhouse
LP | 1972 | US | Original (Capitol)
6,99 €*
Release: 1972 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Manitas De Plata - Et Ses Guitares Gitanes
Manitas De Plata
Et Ses Guitares Gitanes
LP | 1972 | NL | Original (CBS)
4,99 €*
Release: 1972 / NL – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise
Master Wilburn Burchette - Opens The Seven Gates Of Transcendental Consciousness Black Vinyl Edition
Master Wilburn Burchette
Opens The Seven Gates Of Transcendental Consciousness Black Vinyl Edition
LP | 1972 | US | Reissue (Numero Group)
29,44 €* 30,99 € -5%
Release: 1972 / US – Reissue
Genre: Rock & Indie
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California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.
Master Wilburn Burchette - Opens The Seven Gates Of Transcendental Consciousness Colored Vinyl Edition
Master Wilburn Burchette
Opens The Seven Gates Of Transcendental Consciousness Colored Vinyl Edition
LP | 1972 | US | Reissue (Numero Group)
32,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Opaque Red Vinyl.California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.
McGuinness Flint - Happy Birthday, Ruthy Baby
McGuinness Flint
Happy Birthday, Ruthy Baby
LP | 1972 | US | Reissue (Capitol)
7,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Cover has ring-wear.
Roberto Pansera With Leopoldo Federico, Aquiles Aguilar, Horacio Cabarcos - La Cumparsita
Roberto Pansera With Leopoldo Federico, Aquiles Aguilar, Horacio Cabarcos
La Cumparsita
LP | 1972 | JP | Original (Victor)
11,99 €*
Release: 1972 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
America - Homecoming
America
Homecoming
LP | 1972 | DE | Original (Warner)
33,99 €*
Release: 1972 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Trifold cover and vinyl are close to NM.
Lu-sheng Ensemble - China: Shantung Folk Music & Traditional Instrumental Pieces
Lu-sheng Ensemble
China: Shantung Folk Music & Traditional Instrumental Pieces
LP | 1972 | US | Original (Nonesuch)
8,99 €*
Release: 1972 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Jake Thackray - Bantam Cock
Jake Thackray
Bantam Cock
LP | 1972 | UK | Original (Columbia)
9,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Willie Nelson - The Words Don't Fit The Picture Translucent Blue Vinyl Edition
Willie Nelson
The Words Don't Fit The Picture Translucent Blue Vinyl Edition
LP | 1972 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL
Third Ear Band - Music From Macbeth
Third Ear Band
Music From Macbeth
LP | 1972 | ES | Reissue (Munster)
23,99 €*
Release: 1972 / ES – Reissue
Genre: Rock & Indie, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM. Tiny wear. With insert. 2020 reissue.
Tom Rush - Merrimack County
Tom Rush
Merrimack County
LP | 1972 | NL | Original (CBS)
8,99 €*
Release: 1972 / NL – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl is Close to VG+.
Magic Carpet - Magic Carpet
Magic Carpet
Magic Carpet
LP | 1972 | EU (Life Goes On)
24,99 €*
Release: 1972 / EU
Genre: Rock & Indie
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The North London-based group Magic Carpet released their first album in 1972, bringing together elements of folk and rural psychedelia, altogether with a strong middle-eastern flavor. The music of Jim Alford, Clem Alford, Keshav Sathe and singer/guitar player Alisha Sufit still retain a fascinating charme, providing a still standing template for future global beat fusion.
Bob Frank - Broke Again Record Store Day 2024 Red Vinyl Edition
Bob Frank
Broke Again Record Store Day 2024 Red Vinyl Edition
LP | 1972 | US | Reissue (Real Gone Music)
56,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Originally released in 1972 on Vanguard Records, Bob Frank’s self-titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it thru a pot-smoked haze and the infusion of Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records), he recorded one of Bob Frank’s songs “Wild Bill Jones.” But despite the Dickinson/Memphis connection, Bob Frank’s only LP for Vanguard became a forgotten, hard to find relic - until Light in the Attic reissued it to great acclaim in 2014. Now, from Real Gone comes more 1972 Vanguard Bob Frank recordings (all previously unreleased studio songs) coupled with a live set from the Old Quarter in Houston 1973 (the first-ever vintage live Bob Frank recordings to be released). Includes an insert with extensive liner notes detailing Frank’s career self-sabotage by Pat Thomas and the director of the documentary Within A Few Degrees: A Little Gest of Bob Frank, Isaac Pingree. 20 tracks, all unreleased, pressed on stems ‘n’ seeds “marijuana” vinyl.
England Dan & John Ford Coley - Simone = シモーンの涙
England Dan & John Ford Coley
Simone = シモーンの涙
7" | 1972 | JP | Original (A&M)
3,99 €*
Release: 1972 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
New Riders Of The Purple Sage - Gypsy Cowboy
New Riders Of The Purple Sage
Gypsy Cowboy
LP | 1972 | US | Original (Columbia)
17,99 €*
Release: 1972 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl is Close to VG+. Santa Maria pressing.
Tadeusz Wozniak - Tadeusz Wozniak Blue Vinyl Edtion
Tadeusz Wozniak
Tadeusz Wozniak Blue Vinyl Edtion
LP | 1972 | EU | Reissue (Warner)
26,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Wizz Jones - Right Now
Wizz Jones
Right Now
LP | 1972 | UK | Original (CBS)
149,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Sleeve has small sticker on front. light ring-wear.
Lee Hazlewood - 13 Deluxe Edition
Lee Hazlewood
13 Deluxe Edition
2LP | 1972 | US | Reissue (Light In The Attic)
48,59 €* 53,99 € -10%
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood



