Folk 5567 Items

LP | 2019 | EU | Original (Mr Bongo)

Mantra Moderne

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.

The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.

Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

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7" | 2019 | EU | Original (Mr Bongo)

Mantra Moderne

12,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.
The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.
The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.
Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

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7" | 2023 | UK | Original (Mr Bongo)

L'Addio / Hayat

18,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The illustrious, London-based duo Kit Sebastian, aka Kit Martin and Merve Erdem, return with a limited edition 7” single. It features ’L’addio’, a breakbeat driven, sultry ballad, and ‘Hayat’, a hazy, psychedelic scorcher that delves into the band’s Turkish and Azerbaijan influences.

‘L’addio’ saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump. The music was greatly influenced by Italian soundtracks and Italian female singers, such as Mina or Rita Pavone. The track announces itself with a break that is guaranteed to get samplers twitching. The tone of the melody and lyrics is heartfelt and aching. It has a beautiful, intimate sadness like the closing scenes to a love affair, and it exquisitely rides over the slow, psych-funk-dramatic backing track. The lyrics are inspired by a flat opposite Merve's window that's occupied by drug addicts, with many guests coming in and out every night. Merve elaborated “Being both neighbours and strangers, and with the boredom of a post-tour everyday domestic life and a pinch of urban voyeurism, it was hard not to wonder what was happening in that flat. The words imagine an addict before her/his golden shot as if it's a love relationship between them that comes to an end.”

Having spent much of 2022 touring and writing, ‘Hayat’ was the first original composition the band recorded since their October 2021 album, ‘Melodi’. Here we see them weaving a psychedelic tapestry of Mugham melodies, organ-driven grooves, and jazz-pop harmonies in classic Kit Sebastian fashion. Recorded to Fostex 1/4” tape, the essence of the production is perfectly balanced between being brand new and retro, which is a feat very hard to pull off.

‘Hayat’ is sung in Turkish and the title translates as ‘Life’ in English. The song examines our desire to find one's place in the world and the provisionality of existence. Merve's searching lyrics ask “Where are you? Where is the universe?”. Her vocal delivery perfectly reflects the lyrical focus, its texture is probing and ethereal, almost as if sung from looking above us.

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7" | 2020 | EU | Original (Mr Bongo)

Ennui / Abandoned

15,99 €*

LP | 2023 | UK | Original (Last Night From Glasgow)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Kit Sebastian are back with a special stand-alone alone 7” release that presents an appetising taster of what is to follow from their much-anticipated second album. After losing themselves in the magic of the French countryside to record, the band have delivered two gems that we initially thought were a soupçon of the said new album. In fact, though recorded during the same sessions, they felt these tracks were best served up as an aperitif to the album. Francis Lai, Vladimir Cosma, Fikret Kızılok, Jane Birkin, and Selda Bağcan all served as inspirations during the recording sessions. Though their idols can be heard in ‘Ennui’ & ‘Abandoned’, the fusion of Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and psych-folk vibes results in a sound that is drenched in their unique signature style and can only come from Kit Sebastian. The beautiful, heartfelt, longing vocals on both ‘Ennui’ & ‘Abandoned’’, makes it hard for the listener to resist falling in love with the world of Kit Sebastian, and they leave the heart longing even more for their next long player to drop.

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Kinnaris Quintet

Free One

34,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2011 | UK | Original (Discrepant)

Kink Gong

Xinjiang

18,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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LP | 2017 | EU (Akuphone)

Kink Gong

Tibetan Buddhism Trip

Release: 2017 / EU

Genre: Rock & Indie

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Puzzling collage of Tibetan Buddhist rites

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Kingston Trio

College Concert

LP | EU (Vinyl Passion)

12,74 €* 14,99 € -15%

Release: EU

Genre: Rock & Indie

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500 Miles / Blowin' In The Wind / Last Night I Had The Strangest Dream / Lemon Tree

Kingston Trio

7" | 1964 | JP | Original (Capitol)

4,99 €*

LP | 2016 | EU | Reissue (Source)

Release: 1964 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Red vinyl. Copy close to VG

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Kings Of Convenience

Riot On An Empty Street

79,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | EU | Original (EMI)

Kings Of Convenience

Peace Or Love

36,99 €*

King Wasiu Ayinde Marshal I

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White Vinyl limited edition.

