Folk 357 Items

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Cairo’s Dijit follows that smoked out, killer debut album for Youth with the first release on newly minted Cairo/London based label diy. Recommended if yr into Jabu, Andy Stott, Tricky, Zuli or ManonMars.

Puzzling collage of Tibetan Buddhist rites

NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown—a veteran of the indie underground (Fish & Roses, Run On, V-Effect)—and noise scene guitarist and multi-instrumentalist Che Chen—connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released three LPs and a clutch of self-released cassette and digital releases. Last year’s double album I Was Real received serious critical acclaim—The Wire calling it 2019’s Album of the Year. On their first live album, Live At Tubby’s, 75 Dollar Bill assembled a unique “little big band” [Sue Garner on bass, Cheryl Kingan on sax, Steve Maing on guitar, Jim Pugliese on percussion and Karen Waltuch on viola] for the small Kingston, NY club show. Recorded on the last day of their spring tour, the record puts a new perspective on themes from their body of work: a little more intimacy, a little more freedom, a little more controlled chaos. Brown’s idiosyncratic rhythms are all the more hypnotizing in Tubby’s cozy setting, and Chen’s furious guitar work cuts and hums with sounds seemingly only attainable on stage. It’s an album both challenging and immediate. The expanded 75 Dollar Bill’s affinity for improvisation and the avant-garde even leads to a rousing take on the Ornette Coleman classic, “Friends And Neighbors” that feels right at home in their own repertoire. The listener can’t help but feel present and part of the communal joy and catharsis being shared here in this room. This performance at Tubby’s turned out not only to be the last show of their tour, but the last show possible as the pandemic hit. Originally offered as a digital-only release on 75 Dollar Bill’s Bandcamp, Live At Tubby’s now documents a highlight and closure of sorts; this kind of musical improvisation and community interaction being on hold for the foreseeable future. This double album on Grapefruit will have to tide everyone over until it can all happen again.

Singer-songwriter with deep roots in hip hop culture.' Gea Russell presents his latest album One Last Dance, an album that fuses elements of blues, soul, reggae, jazz and hip hop. Whist his music has been likened to Tindersticks, Ben Harper and Michael Kiwanuka we are faced with a truly unique voice. The Result, an honest, spacious and heartfelt dance, and hopefully not his last.

Grant-Lee Phillipsâ'' latest album, Lightning, Show Us Your Stuff, is a turbulent and highly musical rumination that finds the veteran singer-songwriter at his most inspired. His tenth solo release bears the markings of his prolific output, a melodic prowess and an ear for lyric in everyday conversation. The album is grown from the same rich soil that Phillipâ''s long career, from Grant Lee Buffalo to his solo work has sprang from. The result is a beautifully human musical tapestry. The warm, live on the floor, instrumental bed is the perfect support for Phillipsâ'' inimitable voice. This spontaneous approach has become a tradition among his solo works. This record is supported by peerless drummer, Jay Bellerose (whose many credits include Raising Sand by Alison Krauss and Robert Plant) and bassist Jennifer Condos (heard on Bruce Springsteenâ''s Ghost of Tom Joad and other classics).

The thirteen song album has been remastered at the hallowed Abbey Road Studios in London from the original 1/4' analog master tapes, and the vinyl processed with a new half speed lacquer cut to ensure the highest quality audio possible. The bonus LP is a collection of outtakes of nearly every album track, including never before heard pre-production demo recordings, alternate mixes and arrangements, live material, an Archers of Loaf cover, as well as a newly recorded version of the album track 'Caretaker' which was recorded in 2019 on the literal last night in the house Stevenson grew up in, ten years after the song was originally written there. The album features liner note essays written by musicians Julien Baker and Lucy Dacus who drew early inspiration for their own music and songwriting from the album. Also contributing liner notes are Pitchfork, NPR and Stereogum writer Nina Corcoran, as well as long-tie friend and collaborator Jeff Rosenstock who produced and played guitar on some of the bonus demo material contained in the collection.

200 copies.

"Tales of Faith and Lunacy" is the second album by Italian songwriter Nero Kane after the 2018 release of "Love In A Dying World" for the LA art collective American Primitive. The new album, released by Nasoni-Records, unfolds in a desert landscape where medieval European mystical influences blend with the flavour of the American West to weave a gloomy, timeless journey. A deep and dark Psychedelic Folk masterpiece

The Infamous Stringdusters aus Nashville gelten als eine der besten und innovativsten Bluegrass-Bands unserer Zeit, sie traten mit Dolly Parton, Earl Scruggs und Bobby Osborne auf, belegten mehrmals die #1 der US-Bluegrass-Charts und erhielten 2018 sogar einen Grammy Award für das beste Bluegrass-Album. Nun veröffentlichen sie das Weihnachtsalbum "Dust The Halls" mit 10 zeitlosen Xmas-Klassikern in ihrem unverwechselbaren, groovy Style.

"With a nod to the past and a firm foot down on the gas toward the future, the 'Dusters... don't leave bluegrass behind, they're stretching it from within." - New York Times

Beynelmilân is delivering some funky turkish sound to your ears. A drumbreak in each track, psychedelic vibes and funky groove revisited classic turkish folk songs. If you like 70's anatolian Rock/Pop, Yeralti Oyun Havalari (Underground Belly Dances) is for you for sure. He recently contributed 2 tracks to the new Arşivplak record 'Mirror', which is a compilation of turkish disco folk with the typical psychedelic touch.

After it was only released on tape finally with the slightly different vinyl version of Yeralti Oyun Havalari, there is a full length LP containing 10 delightful tracks to take you on a trip to the turkoholic mekka of 70's anatolian psychedelic rock. Beynelmilân knows how to bring some heat to the dancefloor with tunes like 'Adam Mi Oldun' but also brings you down to a hypnotizing trip with tracks like 'Yaniyorum' which is topped with some melancholic vocals. Never missing the heavy drum breaks and intense melodies topped with some discoid flavour. Limited edition of 500 copies!

‘A celebration of the ever-expanding and evolving label family, Lli008 comprises an LP, a fifty-odd-page booklet (and eight page photobook and insert), further digital tracks and some web-based stuff contributed by friends new and old from far and wide.’