“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks



The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.
Tom Paxton - Peace Will Come
Tom Paxton
Peace Will Come
LP | 1972 | UK | Original (Reprise)
6,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Jethro Tull - Thick As A Brick
Jethro Tull
Thick As A Brick
LP | 1972 | UK | Original (Chrysalis)
80,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
UK original in newspaper gatefold cover. Close to VG+.
Colin Wilkie & Shirley Hart - Morning
Colin Wilkie & Shirley Hart
Morning
LP | 1972 | DE | Original (pläne)
14,99 €*
Release: 1972 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Close to VG+
Loudon Wainwright III - Album III
Loudon Wainwright III
Album III
LP | 1972 | UK | Original (CBS)
7,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Sticker on cover.
Stefan Grossman - Hot Dogs
Stefan Grossman
Hot Dogs
LP | 1972 | UK | Original (Transatlantic)
9,99 €*
Release: 1972 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Billy Connolly - Live!
Billy Connolly
Live!
LP | 1972 | UK | Original (Transatlantic)
4,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie, Comics
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Used Vinyl
Medium: VG+, Cover: VG+
Alex Campbell - Alex Campbell At His Best
Alex Campbell
Alex Campbell At His Best
LP | 1972 | UK | Original (Boulevard)
3,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Alex Campbell - Life Is Just That Way
Alex Campbell
Life Is Just That Way
LP | 1972 | DE | Original (pläne)
3,99 €*
Release: 1972 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Don McLean - Don McLean
Don McLean
Don McLean
LP | 1972 | UK | Original (United Artists)
13,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Duane Eddy - The Best Of Duane Eddy
Duane Eddy
The Best Of Duane Eddy
LP | 1972 | UK | Original (RCA Camden)
3,99 €*
Release: 1972 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Slapp Happy - Sort Of
Slapp Happy
Sort Of
12" | 1972 | EU | Reissue (Week-End)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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In 1972, left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he might write some straight songs (relatively speaking), which in turn prompted Moore to invite his old schoolfriend Peter Blegvad over to Hamburg to form the band Slapp Happy. Dagmar Krause, a young singer from Hamburg and Moore‘s girlfriend, joined them both on their trip to Wümme to record what was to become this album, Sort of, using Faust as their rhythm section. In honour of this album ́s 50th anniversary the album will get a nicely remastered reissue with the newly founded Week–End Records –the fetsival‘s inhouse label who managed to get the band together for a final reunion shows in November of 2016 and Spring of 2017.
Nancy Sinatra - Nancy & Lee Again Clear W/ Black White Vinyl Edition
Nancy Sinatra
Nancy & Lee Again Clear W/ Black White Vinyl Edition
LP | 1972 | US | Reissue (Light In The Attic)
37,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Nancy Sinatra & Lee Hazlewood - Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition
LP | 1972 | US | Reissue (Light In The Attic)
31,49 €* 41,99 € -25%
Release: 1972 / US – Reissue
Genre: Rock & Indie
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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Lee’s 1972 classic
* Includes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”
* Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatra’s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissue’s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancy’s Bootique at *NancySinatra.com*.