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Talazo Fuji Music Party!

LP | 2022 | EU | Original (Decca)

19,54 €* 22,99 € -15%

Please Don't Stop The Party Party Party

Release: 2022 / EU – Original

Genre: Rock & Indie

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Back in Nigeria in 1995 everybody knew King Wasiu Ayinde Marshal I. Just
about every house party and club floor, every shop front and car window,
pulsed to such megahits as ‘Talazo’ and ‘Consolidation’; to the percussion-rich
polyrhythms and Yoruba chants typical of Fuji music, a genre this one-time
roadie (for Fuji music icon Ayinde Barrister) had customised by adding more
percussion – congas, the sakara frame drum – and an attitude straight off the
street.
Wasiu Ayinde had nearly twenty years’ worth of national fame under his floor
length robes (and occasional zebra-striped jumpsuits) when he played his first
ever WOMAD Festival that same year. Booked in for a session at Real World
Recording Week shortly afterwards, the artist and his 16-piece band were
inadvertently delayed and pulled in to Real World Studios in Box, Wiltshire eight
hours late. The recording went ahead regardless. Against the clock. On-thefly. With a small live audience in party mode and microphones placed about
the floor, Wasiu Ayinde and his crew rode the adrenalin, summoning a set that
moved from trance-like call-and-response and vibrant Afropop ballads to those
aforementioned megahits, all of it soaked in groove and feeling. A kingly feat,
that seems even more majestic now.

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King Swallow

LP | 1979 | Original (Romey´s Records)

14,99 €*

I'll Tell You What's Gonna Happen

Release: 1979 / Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Kimberly Kelly

LP | 2022 | US | Original (Show Dog)

24,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Everry New Beginning Clear Coke Bottle Vinyl Edition

Kim Richey

LP | 2024 | US | Original (Yep Roc)

28,99 €*

LP | 2018 | EU | Original (Yep Roc)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-30

Grammy-nominated Kim Richey returns with her first album of new music in six years. The album's 10 tracks share a common thread of nostalgia and longing for times gone by. The album, except for one song, was produced by Doug Lancio in Nashville. Piano, flugel horn, pipe organ and acoustic guitars elevate these songs to a place that defies genre, but live somewhere in the folk, country, rock universe and illustrate what an incredible songwriter and singer Kim Richey is. Pressed on Clear Coke Bottle Vinyl!

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Kim Richey

Edgeland

16,89 €* 25,99 € -35%

Release: 2018 / EU – Original

Genre: Rock & Indie

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A Long Way Back: The Songs Of Glimmer

Kim Richey

LP | 2020 | US | Original (Yep Roc)

The Day The Earth Stood Still

Release: 2020 / US – Original

Genre: Rock & Indie

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Kim Richey celebrates the 20th anniversary of her album Glimmer with, A Long Way Back: The Songs of Glimmer, featuring new recordings of the songs from Kim's classic album. Produced by Doug Lancio, who also plays most of the instruments, A Long Way Back. . . allowed Kim to reinterpret these songs and give them a fresh, yet timeless sound. Other musicians on the album include Nielsen Hubbard and Dan Mitchell.

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Kim Fowley

LP | 2012 | EU | Original (Klimt)

13,99 €*

Release: 2012 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | US | Original (Circle 9)

Kiki Valera

Vacilon Santiaguero

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-30

LP | 2023 | EU | Original (Hyperjazz)

Khalab

Layers

20,69 €* 22,99 € -10%

Rabbit Fighter / Hot Love

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch

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Kevin Seconds / Kepi

7" | 2009 | US | Original (Suburban Home)

4,99 €*

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

12" | 2024 | EU | Original (Basin Rock)

Kevin Fowley

À Feu Doux

20,99 €*

Raga Lalat / Raga Malkauns

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

New signing to Basin Rock label who released breakthrough albums by Julie Byrne, Nadia Reid, Aoife Nessa Frances, Jim Ghedi, Andrew Tuttle, Trevor Beales….Limited edition black vinyl with download code.French lullabies and traditional folk songs dating as far back as the 14th century, adapted with contemporary arrangements and faint tape manipulations in Dublin, Ireland.Imagine Serge Gainsbourg, John Martyn and Gábor Szabó squeezed on a small stage in the early hours of a smokey backstreet Parisian jazz club, slowly hypnotising the audience into hypnagogic hallucinations.

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Kesarbai Kerkar

LP | 1963 | IN | Reissue (His Master's Voice)

38,99 €*

LP | 2023 | EU | Original (Americana Anthropology)

Release: 1963 / IN – Reissue

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Tear in top spine. Vinyl is slightly warped, otherwise VG+.

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Kentucky Colonels

1966

30,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Kensuke Ide with His Mothership

Madam The Whisper / Landline Boogie

7" | 2022 | JP | Original (P-Vine)

Release: 2022 / JP – Original

Genre: Rock & Indie

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“Madam the Whisper” is the lead single lifted from Ide Kensuke’s second album Contact From Exne Kedy And The Poltergeists. It is paired with “Landline Boogie” on this new limited edition 7” inch release on P-vine records.

Fans of the melody-driven snarl of Shintaro Sakamoto records and the Japanese folk-rock traditions of Happy End will surely find much to like in the crunching leads of “Madam the Whisper”. Always shape-shifting to avoid being boxed into a sound, the opposing tension in the guitars of “Landline Boogie” finds Ide’s reaching for the falsetto, and his catchy multi-layered vocals draw pleasing comparisons to of Montreal and Ezra Furman.

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LP | 1983 | JP | Original (Liberty)

We've Got Tonight

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with OBI has tiny wear. With insert. Japanese pressing. slight stains on cover

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LP | 1983 | JP | Original (Liberty)

We've Got Tonight

18,99 €*

Kenny Rogers & The First Edition

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Copy close to VG+

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Ruby, Don't Take Your Love To Town

LP | 1969 | DE | Original (Reprise)

8,99 €*

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Love Or Something Like It

LP | 1978 | JP | Original (United Artists)

Release: 1978 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing, comes with Obi and inserts. Cover has slight ring wear.

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Love Or Something Like It

LP | 1978 | JP | Original (United Artists)

7,99 €*

Release: 1978 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI. Copy closer to VG+

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LP | 2023 | EU | Original (Universal)

Life Is Like A Song

10,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1979 | JP | Original (United Artists)

Kenny

7,99 €*

Release: 1979 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | JP | Original (United Artists)

Gideon

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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LP | 1980 | JP | Original (United Artists)

Gideon

8,99 €*

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI, with insert.

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LP | 1980 | JP | Original (United Artists)

Gideon

9,99 €*

Kenny Rogers & Dottie West

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI, with insert.

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Classics

LP | 1979 | JP | Original (United Artists)

Release: 1979 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Outside From The Redwoods Record Store Day 2021 Edition

Kenny Loggins

2LP | EU | Reissue

27,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Wah Wah)

Kennlisch

20,99 €*

LP | 2006 | IT | Reissue (Dynamic)

Release: 1976 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey.

Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene.

An instrumental album, it opens with a burst of sunshine vibes and takes them into the experimental scene of French alternative folk avantgarde with a strong Cosmische influence. Beauty is the word, grown over acoustic guitar parts harmonised with the most elegant Moog Satellite lines you'll ever hear to create atmospheres of sound that make this is the perfect record for your mind to float away on a peaceful Sunday morning under a clear blue sky - it does have that therapeutic quality that we miss so much in modern music.

Wah Wah presents the very first official reissue of this mega rare LP, housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing and including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves.

500 copies only!

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Ken Lauber

Contemplation (View)

LP | 2021 | US | Original (Oh Boy)

Release: 2006 / IT – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover has tiny seam split.