Nancy’s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the week’s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”

The song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You've been hurt and I've been hurt/Now we're living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.

The 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the Grammy⮠Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkin’ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatra’s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Again Fanclub Edition pressed on Got It Together Again Gold Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Again Fanclub Edition pressed on Got It Together Again Gold Vinyl Edition
LP | 1972 | US | Reissue (Light In The Attic)
41,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Lee’s 1972 classic
* Includes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”
* Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatra’s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissue’s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancy’s Bootique at *NancySinatra.com*.

Nancy’s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the week’s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”

The song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You've been hurt and I've been hurt/Now we're living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.

The 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the Grammy⮠Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkin’ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatra’s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Again Black Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Again Black Vinyl Edition
LP | 1972 | US | Reissue (Light In The Attic)
27,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Lee’s 1972 classic * Includes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down” * Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissue’s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancy’s Bootique at *NancySinatra.com*.

Nancy’s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the week’s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”

The song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You've been hurt and I've been hurt/Now we're living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.

The 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the Grammy⮠Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkin’ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatra’s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Again 8-Track Tape
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Again 8-Track Tape
8Track | 1972 | US | Reissue (Light In The Attic)
23,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* First ever reissue of Nancy & Lee’s 1972 classic
* Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissue’s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancy’s Bootique at *NancySinatra.com*.

Nancy’s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the week’s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”

The song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You've been hurt and I've been hurt/Now we're living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.

The 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the Grammy⮠Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkin’ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatra’s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.
Nancy Sinatra & Lee Hazlewood - Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition
Nancy Sinatra & Lee Hazlewood
Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition
LP | 1972 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Lee’s 1972 classic
* Includes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”
* Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatra’s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissue’s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancy’s Bootique at *NancySinatra.com*.

Nancy’s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the week’s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”

The song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You've been hurt and I've been hurt/Now we're living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.

The 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the Grammy⮠Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkin’ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatra’s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.
Rubinho E Mauro Assumpcao - Perfeitamente, Justamente Quando Cheguei
Rubinho E Mauro Assumpcao
Perfeitamente, Justamente Quando Cheguei
LP | 1972 | UK | Reissue (Mr Bongo)
25,99 €*
Release: 1972 / UK – Reissue
Genre: Organic Grooves, Rock & Indie
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Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando Cheguei' has to be up there as one of the finest Brazilian-psych-folk-MPB records we know. Unfortunately, it's very hard to find in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag.

This highly sought-after rarity was released on the Brazilian label Tapecar Records in 1972 and is the one and only album by the sensational pairing of Rubinho and Mauro Assumpção. Effortlessly blending folk, MPB, funky-psych, rock, and relaxed, swaggering samba, this record ought to be heralded as a true Brazilian classic. However, maybe due to its scarcity and the previous reissue predominantly being only available to the Brazilian market, it has not had a chance to fully shine and find the wider audience it deserves. Through our reissue we hope to put things right. Fans of records by Milton Nascimento and Lô Borges are sure to enjoy the same magic and allure in 'Perfeitamente, Justamente Quando Cheguei'.

In addition to being the album’s songwriters, Mauro Assumpção took on the role of producer and Rubinho was co-producer as well as playing piano, organ, acoustic guitar and performing vocals. The record features the drummer Gegê who worked with Milton Nascimento, Edu Lobo, Nana Caymmi, Dom Um Romão and more. It also features guitarist Rick Ferreira, who played with Erasmo Carlos, Gal Costa and other greats. Rounding off the players on the album are Darcy Da Cruz and Formiga who have graced many a fine recording on horns.