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Kelsey Waldon

The Goldmine

20,99 €*

LP | 2022 | EU | Original (Oh Boy)

Release: 2021 / US – Original

Genre: Rock & Indie

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Vinyl LP pressing. "I've always said that, if George Jones sang on a disco song, I think it'd still be country," Kelsey Waldon muses. "If it's a part of who you are, it's a part of who you are." And country music is very much a part of who she is, a part of who she's always been. The Kentucky singer/songwriter hails from Monkey's Eyebrow, in rural Ballard County where her family put down roots several generations ago, metaphorically and otherwise. "Farming and planting tobacco were some of the first jobs I had growing up," she recounts. Waldon released her debut album in 2014, The Goldmine. The set was met with open arms from both critics and lovers of the kind of country music that she makes - the kind born in bars and raised in honky-tonks, the kind leaning on pedal steel and driven by Telecaster.

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Kelsey Waldon

No Regular Dog

26,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Oh Boy)

Kelsey Waldon

I've Got A Way

28,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Subject To Change Yellow Vinyl Edition

Kelsea Ballerini

2LP | 2023 | US | Original (Black River)

36,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Kelasea / Colored Vinyl Edition

Kelsea Ballerini

LP | 2020 | EU | Original (Black River)

22,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Premium Rec.)

Kelly Willis

Back Being Blue

23,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Toitu Joues A L'amour-The Attakapas Trail

Kelli Jones / Joey Savoy

7" | 2021 | US | Original (Valcour)

15,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Zephyrus)

Kel Assouf

Tikounen

22,99 €*

LP | 2024 | US | Original (Capitol)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Dragging rock drums, cutting guitar riffs and Tamasheq chants. This is the sound of the new Tuareg generation. Life in an urban contextand the connection with the Saharan culture has been the feeding ground for Kel Assouf’s album ‘Tikounen’.

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Keith Urban

High

28,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | JM | Original (H&K Records)

Keith Stewart

Yellow Bird

9,99 €*

Release: JM – Original

Genre: Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Tin Pan Alley

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

The End

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Play It Again Sam)

Keaton Henson

Monument

31,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Play It Again Sam)

Keaton Henson

House Party

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Little Pink Mack Pink Vinyl Edition

Kay Adams

LP | 2024 | US | Original (Sundazed)

27,89 €* 30,99 € -10%

LP | 2024 | EU | Original (Folkalist)

Release: 2024 / US – Original

Genre: Rock & Indie

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Highway Heroine Bakersfield Twang backed by the Buckaroos! Got your ears on? This album collects Kay Adams’ live studio cuts from the Buck Owens Ranch Show. Along with Tammy, Patsy and Loretta, Kay was one of country’s first female artists who elevated women in the genre. Gritty and country-to-the-bone, let this one spin & cut a rug! Pressed on pink vinyl!

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Kavita Shah

Cape Verdean Blues

27,99 €*

LP | 2017 | EU | Original (By Norse Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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For the past seven years, acclaimed jazz vocalist Kavita Shah has been busy on the Atlantic island of São Vicente, immersing in the traditional mornas and coladeiras of her idol and global music legend Cesária Évora. The result is "Cape Verdean Blues" (2023, Folkalist Records)—a carefully curated love letter to Évora's breathtaking archipelago. Shah, herself a daughter of diaspora who resonated with the music’s language of longing, has teamed up with Évora’s longtime bandmates–including the master acoustic guitarist/multi-instrumentalist Bau (Évora's longtime musical director)–to create her most personal work to date: this is music that makes you want to dance and cry at the same time.

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Kaunan

Forn

17,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Katt Hernandez & John Andrew Wilhite-Hannisdal

Bei-Spiel Kartografi

LP | 2019 | EU | Original (Motvind)

26,59 €* 27,99 € -5%

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Double Double Whammy)

Katie Bejsiuk

The Woman In The Moon

For You Who Are The Wronged Flesh Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Katie Bennett, singer-songwriter behind the bygone indie pop band Free Cake for Every Creature, spent the last three years exploring what it means to be her. She looked into the mirror and then she stepped into it; extended her arms forward, reached for the hands that reached back, and came together whole as Katie Bejsiuk. The name Bejsiuk is the singer-songwriter's original surname: her father, a first generation American with parents from Ukraine, changed it before she was born. By reclaiming the name for her solo project, the first new music we've heard from Katie since Free Cake disbanded in 2019, she has conjoined with a shadow version of herself who holds hands with her past, present, and future. And with the release of her debut album, The Woman on the Moon, out June 24 on Double Double Whammy, listeners are offered the most wholly version of Katie yet. The Woman on the Moon gently nods to the pre-band days of Free Cake - when it was just Katie and her guitar - but with a musical evolution cultivated from years of self-inquiry during which her confidence, direction, and self-possession bloomed. Whereas Free Cake buoyantly focused on the ecstatic wonders and wounds of youth in real time, Katie Bejsiuk pans out with wisdom and retrospection that comes with age. The Woman on the Moon is composed of 12 exquisite and refined songs that evoke the sensory through introspective lyrics and salve the heart with Katie's tranquilizing, cadenced vocals that devoted fans have clung to for over a decade.

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Kathryn Joseph

LP | 2022 | UK | Original (Rock Action)

Kath Bloom & Loren Connors

Release: 2022 / UK – Original

Genre: Rock & Indie

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for you who are the wronged is the much anticipated follow-up to 2018’s from when i wake the want is, and her 2014 debut bones you have thrown me and blood i’ve spilled, which won 2015’s Scottish Album of the Year award. If from when i wake… was written for love to return, this is where she fights tooth and claw to protect it.

Written and co-produced by Kathryn Joseph, it was recorded at The Lengths Studio in Fort William, with producer Lomond Campbell (also a recording artist for Heavenly Records and has previously produced King Creosote). Kathryn is signed to fellow Scottish musicians, Mogwai‘s Rock Action Records. It will appeal to those that have bought Kathryn’s earlier albums plus fans of Lana Del Ray, Laura Marling, Kate Bush, Aidan Moffat, and Erland Cooper.

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Sand In My Shoe Black Vinyl Edition

LP | 1983 | EU | Reissue (Chapter Music)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Dear Life)

Kath Bloom

Bye Bye The Are The Days

33,99 €*

LP | 2022 | EU | Original (Compliments Only)

Release: 2020 / US – Original

Genre: Rock & Indie

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The new record from the songwriting luminary! Born to a musical family, Kath moved through an early life absorbed and in love with the 60s sea change of musical expression, into a development of her own singular voice that would age to cast a wide net of influence. Her prolific relationship with Loren Mazzacane Connors in the 80s produced a body of work held sacrosanct by generations of avant-folk luminaries. In 2007 Chapter Music released a tribute album to her songs from that time recorded by Bill Callahan, Meg Baird, Devendra Banhart and others, and her song “Come Here” was featured memorably in Richard Linklater’s 1995 film “Before Sunrise”, in a scene which Ethan Hawke claims was “my favorite scene I ever filmed”. Two lovers listen hanging on the edge of a kiss, tense and present for a moment just out of reach. Limited to just 200 copies!

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Katelyn Tarver

Subject To Change

20,24 €* 26,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Look At It In The Light Dark Blue Marbled Vinyl Edition

Kate Bollinger

LP | 2022 | US | Original (Ghostly International)