'Perfeitamente, Justamente Quando Cheguei' is a truly stunning work that washes over you with beauty. Delve in and savour.
3 Hür El - 3 Hür El Volume 1
3 Hür El
3 Hür El Volume 1
LP | 1972 | TR | Reissue (Ada Müzik)
23,99 €*
Release: 1972 / TR – Reissue
Genre: Organic Grooves, Rock & Indie
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3 Hürel is a folk-rock and psychedelic-rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye, who gained fame in the early 1970s with their authentic music and hippie outfits. Thisis their first album compiled from 45 rpm singles. The original release date was 1972. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic-rock in Turkiye. "Aşk Davası", "Haram", "Pembelikler" and "Madalyonun Ters Yüzü" are their most popular songs.
Yukimasa Takebe - Yufusugebito No Uta (Japanese Edition)
Yukimasa Takebe
Yufusugebito No Uta (Japanese Edition)
LP | 1972 | JP | Reissue (Fuji)
44,99 €*
Release: 1972 / JP – Reissue
Genre: Rock & Indie
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This is the only album left by the legendary singer/songwriter Yukimasa Takebe. One of the best recordings of all time, reminiscent of Neil Young's "Harvest". The beautiful music and lyrical world. A great masterpiece of quality Folk-Rock that sings about the anxieties and hopes of youth. Originally released in 1972. Junji Ariyama: Acoustic / Classic guitar, flute Takashi Nishioka: Acoustic guitar, Conga, Mouth-harp Isato Nakagawa: Acoustic/Electric/Dobro guitar Hiro Yanagida: Cello, Piano, Organ, Strings Hideaki Takebe: Bass Chito Kawachi: Drums Masahiro Takekawa: Violin Yukimasa Takebe: Acoustic-guitar, Vocal
Sons Of Sun - The Adventure Of Pirate Kid
Sons Of Sun
The Adventure Of Pirate Kid
LP | 1972 | JP | Reissue (Fuji)
44,99 €*
Release: 1972 / JP – Reissue
Genre: Rock & Indie, Pop
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Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons OF SUN's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO
Dando Shaft - Lantaloon
Dando Shaft
Lantaloon
LP | 1972 | EU (Trading Places)
20,99 €*
Release: 1972 / EU
Genre: Rock & Indie
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Dando Shaft’s third LP continued their explorations into the progressive and psychedelic strands of folk, now with shifting time signatures evidencing an increasing sophistication, as well as an ongoing commitment to experimentation; more varied in theme than their previous releases, there were shades of blues in places and an array of new instruments in the mix, including harpsichord, accordion, and slide guitar, yet the progressive folk that was always at the core of the group is still intact. With original copies costing in the hundreds, this is another worthy exploration for Dando Shaft fans, and all lovers of progressive folk music.
Music Box - Songs Of Sunshine
Music Box
Songs Of Sunshine
LP | 1972 | EU | Reissue (Life Goes On)
25,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Here we have another magical achievement of the early 70’s counterculture. Officially released in 1972 on the small imprint Westwood Recordings, the album has an intimate, predominantly acoustic flavor. Flutes, chimes and gentle organ sounds all over the place. Tales of faraway lands, sand, sea, castles, kings, queens and even Peter Pan dominates the scene, imposing a sort of ancestral feel. Rob Armstrong, the leader of the group, became a renowned luthier and you can hear the care and love of the acoustic guitar in his music. The short lived british folk trio released just this single before vanishiong. The album consists of nine acoustic folk tracks of their own material and the Bob Dylan's classic Tom Thumb Blues.
John Denver - Rocky Mountain High 50th Anniversary Edition
John Denver
Rocky Mountain High 50th Anniversary Edition
LP | 1972 | EU | Reissue (Windstar)
24,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Celebrating the 50th Anniversary of the Rocky Mountain High album and song, John Denver's Windstar Records is reissuing the album on limited edition Transparent Blue Vinyl. Originally released September 15, 1972, Rocky Mountain High was Denver's first Top 10 album, propelled by the self-titled single. In 2007, the title track was made a state song of Colorado. The album has gone on to earn 2x Platinum status and the title track certified Gold. In the early 1970s, Denver was one of the first artists to share an environmental message through his music, and fans responded. John understood that responsibility came with having a public voice. The album's iconic namesake Rocky Mountain High was written while Denver was camping in the Rocky Mountains during the Perseid Meteor Shower, with lyrics expressing the love and wonder John Denver felt for his adopted state of Colorado, and speaking of environmental sustainability. Released while war was raging in Vietnam, the album's second single "Prisoners" tells a story of prisoners of war. The album also features Denver's take on songs by The Beatles and John Prine, and the five-part Season Suite finds reflection through the seasons.
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