Look At It In The Light Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Kate Bollinger's songs tend to linger well beyond their run times, filling the negative space of ordinary days with charming melodies and smart phrasings. She writes them at home in Richmond, Virginia, letting her subconscious lead, an open-ended process she likens to dreaming. From a chord progression appears a line, maybe a syllable will start to stick, enough to pursue, but she says sometimes the words don't feel likeher own, more like shapes that form in the mind's sky. Bollinger's musical universe is relaxed, tender, and unassuming; within lives a timeless sensibility, a songwriter's knack for noticing the little things and their counterpoints. Darkness and light, pain and pleasure, reality and escape. Her new EP, Look at it in the Light, her first project on Ghostly International, is collaborative; she shoots music videos with her friends and colors each of her folk-pop songs with musicians in her community. The title Look at it in the Light is a reference to the aspects of Bollinger's life that she knows need examining. For one, there's her persistent resistance to change _ she chooses to ignore it on the title track ("I try not to notice / I deny my fate"), as wiry strums sync with crisp drums. She surrenders to comfort on "Who Am I But Someone," a light and softly psychedelic number. "Yards / Gardens" finds Bollinger in full swing, skipping verses of uncertainty above a bright and nimble bassline and kick. Guitar riffs unravel across the bridge, trailing her lines like ellipses. The string-backed "Lady in the Darkest Hour" is the set's most luxuriant statement, recorded during a session at Matthew E. White's Spacebomb Studios with in-house arranger Trey Pollard (Natalie Prass, Helado Negro). Here her lines ring bittersweet yet reassuring, uplifted by swells of golden-hued instrumentation. From the hushed abstractions of "I Found Out" to the biting suspicions of closer "Connecting Dots," Kate Bollinger uses every inch of this dazzling EP to find her footing amidst the ever-present sways of life

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Kate Bollinger

LP | 2022 | US | Original (Ghostly International)

CD | 2004 | AU | Original (EMI)

Release: 2022 / US – Original

Genre: Rock & Indie

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Kasey Chambers

Wayward Angel

4,99 €*

CD | 2001 | Original (EMI)

Release: 2004 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Kasey Chambers

Barricades & Brickwalls

3,99 €*

Black Ants Always Fly Together; One Bangle Makes No Sound

Release: 2001 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
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Kasai Allstars

LP | 2021 | EU | Original (Cramned)

Tokyo Boogie Woogie Boogie Woogie Age Re-Edit & Remix

Release: 2021 / EU – Original

Genre: Rock & Indie

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This 4th full-length album by the legendary Congolese collective marks a new milestone in their already rich history, as the band have incorporated their own approach to electronic music into their new compositions. The album was produced by guitarist Mopero Mupemba, who also wrote about half of the songs. Mopero also took care of the often intricate programming, which is perfectly adapted to Kasai Allstars' peculiar rhythmic patterns drawn from traditional trance and ritual music. The album features Kasai Allstars mainstays such as vocalist Muambuyi (whose voice and personality inspired the making of multi-awarded feature film Félicité), vocalist and electric likembe player Kabongo, powerful singer Mi Amor, and instrumentalists Tandjolo and Bayila. Wonderful young vocalist Bijou makes a notable first appearance on several tracks. As is well-known by now, Kasai Allstars was born from the reunion of five bands, all from the Kasai region, but originating from five different ethnic groups whose diverse musical traditions were thought to be incompatible until these musicians decided to pool their resources and work together, an inspiring example of collaboration transcending ethnic and language barriers. Ever since the debut release in 2008, Kasai Allstars' music struck the imagination of music lovers and artists worldwide. They're particularly admired by avant-indie rock, electronic & hip hop musicians and media, who consider it as a kind of "primal rock", an accidental blend of trance and avant-garde. They're admired by artists such as Saul Williams, Questlove and Björk, have engaged in live collaborations with Deerhoof, Juana Molina and Konono Nd1, and have had their tracks remixed by the likes of Animal Collective, Deerhoof, Aksak Maboul, Jolie Holland, Shackleton and more.

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Kasagi Shizuko

7" | 2024 | JP | Original (Nippon Columbia)

33,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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2LP | 2014 | EU | Original (Heavenly Sweetness)

Kasa Tessema

Kassa Tessema

LP | 2024 | EU | Original (Ella Ruth Institutet)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Kassa belongs to the long tradition of melancholy raconteurs with a decided gift of gab. And the unique embrace of his deep voice heightens the emotion generated by the hum of his lyrics. For Ethiopians he is, along with the other great traditional voices of the post-war period such as Assèfa Abatè, Fréw Haylou, Asnaqètch Wèrqu or Kètèma Mèkonnen, a perfect example of the culture of the word: poetry and freedom of expression, with an impressive verve that hits the mark, quiet vehemence and merciless loquacity, lovelorn despair and self-deprecation. It must be underscored – to invoke some notion of a virtual scale of values – without exaggerating that there is a certain similarity between Ethiopians’ perception of Kassa Tèssèma’s “music” and the rapture Emahoy Tsegué-Maryam Guèbrou’s piano playing inspires in non-Ethiopian audiences. Each in his own way, both these artists are able to captivate their listeners. Music that demands to be listened to.

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Karolina Brännström

No Urge To Run

27,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Trikont)

Karmatürji

24,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Beliebte Russische Lieder

Karl-Heinz Hocke

LP | 1968 | DE | Original (Metronome)

11,99 €*

LP | 2017 | Original (Bella Union)

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

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Karl Blau

Out Her Space

Karine Polwart's Scottish Songbook

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Red vinyl. Still in shrink, but opened, with hype sticker

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Karine Polwart

LP | 2019 | UK | Original (Hegri Music)

23,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Karine Polwart & Dave Milligan

Still As Your Sleeping

LP | 2021 | EU | Original (Hudson)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Lösrivelse Tekster Av Edvard Munch Edition

Kari Bremnes

LP | 2023 | EU | Original (Kirkelig Kulturverksted)

37,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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A Song Is Way Above The Lawn

Karen Peris

LP | 2021 | UK | Original (Bella Union)

LP | 2010 | US | Original (Third Man)

Release: 2021 / UK – Original

Genre: Rock & Indie

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An illustrated album, for kids or for anyone who might like songs about walking under trees in a city, seeing dogs from a car window, reading, encountering gentle lions in the public library, listening to the first sounds of the morning, looking at stars, thinking about giraffes, and elephants, and the beauty of the world, the possibility contained in a tiny moment of a day.

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Karen Elson

The Ghost Who Walks

22,99 €*

7" | 2010 | US | Original (Third Man)

Release: 2010 / US – Original

Genre: Rock & Indie

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Jack Whites wife & professional super model … she can sing, no doubt!

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Karen Elson

The Ghost Who Walks

Release: 2010 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

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It's So Hard To Tell Who's Going To Love You The Best

LP | 1969 | EU | Reissue (Light In The Attic)

34,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Features new all-analog mastering by Kevin Gray at Cohearent Audio, direct from the original analog tapes - Pressed at RTI - Includes liner notes by Brian Barr - Featuring unseen photos by legendary photographer Joel Brodsky - LP housed in an expanded gatefold jacket

Description: “My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday’s and played the guitar like Jimmy Reed.” – Bob Dylan

Karen Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching & bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets.

World-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.

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It's So Hard To Tell Who's Going To Love You...

LP | 1969 | EU | Reissue (Elemental)

29,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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My favorite singer in the place was Karen Dalton. She had a voice like Billie Holiday's and played the guitar like Jimmy Reed"- Bob Dylan This essential folk/blues classic, originally released in 1969, was the debut album by Karen Dalton. Dalton was discovered by singer/songwriter Fred Neil, who introduced her to producer Nick Venet (the man who signed The Beach Boys and took The Beatles to America). She cut most of the tracks with one take, and all in one night. A perfectionist, Dalton was hard to convince to record, and producers Venet and Neil were only successful by tricking her into thinking the tape wasn't rolling. "Some find Karen Dalton's voice difficult to listen to", wrote Al/Music critic Richie Unterberger. "But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre." On this album, Dalton covers a wide range of styles, from lim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones penned soul tune "I Love You More Than Words Can Say." She also sings a couple of Neil tunes. After years of drug abuse, Dalton died in 1993, aged 55. Although she didn't enjoy commercial success during her lifetime, her work has gained significant recognition since her death, and artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

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In My Own Time 8-Track Edition

Tape | 1971 | US | Reissue (Light In The Attic)

14,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

8Track | 1972 | US | Reissue (Light In The Attic)

48,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

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In My Own Time 50th Anniversary Edition

Tape | 1972 | US | Reissue (Light In The Attic)

11,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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LP | 2011 | US | Reissue (Delmore Recording Society)

1966

31,99 €*